...Acquainted with the night Have you ever watched a spooky bone chilling movie and had cold chills run down your spine? What about going into a withered old abandoned house by yourself on a stormy night? These are the types of feelings I had while reading “Acquainted with the night” by Robert Frost. In “Acquainted with the night” by Robert Frost he describes himself as being alone, depressed and he has no meaning. Robert may have related this poem to some of the tragedies he had in his life, whether it was the death of this father at an early age or the death of his children, he defiantly was dark and depressed in this poem. The poem starts off by saying “I have been one acquainted with the night”. He uses the word acquainted which means you have met something. So Frost is saying he has met the night which is a weird thing to say. Frost also states he is one, maybe the night and Frost are together or he is one out of others that are acquainted along with the night with him. In the next line Frost says “I have walked out in rain-and back in rain” Frost is saying he had went somewhere and later returned and both times it was raining. Whether it was a quick walk or it had just been raining for however long he was out for. But at the end of the first stanza he says that “I have out walked the furthest city light.” Which means that this was no ordinary short walk he either walked out past the city limits to where there is no light or to another part of the town where there is just...
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...After reading the original texts from which Moore and O’Neill drew their characters for their graphic novel, The League Of Extraordinary Gentlemen, my interpretation of the characters did not change as the Victorian texts provided a backstory that helped me understand both the original characters and Moore and O’Neill’s characters to a larger context. The original texts also helped me realize why Moore and O’Neill portrayed the characters the way they did as after reading the original texts I gained a new insight on the characters and this helped me understand the contrast between the old characters and the new ones as well as some similarities and differences. Since I had never read any of the Victorian texts previously I did not understand many of the references that I understand now. The graphic novel is the first time I witnessed any of the characters so my initial reactions of any of the characters are based on the graphic novel and not the original Victorian texts, which is why my interpretations of the characters did not change. In my mind the characters in the graphic novel are the characters original forms and that’s why the Victorian texts seemed to be more of a backstory rather then a set of completely different novels. During my initial read of the graphic novel, the character I respected the most was Ms. Murray, also known as Mina Harker in Bram Stoker’s, Dracula. I respected Mina simply because she was the only female in a primarily male dominant story. Despite...
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...Acquainted with the night Have you ever watched a spooky bone chilling movie and had cold chills run down your spine? What about going into a withered old abandoned house by yourself on a stormy night? These are the types of feelings I had while reading “Acquainted with the night” by Robert Frost. In “Acquainted with the night” by Robert Frost he describes himself as being alone, depressed and he has no meaning. Robert may have related this poem to some of the tragedies he had in his life, whether it was the death of this father at an early age or the death of his children, he defiantly was dark and depressed in this poem. The poem starts off by saying “I have been one acquainted with the night”. He uses the word acquainted which means you have met something. So Frost is saying he has met the night which is a weird thing to say. Frost also states he is one, maybe the night and Frost are together or he is one out of others that are acquainted along with the night with him. In the next line Frost says “I have walked out in rain-and back in rain” Frost is saying he had went somewhere and later returned and both times it was raining. Whether it was a quick walk or it had just been raining for however long he was out for. But at the end of the first stanza he says that “I have out walked the furthest city light.” Which means that this was no ordinary short walk he either walked out past the city limits to where there is no light or to another part of the town where there is just...
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...Kenny Ranches Lit 193.30 In dealing with trauma, people have had different perceptions of trying to handle their situation. Some people think that they tend to face things as it is. It’s as if they are boldly charging into a hurricane of feelings and memories without anything shielding them or holding them down to the ground. Mostly, these people think of things as if they just want to get things over with. Treating memories as if it’s an object, people makes the most out of memories and then simply throws it away as if it’s something useless or dilapidated. Others try to suppress whatever memory they kept as if burying a time capsule, in a place they seldom go to, hoping that the time capsule won’t resurface by itself as time passes by. Contrary to what people usually think, memory and trauma are not objects that can be disposed; memory and trauma are things that stick to us, become dormant and subtly resurfaces in different ways. From the material, ”Remembering, Repeating and Working Through,” we see concepts the repeating and working through as ways of dealing remembering memories, especially trauma. Diving into the paper, just like familiarizing one’s self with a map, it’s best to discuss the terms that are going to be the main points before using it again and again in the paper. Repression is the conscious (or unconscious) suppression of a memory. In simpler terms, we try to hide memories, bury it and try to seal it mostly because the memory being hid is a trauma that we...
