...Danielle mordon Zora Neale Hurston's love of African-American folklore and her work as an anthropologist are reflected in her novels and short stories--where she employed the rich indigenous dialects of her native rural Florida and the Caribbean. In her foreword to Hurston's autiobiography, Dust Tracks on a Road, Maya Angelou wrote, "Her books and folktales vibrate with tragedy, humor and the real music of Black American speech." A published short story writer by the time she came to New York in 1925, Hurston studied anthropology at Barnard, where she was the college's first African-American student. After graduation, Hurston pursued graduate work at Columbia with renowned anthropologist Franz Boas. She left New York to conduct research in Florida and in Haiti and Jamaica, and her field work resulted in the folklore collections Mules and Men (1935) and Tell My Horse (1938). Her classic novel Their Eyes Were Watching God was published in 1937. Still, Hurston never received the financial rewards she deserved. (The largest royalty she ever earned from any of her books was $943.75.) So when she died on Jan. 28, 1960--at age 69, after suffering a stroke. Her neighbors in Fort Pierce, Florida, had to take up a collection for her February 7 funeral. The collection didn't yield enough to pay for a headstone, however, so Hurston was buried in a grave that remained unmarked until 1973. In 1975, Ms. Magazine published Alice Walker's essay, "In Search of Zora Neale Hurston" reviving interest...
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...Zora Neale Hurston, was born on January 7, 1891. She was born into the family of John and Lucy Ann Hurston; she was one of their eight children. Hurston and her family were originally from Notasulga, Alabama. However, they moved to Florida, when she was just a toddler and Hurston, had little, if no memory, of Notasulga. Many of her writings, reflect the culture and happenings of Eatonville, Florida. Hurston, was anything but a usual African-American woman. She defied numerous odds against her, to complete college, travel past the borders of her home town, and become something more than a poor housewife. Despite all difficulties, Hurston received her associate degree from Howard University, in the year of 1920. A few years later, she would begin working on her bachelors, at Barnard College, were she studied anthropology....
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...Zora Neale Hurston – Naturalism Naturalism is defined as the view that whatever man encounters in any area of human experience is natural. In can be described in detail as factual or realistic representation, especially the practice of describing precisely the actual circumstances of human life in literature and the practice of reproducing subjects as precisely as possible in the visual arts (Yahoo! Education - Dictionary). Zora Neale Hurston, an African American writer, anthropologist, and folklorist, was a naturalist. She was born in the town of Eatonville, Florida, which is five miles from Orlando. Eatonville was the first all black community to be incorporated. Ms. Hurston grew up uneducated and poor, but she was immersed with black folk life. She had little experience with racism early on in life which caused her to have unconventional attitudes later in life. After graduating from the Morgan Academy, Ms. Hurston attended Howard University and received her associates’ degree in 1920. Ms. Hurston worked several jobs during her college years but was still often in debt. She struggled with poverty throughout most of her life despite her hard work. From 1925 on, Ms. Hurston lived in New York and eventually joined the Harlem Renaissance. She was one of the shapers of the black literary and cultural movement of the twenties. Ms. Hurston was the first black scholar to research folklore on the level that she did. From 1930s to the 1960s, Zora Neale Hurston was the...
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...Comparative Rhetorical Analysis Essay In “Their Eyes Were Watching God” by Zora Neale Hurston, Joe Stark delivers a speech to Janie and displaying his pride and arrogance. In “Oedipus” by Sophocles the Chorus delivers a speech making an argument against the pride of man. While Joe Stark’s and the Chorus’ speech are different on the surface however, the tone used throughout the speeches are similar in that the speakers are trying to appeal to the audience using their authorities to try and argue their points. These speeches prove that men can be very prideful and base large decisions solely on their pride. Throughout Joe Stark’s speech he relies on his authority, He assumes that just because he is a man he is smarter and stronger and he relies...
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...Zora Neale Hurston is a powerful writer of African American literature. Hurston is closely associated with the Harlem Renaissance and influenced many writers during the time period. In 1928, Hurston’s article “How It Feels to Be Colored Me” was published by The World Tomorrow. The essay argues against the typical ideologies of racial segregation. Hurston states that she “do[es] not belong to the sobbing school of Negrohood” (“How It Feels…”, 1-2) that requires her to internalize past and present injustices faced by African Americans. Hurston later published another article in 1950 titled “What White Publishers Won’t Print”, where she addresses the lack of interest in society about the lives, emotions, and culture of African Americans. White people find their interest sparked by...
