...Bilbo Baggins Character Analysis Rough Draft “Hobbits really are amazing creatures… You can learn all that there is to know about their ways in a month, and yet after a hundred years they can still surprise you at a pinch.” Bilbo is relatable to many people, even though he is a hobbit and not human. Bilbo found characteristics of himself that he did not know he had. Now he has more titles than just the hobbit under the Hill, he is an adventurer. Tolkien uses Bilbo as the central character to tell the audience that such a great event can change a person, but it is important for that person to keep their beliefs. Tolkien has created Bilbo as someone that can be related to. Tolkien clearly describes Bilbo’s Baggins-side, a well-respected hobbit family, and his Took-side, the out-there and adventurous family that “[wishes] to go and see the great mountains… and wear a sword instead of a walking stick.” It is easy to relate to someone like this by enjoying the comfort of everyday life, but also wishing something fun, exciting, and new would happen. This helps Tolkien introduce Bilbo as the protagonist and help the readers be more empathetic towards him. Because Bilbo’s Took-side led him go on this...
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...Hobbits, the narrator explains, are little people, roughly half the size of humans, with thick hair on their feet, round bellies, and a love of good food, comfort, and security. Though some hobbits live in houses, they traditionally live in holes in the ground. The holes are not dank and smelly but comfortable, cozy underground dwellings with all the amenities of their aboveground counterparts. The hole occupied by the hobbit known as Bilbo Baggins is called Bag End. It is quite a pleasant dwelling, with comfortable furniture and a well-stocked kitchen, nestled in a snug little village under a hill. Bilbo’s ancestry is somewhat noble by hobbit standards: his father was from the well-to-do, conventional Baggins family, but his mother was from the Tooks, a wealthy, eccentric family infamous for their unhobbitlike tendency to go on adventures. Despite his Took blood, however, Bilbo prefers to stay at home and live a quiet life. On the day the story begins, Bilbo is enjoying a pipe outside his front door when an old man with a long cloak and a staff arrives. After the old man introduces himself, Bilbo recognizes him as the wizard Gandalf, who has created spectacular fireworks displays on holidays in Hobbiton, but Bilbo still looks on the old wizard with a suspicious eye. When Gandalf asks if Bilbo would be interested in going on an adventure, Bilbo declines and quickly excuses himself. He invites the wizard to come over for tea sometime but only so as not to seem rude—in reality...
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...THE HOBBIT J. R. R. Tolkien ← Chapter 1 → There is a lot more in him than you guess, and a deal more than he has any idea of himself. (See Important Quotations Explained) Summary Hobbits, the narrator explains, are little people, roughly half the size of humans, with thick hair on their feet, round bellies, and a love of good food, comfort, and security. Though some hobbits live in houses, they traditionally live in holes in the ground. The holes are not dank and smelly but comfortable, cozy underground dwellings with all the amenities of their aboveground counterparts. The hole occupied by the hobbit known as Bilbo Baggins is called Bag End. It is quite a pleasant dwelling, with comfortable furniture and a well-stocked kitchen, nestled in a snug little village under a hill. Bilbo’s ancestry is somewhat noble by hobbit standards: his father was from the well-to-do, conventional Baggins family, but his mother was from the Tooks, a wealthy, eccentric family infamous for their unhobbitlike tendency to go on adventures. Despite his Took blood, however, Bilbo prefers to stay at home and live a quiet life. On the day the story begins, Bilbo is enjoying a pipe outside his front door when an old man with a long cloak and a staff arrives. After the old man introduces himself, Bilbo recognizes him as the wizard Gandalf, who has created spectacular fireworks displays on holidays in Hobbiton, but Bilbo still looks on the old wizard with a suspicious eye. When Gandalf asks if Bilbo...
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...J.R.R Tolkien’s novel The Hobbit follows the journey of one central hero, Bilbo Baggins, and his company of dwarves as they embark to Erebor to retake the dwarves’ homeland. This epic tale can be analyzed using a mythological, biographical, or historical critic’s point of view. There are also a few themes seen throughout the novel, including greed and the journey. From a mythological standpoint, one could mention the works of literature that Tolkien himself said has influenced his fantasies about the fabled land of Middle-earth: Iceland’s Poetic Edda and Beowulf. Some tales in Norse mythology can also be analyzed to apply to Tolkien’s novel. Based on a biographically and historically opinion, one might talk about the World Wars’ effect on Tolkien and his novels. Another approach that could be taken is one based on the archetypes seen in The Hobbit; the hero, Bilbo Baggins, and the villain, the dragon Smaug. One could connect the archetypes and events of The Hobbit to those of Beowulf. The Hobbit could also be seen as a novel of the genre bildungsroman, which means “coming-of-age” and focuses on the emotional and physical development of the main character. The use of mythological criticism in the analysis of J.R.R Tolkien’s first novel The Hobbit is by far the most popular among renowned literature critics – one of whom was CS Lewis, an author of children’s fantasy novels himself. It is easy to explain the story from a mythological point of view; many ancient texts have themes...
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...where we hear about Bilbo baggins turning eleventyone 111 and Frodo be coming of age at 33. * What are you going to analyze - We are going to analyze the mysterious circumstances of Bilbo’s age, and why hobbits become of age at 33. * Analysis – what is important? * Frodo becoming of age at 33, could be because of people having such a high life-expectancy. Bilbo’s adventure, and his rich treasures. What kind of treasure he might have stumbled upon on his trip. For example the ring. “Bilbo was very rich and very peculiar, and had been the wonder of the Shire for sixty years, ever since his remarkable disappearance and unexpected return. The riches he had brought back from his travels had now become a local legend, and it was popularly believed, whatever the old folk might say, that the Hill at Bag End was full of tunnels stuffed with treasure. And if that was not enough for fame, there was also his prolonged vigour to marvel at. Time wore on, but it seemed to have little effect on Mr. Baggins. At ninety he was much the same as at fifty. At ninety-nine they began to call him well-preserved, but unchanged would have been nearer the mark. There were some that shook their heads and thought this was too much of a good thing; it seemed unfair that anyone should possess (apparently) perpetual youth as well as (reputedly) inexhaustible wealth. * One may argue that the ring may be his source of life. * The eldest hobbit was 130 years old and Bilbo is 111, which is quite...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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...УДК 811.11136(075.8) ББК 81.2Англ-2я73 И89 Все права защищены. Никакая часть данной книги не может переиздаваться или распространяться в любой форме и любыми средствами, электронными или механическими, включая фотокопирование, звукозапись, любые запоминающие устройства и системы поиска информации, без письменного разрешения правообладателя. Серийное оформление А. М. Драгового Истомина, Е. А. И 89 Английская грамматика = English Grammar / Е. А. Истомина, А. С. Саакян. — 5-е изд., испр. и доп. — М.: Айрис-пресс, 2007. — 272 с. — (Высшее образование). ISBN 978-5-8112-2292-6 Пособие содержит базовый теоретический и практический курс грамматики современного английского языка для студентов первого и второго курсов факультетов иностранных языков. Данное учебное пособие является составной частью комплекта учебников «Практический курс английского языка» под редакцией профессора В. Д. Аракина. ББК81.2Англ-2я73 УДК811.Ш'36(075.8) ISBN978-5-8112-2292-6 © Истомина Е. А., Саакян А. С, 1980 © Айрис-пресс, 2007 СОДЕРЖАНИЕ Предисловие ....................................................................................................................... 7 Part I THEORY SYNTAX .............................................................................................................................. 8 I. Types of Sentences according to the Aim of Communication............................................ II. Types of Sentences according to Their Structure...
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