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...Isabel Mendoza English 12 S1 Anna Dowlen 12 May 2016 Odysseus the Hero By definition, a hero is someone who is admired for courage, outstanding achievements, or noble qualities. Odysseus represents the definition of an archetypal hero gorgeously merely from the fact that he receives super-natural help from the gods. He resembles his home (Ithaca) in the way that puts him as the main protagonist based upon his exceptional morals, which were considered to be boundless courage and respect for the gods and their traditions. With his outstanding qualities he is looked upon for guidance throughout the story as he tries to overcome the many obstacles that stand in his way as well. Odysseus is an archetypal hero mainly from the fact that he receives help from the gods. For example, Euanthes who grants Odysseus in his trouble gifts that will get him and his crew the opportunity to regain their strength. He also receives help from an entity named Dawn. In a way this character represents Odysseus and almost foretells the struggles he will later be facing. In a section he introduces this entity, “Young Dawn with her rose-red fingers shone once more we all turned out, intrigued to tour the island.” From there we can see the struggles he faces with himself to overcome the many obstacles that Zeus inflicts on Odysseus in hopes to prevent his journey to go any further. Another characteristic of an archetypal character is one in which all heroes contain a flaw that prevents them...
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...Reporter: Rubelle Hope T. Bantayan BSED-III ENGLISH Glen Serrano Topic: Types of Characters in Fiction In fictional literature, authors use many different types of characters to tell their stories. Different types of characters fulfill different roles in the narrative process, and with a little bit of analysis, you can usually detect some or all of the types below. * Major or central characters are vital to the development and resolution of the conflict. In other words, the plot and resolution of conflict revolves around these characters. * Minor characters serve to complement the major characters and help move the plot events forward. * Dynamic - A dynamic character is a person who changes over time, usually as a result of resolving a central conflict or facing a major crisis. Most dynamic characters tend to be central rather than peripheral characters, because resolving the conflict is the major role of central characters. * Static - A static character is someone who does not change over time; his or her personality does not transform or evolve. * Round - A rounded character is anyone who has a complex personality; he or she is often portrayed as a conflicted and contradictory person. * Flat - A flat character is the opposite of a round character. This literary personality is notable for one kind of personality trait or characteristic. * Stock - Stock characters are those types of characters who have become conventional or stereotypical through repeated...
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...Literary Criticism Review Paradigm: a framework containing your basic assumptions, ways of thinking and methodology about how something should be done, made or thought about. Cognitive dissonance (psychology): the excessive mental stress and discomfort experienced by the individual who: * Holds 2+ contradictory beliefs, ideas, of values simultaneously * Is confronted by new info that conflicts with existing BIV Is/ought dilemma: us aging -> the world as we wish to be OR the world as it actually is HISTORICAL LENS/NEW HISTORICAL LENS Historical criticism -> insisted we need to know a literary piece, that we need to know authors bio, social background, ideas during that time, cultural milieu (environment) New historicism New Historicism: seeks to find meaning in a text by considering the work within framework of prevailing ideas/assumptions of its era. *All about paying close attention to historical context of literary works (e.g: poems, novels, plays) GOALS: 1) Study how a work of literature reflects its historical/sociocultural context 2) Understand how literary works comments on and relates to its context Therefore, approach is interdisciplinary Example of this lens: Always by Erasure MARXIST LENS (Karl Heinrich Marx + Friedrich Engles) * A form of critique for interrogating all societies and their texts in terms of certain specific issues like race, class, and the attitudes shared within a given culture (see terms) * Marxist critique may...
