...store, Alcée's house, and the house where Clarisse is vacationing, but the most important setting is Calixta and Bobinôt's home – when Bobinôt is not there. Instead, another man comes into his domestic space and literally takes his place in the bedroom, having sex with his wife. Alcée and Calixta are not only trapped in the house during the storm, they almost seem forced into the bedroom – pushed into each other's arms and then onto the bed. The home itself isn't described that much: it has a "small front gallery" (porch) (2.2), a room that is "the dining room – the sitting room – the general utility room" (2.8), and a bedroom that holds a "white, monumental bed" and looked "dim and mysterious" (2.8). The house gives Alcée and Calixta shelter during that storm and allows them to be together. The storm almost seems to have more of a presence than the house. One thing that stands out here, of course, is the fact that the storm is taking place during the important sexualized scene, keeping Alcée and Calixta within the house, and Bobinôt and Bibi outside of it. When the storm dissipates, Alcée and Calixta must go their separate ways, seemingly much richer for their encounter. When Bobinôt reenters his own home, he has no idea of the torrid encounter that just happened there. Clarisse, too, is removed from the main area of action – she's in another state. On a larger scale, the setting reminds us of the characters' places in the world. As the Kate Chopin International Society's...
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...women to be viewed as equals. This idea of gender equality is not something new. The feminist movement has been an old, progressive one. Many women and men alike have had these gender equity ideas for centuries; this idea is not a new one as pioneers from Sor Juana to Kate Chopin to even the present-day Emma Watson, have stated time and time again, women are faced with oppression by the patriarchal society in many different ways that hurt women and men alike. Kate Chopin wrote many short stories in her time that pushed the envelope for the feminist movement. Two stories in particular were “The Storm” and “ The Story of An Hour”. Both of these stories have a female protagonist oppressed by a male antagonist, which very much can be construed as a commentary of what social normal behavior was, a patriarchal driven society that oppressed any type of female freedoms or expressions. In Chopin’s short story, “The Story of An Hour” the protagonist, Mrs. Mallard was able to imagine a life of freedom when she received the news of the death of her husband. While, Mrs. Mallard was not given the liberty to enjoy her newfound freedom, for her husband did not pass away after all; Chopin writes in such a way that even if it was for just an hour, Mrs. Mallard had the life that every person dreams of. Chopin use of windows and open...
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...Academy of the Sacred Heart . During this time Kate met a girl named Kitty Garesche who she then befriended and started to write with on a constant basis, but was suddenly separated from her due to the civil war in St. Louis when Kitty’s family was banished for their Confederate sympathies. Kate most definitely was the poem and the poet. She was known for living her life the way she wanted and wrote about the things that she felt. This is what led many people to get lost into her stories, and feel a sense that they were there themselves. Kate had many stories that touched the hearts of many people in the years of her writing. Three stories that stood out would be The Storm, The Canadian Ball, and The Respectable Woman. Two of her stories that the most enjoyable are, The Canadian ball and The Storm. It may be no coincidence that the two stories are enjoyable due to the fact they have many similarities. These...
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...Gritty Realism During the 1890s, many women were limited to what they were allowed to do. They could not go to school, have a job, or even vote. Men viewed women as though they were only meant to bear children and be a housewife. However, a writer by the name of Kate Chopin was a voice for women all the over the world. Two of her most famous writings are “The Storm”, and “Story of an Hour”. Within these two writings, she discussed issues that many other women writers would have avoided. Another writer who was famous for his portrayal of gritty topics was Ernest Hemingway. One of his most memorable writding is titled “Hills like White Elephants”. These writers were able to write about challenging realistic new ideas such as freedom after the death of a love one, abortion, and adultery. Although some of these stories are deemed gritty, Hemingway’s “Hills like White Elephants” deals with realistic issues couples often face. These writings also have ironic undertones such as, when Mrs. Mallards dies from seeing from dead husband and the girl who thinks about abortion, but notices greener fields on the other side of the track. Furthermore realism is when an author intends to tell real life events to his/her audience. Realism can appear in many different aspects of society. When it comes to writing, realism focuses on the average individual, and can be heard as a voice for the ordinary human being. There is a focus on realistic people and events. For example in...