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...SUMMER ESSAY PROMPT 3 – “THEIR EYES WERE WATCHING GOD” It is often said that wealth and influence can transform a man, but can they make him so different, his kind can’t even identify him as their own? Do they have the capability to pit a man’s own color against him? It would seem that fame and fortune would give one everything to be happy, right? Nevertheless, it only takes a minute time until the common individual starts feeling cheated. Cheated by this societal system where someone identical to him in color can gain so much while he infinitely remains in the same position. As described by Zora Neale Hurston in her book, “Their Eyes were Watching God”, “any man who walks in the way of power and property is bound to meet hate” (Hurston 48),...
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...The book Their Eyes Were Watching God by Zora Neale Hurston, has many literary terms within the story. No story, book, essay, or short story can be written without literary terms. This book uses irony, tone, symbolism, and theme. Each one is explained differently and put in so that the readers could have different perspectives. This allows readers to understand a certain book better. Theme, tone, irony, and symbolism all have different meanings to the each reader. Theme is a central meaning or dominant idea in a literary work. It provides a unifying point around which the plot, characters, setting, point of view, symbols, and other elements of work. Zora Neale Hurston writes the theme in many different ways. The one that stands out to me...
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...became the best-regarded band leader Louis Armstrong played jazz music on Broadway, a Creole Jazz Band, and at the Cotton Club. He played in many films and toured internationally. He was the man that made the most Americans begin to accept jazz into their culture II. Poetry Langston Hughes One of the most well known names of the Harlem Renaissance His writing reflected that black culture should be celebrated because is it just as valuable as white culture "I tried to write poems like the songs they sang on Seventh Street...(these songs) had the pulse beat of the people who keep on going." said Langston One of Langston most famous work was his essay entitled "The Negro Artist and the Racial Mountain" This essay talks about no great poet ever being afraid of being himself even if he is african american. Zora Neale Hurston The most well known female writing activist during Harlem Renaissance Showed african american culture by writing in a distinct dialect which today would be known as slang a quote from her novel “jonah’s gourd vine” shows this "Ah dare yuh tuh hit me too. You know...
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...Theo Siggelakis Prof. T Dansdill February 20, 2012 Of Books Books either encompass my thinking or they stretch the limits of my imagination. Some of the most inspiring books are those which capture life, as I know it down to every specific detail. These books are similar to watching an HD TV; every detail is just so pronounced and accurate. Books that resemble this beautiful real life portrayal could be like J.D. Salinger’s Catcher in The Rye. Every emotion that Salinger delineates through his characterization of Holden Caulfield is so potent that those details resonate even more for someone dealing with a similar internal struggle. When I read the book at 15, every sensory detail that Salinger described helped better illuminate part of my own internal struggle. The over exaggeration of the resentment of society as being in genuine really captured my own internal resentment for molds that people contrive themselves to fit. The one scene with Caulfield sitting in the bathtub depressed after refusing sex from a hooker will always be infused into my constant sub consciousness. When I just feel worn out and pushed to my emotional limit, I see that image burned bright into my memory because that scene is the ultimate depiction of frustration and stress. Although, this style of writing may be beautiful, sometimes it is nice to escape the hyperrealism captured in a book like Catcher in The Rye, and instead read something that expands the mind’s imagination. The contrary to the...
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...English 311.01 (13471): The History of African-American Writing Fall 2015 Tuesday, Thursday 11:00-12:15 JR 244 Professor Nate Millsnathaniel.mills@csun.eduOffice hours: Tuesdays 1:00-3:30 and by appointmentSierra Tower 718 | Course Description / Objectives Through a historical survey of the work of major African-American writers from slavery to the present, this course will examine the defining features of African-American expression. The course is organized around a foundational question: what makes African-American literature African-American? Is it just a set of texts that happen to have been written by authors who identified as black in their respective historical moments? Are there distinct formal and thematic paradigms that unify these texts into a coherent literary tradition? What relation do black texts bear to other black texts, as well as to the Western canon? Are African-American texts necessarily “political,” by definition protesting the social and political marginalization of black people in America? Do African-American texts represent the particular experiences of African Americans, or do they (also?) address universal problems and experiences? The cultural, literary-formal, and political distinctiveness of African-American writing will thus be the guiding theme of this course’s rigorous, fast-moving survey. Additionally, students in 311 will acquire knowledge of the following: * The ways African-American...
