...Which Subcultures influence to modern fashion 1 Contents. Abstract………………………………………………………………………………………………3 Introduction……………………………………………………………………………………......4 Chapter 1. Cholo subculture………………………………………………………………...4 Chapter 2. Psychedelia of hippies……………………………………………....5 Chapter 3. Bloomers. Sport style………………………………………………..7 Conclusion…………………………………………………………………………………………..10 List of references…………………………………………………………………………………10 List of figures………………………………………………………………………………………11 2 Abstract Fashion is dynamic - it constantly changes. Moreover, some people choose the behavior or lifestyle influenced by fashion trends. Each subculture strive to create their own, such as to disassociate itself from the conventional, to preserve its originality and identity. However, some subcultures have other, and creating their own distinctive culture, they develop and enrich human culture in general. This article examines the relationship between few subcultures and the currently fashion through an analysis of Cholo subculture, psychedelia of hippie and sport style. Since the time of 20s century designers drew inspiration from street fashion and various subcultures that have their own unique style. 3 Introduction According to the 'Oxford English Dictionary online' defines a...
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...As early as 1950, David Riesman distinguished between a majority, "which passively accepted commercially provided styles and meanings, and a 'subculture' which actively sought a minority style ... and interpreted it in accordance with subversive values".[1] In his 1979 book Subculture: the Measuring of Style, Dick Hebdige argued that a subculture is a subversion to normalcy. He wrote that subcultures can be perceived as negative due to their nature of criticism to the dominant societal standard. Hebdige argued that subcultures bring together like-minded individuals who feel neglected by societal standards and allow them to develop a sense of identity. In 1995, Sarah Thornton, drawing on Pierre Bourdieu, described "subcultural capital" as the cultural knowledge and commodities acquired by members of a subculture, raising their status and helping differentiate themselves from members of other groups.[2] In 2007, Ken Gelder proposed to distinguish subcultures from countercultures based on the level of immersion in society.[3] Gelder further proposed six key ways in which subcultures can be identified: through their often negative relations to work (as 'idle', 'parasitic', at play or at leisure, etc.); through their negative or ambivalent relation to class (since subcultures are not 'class-conscious' and don't conform to traditional class definitions); through their association with territory (the 'street', the 'hood', the club, etc.), rather than property; through their movement...
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...In everyday life we are surrounded by consumption. We buy items every day, we pass millions of shops on our way home and see every other person carrying a branded shopping bag. So what exactly do we mean by consumption? The everyday use of the term nowdays states that 'consumption' is about 'use'. In postomodern accounts, cultural consumption is seen as being the very meterial out of which our identites are being construct – we become what we consume. Mackay (1997, p.4) In the 20 th century mass production has led to the commodification of culture, with the rise of cultural industries. Consumption serves the interests of manufactures seeking greater profit, and citisens have become the passive victims of advertisers. Mackay (1997, p.5) Boudreillard has a theory about consumer commodities. In late capitalism they developed the capacity to take up a wide range of symbolic associations which overlay their initial use-value and hence become comodity signs which leads to the loss of a sense of reality.Featherstone (1991,p. 56). Commodities came to lack authenticity and met ' false needs' . Consumers began to have a passive role , be manipulated, rather than creative and active beings. Karl Marx in his theory of capitalism says that production is for the market and for profit. Veblen's in his reaserch explains how goods are used as symbolic markers of social status, and how consumption is for the purpose of imprassing others.Mackay (1997, p.4) In 1984, Bourdieu provides a seeing...
