...“Revenge is a dish best served cold”. This is a quote I am sure Edgar Allen Poe has herd after reading his short story “The Cask of Amontillado”. “The Cask of Amontillado” is the story of man, Montresor, and his brutal revenge against his former friend, Fortunato, who had insulted him. Poe’s story is riddled with examples of dramatic, verbal and situational irony which highlight the brutal revenge and brings humor into the story. Dramatic irony occurs when the reader knows something that one of the characters does not. Such is the case in “The Cask of Amontillado” as the story begins with Montresor stating “The thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge”(510). This statement sets up dramatic irony throughout the story as the reader knows Montresor has sworn revenge on Forunato, while Fortunato believes they are still friends. This irony is evident through the whole story as Montresor pretends to be friends luring Fortunato to his cellar where he would eventually trap and kill him. The irony enhances the brutality of the murder as the reader knows throughout Montresor is planning some revenge while Fortunato believes he is going to sample his friends wine. Secondly Poe weaves verbal irony, a statement in which the meaning that a speaker employs is sharply different from the meaning that is ostensibly expressed, throughout to add humor to the story. The story is filled with verbal irony as Montresor is planning...
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...The cask of amontillado By Edgar Allan Poe Plot Sypnosis The characters in this story are Montresor, a deranged man who seeks revenge and Fortunato, a haughty wine connoisseur against whom Montresor seeks revenge. The story begins during the carnival. Montresor avenge against one of his "friends," ironically named Fortunato, for insulting him, and explains that he has found a way to avenge himself that satisfies the two conditions he has: that Fortunato knows for sure Montresor is behind it and that he himself escapes revenge or punishment. Fortunato has a cold. Montresor finds his friend Fortunato at dusk. He is drunk and dressed in carnival costume as a jester. Using reverse psychology, he induces Fortunato, whose knowledge of fine wine he admires, to follow him into the catacombs underneath his palazzo to determine if his newly-acquired barrel storage cask of Amontillado, a kind of Spanish sherry, is indeed authentic and thus worth the price he has paid. They talk as they walk deep into the catacombs, discussing Fortunato's health, the Montresor family motto Nemo me impune lacessit, Latin for "No one assails me with impunity", and membership in the Freemasons. The ominous atmosphere intensifies as they continue to the damp, potassium nitrate air of the Montresor crypt. Dumbfounded at the absence of the Amontillado at the end of their passage, Fortunato stands 'stupidly bewildered' and Montresor takes advantage of the situation, suddenly chaining Fortunato to the wall...
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...to literature and literary analysis(551) Hem lal pandey 31th july,2015 “ The cask of Amontillado” as a gothic story The story “The cask of Amontillado” by Edgar Allan Poe is a fine example of his Gothic writing. As the story features numerous characteristics of gothic literature. For example dark setting, imagery, underground chamber, violent and revenge, the theme of death and decay, extreme circumstances of terror oppression and the motif of double. The story “the cask of amontillado” carries a perfect example of Gothic setting. As the main action takes place in damp catacomb, which is dark and snoopy. As it is mention in the story “it was about dusk, one evening during the supreme madness of carnival season” (Kirszner and Mandell 119) thus the story appears an entirely Gothic story when it’s revenge content is supported with it’s atmosphere which is melancholic and dreadful. Montressor assures Fortunato to provide amontillado and takes him to the underground vaults and winding staircase. He says; I took their scones two Flambeaux, and giving one to Fortunato bowed him through several suits of rooms to the archway that led into vaults I passed down a long and winding staircase … we came at length to the foot of the descent and stood together on the damp ground of the catacomb of the montresors. (Kirszner and mandell 192-193) Montressor and fortunato passed through “walls of piled bones with cask and puncheons intermingling into the inmost recesses of the catacombs”(kirszener...
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...The Cask of Amontillado by Edgar Allen Poe is a gothic horror story written in 1846. This short story by Poe uses many different techniques to grab and hold the reader’s attention. While the main subject of the story is murder, there is no shown repercussions of Montresor’s actions. In this reading response we will discuss the basic outline of the story, the setting, and, the symbolism behind each portion of the story. The Cask of Amontillado is set in an unspecified Italian town in what I estimate is the early 1800’s during carnival season. The story starts off by the main character and narrator Montresor telling a backstory about how Fortunato insulted him, and that Montresor vowed to get revenge. Montresor formed a plan to get his revenge during carnival when all his servants would be away. When Montresor runs across Fortunato in the streets, he tells Fortunato that he is on his way to the rival wine connoisseur in town Luchasi, to get a pipe (130 gallons) of a wine named Amontillado authenticated. This causes Fortunato to follow Montresor to his demise....
