...In Mary Shelley’s, Frankenstein, responsibility is a big part of the story. Victors teachers are responsible for him and he is responsible for his creation. Shelley indicates that much of the blame goes to his teachers. Victor’s teachers ignore his interest in alchemy knowledge without explaining why this knowledge is dangerous. At the university, M. Krempe, believe alchemists as “nonsense”(26) while M. Waldman says that alchemy “promised impossibilities and performed nothing"(27). When Victor started to work with modern science he dreams about the “promised impossibilities” of alchemy. Victor seeks dangerous knowledge, the creation of life, with new, practical methods of science. His teachers don’t realize how dedicated Victor is to figuring out alchemy and how to use it. Combining his knowledge of physiology and anatomy with enthusiasm he does create life-but it is, to him, a monstrous creation. One of the main themes is that a creator is obligated to their creation. Frankenstein is obligated to his creation and is responsible...
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...Who’s the real monster in Frankenstein? How can we prove if somebody is a monster? In the novel Frankenstein by Mary Shelley, the main character is named Victor Frankenstein, a person of unnatural cruelty. Throughout the book, Victor encourages the reader to believe that his horrid creation is a monster, but in reality, it is Victor. Throughout the novel Victor displays his cruelty in the way he treats his family, the way Victor acts toward the creation, and is visible through Victor’s lack of responsibility in caring for his loved ones. Victor Frankenstein treats his family and friends with no regard. He spends two years away from his family in college secretly working to bring a deceased man back to life. His family does not hear from him once during this span of time. Victor is so obsessed with completing his creation that his wife, Elizabeth, believes he is having an affair with another woman. “I conjure you by our mutual happiness, with simple truth—Do you not love another?’ ‘You have travelled; you have spent several years of your life at Ingolstadt; and I confess to you, my friend, that when I saw you last autumn so unhappy, flying to solitude from the society of every creature, I could not help supposing that you might regret our connection and believe yourself bound in honour to fulfil the wishes of your parents, although they opposed themselves to your inclinations.”’ (Shelley 178) Victor is so preoccupied with his work that he drives Elizabeth to think...
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...Frankenstein/Bladerunner In Mary Shelley’s Frankenstein (1818) and Ridley Scott’s Blade Runner (1982) humanity’s manipulation of nature paradoxically erodes the human spirit and compromises integrity. Although contextually disparate, both texts explore a creator’s need to take responsibility for his creation, cautioning responders of the dangers of unrestrained scientific progress and conveying humanity’s severed relationship with nature. Where Shelley communicates with a certain ambiguity characteristic of the contradictory Age of Reason and sets her tale against a backdrop of a sublime natural world, Scott portrays a society fuelled by ecological destruction and 1980s corporate abuse. This reflects each composer’s anchoring of their visions in the socio-cultural realities of their time; a fundamental transgression of human values over time. Both texts explore the dangers of uninhibited scientific progress. In Frankenstein, Shelley fashions a gothic world where nature is tampered with and a ‘hurricane of enthusiasm’ drives the protagonist towards abandoning his conscience, prompting Shelley’s valuing of moderation. Underpinned by the Industrial Revolution and an era of scientific change, Victor embodies the obsessive passions and Romantic ego-identities of 19th century scientists. The epistolatory narrative framework adds a disquieting sense of truth to Victor’s retrospective dialogue, “how dangerous is the acquirement of knowledge,” reflecting his Promethean disobedience...
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...and can make the person it is directed to feel a sense of isolation. In the Gothic novel Frankenstein author Mary Shelley uses several characters to unveil the morals and assumptions of society individually and as a whole. The first glimpse at society’s horrid nature is shown through the creature's first encounter with humans. As soon as the creature is created, the first human he encounters (Victor Frankenstein) runs in fear, this immediately isolates the creature the second he is brought to this earth. “I rushed out of the room”...
