...Ultimately Leading to Death in Kate Chopin’s Stories In Kate Chopin’s novel The Awakening and her short story Desiree’s Baby, they are both led by female characters in the nineteenth century. In both works, it creates an interesting setting considering the fact of societal roles and the way women were treated in this time period. Although in different locations, both women: Edna from The Awakening and Desiree from Desiree’s Baby can relate their struggles in their marriage. In both novels, it is evident to the audience that both couples lack a strong connection and at least one partner has a detachment from the other. In The Awakening and in Desiree’s Baby, Edna and Desiree’s relationship with their husbands negatively...
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...according to Darwin’s theory. Holtman, Janet. "Failing Fictions: The Conflicting and Shifting Social Emphases Of Kate Chopin's "Local Color" Stories." Southern Quarterly 42.2 (2004): 73-88. Academic Search Complete. Web. 14 Apr. 2013 The presents work analyses the concept of skin color used by Kate Chopin her works. It discuss the way Southern discourses of race and class influences Chopin novels “Bayou Folk” and “A night in Acadie”. "Kate Chopin: Her Novels and Stories." Kate Chopin: The Awakening, The Storm, Stories, Biography. N.p., n.d. Web. 16 Apr. 2013. The website provides information about the all the novels and stories wrote by Kate Chopin. It also has her biography and a list of books, articles and essays about Kate Chopin and her works. In addition, the website has series of questions about Kate Chopin personal life and her reputation as a feminist reformer. Tolentino, Jasdomin, "Kate Chopin's Life and Personal Influence" (2008).Excellence in Research Awards.Paper 2 In this paper, Tolentino discuss Kate Chopin life and her personal influence. He explain how the relations with the members of her family, the environment in which she lives and the close people who died in her life affected her of writing her short stories “The Storm” and “ The Story of an Hour”. Bradley, Patricia L. "The Birth Of Tragedy" And "The Awakening": Influences And Intertextualities." Southern Literary Journal 37.2 (2005): 40-61. Academic Search Complete. Web. 15 Apr. 2013 The essay...
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...“ Common Themes Found in Kate Chopin's Short Stories Kimberley J. Dorsey Stevenson University English 152, Writing About Literature 152-OME1 Charlotte Wulf November 14, 2010 Abstract Many of Kate Chopin’s short stories share the common themes of female oppression. The females in her stories are trying to find a way to escape their oppression and have a sense freedom and individuality. They either commit adultery or fantasize about it as a way to explore their feminine sexuality and obtain a sense of freedom. Common Themes Found in Kate Chopin's Short Stories Kate Chopin, an American novelist and short story writer. Born in 1851 and died in 1904 (cerebral hemorrhage). Chopin lived in Louisiana during her marriage to a Louisiana businessman and began writing after her husband’s death; being left to raise six children alone. Many of her stories are based on her knowledge of Creole and Cajun life during the time she lived there. She is best known for her novel “The Awakening,” considered Chopin’s masterpiece was subject to harsh criticism at the time criticism for its frank approach to sexual themes (Toth, 1988-1999, p. 1). Her attitude seen throughout her writing’s are about a woman’s place as being in the home and her purpose in life is to nurture her husband and children. Being against oppression Chopin chose to write about these issues through fiction, expressing...
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...Kate Chopin Catherine (Kate) O'Flaherty was born in St. Louis, Missouri, on February 8, 1850, the second child of Thomas O'Flaherty of County Galway, Ireland, and Eliza Faris of St. Louis. Kate's family on her mother's side was of French extraction, and Kate grew up speaking both French and English. She was bilingual and bicultural--feeling at home in different communities with quite different values--and the influence of French life and literature on her thinking is noticeable throughout her fiction. From 1855 to 1868 Kate attended the St. Louis Academy of the Sacred Heart, with one year at the Academy of the Visitation. As a girl, she was mentored by woman--by her mother, her grandmother, and her great grandmother, as well as by the Sacred Heart nuns. Kate formed deep bonds with her family members, with the sisters who taught her at school, and with her life-long friend Kitty Garasché. Much of the fiction Kate wrote as an adult draws on the nurturing she received from women as she was growing up. Her early life had a great deal of trauma. In 1855, her father was killed in a railroad accident. In 1863 her beloved French-speaking great grandmother died. Kate spent the Civil War in St. Louis, a city where residents supported both the Union and the Confederacy and where her family had slaves in the house. Her half brother enlisted in the Confederate army, was captured by Union forces, and died of typhoid fever. From 1867 to 1870 Kate kept a commonplace book in which she recorded...
