...Glaspell, Susan. “Silent Justice in a Different Key: Glaspell's Trifles.” Midwest Quarterly 44.3 (Spring 2003): 282-290. 2006. Literature Resource Center. Web. 26 Mar. 2015. Susan Glaspell’s “Trifles” is a play that uses deception, yet it seems simple like the title states. Yet it represents conflict between perception and behavior. Exploring the play reveals fundamental between the actions of me and women, the understanding of home space. The county attorney, the sheriff, and a neighbor return to the scene of the crime, attempting to collect evidence. Two of the men's wives accompany them to gather belongings for the jailed woman. In the course of the action, the women accidentally turn up the evidence which the men seek in vain, and the...
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...ENGL 2304 Dr. Soto 8 October 2007 Feminism in Trifles In Susan Glaspell’s Trifles, a short play about rural life in the early twentieth century, a strong standpoint on feminism is presented to the audience. Throughout the play, much of the plot revolves around contrasting the men in power’s perception of a crime scene with the more subjective, emotional women’s point of view. In the conclusion of the poem, the women, Mrs. Peters and Mrs. Hale, decline turning in some potential evidence that they have discovered. Their line of reasoning is that they understand the circumstances of the crime: a cruel, oppressive man was killed by his wife because of his wrongdoings. They understand that most likely the man probably deserved his fate, so they do not submit any evidence for the crime to the country attorney and the sheriff. Ethics aside, this action creates a chasm between the perceived implications of the plot of the play versus the actual effect of the play on the audience. In the first sense of the play, there is the literal conclusion. The women outright refuse to give the evidence to the sheriff and the county attorney; instead, they do not even mention that they have “solved” the crime. They end up dismissing it completely. However, attempting to determine the meaning of these actions can be difficult. Looking at the play strictly in a literal sense, the women have apparently done nothing for the cause of feminism. Yes, it is true that the women have silently resisted...
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...The title of Susan Glaspell's Trifles is central to the theme of the play in the way that it separates the world of men from the world of women. Mr. Hale's comment about women worrying over trifles is meant to be read almost as an insult. He implies that women are occupied with frivolous things while men are concerned with 'real' things or 'important' things. But women's trifles turn out to be much more significant than the men assume. The county attorney replies "And yet, for all their worries, what would we do without the ladies?" (Glaspell, 1413). He says this, but he shows that, in truth, he does not value the women for anything more than their housekeeping abilities, blatantly judging Mrs. Wright for not cleaning her roller towel...
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...Glenn Klosowski Jr. Professor Barker ENG 102 04 November 2015 An Investigation of "Trifles" Written in 1916, Susan Glaspell’s “Trifles” begins as a murder mystery but soon becomes an examination of marriage and domestic life as an institution of repression and suffocation. Minnie is driven to kill her husband; by not providing a specific incident to trigger the murder, the presumption is that it is committed as a result of prolonged and systemic suffering over a period of time, as opposed to a crime of passion. Minnie is not so much murdering John as she is killing her marriage outright. The play rivets attention to Martha and Mrs. Peters, who ultimately solve the murder (although keep this information withheld), by exploring their unique...
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...Trifles by Susan Glaspell Trifles, the play demonstrates how different roles were played between men and women and how women were treated. During the period of the late 19th and 20th century women wanted to become more independent and equal as men. In which, Feminist criticism is concerned with "the ways in which literature reinforce or undermine the economic, political, social, and psychological oppression of women" (Tyson). Therefore ladies were just a piece of the social part, being limited to only raise their family and be house spouses. As a result of Glaspell’s experience in the early 20th century, she gives us confining perspectives of women during the time, demonstrating it through her play “Trifles”. Glaspell gives us different points of interest that plays the role of sympathizing and speaking up for the women. In which the title Trifles itself seems to recommend that the play...
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...In the time period this story was written woman did not have the rights they were supposed to have. Men still felt dominant and could get away with things a lot easier. Trifles by Susan Glaspell is a play that not only gives the reader a understanding of deceit but also an understanding of unity. Deceit and unity are both shown by two key characters, both decide to follow a path that as woman could get them into trouble but in the process do things in respect to a woman's unity. In the story Trifles the Wrights home is being searched by the law for evidence to show that Mrs.Wright killed her husband. Mrs. Hale and Mrs. Peters help the search, Mrs. Hale is her neighbor and Mrs. Peters is the sheriffs wife. In the text Mrs. Hale stands up for...