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...The Ideal Women Figure in 19th Century Found in Frankenstein Throughout Frankenstein, we can find the ideal women figure in 19th century, considering that the female characters’ roles and personalities are apparently different from those of the male characters. The female characters are isolated from the outside of home to take care of their husband, father or children while male characters such as Victor, Walton, and Henry have their freedom of action. Besides, in the novel, women are described as beings under men’s protection. For example, Victor’s dad provides a shelter to the orphan girl, Caroline with “a protecting sprit” (19) and she is considered to be protected by her husband. Elizabeth can be seen as a counterpart of Caroline, because she is also an orphan, and needs Frankenstein family’s support. After Caroline’s death, Elizabeth fulfils her responsibility for taking care of the family as seen in Victor’s comment “I never beheld her so enchanting as at this time, when she was continually endeavoring to contribute to the happiness of others, entirely forgetful herself” (27). We can conjecture that patience and sacrifice for their family were the ideal virtues for women to have at that time. Moreover, Victor’s description about Elizabeth “She was docile and good tempered, yet gay and playful as a summer insect.” “Her hazel eyes, although as lively as a bird’s, possessed an attractive softness” (20), “I loved to tend on her, as I should on a favorite animal (21)”...
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...4: Frankenstein by Mary Shelley Forbidden knowledge From the beginning of humanity, a thirst for knowledge was born within the human soul. This thirst made it essential for the human mind to seek knowledge constantly and discover new things. We want to know everything. And it has been a great journey for mankind in the field of technology and science; the achievements that humanity has managed to accomplish in the different fields of knowledge are outstanding. Over the past few centuries, the intellectuals of society have made countless advances in science and the development of technology, which, to different degrees, have all benefited mankind. Our thirst for knowledge is what has kept and still keeps us moving forward, and it is what separates us from our ancestors and makes the present life different than the ancient one; without it we wouldn’t have the full-of-technology, modern life we have today. Every scientific discovery is the result of man’s hunger for and dedication to acquiring knowledge, information, and power. However, the innate curiosity and desire for understanding in an individual can grow so immense that his or her moral and ethical boundaries erode, which might result in tragic and disastrous results for all who are involved. Despite that there is a huge number of fields in which humans can seek knowledge, forbidden knowledge have always been attractive for some. The secrets of life and death stand as the most tempting, and in Frankenstein we see...
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...When a person thinks of Frankenstein's monster, they most likely think the creation as being wretched, but in reality, Victor Frankenstein is the wretched one. Victor gave his creation life, but he found his being to be so horrid that he ran from his new responsibility without teaching morals. The murders of Victor's loved ones happened because Victor abandoned his being, causing his creation to find its own life's principles. Victor Frankenstein's mistakes caused him to be the person responsible for the deaths within Mary Shelley's novel. Initially, Victor Frankenstein desired unknown knowledge which was not thought about carefully. When Victor made the decision, bringing life to a being, he did not consider the consequences of creating a...
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...Abandonment of a child by a father has a lasting effect on the social and emotional development of a functioning being. The conflict between father and son can be rooted in many different circumstances and causes long-term conflict. The novel Frankenstein, by Mary Shelley, illustrates the struggle between a father and a son that occurs in all societies and time periods. In the novel, the father-son connection that is most crucial to the theme of the book: the impact of abandonment in a beings life. The relationship between Victor Frankenstein and his metaphorical son, the monster, demonstrates the horrors that come out of selfishness and ignorance in Victor’s disregard of his creation. The violence in Frankenstein stems from the original abandonment...