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...A&E Television Networks, n.d. Web. 18 Nov. 2015. Kate Chopin was born on February 8, 1850 in St. Louis Missouri. She began to write after her husband’s death. The Awakening (1899) is a realistic novel about the sexual and artistic awakening of a young mother who abandons her family. Bloom, Harold. "Bloom on Kate Chopin." Novelists and Novels, Bloom's 20th Anniversary Collection. Philadelphia: Chelsea House Publishing, 2005. Bloom's Literature. Facts On File, Inc. Web. 19 Nov. 2015 She attended the St. Louis Academy of Sacred Heart, where she read copiously, learned to play piano, became fluent in French, and passionately supported the confederacy during the Civil War. She became more interested in literature and creative storytelling after the death of her father, great grandmother and her half-brother during these...
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...HL309 Comparative Literature August 2011 semester Description The module will examine the binary categories ‘modern’/‘traditional’ (and/or the ‘primitive’) as they appear in modernising societies. First, we look at representative literature from (what was until recently known as) Great Britain. The question is: why did the world’s homeland of the Industrial Revolution have a fascination with adventure, feats of derring-do and the primitive? We look at a young reader’s Victorian adventure novel, the long-enduring The Coral Island, and the later short stories of Rudyard Kipling (the ‘Bard’ of Empire), and examine the (contradictory?) lure of the primitive, even as British modernity is taken for granted. Second, the module will proceed to examine some major Chinese and Japanese writers and intellectuals (and an Indian poet and critics, the Nobel Prize-winning Rabindranath Tagore) and see how northeast Asian culture was broadly affected by their sense of Western modern superiority in technology, political organisation and literary (and other forms of creative) culture. Both China and Japan, the major countries in East-Southeast Asia, were never colonised, but they were intimidated by the presence of the Great Western Powers (and their colonies) in the region. Japan after the Meiji Restoration (1868) became the first modern Asian nation-state, and their attempts at intensive (and disruptive) modernisation of their culture had a profound impact on the whole region – and this desire...
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...great-grandmother, Madame Charleville, who first introduced her to the world of storytelling. Madame Charleville spoke only French to Kate and told her elaborate, somewhat risqué stories. Family tragedy surrounded the young Kate. When she was eleven, Madame Charleville died, and her half-brother George was killed while fighting in the Civil War for the Confederate side. Yet, Kate seems not to have completely despaired; she earned a reputation as the "Littlest Rebel" when she tore down a Union flag that had been tied to her front porch by Yankee soldiers. Had Kate not been a young girl at the time, the incident might have resulted in serious consequences, but since she was, her act became famous as local legend. While attending a Catholic high school, Kate studied both French and English literature and became an accomplished pianist. She attended numerous social events and became very popular in St. Louis high society. She also became interested in the movement for women's suffrage although she never became very politically active. When she was nineteen, she married Oscar Chopin, a twenty-five-year-old French-Creole businessman. The couple moved to New Orleans, Louisiana, and later moved to Cloutierville in north central Louisiana. Kate and Oscar were very happy together and, like the Pontelliers in The Awakening, soon became immersed in aristocratic Louisiana society. A gentle man, Oscar tolerated Kate's...
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...“The Awakening” Symbolism, Irony In Kate Chopin's short story “The Awakening”, the voice of the story portrays a woman with sexual aspirations, and moral female social rules in search for independence and self discovery. The story is based on the 19th century woman. During this time women barely had any freedom, were not recognized within the society and had no choice but to me submissive to their husbands. The main character of the story named Edna is portrayed to be a happy woman because she has everything; a wealthy, attentive husband, and two children. Thoughtout the story the truth about Edna’s unhappiness is revealed. The voice of the story uses symbolism, irony, and figurative language to express Edna Pontellier’s feelings as she found her way to her happiness and freedom. Throughout the text, Chopin encourages readers to think but using situational irony. “Irony- the expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect.” (Merriam-Webster). While reading, readers are made to think the opposite of what actually happened at the end of the story. In the beginning of the story, Edna’s husband Leonce tells his wife to send his friend Robert away when he starts to bore her. Unknown to Leonce that he was actually the one who was boring Edna. “"Well, send him about his business when he bores you, Edna," instructed her husband as he prepared to leave.” (Chopin 1). Another example of irony is when...