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...A man murders an older man for his eye. The murderer of this story has a sense of self-reliance in a cynical way. The man knew that murdering was wrong but his conscious was telling him to do it because he couldn’t stand the look of the eye. According to Poe, the man was very serious and confident when it came to getting rid of the man with eye, when he stated “I made up my mind to take the life of the old man, and thus rid myself of the eye forever” (Poe 199). The murderer was consumed by guilt towards the end, when he started hearing the old man’s heart beat erratically even though he was dead. The heart beating was just a figment of his imagination. He told the cops that he killed the old man, he almost seemed a bit proud that he did. I really do think that this man is self-reliant even though if it’s in a sinister type of way, he didn’t seem to care about the consequences and just went on with the task of killing the old man. The moment where I felt the most guilt in my life...
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...child of Willie Lee and Minnie Lou Grant Walker. Her parents were sharecroppers, and money was not always available as needed. At the tender age of eight, Walker lost sight of one eye when one of her older brothers shot her with a BB gun by accident. This left her in somewhat a depression, and she secluded herself from the other children. Walker felt like she was no longer a little girl because of the traumatic experience she had undergone, and she was filled with shame because she thought she was unpleasant to look at. During this seclusion from other kids of her age, Walker began to write poems. Hence, her career as a writer began. Walker found the love of her life in 1967, a white activist civil rights lawyer named Mel Leventhal, and they married him in 1967. A year later she gave birth to their daughter, Rebecca. It was not until she began teaching that her writing career really took off. She began teaching at Jackson State, then Tougaloo, and finally at Wellesley College. Walker was involved in the Civil Rights Movement and spoke for the women’s movement, the anti-apartheid movement, for the anti-nuclear movement, and against female genital mutilation. She also started her own publishing company: “The Wild Trees Press”, in 1984. Walker refused to ignore the tangle of personal and political themes and produced five novels, two collections of short stories, numerous volumes of poetry, and two books of essays that address such issues. She won fame and recognition in...
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...Rhetorical Terms/Devices Figurative language is the generic term for any artful deviation from the ordinary mode of speaking or writing. It is what makes up a writer’s style – how he or she uses language. The general thinking is that we are more likely to be persuaded by rhetoric that is interesting, even artful, rather than mundane. When John F. Kennedy said, “Ask not what your country can do for you, ask what you can do for your country” (an example of anastrophe), it was more interesting – and more persuasive – than the simpler, “Don’t be selfish.” Indeed, politicians and pundits use these devices to achieve their desired effect on the reader or listener nearly every time they speak. The stylistic elements in a piece of writing work to produce a desired effect related to the text’s (and author’s) purpose, and thus reveals the rhetorical situation. In classical rhetoric, figures of speech are divided into two main groups: Schemes — Deviation from the ordinary pattern or arrangement of words (transference of order). Tropes — Deviation from the ordinary and principal meaning of a word (transference of meaning). *Important Note: Words marked with an asterisk* are words for which it would be impossible for you to write 3 examples for your weekly vocabulary assignment. In those cases, please write only the definition, in your own words, and the rhetorical uses/effect of that device, or do what you are instructed to do under those words. Please mark these words that deviate...
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...Proceeding for the School of Visual Arts Eighteenth Annual National Conference on Liberal Arts and the Education of Artists: Art and Story CONTENTS SECTION ONE: Marcel’s Studio Visit with Elstir……………………………………………………….. David Carrier SECTION TWO: Film and Video Narrative Brief Narrative on Film-The Case of John Updike……………………………………. Thomas P. Adler With a Pen of Light …………………………………………………………………… Michael Fink Media and the Message: Does Media Shape or Serve the Story: Visual Storytelling and New Media ……………………………………………………. June Bisantz Evans Visual Literacy: The Language of Cultural Signifiers…………………………………. Tammy Knipp SECTION THREE: Narrative and Fine Art Beyond Illustration: Visual Narrative Strategies in Picasso’s Celestina Prints………… Susan J. Baker and William Novak Narrative, Allegory, and Commentary in Emil Nolde’s Legend: St. Mary of Egypt…… William B. Sieger A Narrative of Belonging: The Art of Beauford Delaney and Glenn Ligon…………… Catherine St. John Art and Narrative Under the Third Reich ……………………………………………… Ashley Labrie 28 15 1 22 25 27 36 43 51 Hopper Stories in an Imaginary Museum……………………………………………. Joseph Stanton SECTION FOUR: Photography and Narrative Black & White: Two Worlds/Two Distinct Stories……………………………………….. Elaine A. King Relinquishing His Own Story: Abandonment and Appropriation in the Edward Weston Narrative………………………………………………………………………….. David Peeler Narrative Stretegies in the Worlds of Jean Le Gac and Sophe Calle…………………….. Stefanie Rentsch...
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