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The Devil In The White City

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The Devil in the White City, a nonfiction novel written by Erik Larson, focused around the construction the 1893 Chicago World's Fair, also referred to as The World's Columbian Exposition, Daniel Burnham, the architect responsible for building World's Fair and the serial killer who exploits the fair to find his victims, H.H. Holmes, the two men's lives are recreated. Larson uses juxtaposition, imagery, and figurative language to portray the opposing forces of good and evil in action during the World’s fair.
Introducing juxtaposition in into the novel Larson contrasts the good and evil presented by the fair. Larson compares the good of Burnham to light and the nefariousness of Holmes to the dark. Known as the “White City”, Chicago is a pivotal
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He uses locations that flourished during the fair to portray an image of prosperity and goodness. Larson uses words such as “seductive” and “ravishing” in order to give the reader a complete idea of the sophistication of the park in the fair’s prime. As people leave the fair Larson's once ravishing image of the park is transformed into a picture of “despair and dilapidation” (Larson 322)
Using figurative language Larson describes the beauty of the park while also illustrating the gruesomeness of Holmes’s murders. Creating an elegant vision, Larson compares the park to a “poetic object”(Larson 144). Even though the pure beauty of the park is apparent, Holmes’s murders go unnoticed, hidden by the importance of the fair. While Holmes was a smooth talking man, he was also one of many secrets. One of the grisly, murderous secrets Holmes kept was how he enjoyed being close enough to hear the “approach of death” in the escalating panic of his victims. Larson, engaging the reader, emphasizes the slowness and evident death that was taking place.
The World’s fair encounters the dueling forces of good and evil, using juxtaposition, imagery, and figurative language, Larson tells the tale of H.H. Holmes and Daniel Burnham. Juxtaposition contrasts the good and evil, imagery paints the picture of good and evil, and figurative language compares the good and

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