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...screenplays and has continued to work as a journalist. Kate Chopin, born Katherine O'Flaherty (February 8, 1850 – August 22, 1904), was an American author of short stories and novels. She is now considered by some to have been a forerunner of feminist authors of the 20th century. From 1892 to 1895, she wrote short stories for both children and adults which were published in such magazines as Atlantic Monthly, Vogue, The Century Magazine, and The Youth's Companion. Her major works were two short story collections, Bayou Folk (1894) and A Night in Acadie (1897). Her important short stories included "Desiree's Baby", a tale of miscegenation in antebellum Louisiana (published in 1893),"The Story of an Hour" (1894),[2] and "The Storm "(1898). "The Storm" is a sequel to "The 'Cadian Ball," which appeared in her first collection of short stories, Bayou Folk. Chopin also wrote two novels: At Fault(1890) and The Awakening (1899), which are set in New Orleans and Grand Isle, respectively. The people in her stories are usually inhabitants of Louisiana. Many of her works are set in Natchitoches in north central Louisiana. Within a decade of her death, Chopin was widely recognized as one of the leading writers of her time. In...
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...women’s rights gained momentum. As a result, women have more inferior social roles compared to men and this makes it difficult for them to attain personal satisfaction. The three authors make readers understand their intent through metaphors and other symbolic representations. Henrik Ibsen’s “A Doll’s House” takes a look at the position of a woman in the domestic setting and how the protagonist makes a lot of sacrifices without her efforts being appreciated. Kate Chopin’s “The Storm” explores how a woman endures an unexciting marriage as she reflects on her past maiden days. Sharon Olds’ “The Victims” discusses divorce and domestic abuse and how these two issues affect the way children in a home grow up. The three authors reveal their inner feelings towards various issues that affect people in societies they are living in. In the “Doll’s House”, Ibsen shows the constant sacrifices Nora has to make to make all family members happy. She reduces the amount of money she spends on herself to make her husband and children live in comfort. She says, “For myself? Oh, I am sure I don't want anything” (Ibsen 1447) In “The Storm”, Calixta yearns for a more passionate relationship and she feels that her husband is not a perfect match for her. She misses the moments she spent with her lover, Alcee who is now married to Clarissa. She is miserable because she is in love with someone else yet social norms forbid a woman from loving another man who is not her husband. In “The Victims”, Olds begins...
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...The Loon Study Questions 1. What is the relationship between Vanessa and Piquette, and how does this relationship change? Vanessa's feelings towards Piquette change from discomfort to curiosity to embarrassment. 2. How are the Metis represented in the story? “if that half-breed youngster comes along to Diamond Lake, I'm not going” (188) Vanessa's images of Natives are drawn solely from literature, and these representations are only superficially positive. When Piquette doesn't reveal nature's secrets, Vanessa concludes “as an Indian, Piquette was a dead loss” (191) 3. What do the loons symbolize? “My dad says we should listen and try to remember how they sound, because in a few more years when more cottages are built at Diamond Lake and more people come in, the loons will go away” (190-91). Years later when Vanessa visits the lake, after the deaths of her father and Piquette, she realizes that the loons are no longer there. The loons become associated with death and loss, and while symbolic of Piquette, they are also an allegory of Canadian history. 4. What does Vanessa mean by the last sentence of the story? When Vanessa encounters Piquette as a young woman, she recognizes in Piquette what she hears in the loons' cries—“self-pity” (192) and “terrifying hope” (193); when Vanessa learns of Piquette's death soon after, she responds with silence. Vanessa's personal loss—of her father and of Piquette—is connected through the symbol of the loons...
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...2011 The Tale of Two Stories Thesis Statement This paper compares two short stories, "The Story of an Hour" (Chopin) and "The Necklace" (Guy de Maupassant). "How little a thing is needed for us to be lost or saved?" [ (Clugston, 2010) ]. Both stories portray two different yet alike women. Both women struggle to find their independence. Both women find trouble just when they believe they have 'succeeded' in their search. Introduction The poem “the Story of an Hour” by Kate Chopin is an impressive literary piece that attracts the feeling of the readers, as well as their minds. However, the story is very short and precise, but it is rich and complete, and every word of the poem has a deep thought and meaning (Charters 2003). Kate Chopin's "The Story of an Hour" deals with a young American women's unanticipated sense of reprieve and independence upon hearing of her husband's death which enabled her to breathe the contentment during the last moments of her life with an anticipation, self esteem, and self consciousness. Mrs. Mallard's delight within her is termed as freedom in this story. (Jamil, 2009, 157) Guy de Maupassant's "The Necklace" deals with a young woman who struggles with wanting what she can't have and the consequences for trying to be something she is not. Mathilde struggles with her low social and economic class, she dreams of a life of leisure with servants and a home filled with nice things. Mathilde is so convinced that she's meant to be rich that she is...