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...In literature, society has portrayed women in a negative light compared to their male counterparts. In the typical novel, short story, or poem, the female is always the foil of the man who is usually the protagonist or hero in some way; she is perceived as either being weak and fragile, violent, and viciously brutal, or she just does not fit society’s image of the perfect woman. Examples of the negative portrayal can be seen in literature such as Kate Chopin’s The Awakening, in which Edna is a weak and conforming wife having an affair with another man; William Shakespeare’s Macbeth, in which Lady Macbeth is an evil, conniving woman who degrades her husband by questioning his strength and masculinity; and Ernest Gaines’ A Lesson Before Dying, in which Vivian Baptiste cannot seem to simultaneously satisfy her family, her ex-husband, her boyfriend, Tante Lou, or Tante Lou’s friends while staying true to her religion, even though Grant has none at all. Through imagery, tone, and figurative...
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...he has mostly lived abroad - in Paris, New York, Barcelona and Mexico - in a more or less compulsory exile. Besides his large output of fiction he has written screenplays and has continued to work as a journalist. Kate Chopin, born Katherine O'Flaherty (February 8, 1850 – August 22, 1904), was an American author of short stories and novels. She is now considered by some to have been a forerunner of feminist authors of the 20th century. From 1892 to 1895, she wrote short stories for both children and adults which were published in such magazines as Atlantic Monthly, Vogue, The Century Magazine, and The Youth's Companion. Her major works were two short story collections, Bayou Folk (1894) and A Night in Acadie (1897). Her important short stories included "Desiree's Baby", a tale of miscegenation in antebellum Louisiana (published in 1893),"The Story of an Hour" (1894),[2] and "The Storm "(1898). "The Storm" is a sequel to "The 'Cadian Ball," which appeared in her first collection of short stories, Bayou Folk. Chopin also wrote two novels: At Fault(1890) and The Awakening (1899), which are set in New Orleans and Grand Isle, respectively. The people in her stories are usually inhabitants of Louisiana. Many of her works are set in Natchitoches in north central Louisiana. Within a decade of her death, Chopin was widely recognized as one of the leading writers of her time. In...
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...position as a social truth. However, I would argues that, in The Awakening written by Kate Chopin, Edna sets an impressive example that presents us with a figure who takes a weary and tough journey in seeking liberation and authentic identity in a complex society, along with exploring self. The courageous soul seems to be the essential beacon guiding her through this tough tunnel, whereas, she finally understands that being herself in an authentic society will be the first step in truly achieving liberation. Quite a few people claim that Edna already has an authentic life, since she is well protected by her husband, who looks at his wife “as one looks at a valuable piece of personal property which has suffered some damage” (The Awakening, Page 4) My view, however, is that this has the same meaning as Edna being a caged bird who is not fully understood by others. The author writes: “Her eyebrows were a shade darker than her hair. They were thick and almost horizontal, emphasizing the depth of her eyes. She was rather handsome than beautiful.” (The Awakening, Page 5) We learn that Edna’s powerful and serious impression foreshadows her internal strength and masculinity. According to Chopin’s description, Edna defines herself properly: “In short, Mrs. Pontellier was not a mother-woman. The mother-woman seemed to prevail that summer at Grand Isle […] fluttering about with extended, protecting wings.” (The Awakening, Page 9) Firstly, the mother-woman depicts a typical-identity...