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.................. ii TABLE OF CONTENTS Abstract List of Illustrations Introduction Methodology Literature Review Chapter 1: Chapter 2: Chapter 3: Historical and Cultural Contexts – Defining the 'Mod' and Youth Cultures in Post WWII Britain Americanisation – Music, Motives and Movement The Signs of Style iv v vi ix xi xi xvii xxi xxii xxiv xxvi xxviii xxix xxxii Interpretative Analysis Photography: Music: Fashion Conclusion Bibliography Appendix iii Abstract The purpose of this research study is to identify the signs of masculinity and European influence that dominated aspects of 'Modernist', or Mod, culture and lifestyle. The Mod is a British subculture which developed in the 1960's. The first stage of this study involves introducing the subcultural theories attributed to the Mod character and the basic roles of masculinity. The second stage introduces a proposed framework used as a methodology in interpreting these signs. A particular reference is the use of Roland Barthes 'Camera Lucida' (Barthes 1982). Following from this, a Literature review will discuss the role of key influences from European and American ideologies that impacted on the style and culture of the...
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...society or does the 'perspective' of theory and theoretical approach of the researcher only tease out particular aspects of a social phenomenon. By holding the topic of subculture constant, social scientific theory can be put into question. This essay examines subcultures from the 1950's to the present in order to revisit assumptions about theory. The Punk subculture is examined specifically through semiotic analysis within a broader Sociological framework in order to find out what a more subjective approach to theory over this time period can reveal. In the past, subcultural theory described subcultures as fairly uniform and static. Theorists referred to the 1960's and 1970's within a Modern paradigm which objectivist in nature understood subculture as a problem to be fixed. Subcultural delinquency was seen as noise and as unnatural. More recent subcultural theory describes subcultures as transient, informal and hybrid. But subcultures have always been about’ youth, about times of economic uncertainty, employment pressures and reliant on class distinction (Van Krieken et al. 2006, pp517-518). Meanwhile, in Postmodern society we see the so called 'disappearance' of subcultures which have become dispersed and commoditized by a youth distracted by consumerism and media images (Muggleton2000, pp48-50). Subcultures are defined as subordinate to the dominant culture and as having alternate beliefs. The groups that rebel are often referred to as reflective...
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...The classification of Goth as a subculture in society The subject matter of this essay will aim to show that the group known as Goth, is indeed a subculture in society. This essay will demonstrate that this group has its own individual values and norms, separate to that of mainstream society and how it has managed to reinvent itself inside and against mainstream society since it emerged during the 1980's. I have chosen to pick Goths for this essay as they have managed to last as a subculture in many countries worldwide and in my view have successfully distinguished themselves from the dominant culture in society. This essay will try to define what the group is, it will explain what a subculture is and how Goths are a part of that subculture, and it will outline and explain the concept of values with respect to the Goth group while differentiating those values between the gothic subculture and the dominant culture in society. Through norms, dress, language and artifacts it will also show why Goths should indeed be classed as a subculture, separate to that of mainstream society, as they have identified themselves as a subculture through symbols and nineteenth century gothic literature influences as well as contemporary imagery and style through horror films (Hodkinson 2002). The concept of subcultures can be traced back to Frederic Thrashers work on Chicago gangs, when he identified that the gang had its own distinct traditions, morals and their own structure as a group which...
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...The term subculture refers to a group of people with their own style and perspectives used to separate them from the larger culture to which they belong. There are and have been different subcultures in history, some were also rivals, with members of different subcultures becoming enemies automatically. The more interesting aspects of subcultures are the philosophical views, fashion style and music they created and how people adopted that lifestyle to fit in and be part of a big group. Gelder proposed several principal characteristics that subcultures portrayed in general: negative relations to work and class, association with their own territory, living in non-domestic habitats, profligate sense of stylistic exaggeration, and stubborn refusal of massification. Hebdige emphasised that the opposition by subcultures to conform to standard societal values has been slated as a negative trait, where in fact the misunderstood groups are only attempting to find their own identity and meaning. The divergence away from social normalcy has unsurprisingly proliferated new ideas and styles, and this can be distinctly observed through the existence of fashion diversity. Ethnicity, race, class and gender can be physical distinctions of subcultures. Furthermore, qualities which determine a subculture may be aesthetic, linguistic, sexual, political, religious, or a mixture of these factors. The expansion of youth styles from subcultures into the fashion market is a real network or infrastructure...