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...My Bookshelf TOC/Annotation menu Downloads Print Search Profile Help 7.1 Exploring Plot and First-Person Poin… Previous section Next section 7.1 Exploring Plot and First-Person Point of View In "How I Met My Husband," even the title hints at the importance that events and decisions are likely to have in the development of the story. But, because the narrator is looking back at situations and actions, her insights and feelings are also prominent, creating a reflective tone. "How I Met My Husband" and Point of View Wayne Clugston, author of Journey Into Literature, examines the role of first-person voice in Alice Munro's How I Met My Husband. Critical Thinking Questions Why does Wayne Clugston say that first-person point of view might be "unreliable"? What is another story you have read in first-person, and how did the use of first-person enhance or detract from the story? Alice Munro (1931—) ASSOCIATED PRESS/ChadHipolito/The Canadian Press Alice Laidlaw Munro was born in Wingham, a small town in southern Ontario, Canada. She began publishing short stories when she was a student at the University of Western Ontario. Since then, she has published seven collections of her stories, three of which received the Governor General's Award for fiction. Munro won the Nobel Prize for Literature in 2013 in recognition of her distinctive craft and contributions to short story writing. Much of her work reflects perceptions she gained from observing...
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...Life of Chopin PREFACE To a people, always prompt in its recognition of genius, and ready to sympathize in the joys and woes of a truly great artist, this work will be one of exceeding interest. It is a short, glowing, and generous sketch, from the hand of Franz Liszt, (who, considered in the double light of composer and performer, has no living equal,) of the original and romantic Chopin; the most ethereal, subtle, and delicate among our modern tone-poets. It is a rare thing for a great artist to write on art, to leave the passionate worlds of sounds or colors for the colder realm of words; rarer still for him to abdicate, even temporarily, his own throne, to stand patiently and hold aloft the blazing torch of his own genius, to illume the gloomy grave of another: yet this has Liszt done through love for Chopin. It is a matter of considerable interest to note how the nervous and agile fingers, accustomed to sovereign rule over the keys, handle the pen; how the musician feels as a man; how he estimates art and artists. Liszt is a man of extensive culture, vivid imagination, and great knowledge of the world; and, in addition to their high artistic value, his lines glow with poetic fervor, with impassioned eloquence. His musical criticisms are refined and acute, but without repulsive technicalities or scientific terms, ever sparkling with the poetic ardor of the generous soul through which the discriminating, yet appreciative awards were poured. Ah! in these days of degenerate...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...Made By Jason & Franklin. This Document Is Strictly Prohibited For Commercial Purposes Without Authorization. List 1 GRE Verbal 750 Quantitative 800, AW 5.5 2008 10 Princeton, MIT, M. Fin Unit 1 ABANDON A B D I C AT E ABASE ABERRANT ABASH ABET A B AT E A B E YA N C E A B B R E V I AT E ABHOR abandon [ 1 n. ] carefree, freedom from constraint added spices to the stew with complete abandon unconstraint, uninhibitedness, unrestraint 2 v. to give (oneself) over unrestrainedly abandon herself to a life of complete idleness abandon oneself to emotion indulge, surrender, give up 3 v. to withdraw from often in the face of danger or encroachment abandon the ship/homes salvage 4 v. to put an end to (something planned or previously agreed to) NASA the bad weather forced NASA to abandon the launch abort, drop, repeal, rescind, revoke, call off keep, continue, maintain, carry on abase [ 1 v. ] to lower in rank, office, prestige, or esteem was unwilling to abase himself by pleading guilty to a crime that he did not commit debauch, degrade, profane, vitiate, discredit, foul, smirch, take down elevate, ennoble, uplift, aggrandize, canonize, deify, exalt abash [ 1 vt. ] to destroy the self-possession or self-confidence of ,disconcert, embarrass Nothing could abash him. discomfit, disconcert, discountenance, faze, fluster, nonplus, mortify embolden abate [ 1 v. ] to reduce in degree or intensity / abate his rage/pain taper off intensify 2 v. ...