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...“Araby” by James Joyce In his short but complex story, “Araby”, James Joyce, with the use of symbolism and metaphors, reveals the journey of a young boy. “Araby” is a story of the differences between the innocent ideal and the knowledge of real life. Joyce presents us with the idea of the boy’s journey, which ends with a failure but results in the discovery of adulthood. However, looking closer, it is a story of a grown man looking back on his earlier experiences as a young boy. The boy's journey is no longer limited to his youthful encounter with first love but to a representation of a conflict of the ideal: the dream as he wishes it to be, with the harsh reality that it is. This depiction, of the boy’s experiences allows for the dramatic evolution of a story of a first love told by a narrator who, (with the adult vision), applies the sophisticated use of irony and symbolism needed to reveal the story's deeper meaning. In the beginning we learn about the boy’s character through the atmospheric setting of North Richmond Street in Dublin. He grew up in a dismal, dark, dead-end street. “An uninhabited house of two stories stood at the blind end, detached from its neighbours in a square ground.” Gloominess seems to be setting the mood “dark dripping gardens,” “brown imperturbable faces” and “the dark muddy lanes”. Joyce paints a picture of a somber and hopeless presence with no happiness or anything to look forward to. The young boy’s character is revealed through these...
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...September 2014 An Argument for the case of “The Story of an Hour” The decision to keep “The Story of an Hour” instead of “Hills like White Elephants” is an easy one based on the plot, the characterization and the conflict that these stories have. “The Story of an Hour” is a short story with an interesting plot with a dynamic character that has personal conflict, while “Hills Like White Elephants” has no real plot, there is not much information about the characters at all and the conflict is minimal at best. The textbook would be of better service to the students if “The Story of an Hour” by Kate Chopin remained in it. “The Story of an Hour” is a story about a married woman named Louise Mallard who was known to have a heart condition. This is the first sentence in the story so the plot is introduced right away. Immediately the reader knows that she has a heart condition and her husband had died. The story goes on to describe her sadness and then the awakening that she has when she realizes that she is free of her marriage. The author describes the emotions that Mrs. Mallard goes through. For example, she sums up the emotions of Louise Mallard when she says “She breathed a quick prayer that life might be long. It was only yesterday that she had thought with a shudder that life might be long” (Chopin 654). The plot thickens as the front door opens and her presumed dead husband walks through the front door. However, in the story “Hills like White Elephants”, the plot is never...
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...The Awakening The Awakening explores different details of a woman living life through the 1800's. The main character that is discussed is Edna Pontellier. She is married to Leonce Pontellier and they have two children together, Etienne and Raoul. The story behind Edna is her desire and struggles to be an independent woman and live fully within her true self. She has struggles learning this about herself and the purpose of a happy life that in turn it causes friction with her friends and family. There are many symbols and perspectives in the story that will help decide whether or not Edna did the right thing in the end. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity. A critical analysis consists of choosing a certain lens that would point out certain characteristics of a book and summarize the findings. From the weekly reading “When you analyze a piece of literature or portion of it, it is important to look at various parts of the work—characters, setting, figurative language, and symbolism” (South University, Lecture, wk.2). There are three perspectives that were included in The Awakening, Feminist, Psychoanalytical and Historical. While writing this paper from a feminist perspective there will also be comparisons from the other two. As Sigmund Freud stated “the mind has two parts,...
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...Analysis and interpretation of “Stolpestad” By Jeppe Bender Lassen In "Stolpestad" from 2008 the author, William Lychack, deals with life in the postmodern society through his main character Stolpestad. A middle-aged police officer not able to settle in the chaotic and confusing postmodern world. What starts out as a routine task of putting down a wounded dog ends up becoming a journey for spiritual awakening, as Stolpestad comes to some life-changing realizations. The story is set in a dull and gloomy town in which Stolpestad grew up and has inhabited ever since. The narrator provides several signs that the town is a place almost completely desolated from excitement. This is for example evident in lines 3-4: “…like a clock ticking all these bored little pent-up streets and mills and tenements away.” Life of the town is decaying. Nothing seems to be done to prevent this from happening. As goes for the case of Stolpestad’s life. Stolpestad leads a quiet and trivial life as a police officer – a job in which the main constituents of a daily schedule are insignificant routine tasks. To fill out the remaining parts of his life he hangs out at bars finding comfort for the lack of substance in his life at the bottom of endless pints of beer. One might almost describe Stolpestad’s trivial life as a never-ending déjà vu, where the days are just passing by indifferently. When Stolpestad is called out to the boy with the injured dog however, he suddenly gets an opportunity of moving...
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