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Take It Like A Man Analysis

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“Take It Like A Man”
What do we get when we drop marginalized people, specifically homosexual men, into positions of social prominence? The answer, contradictory in its own right, is quite simple: martyrdom. The martyrdom of homosexual men in film and television stems from the idea that homosexuality is a perversion that must not be displayed publicly (“Homosexuality in Film”). To avoid total non-representation, characters are, instead, martyred. In many cases, which will be briefly explored in this essay, gay characters are victims of other people. In other cases, which will also be explored in this essay, gay characters experience a slow and torturous victimhood before ultimately taking their own lives or succumbing to some disease. The latter type of martyrdom in film and television can be more dangerous than the former because it normalizes the self-inflicted plight of the gay man. This sends a …show more content…
However, this was not always the case. Up until 1930, gay characters were not martyred; however equally as troubling, they were a source of humor. The motion that changed this was the Hays Production Code of 1930. The code censored motion pictures by restricting certain topics from being addressed or depicted. According to director Rob Epstein’s 1992 documentary film titled The Celluloid Closet, due to the Hays code in tandem with regulations set forth by the catholic church’s Legion of Decency, the following restrictions prevailed: “open-mouthed kissing, lustful embraces, sex perversion, seduction, rape, abortion, prostitution and white slavery, nudity, obscenity, and profanity.” Initially, homosexuality, falling under the category of sex perversion, was nearly completely erased. With time, however, homosexuality was back on the silver screen, only this time creators wrote gay characters that supported the very code that caused their near

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