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Vampires: Killing Machines or Sex Machines?

In: English and Literature

Submitted By callanparker616
Words 1215
Pages 5
Callan Parker
Ms. Faith Dickens
English Honors II
May 30th, 2014
Vampires: Killing Machines or Sex Machines?

The sexualization and carnality of modern vampires can be tied to the commercialization of peoples interest in the supernatural and a contrasting society. In less than a century, vampires have gone from scary and repulsive monsters to beautiful, mysterious creatures. This transformation is brought on by the common advertisement of sex and the attentiveness of people to abstract societies nowadays. The look and feel of vampires has also changed due to the resources of entertainment producers and a capitalist society focused on building revenue.

Nosferato vampires compared to modern vampires:

In Nosferatu, the most important and popular element in the movie was the accuracy of Dracula/Count Orlok. The description in the book matches the actors portrayal, “…a tall old man, clean shaven save for a long white mustache, and clad in black from head to foot, without a single speck of colour about him anywhere,” (Stoker, 21).
Later in his letter, Jonathan mentions the physical structure of the Count who stands before him:
“His face was a strong—a very strong—aquiline, with a high bridge of the thin nose and peculiarly arched nostrils …The mouth, as far as I could see it under the heavy moustache, was fixed and rather cruel-looking, with peculiarly sharp white teeth; these protruded over the lips, whose remarkable ruddiness showed astonishing vitality in a man of his years,” (Stoker, 23).
Nosferatu came out in 1922, a time when movie going was at its height, yet special effects were minimal. The genuineness of the characters was the most important feature to movies in the 50’s, due to other sources of reality being slim (i.e., black and white, grainy, no dialogue). During the silent movie era, the look of everything was most...

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