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...Subcultures of Consumption: An Ethnography of the New Bikers JOHN W. SCHOUTEN JAMES H. MCALEXANDER* This article introduces the subculture of consumption as an analytic category through which to better understand consumers and the manner in which they organize their iives and identities. Recognizing that consumption activities, product categories, or even brands may serve as the basis for interaction and social cohesion, the concept of the subcuiture of consumption soives many problems inherent in the use of ascribed social categories as devices for understanding consumer behavior. This article is based on three years of ethnographic fieldwork with Hartey-Davidson motorcycle owners. A key feature of the fieldwork was a process of progressive contextualization of the researchers from outsiders to insiders situated within the subculture. Analysis of the social structure, dominant values, and revealing symbolic behaviors of this distinct, consumption-oriented sutKulture have led to the advancement of a theoretical framework that situates subcultures of consumption in the context of modern consumer culture and discusses, among other implications, a symbiosis tietween such subcultures and marketing institutions. Transferability of the principal findings of this research to other subcultures of consumption is established through comparisons with ethnographies of other self-selecting, consumptiorv oriented subcultures. T he most powerful organizing forces in modern life are the...
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...culture and identity that increasingly occur amongst youth throughout the world, but what factors best explain the participation of young people in these subcultures? Also, how do these factors operate? The purpose of this paper is to argue that the participation of young people in youth cultures is best explained by 2 factors; the media and one’s ethnicity. This argument is will made with particular reference to punk and hip hop subcultures as well as brief discussion of Indigenous subculture. The paper will begin with an over view of how subcultures are used to form identities and invent cultural meaning which will be followed by a discussion of the mass media’s influence on youth in today’s society and how and why the media is a major factor in determining youths involvement in different sub cultures. The influence a young person’s ethnicity has on their participation in subcultures will then be addressed with reference to Cohen’s (1955) version of strain theory and how this effects the formation and involvement in subcultures such as indigenous subculture and hip- hop. A conclusion will then be given stating that both ethnicity and the media are the best means of explaining youth participation in subcultures as they are largely influential in determining youth involvement in, as well as the original formation of subcultures. Sub- cultures are often seen as a way of forming collective identities from which an individual identity can be achieved outside that which is ascribed...
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...1. Introduction The proposed research project is explicitly concerned with the causal connection between youth sub-cultures in the criminal justice system and the effects of over representation. In addition, this encompasses the question topic area of how Becker’s labelling theory (Becker 1993) and Merton’s strain theory (Merton 1968) affects mainstream society’s perceived deviance of the Goth youth sub-culture and how much of this contributes to this youth sub-culture’s actual deviance. Moreover, a specific area of concern is whether the Goth youth sub-cultures of the past and present, is a site of deviance or a site of creative resistance to norms in mainstream society. Researching the contribution that labelling and stigmatisation of the Goth youth sub-culture have on criminogenic effects, is exceedingly important and valuable as it seeks to identify various gaps in previous research, such as the limited knowledge on the extent to which these factors contribute to deviance. Moreover, there is a lack of theoretical concepts that could possibly account for Goth youth sub-culture’s perceived behaviour. 2. Research question, significance and aims of the research i) Does negative labelling and the over-representation and stigmatisation of the Goth youth sub-culture, cause successive results of emerging and higher levels of deviance? Also, do the effects of stigmatisation cause youth to join the Goth sub-cultures in order to overcome their marginalisation in society...
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...Introduction Slang is an independent non -literary form of human language. Though scholars have argued There is no straight forward definition of slung due to its socio linguistic complexity factors surrounding its use and formation. (Eble, 1996). Different definitions of slang have describe it either on a positive or negative way. (cited in Partridge 1935:2) defined slang as a highly colloquial type of language that are considered below the level of speech of those regarded to be educated. Slangs words are used with a high degree of informality and vocabulary richness. Slang is used by specific group of people characterized by the territory they come from, subculture or age. Slang comes in a variety of ways one notable ways is through the subculture. The society keeps on changing as well as slang use. Youths are mostly fond of using and creating slang, they do so to show their own identity. Slang is a linguistic variety that cannot be separated from the social surrounding of the users Classification of slangs Slang can be classified into two that is specific and general slang. Specific slang is a slang used by a particular members of a group with the main aim of showing respect to other members of the group. They are mainly used by people who are in the same age but identified by the factors such as social status ,age , education or similar occupation. While general slang refers to spoken words used to show lack of seriousness. It is mainly used to informally...