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...Frankenstein Science AO2 Unrestrained scientific desire: ‘they penetrate into the recesses of nature and show how she works in her hiding places’ • ‘they ascend into the heavens’ ‘new and almost unlimited powers’ ‘penetrate’ ‘command’ ‘mimic’ • ‘with fervour’ • ‘performed miracles’ • ‘unfold to the world the deepest mysteries of creation’ • ‘secret’ ‘hidden laws’ • How dangerous is the acquirement of knowledge’ Power: ‘as if my soul were grappling with a powerful enemy’ • ‘like a hurricane’ ‘pour a torrent of light’ • ‘pursued’ ‘unremitting ardour’ ‘clung’ ‘dedicated myself’ ‘secret toil’ ‘tremble’ ‘tortured’ • ‘one pursuit’ • ‘tread a land never before imprinted by the foot of man’ • ‘I preferred glory’ • ‘until from the midst of this darkness a sudden light broke in upon me- a light so brilliant and wondrous’ Lack of Morality: Transgression against God he mocks the power of the creator ‘torrents of light’ ‘a new species would bless me as its creator and source’ ‘many happy and excellent natures would owe their being to me’ • ‘eyes insensible to the charms of nature’ • ‘Labours’ scientist in being able to mimic and usurp traditional creation methods; existence of an immortal soul? • Responsibility for creation image reinforced ‘inarticulate sounds’ Pursuit: ‘deeply smitten with the thirst for knowledge’ • ‘Pursuit for discovery and wonder’ attracted to the tree of knowledge ‘eternal light’ back to biblical times, tree of knowledge...
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...Khizer Awan AP LIT Frankenstein Literary Analysis I Must Know More Frankenstein written by Mary Shelley is a romantic era novel based on the theme of knowledge. The word “knowledge” reoccurred many times throughout Frankenstein and forced the reader to understand the definition of it. According to Webster’s Dictionary, knowledge is defined as “Knowledge: n. Understanding gained by actual experience; range of information; clear perception of truth; something learned and kept in the mind.” The word knowledge is very simple, but has different meanings to all of us. Knowledge is the tool we use in making proper judgement. Knowledge is an extremely powerful thing and it must be used wisely and properly. Carelessly using knowledge can cause terrible consequences. The novel, Frankenstein, by Mary Shelley, is a novel that has many comparisons of powers in life. It pertains to many themes in society today. Frankenstein contrasts science, technology, life and death, and most importantly knowledge and ignorance. It shows the consequences of knowledge in both negative and positive ways. In Frankenstein, three characters searched for one thing - knowledge. Unfortunately the results of their search differed from what they had anticipated. Walton, blinded by ambition, believed that search for knowledge on the route to the North Pole would bring fame to his name, but he quickly learned that he ended up only with the danger to the lives of his crew. Frankenstein, driven by passion...
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...The Moral Immoralities of Victor Frankenstein In the novel Frankenstein, the author Mary Shelley portrays the limitations of man in his pursuit of scientific creativity. She illustrates Victor Frankenstein’s attempts and success at creating a human being in his laboratory as an immoral attempt to play the role of God. Shelley repeatedly shows the monster’s harmful effects on society and often places blame on Victor for the Monster’s detrimental actions. In order to emphasize the immorality and mistakes in Victor’s attempts to play God, Shelley constructs a recognizable parallel to the story of Genesis when God creates man and woman. In order to show her disapproval of such an endeavor, Shelley intentionally causes Victor to fail. This deviation from the parallel in Genesis demonstrates that man cannot exceed his natural limitations, or mimic the role of God. The story begins with Victor’s decision to create the Monster. Victor says that he “[s]ucceeded in discovering the cause of generation and life; nay, more, [he] became capable of bestowing animation upon lifeless matter” (Shelley 43). Immediately, a parallel is drawn to the creation of man in Genesis. This parallel continues when Victor discloses to the reader that he, “[c]ollected bones from charnel-houses and distrusted, with profane fingers, the tremendous secrets of the human frame” (Shelley 45). Shelley portrays the creation of Victor’s monster in a subtle but similar way that God created man. Her intention is for...