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...Student name ENC 1102 Professor xxxx 4th January 2013 The Journey of a Premeditated Murder “The Cask of Amontillado" by Edgar Allan Poe, is a disturbing and sordid tale, to which we cannot remain indifferent since it includes a feeling we humans often experience. The author is responsible for enveloping us with his story and cruel narration of how Montresor becomes obsessed with revenge because Fortunato “insulted” his family and takes it to the highest degree by murdering Fortunato with complete coldness. Revenger is a feeling that can overpower a person and drive them to do things that they never thought they were capable of, just for the feeling of personal satisfaction. However, many details of the story make the readers wonder if Montresor was insane or Fortunato’s had done wrong and his murder was premeditated? In the story, we are introduced to Montresor who is considered to be protagonist and narrator of the story. All the evidence presented throughout the course of the story can make us believe that Montresor is an unreliable narrator. He tells us the story from his own point of view, which is brutal, vengeful, merciless, and cold. He insists that his actions are due to the “Thousand injuries of Fortunato I had borne as I best could…” (236) and he is definitively convinced that all his actions are justified as he stated “I must not only punish but punish with impunity” (236). One of the first signs of his unreliable character is that Montresor did not even mention...
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...The Cask of Amontillado | By: Edgar Allan Poe | “Nemo me impune lacessit” | Sigmund Freud Theories | Premises | Proofs | * Most of the individual’s mental processes are unconscious Montresor do not want his plan of killing Fortunato to be ruin but as explained by Freud our hidden desires are shown by the unconscious part of us. Montresor himself gave hints to Fortunato to his true intensions. | When Montresor said their family coat of arms, "A huge human foot d'or, in a field azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel." Motto, “no one assails me with impunity”. With that he means, he will ultimately crush Fortunato...Another is when he said, “I drink to your long life” that is in irony. What he really implies is that Fortunato will eventually die soon. With those words that he did not really meant to say comes from his mouth because of the unconscious part of him that shows what he conceals. | The mental processes have three psychic zones: id, ego, super ego | Proofs | * id It is the dark, inaccessible part of our personality, and most of this is of a negative character. * Settings * It was about to dusk, one evening during the supreme madness of the carnival season...... * The vaults are insufferably damp, dark and the vault in the end of the catacombs is piled with skeletons. * “A moment more and I had fettered him to the granite. In its surface were two iron staples, distant from each other about two feet, horizontally...
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...CJ Loehner Eng. 210 Tina Crossgrove 9/19/13 Montresor: Criminal or Hero? “Amontillado” a type of sherry wine that cost a man his life and all because he had a deceptive friend who fools him into thinking he needed some wine tasted. Edgar Allen Poe uses many types of literary devices in his writing to give his readers an enjoyable story to read. One of the devices is double entendre. One of the finest examples of this writing technique is in Edger Allan Poe’s “Cask of Amontillado”. In Poe’s short story we meet the interesting character of Montresor, a rich man who is out for revenge. Revenge most people would not even consider worth killing someone over. Not only does he have this revenge, Montresor is not much of a man for he does not want to fight this battle fairly. Actually, he is a two-faced person who is friendly and caring to Fortunato’s face while planning on killing him the entire time. During this story Montresor sometimes speaks using a double entendre. A double entendre is when you say one thing but mean something altogether different. When one realizes this it makes it hard to understand and causes one to wonder if Montresor can be trusted as a narrator. Edger Allan Poe’s use of this literary device makes one wonder if the reader can really trust what Montresor has to say, an if he is a reliable narrator or not. The act of getting revenge on someone is one of the oldest actions taken throughout the history of mankind. Revenge is harming somebody...