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...Jackson, Bradley May 12, 2015 Shaw, C. CWL 213 Blurred Lines In reading Watchmen, Alan Moore and Dave Gibbons’ graphic novel, it becomes clear that Moore poses to the reader, questions of morality - of right and wrong, good and evil. Through the characters, he shows that, sometimes, the delineation between the two is a sharp line, whereas sometimes it's a blur, and often times like pornography; you just know when you see it. But to Moore, these questions are vital ones because they tether the characters to each other, to humanity. Not everyone feels this way. Not every character sees the sharp line, only the blur. In the case of Ozymandias, the superhero persona of Adrian Veidt, his actions teeter on the scale of morality, performing morally reprehensible acts, claiming they are justified and serve the greater good of the world. Through Moore, and Ozymandias, a question is posed: Can evil deeds, performed with good intentions, be considered morally right? An interesting excerpt from Watchmen is a scene in chapter 12, on page 27, where Adrian, here in his Ozymandias costume, questions his actions, having just engineered an alien attack on New York, killing millions of people, yet stopping the impending nuclear war that threatened the world. “I did the right thing, didn’t I?” he asks Doctor Manhattan, a being who, by this point in the novel, has lost interest in the affairs on humans, so much as to leave “this galaxy for on less complicated” (27). This scene is disturbing...
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...Xavier Roland February 3 2014 English 132 Kristen M. Shearloc Acquainted with the night Have you ever watched a spooky bone chilling movie and had cold chills run down your spine? What about going into a withered old abandoned house by yourself on a stormy night? These are the types of feelings I had while reading “Acquainted with the night” by Robert Frost. In “Acquainted with the night” by Robert Frost he describes himself as being alone, depressed and he has no meaning. Robert may have related this poem to some of the tragedies he had in his life, whether it was the death of this father at an early age or the death of his children, he defiantly was dark and depressed in this poem. The poem starts off by saying “I have been one acquainted with the night”. He uses the word acquainted which means you have met something. So Frost is saying he has met the night which is a weird thing to say. Frost also states he is one, maybe the night and Frost are together or he is one out of others that are acquainted along with the night with him. In the next line Frost says “I have walked out in rain-and back in rain” Frost is saying he had went somewhere and later returned and both times it was raining. Whether it was a quick walk or it had just been raining for however long he was out for. But at the end of the first stanza he says that “I have out walked the furthest city light.” Which means that this was no ordinary short walk he either walked out past the city limits to where...
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...“Do you think that women are portrayed as weak and over-sexualized creatures in the comics?” In the article by Dorian Lynskey in “The Guardian” entitled “Kapow! Attack of the feminist superheroes” it claims that women have been used as secondary, depended, and overly sexualized; “Chapter Twelve” of Watchmen by Alan Moore will be analyzed to prove the same viewpoint. Lynskey in “Kapow!”, uses allusion with logos and ethos; Moore uses images with pathos in “Chapter Twelve” of watchmen to support Lynskey’s claim. Lynskey Article and Moore Comic book, both analyze the role and portrayal of women in comic books. Lynskey wrote in an informative tone to inform the comic reader about the appearance of women in comic books; Moore uses an informal tone to get the attention of young people. The Watchmen has more evidence of Rhetorical strategies as Images to support Lynskey Claim. As Lynskey has a better use of...
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...Stage dramas are created to engage viewers and convey the themes and ideas of the playwright. Stage dramas rely largely on spoken language. Through spoken language characters are created and refined. Davis’ language choices have developed the characters in a way that portrays the characters to be exaggerated colonial stereotypes. Characters are the most vital element of a stage drama; they create the link between the audience and the drama. It is through Jack Davis’ writing that we are led to feel particular ways about most of the characters. No sugar is a play that makes an impact. Jack Davis has chosen not to construct realistic characters, but instead characters that fit into and even sometimes challenge the stereotypes placed on Aboriginal people. Although some characters are exaggerated stereotypes there are also many that aren’t. Every character is constructed in a different way, through dialogue and action. No sugar focuses on the hardships faced by an - albeit stereotypical of the 1930’s - Aboriginal family during the continued colonisation of Australia. Gran is the matriarchal figure of the family; she is the one that tries to ensure the continuation of the Nyoongah culture. She is characterised as strong and often stubborn. Her stubborn attitude throughout the play represents, in some ways, Aboriginal stereotypes. The way that Davis has constructed her creates a bond between her and the audience; the audience becomes attached to her. Through Davis’ choice, Gran’s...
