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Things Fall Apart and Whale Rider Essay

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“By comparing the 2 texts you have studied, how do they reflect the concerns of their time?”

Texts are shaped by the concerns of their time and the comparison of texts provides an extensive insight into these ideologies. With the consideration of Chinua Achebe’s novel ‘Things Fall Apart’ (1958) and Niki Caro’s film ‘Whale Rider’ (2003) in tandem, the similarity in their didactic principles of the condemnation of ethnocentrism explores the impact of European imperialism upon Ibo and Maori societies. Both texts also criticise the suppression of females in the patriarchal view of the tribes, emphasizing the significance of gender recognition and together, they delineate the concerns that arise from 1900s colonialism

Within Things Fall Apart (TFA), Achebe reprimands the subservience of traditional Nigerian Ibo culture through colonialism in the context of the nation’s independence in 1960. Presenting the loss of traditions resulting from imperialism, Achebe deliberately includes William Yeats’ “The Second Coming” in the epigraph to the novel as a foreshadowing of the imminent collapse of the Ibo tribe, thus immediately establishing the Greek tragedy convention. His use of proverbs where they are the “palm-oil which words are eaten” is an allegory that captures the intricacy of Ibo language, emending the European portrait of a ‘savage’ Africa which was a notion popularized at the time by Joseph Conrad’s “The Heart of Darkness” (1899). Furthermore, Achebe juxtaposes the Ibo’s “nine masked spirits who administered justice” to the European’s “corrupt court” which makes a clear view that the traditional Ibo legal system was far more egalitarian. With this driving the pitiable suicide of Okonkwo, being the personification of values of traditional Umofia, it is a “tragic anachronism” symbolising the death of Ibo culture. This sums up Achebe’s concern of the imperialistic

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