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...In Edgar Allan Poe’s short story, “Cask of Amontillado”, Fortunato is preyed upon by narrator, Montresor. Fortunato has “injured” Montresor more times than enough. Due to his actions, Fortunato places himself in a life-ending predicament. Fortunato’s plight is applied to represent more general concerns of humanity. The first sentence of the story reads, “The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult, I vowed revenge.” As mentioned previously, it sounds as though Fortunato earned this death for himself. The situation could’ve been avoided if he acted with regard of others. Too many times humans do things without expecting a consequence. People also say things and they don’t anticipate the response...
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...Murder is never tolerable, no matter the motive. In the short story “The Cask of Amontillado,” Montresor, the narrator of the story, explains that a friend, named Fortunato, had wronged him many times. In response to this, Montresor lures Fortunato into the catacombs in promise of an expensive wine, but instead murders him. Montresor’s actions in the story are not justified, as Fortunato couldn’t have done anything that terrible, his actions were morally wrong and illegal, and there are multiple other ways to resolve the conflict. In the beginning of the story, Montresor tells the reader that Fortunato had wronged him, but he doesn’t explain what the deed was. “The thousand injuries of Fortunato I had borne as I best could, but when he ventured...
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...In Aesop’s fable, “The Wolf and the Lamb,” the moral of the story asks the reader to examine the desire for an object—and how we justify our behavior if we cannot obtain that object. This moral is graphically presented through the repeated use of key words to describe the fox’s repeated failure to get what he wants. The fox’s first attempt is foiled as he “just missed” the grapes (35). He attempts “again and again”, running and jumping repeatedly, but has “no greater success” (35). He then becomes disgusted and walks away. These successive descriptions of his failure build to his disdainful comment that the grapes are probably sour (35). The repeated demonstration of fox’s failures and his self-rationalization of why is he walking away—not that he has failed but because he has decided that the grapes are sour and he does not want them anyway—cleverly portrays the moral of the fable: if you can’t get it, blame something else, not yourself. It therefore asks the readers to Aesop’s Fables 3 of 93 The Wolf and the Lamb Once upon a time a Wolf was lapping at a spring on a hillside, when, looking up, what should he see but a Lamb just beginning to drink a little lower down. ‘There’s my supper,’ thought he, ‘if only I can find some excuse to seize it.’ Then he called out to the Lamb, ‘How dare you muddle the water from which I am drinking?’ ‘Nay, master, nay,’ said Lambikin; ‘if the water be muddy up there, I cannot be the cause of it, for it runs down from you to me.’ ‘Well...
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...LIT 210 Entire Course (UOP) For more course tutorials visit www.tutorialrank.com Tutorial Purchased: 5 Times, Rating: A LIT 210 CheckPoint 1: Literary Canon Response LIT 210 CheckPoint 2: Writing About Literature Response LIT 210 Assignment: Literary Definitions Activity LIT 210 CheckPoint: Final Paper Rough Draft 1 of 2 LIT 210 CheckPoint: Final Paper Rough Draft 2 of 2 LIT 210 Week 2 CheckPoint: Young Goodman Brown Matrix LIT 210 Week 2 DQs LIT 210 Week 3 CheckPoint: Analytical Essay LIT 210 Week 4 DQs LIT 210 Week 3 Assignment: Comparative Character Matrix and Newspaper Ads- Appendix D LIT 210 CheckPoint: Newspaper Ads for Dramatic Characters LIT 210 Week 5 Assignment: Oedipus Rex and A Raisin in the Sun Essay LIT 210 Week 5 CheckPoint: Comparative Drama Matrix LIT 210 Week 7 Assignment: Comparative Poetry Matrix- Appendix h LIT 210 Week 6-Checkpoint - Word Order Activity LIT 210 Week 6 DQs LIT 210 Final Paper Outline LIT 210 Week 8 Checkpoint Analyzing the Essay LIT 210 Week 8 DQs LIT 210 Capstone Checkpoint LIT 210 Final Project Comparative Literature Paper ............................................................................................................................................................... LIT 210 Assignment Literary Definitions Activity (UOP) For more course tutorials visit www.tutorialrank.com Tutorial Purchased: 4 Times, Rating: A+ Resources: Appendix B and the glossary on pages 1204-1215 in Literature:...