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...Susan Glaspell’s one-act play, Trifles, is based on actual events that occurred in Iowa at the beginning of the century. For two years Glaspell worked as a reporter for the Des Moines News, where she covered the murder trial of a farmer’s wife, Margaret Hossack, in Indianola, Iowa. Hossack was accused of killing her husband, John, by striking him twice in the head with an ax while he slept (Trifles 216). Trifles, written in the early 1900’s by Susan Glaspell. Glaspell wrote this play during a time of controversial feminist issues. Glaspell wrote "Trifles" to demonstrate the male assumption that women were insignificant members in a male dominated society. Because the men underestimate them, the women are able to prove they are not insignificant. The play opens at the Wright farmhouse where Mr. Wright has been murdered in his sleep. They entered in the house: county attorney, the sheriff, Mrs. Hale, and Mrs. Peters. The men and women have come to investigate the case against Minnie Foster, the wife of Mr. Wright. Most of the stuffs which the male characters supposed to be insignificant objects like the broken bird cage door, the quilt, the dead canary, and the entire kitchen consequentially lead to the solution (Trifles 219). The improper assumptions by men toward women can have dire consequences, as demonstrated in Glaspell's world. Combating these narcissistic assumptions displayed by men can result in a unity among women that can overcome any male caused disrespect...
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...of “Trifles”, Fidelity, and Women’s honor by Susan Glaspell. In writing “Trifles”, Fidelity, and The Visioning she drew from her past and current experienced events to create such stories. Her writing career had first begun when she was in high school and progressed further into her college years. While attending college, her career spun off as a reporter for Des Moines Daily News. After a short time of being a reporter, she and her husband decided to return back to her hometown Davenport, Iowa to become a full time writer. This was the beginning of her becoming “one of the early-twentieth-century America’s leading playwright”(Rudnick). Fidelity was Glaspell third novel which was published in 1915. It took place in a small town in Iowa about a midwestern woman name Ruth Holland who was a rebellion against the environment she was surrounded by. She was committed in a relatonship with a man name Stuart Williams who was also married. Throughout the story, Ruth wants to amends relationship with her family but they seen her only as a bad woman. She started to grow by filling the voids in her life. When Stuart’s wife granted him the divorce, Ruth at this point decided to leave for New York alone to find her idenity, “rather than marrying a man she no longer loves” (Carpentier). Though it did not received as much fame as her other writings, this novel proves that influences from other people helps a writer creat their story. Though Fidelity may be different from Glaspell’s real...
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...Trifles by Susan Glaspell Name: Course: Professor: Institution: Trifles by Susan Glaspell Trifles, is a play which was written by Susan Glaspell in 1916. It reveals the writer’s concern with issues related to culture thinking and notions of gender and sexual roles. The title itself depicts that the apprehensions of women are in many times considered as simple trivialities that their issues are insignificant to the society. Susan Glaspell wrote the play to exhibit the male supposition that the views of the female are irrelevant in a male subjugated culture. The play invites the reader to question the relative value of men and women perception in the society, this is achieved by setting up a tension packed play that develops through the advancement of two different and separate narratives, a male and a female (Clarkson, 2003). This research paper seeks to discuss and analyze the play. The setting of the play is back in the early twentieth century during a cold weather in a rural area. This helps the reader to identify with a real life area with real people. The setting establishes a miserable and thoughtful mood. The author describes the condition of the house as an abandoned farmhouse that had a gloomy kitchen and that was untidy. This creates a response of emotional trauma which is as a result of the theme of loneliness in the landscape. The characters of the play are: the county attorney George Henderson who is a young and arrogant individual. He has a good reputation...
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...Literary analysis on “Trifles” by Susan Glaspell Gender roles continue to change with time. It has only been a very short time that woman have broken through their defined roles and begin to be equal with men on a total basis. In Susan Glaspell’s “Trifles”, the story challenges the gender roles through the events that occur during the course of the play and through their own inner workings. The story is set in the Literary Renaissance –Drama period and leaves plenty of room for female characters to shine in certain roles. The story provides interesting points that challenge the reader to step back and look at gender roles in a new light. “Trifles” is centered on several married couples and is presented around the point of view of female characters. The story takes place at Mrs. Wright’s home a day after her husband has been murdered. Much of the long script takes place around a conversation between Mrs. Hale and Mrs. Peters. The two women are in the home because one is the Sheriffs wife and the other is the wife of the Attorney. The story is presented as though Mrs. Wright is suspected of killing her husband and there is no doubt that she did kill her husband. During Mrs. Hale and Mrs. Peters conversation it is established that the two women are lashing out against their gender roles by withholding evidence from their husbands. In the story woman compare themselves to birds. Mrs. Hale openly speaks about Mrs. Wright “was kind of a bird herself” (Glaspell 169). It seems...
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...One act plays can be some of the most polarizing and engaging acts of art. Yet, after viewing director Jasmine Castello’s version of Trifles, it seems that the excellent source material conceived by Susan Glaspell has been let down by a lackluster production team. Written by Glaspell in 1916, Trifles follows a group men and women as the try and solve why an elderly woman’s husband was found upstairs with a rope around his neck, dead. While the men begin to search the premises for any inkling of the culprit, the wives who remain indoors discovers some dark secrets of their own. One of the strongest factors of the play was simply Glaspell’s material. Not only did it convey a sense of mystery, but it’s underlying message that you discover throughout...