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...Frankenstein as a Gothic Novel Mary Shelley’s novel Frankenstein is considered as a Gothic novel but it can be seen as a compilation of both Gothic and Romantic because of the significance of the sublime. Certain events and settings in the novel present the gothic themes. Shelley uses the different themes in her novel to evoke feelings of horror and terror in the reader. Frankenstein engages in a quest in pushing the realms of science to their limits which leads him to playing god and creating an unnatural being using science. One of the themes Shelley uses in the novel to create the gothic presence is the theme of Forbidden Knowledge. Mary Shelley introduces the ideas that science is capable of being very dangerous and has consequences through the character of Victor Frankenstein. Shelley’s time was described as the age of unprecedented scientific discoveries, which influenced her in writing of Frankenstein. The process of the creation of his creation was influenced by the Italian physician Luigi Galvani who discovered “animal electricity” which manifests with the twitching of nerves and muscles when an electric current is applied. Frankenstein seeks to find “the secrets of heaven and earth” to fulfil his quest. He calls them secrets; he is aware they are not to be known and should not be found. Frankenstein knows that acquiring such knowledge would not be easy as he states “how dangerous the acquirement of knowledge”. Frankenstein is aware of the uneasy task of seeking...
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...Frankenstein by Mary Shelley Key facts full title · Frankenstein: or, The Modern Prometheus author · Mary Wollstonecraft Shelley type of work · Novel genre · Gothic science fiction language · English time and place written · Switzerland, 1816, and London, 1816–1817 date of first publication · January 1, 1818 publisher · Lackington, Hughes, Harding, Mavor, & Jones narrator · The primary narrator is Robert Walton, who, in his letters, quotes Victor Frankenstein’s first-person narrative at length; Victor, in turn, quotes the monster’s first-person narrative; in addition, the lesser characters Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor. climax · The murder of Elizabeth Lavenza on the night of her wedding to Victor Frankenstein in Chapter 23 protagonist · Victor Frankenstein antagonist · Frankenstein’s monster setting (time) · Eighteenth century setting (place) · Geneva; the Swiss Alps; Ingolstadt; England and Scotland; the northern ice point of view · The point of view shifts with the narration, from Robert Walton to Victor Frankenstein to Frankenstein’s monster, then back to Walton, with a few digressions in the form of letters from Elizabeth Lavenza and Alphonse Frankenstein. falling action · After the murder of Elizabeth Lavenza, when Victor Frankenstein chases the monster to the northern ice, is rescued by Robert Walton, narrates his story, and dies tense · Past foreshadowing · Ubiquitous—throughout...
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...“The real monster in the novel Frankenstein” In the novel Frankenstein by Mary Shelly, the main character, Victor Frankenstein, is a troubled man. The novel begins with a tale told by a sea caption, Robert Walton, who rescued Frankenstein from icy waters while traveling to the North Pole. Frankenstein tells the tale of his creation of a monster to the sea caption. Victor was educated in college in the field of philosophy and chemistry. During his years in college, Victor becomes obsessed with the notion of creating life. Using his education and knowledge, he begins to create a live being out of old body parts. Isolating himself and working diligently for a long time, Victor’s dream finally came true. After creating this monster and bringing the monster to life, he becomes frightened at what he did and flees his home in terror. When he returns home, he discovers the monster is missing. Although he is concerned, he does nothing to remedy the situation. Soon after, Victor has learned from his father that his brother was murdered and returns to his childhood home. While traveling home, he catches sight of the monster and is convinced the monster has killed his brother. A young girl who was adopted by the Frankenstein family is found guilty of the murder and put to death. Victor, knowing it is the monster that killed his brother, says nothing to defend the young girl, afraid it may be discovered that he created the monster. Shortly thereafter, Victor encounters the monster...
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...Humanity should fear the power of the creator or the creation’s behavior due to its social, physical, mental and environmental health effects, if it is not used for the better of the community. In Frankenstein, Mary Shelly argues that the beast is dangerous because it symbolizes scientific technology; implying that the beast can impose threats to civilization. The author warns, that the beast can form independent consciousness and then turns upon society in an apocalyptic rage. Society becomes afraid of the monster and as a result, rejects it. This fear...
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