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...Reference. In my view, "The Tell-Tale Heart" foregrounds different stages of Ego-Evil as the narrator defines himself through the narcissistic eye, the malicious glare, and the enigmatic gaze of the other. In the story, the narrator clearly grounds himself as a powerful Master who can determine all values. As a result, he sees that he is sane, and that his disease is good. His disease has merely "sharpened [his] senses -- not destroyed -- not dulled them" (91). He remains an absolute Master who has an eye for the ultimate Truth, hence he can "calmly tell [the readers] the whole story". This episode foregrounds the way of the eye, which is always on the side of the Subject and its narcissistic fantasy. In the Lacanian context, the eye allows the self to see itself as a unified creature and as a judge, hence the eye is essentially related to the imaginary "identity-building" process. However, as the eye sees what it wants to see, "sight" or "insight" can mean bias. As noted by Ellie Ragland, the eye gives a narcissistic perspective of "unification and fusion" that does not guarantee truth, though it certainly offers a personal "principle of law or judgment" (95). In the story, the eye's bias shows itself when the narrator immediately views the old man's disease in a negative light. The old man's cataract is seen to be the "Evil Eye" (89). If we borrow Martin Buber's concept, we may as well call it the "I-Thou difference." John Cleman believes that the narrator's mental...
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...English 175-‐02: Introduction to Literary Genres Instructor: Aaron Schab aschab@uidaho.edu 209 Brink Hall Department of English University of Idaho Course Meets: Life Sciences South 163 Monday/Wednesday/Friday 9:30 am – 10:20 am January 9, 2013 – May 10, 2013 Course Description In this class, we will learn about the basic conventions and terms used to understand and discuss the three major genres of literature: fiction, poetry, and drama. This class will help you understand the sometimes baffling world of literature, and is intended to provide the general student with basic experience in literary analysis. Additionally, I hope this class will lead you to a lifelong appreciation for (and engagement with) reading literature. Although this class features extensive reading and writing, it is not necessary for you to be a bookworm or a writing superstar to succeed in this class – if you ...
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...[pic] JPPSS ELA COURSE GUIDE 2011-2012 ENGLISH I The JPPSS Instructional Sequence Guides are aligned with the LA Comprehensive Curriculum. JPPSS Implementation of Activities in the Classroom Incorporation of activities into lesson plans is critical to the successful implementation of the Louisiana Comprehensive Curriculum. The Comprehensive Curriculum indicates one way to align instruction with Louisiana standards, benchmarks, and grade-level expectations. The curriculum is aligned with state content standards, as defined by grade-level expectations (GLEs), and organized into coherent, time-bound units with sample activities and classroom assessments to guide teaching and learning. The units in the curriculum have been arranged so that the content to be assessed will be taught before the state testing dates. While teachers may substitute equivalent activities and assessments based on the instructional needs, learning styles, and interests of their students, the Comprehensive Curriculum should be a primary resource when planning instruction. Grade level expectations—not the textbook—should determine the content to be taught. Textbooks and other instructional materials should be used as resource in teaching the grade level expectations...
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...cover next page > title author publisher isbn10 | asin print isbn13 ebook isbn13 language subject publication date lcc ddc subject : : : : : : : : : : : cover next page > < previous page page_i next page > Page i 1100 Words You Need to Know Fourth Edition Murray Bromberg Principal Emeritus Andrew Jackson High School, Queens, New York Melvin Gordon Reading Specialist New York City Schools . . . Invest fifteen minutes a day for forty-six weeks in order to master 920 new words and almost 200 useful idioms < previous page page_i next page > < previous page page_ii next page > Page ii © Copyright 2000 by Barron's Educational Series, Inc. Prior edition © Copyright 1993, 1987, 1971 by Barron's Educational Series, Inc. All rights reserved. No part of this book may be reproduced in any form, by photostat, microfilm, xerography, or any other means, or incorporated into any information retrieval system, electronic or mechanical, without the written permission of the copyright owner. All inquiries should be addressed to: Barron's Educational Series, Inc. 250 Wireless Boulevard Hauppauge, NY 11788 http://www.barronseduc.com Library of Congress Catalog Card No. 00-030344 International Standard Book Number 0-7641-1365-8 Library of Congress Cataloging-in-Publication Data Bromberg, Murray. 1100 words you need to know / Murray Bromberg, Melvin Gordon. p. cm. Includes index. ISBN 0-7641-1365-8 1. Vocabulary. I. Title: Eleven hundred words you need...
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