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Three Sculptures

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Submitted By finallysmiling
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1 Comparison of Three Sculptures

The major difference between the three Davids is based on the periods in which they were carved. Michelangelos was during the Renaissance (1501-1504), Berninis is Baroque (1623), and Donatello carved his David, or Davids, (1408) during the Gothic period. Each gives a sense of style but also different perspectives on why art even exists. Michelangelo’s David is very large in size and stands 14-feet tall. This makes him a rather imposing figure, looking as if he is looming over his admirers. It is more than obvious that this David is naked, has no flaws, and seems to be in perfect health sending off the perception of the perfect man. Classical Greek sculptures idealized there subjects, which was typical of the Renaissance period in which he was carved. Michelangelo’s David seems to be pondering something very important, planning on the battle that is ahead of him. His pose also shows a style of classical Greek called contrapposto, thought to be a distinctive feature of antique sculpture. Michelangelos David is considered to be a symbol of both strength and youthful human beauty.

Bernini’s David, on the other hand, is posed as if he is in the midst of battle with Goliath. Viewers can imagine the rock thrown at Goliath by looking at the way his legs are spread and body is twisted. Even his facial expressions show emotional strength envisioning a battle ahead. Where Michelangelo uses his mind to ponder the upcoming battle Bernini’s David uses his body. In Bernini’s statute, David has on some manner of clothing that keeps within the Baroque period. Not much more than a piece of cloth thrown over his private parts, but it still gives him some modesty.

Something that makes Donatello’s David stand apart is that he made two statutes of David. The first one was of marble in 1408 that represented a rather

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