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...All movies, books and even plays regarding heroic figures use the same archetypes for their characters. An archetype signifies a symbol which connects to literature, art, and real life. In Lord of the Flies, by William Golding, the plot revolves around a group of stranded boys on an island that witness changes in themselves. Throughout the story, each character has an archetypal symbol that connects to a hero’s journey. These archetypes represent the guideline that allows the story to be read through the archetypal literary lens. In literature, the archetypal literary lens allows the reader to read a story by recognizing symbols, character types, and motifs. With this in mind, Golding uses Ralph, Piggy, Simon, and Jack to display the various...
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...Mengfan Chen Neale Barnholden ENGL 121 A13 September 23rd, 2014wee Watchmen and Lady Audley’s Secret Both works of the “Watchmen” and “Lady Audley’s Secret” consist of fiction tales that mirror themes of ideology and class, and the accompanying tension. Moreover, in each of the works there is some local events and issues that seem to have a close connection with the time of release and the contents of these two works. Specifically, in the former work there were the underlying events of an increase in the urbanization of Britain. This was accompanied by a greater accumulation of wealth by part of the population, and this led to the formation of classes, so many people increased in their rank in society. Furthermore, the swelling of the population also meant that there was a shift from the small village of the past where the locals could be well acquainted with everyone, and all their daily affairs or unusual controversies. The shift from Lady Audley holding the traditional role of a house keeper who is completely innocent and harmless, to a violent and dangerous person going to lengths to conceal their identity evidences the extent of this shift. Similarly, in the circumstances of “Watchmen,” there is some underlying tension between the United States and Russia through what is known as the Cold War era. While there was suspicion between these two nations, and many accusations, this trend holds true as the characters place blame on one another, continuing...
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...The Politically Correct Private Investigator: Not Much Different From The Old Guys People who read detective/Private Investigator (P.I) fiction do so because they are attracted to certain elements that they can expect and enjoy from this genre. Indeed, it seems de rigueur that the hero should have certain character traits and face certain problems in certain ways. In a chapter titled “The Private Investigator,” in fact, we read that a typical investigator will be, male, hard-boiled, an expert on the city, a loner, streetwise, tough, physical, and a mixture of an idealist and cynic. In, however, “Lost Polars,” we see that the author wants to add the novelty of a female character, while maintaining the integrity of the detective genre. Therefore, in Shelley Singer’s depiction of Barrett Lake, the salient and correlative aspects of the archetypal qualities of a private investigator are not tainted with progressive, feminist values. Even though Lake is a woman, she still typifies the noir, solitary hero who stands up for justice even in the face of circumstances that would break the morale of anyone else. This is Singer’s big trick on the audience. We see, for instance, Lake’s intuition, coupled with her quick-thinking, which assured her successful investigation into Judy Garbman’s murder. She’s a woman who does this, but there’s nothing really “feminine” about this process. Her willingness to calm and collectively rationalize and reason, while the rest of her reunion...
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...Ladee Calhoun Hamilton British Literature 1 October 2015 The Ruler After the fall of Roman Empire was the rise of a new religion, Christianity. The Christianity religion was the doctrine or belief that there is only one god which differ the Roman culture. The poet as historian is known as the scop in the Anglo-Saxon culture. To understand culture, one has to understand the belief set. The hero is the most dominant archetype in Beowulf because it deals with the fraternity warrior’s culture. Although the pluralism of Anglo-Saxon culture is very similar to our American culture, the archetype of The Ruler takes place in America today because everyone wants to take control and have power over their own lives and others around. In Literature, an Archetype is a typical character, an action or a situation that seems to represent such universal pattern or human nature. There are many set archetypes; The Innocent, The Lover, and The Rebel. However, the one that dominates the most in Anglo-Saxon culture is the Hero. “I’ve never known fear, as a youth I fought in endless battles. I am old, now, but will fight again, seek fame still, if the dragon hiding in his tower dares to face me” (Beowulf’s Last Battle 607-610). In Anglo-Saxon culture being boastful and prideful is praised because it is a characteristic of a Hero. The poem itself was named after Beowulf to show that he was the dominant hero, the one who stood in the spotlight. “Then he stepped to another still body, clutched at...
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