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...C h a p t e r 1 Prewriting GETTING STARTED (OR SOUP-CAN LABELS CAN BE FASCINATING) For many writers, getting started is the hardest part. You may have noticed that when it is time to begin a writing assignment, you suddenly develop an enormous desire to straighten your books, water your plants, or sharpen your pencils for the fifth time. If this situation sounds familiar, you may find it reassuring to know that many professionals undergo these same strange compulsions before they begin writing. Jean Kerr, author of Please Don’t Eat the Daisies, admits that she often finds herself in the kitchen reading soup-can labels—or anything—in order to prolong the moments before taking pen in hand. John C. Calhoun, vice president under Andrew Jackson, insisted he had to plow his fields before he could write, and Joseph Conrad, author of Lord Jim and other novels, is said to have cried on occasion from the sheer dread of sitting down to compose his stories. To spare you as much hand-wringing as possible, this chapter presents some practical suggestions on how to begin writing your short essay. Although all writers must find the methods that work best for them, you may find some of the following ideas helpful. But no matter how you actually begin putting words on paper, it is absolutely essential to maintain two basic ideas concerning your writing task. Before you write a single sentence, you should always remind yourself that 1. You have some valuable ideas to tell your reader,...
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...500 extraordinary islands G R E E N L A N D Beaufort Sea Baffin Bay vi Da i tra sS t a nm De it Stra rk Hudson Bay Gulf of Alaska Vancouver Portland C A N A D A Calgary Winnipeg Newfoundland Quebec Minneapolis UNITED STATES San Francisco Los Angeles San Diego Phoenix Dallas Ottawa Montreal ChicagoDetroitToronto Boston New York OF AMERICA Philadelphia Washington DC St. Louis Atlanta New Orleans Houston Monterrey NORTH AT L A N T I C OCEAN MEXICO Guadalajara Mexico City Gulf of Mexico Miami Havana CUBA GUATEMALA HONDURAS b e a n Sea EL SALVADOR NICARAGUA Managua BAHAMAS DOMINICAN REPUBLIC JAMAICA San Juan HAITI BELIZE C a r PUERTO RICO ib TRINIDAD & Caracas N TOBAGO A COSTA RICA IA M PANAMA VENEZUELA UYANRINA H GU C U G Medellín A PAC I F I C OCEAN Galapagos Islands COLOMBIA ECUADOR Bogotá Cali S FR EN Belém Recife Lima BR A Z I L PERU La Paz Brasélia Salvador Belo Horizonte Rio de Janeiro ~ Sao Paulo BOLIVIA PARAGUAY CHILE Cordoba Santiago Pôrto Alegre URUGUAY Montevideo Buenos Aires ARGENTINA FALKLAND/MALVINAS ISLANDS South Georgia extraordinary islands 1st Edition 500 By Julie Duchaine, Holly Hughes, Alexis Lipsitz Flippin, and Sylvie Murphy Contents Chapter 1 Beachcomber Islands . . . . . . . . . . . . . . . 1 Aquatic Playgrounds 2 Island Hopping the Turks & Caicos: Barefoot Luxury 12 Life’s a Beach 14 Unvarnished & Unspoiled 21 Sailing...
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...MORE ADVANCE NOISE FOR QUIET “An intriguing and potentially lifealtering examination of the human psyche that is sure to benefit both introverts and extroverts alike.” —Kirkus Reviews (starred review) “Gentle is powerful … Solitude is socially productive … These important counterintuitive ideas are among the many reasons to take Quiet to a quiet corner and absorb its brilliant, thought-provoking message.” —ROSABETH MOSS KANTER, professor at Harvard Business School, author of Confidence and SuperCorp “An informative, well-researched book on the power of quietness and the 3/929 virtues of having a rich inner life. It dispels the myth that you have to be extroverted to be happy and successful.” —JUDITH ORLOFF, M.D., author of Emotional Freedom “In this engaging and beautifully written book, Susan Cain makes a powerful case for the wisdom of introspection. She also warns us ably about the downside to our culture’s noisiness, including all that it risks drowning out. Above the din, Susan’s own voice remains a compelling presence—thoughtful, generous, calm, and eloquent. Quiet deserves a very large readership.” —CHRISTOPHER LANE, author of Shyness: How Normal Behavior Became a Sickness 4/929 “Susan Cain’s quest to understand introversion, a beautifully wrought journey from the lab bench to the motivational speaker’s hall, offers convincing evidence for valuing substance over style, steak over sizzle, and qualities that are, in America, often derided. This book is brilliant...
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