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...In Brian Sutton’s work “‘A different kind of the same thing’: Marie de France’s LAUSTIC and Glaspell’s Trifles”, he analyzes the similarity regarding the core symbol, a murdered songbird, and the powerful meaning of that symbol. Sutton compares both works to derive with his conclusion; that both works are linked to a piece of literary history connecting listening to a songbird with “a longing for the ideal and far off.” Even more so both works are compared with the will for freedom. Looking strictly at his opinions regarding “Trifles”, Sutton states how the dead canary “evokes a wife’s urge to escape her marital dreariness”, which is expressed in quotes from “Trifles” from Mrs. Hale and Mrs. Peters. However, the dead songbird is used for numerous other symbols throughout the play. Such as how Mr. Wright killing the bird is easily portrayed as an attack on his wife. Sutton interpreted the canary to be Mrs. Wright, more so the cheerful side extinguished by the depressing marriage between herself and Mr. Wright. Quotes withdrawn from “Trifles” can support this idea, again being stated by the lone women in the play, Mrs. Hale and Mrs. Peters. Sutton reasons that the killing of the bird (by Mr. Wright presumably), equates to a symbolic attack on Mrs. Wright. This attack only adds onto the guilt of already killing Mrs. Wright’s spirit, hence the presence of the songbird, where the canary is a “stand-in” for Mrs. Wright. This article constructed by Sutton only focuses on one thing:...
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...LITR201-1402B-04: Literature: A Reflection of Life- PHASE 4 Name: Institution: LITR201-1402B-04: Literature: A Reflection of Life- PHASE 4 PART A Drama is also referred to as a play because it tells a story and is also performed on stage. In addition, drama is similar to plays in that it has a theme, a plot and is often narrated by a persona (Ghent, 2012, 629). Also, drama is also known as a play in that it evokes emotions and has a tone just like a play. During my high school days, the school invited a group of people who performed a play on HIV/AIDs. This was my initial time to timepiece a live stage performance. The characters perfectly represented their roles in that the audience felt as if the characters were real. For example, those characters representing HIV patients appeared weak and sad; the sounds were full of sympathy as they spoke. Every scene had its own sounds that paralleled the theme and purpose of the act (Meyer, 2011, p111). There were cries, mourns and even sounds of desperation. Throughout the drama, the audience was full of sad mood. HIV/AIDs infection was presented as something that people should be afraid of. The audience was also filled with pity and sympathy for the infected characters. Since it was my first encounter to see a live stage drama, the theme, scenes and characters were a great impact to my life and my understanding of what entails a drama. For a elongated time I had wished to be involved in a dramatic act until one day, my literature...
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...Men’s Pride Leads to Downfall in Glaspell’s “Trifles” “Well, women are used to worrying over trifles,” says Mr. Hale in Susan Glaspell’s play, “Trifles.” While demeaning women and their concerns is criticized as sexist in the twenty-first century, mere decades ago people accepted sexism as common and even warranted. Since the male-dominated society considered women’s tasks less important than men’s, men treated women with a lack of consideration. In the 20th century drama “Trifles,” Glaspell challenges the suppression in effect during her lifetime, basing the play on a series of news stories she wrote about the real-life court case of a woman prosecuted for murdering her husband. In “Trifles,” Glaspell uses symbolism to show that male sexism causes a lack of empathy which leads to men’s failures as much as it does women’s. From the first scene to the final line, Glaspell uses spatial symbolism to reason her case about the detrimental effects of men’s stereotypes of women. According to the stage direction, the initially timid female characters, Mrs. Hale and Mrs. Peters “...come in slowly, and stand close together near the door,” clearly displaying a reluctance to enter a widow’s empty home. However, as Mr. Hale, the sheriff and the county attorney “go at once to the stove,” they discuss what happened the previous day. When Mr. Hale had first knocked on the door to request Mr. Wright’s help, he tentatively entered when he thought he heard “come in”; now that Mr. Wright is gone...
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...third party observer. Proof of this is evident in a comparison of Susan Glaspell’s “Trifles” and her “A Jury of Her Peers.” The first is written as a play and as such the reader’s perspective is that of a third party watching the events unfold. “A Jury of Her Peers” is written as a short story and gives the reader the perspective of Martha Hale, one of the main characters. This change gives the story a whole new dynamic for the reader and causes more emotional involvement of the reader even though the two versions deal with the same subject matter and the same moral and ethical problems. The differing perspectives affect the reader from the very start of each piece. The play opens with a paragraph that sets the scene of the farmhouse, introduces the characters by name, and then jumps into dialogue between them. “A Jury of Her Peers”, however, begins with only Martha Hale and immediately gives the reader some insight into her mind and personality, “What her eye took in was that her kitchen was in no shape for leaving” (Glaspell). This lets the reader relate to Mrs. Hale in a more personal way that simply being introduced by name doesn’t. Being able to see through Mrs. Hale’s eyes and get into her mind then allows the reader to get more of a sense of her self-inflicted guilt as she thinks about all the opportunites she had to visit Mrs. Wright, but didn’t. The reader also gets this sense in “Trifles”, but not to the same degree and not in the same way. It is delivered...
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