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...Introduction Subcultures are social groups that differentiate from mainstream culture by the ways its way of life, values, norms, beliefs, symbols, style and activities violate the conventional mainstream culture. Biker gangs are an example of a subculture. Biker gangs are essentially clubs that commit organized crime. A specific example of a biker gang that will be examined more thoroughly throughout the paper is the Hells Angels. In this paper the Hells Angels will be closely examined through their beliefs, ideals, norms, symbols, activities, etc. They will also be connected to and distinguished from the mainstream culture of society today. The Hells Angels participation in the subculture will be examined and how it appears to influence and...
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...are commonly confused. Jail is a locally-operated, short term facility where as prison is a state or federally operated, long term facility. Jails are mainly used for detaining inmates awaiting trial or sentencing. They can also house inmates who have been sentenced for less than a year. This will vary depending on the state. Prisons are long term facilities used after sentencing, where felons and inmates are housed for more than a year. These sentencing guidelines may vary by state. In six states there is an integrated corrections system of jails and prisons. According to Schamelleger Ph.D. (2015), Jail and prison are considered as traditional confinement. Community corrections, also known as community-based corrections, is a sentencing style that depends less on...
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...Initial Aims This report assesses the validity of Hebdige’s work on class and subcultures in the context of a distinctly international perspective: the Zephyr Boys Skateboarding team, founded in Dog Town, California, circa 1975. Key Questions • Can Hebdige’s Marxist-based, class-centred approach support the ethos of the Z-boys? Or does the Z-boys website reveal a more active dialogue between the subculture and processes of capitalism, rather than perpetuating a working-class incitement to overthrow the dominant? • The Z-boys website highlights the multicultural, multiethnic aesthetic of the 1975 skateboarding team. Does Hebdige’s citing of black culture’s role in the formation of punk help locate the inter-racial influences of the Dogtown skating scene? Or does Hebdige’s insistence on the metropolitan render the ‘ethnic’ experience a historically specific moment with essentialist characteristics? • In relation to the above, is Hebdige’s London-based study congruent with the California skating/surfing scene of the early-to-mid 1970s? Do the Z-boys conform to Hebdige’s notion of the ‘spectacular’? • McRobbie and Garber identify a patriarchal discourse within Hebdige’s work, in which they suggest ‘(girls) are absent from the classic subcultural ethnographic studies, the pop histories, the personal accounts…of the field’ (Gelder & Thornton (eds).1997, p112). Does this assertion coincide with the difficulties in applying a structuralist approach to the analysis...
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...In sociology a subculture is a group of people with a culture (whether distinct or hidden) which differentiates them from the larger culture to which they belong. If a particular subculture is characterized by a systematic opposition to the dominant culture, it may be described as a counterculture. Subcultures are social, with their own shared conventions, values and rituals, but they can also seem 'immersed' or self-absorbed - another feature that distinguishes them from countercultures. Subcultures can be distinctive because of the age, race, ethnicity, class, location, and/or gender of the members. The qualities that determine a subculture as distinct may be linguistic, aesthetic, religious, political, sexual, geographical or a combination of factors. Members of a subculture often signal their membership through a distinctive and symbolic use of style, which includes fashions, mannerisms, and argot. I work for UPS and have worked there for over seven years. UPS is a world of its own. Every business has it's own style. UPS is in the business of linking people, cultures, and commerce, with diversity as an integral part of its global strategy. And with employees in more than 220 countries and territories worldwide, there's no question that diversity is part of the social fabric at UPS. Diversity is leveraging our unique experiences and contributions because they add value to our culture and contribute to the success of our company. In today’s world, we understand that...
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