...to Wealth, Franklin establishes a firm belief in what it means to be hard working and in Washington Irving's Rip Van Winkle, the life of the main character puts that belief to the test. In life, generally to be successful one must be a hard worker and be wanting to strive to reach their goal. Benjamin Franklin strongly believes in having to be a hard worker to be...
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...Washington Irving “Little minds are tamed and subdued by misfortune; but great minds rise above them.” Washington Irving, a well-known short story author in the nineteenth century, spoke these words of wisdom. Washington Irving became famous in America for his fine works from The Specter Bridegroom to Rip Van Winkle to The Legend of Sleepy Hollow. These satirical sketches are all based on the local areas in New York where Irving resided. His adventures through life spread the word of his writings and he became one of the first renowned short story writers in Europe. Washington Irving was born in New York, New York on April 3, 1783. His mother, Sarah, and father, William Irving, Sr., had eleven children including Washington. He was named after the United States first president, George Washington who was sought to be the greatest hero of all time to his parents. “… He attended the first presidential inauguration of his namesake in 1789” (Biography Channel). Irving was privately schooled and later went to study law in New York after his return from travelling Europe. In 1804 he travelled to France and Italy, while writing journals and letters. When he returned in 1805, Irving continued law school but did poorly for he barely passed the bar exam. (Biography Channel). After Irving finished his studies, he went on to write humorous essay with his older brother William Irving, Jr., and James Kirke Paulding. The Salamagundi papers published the essays in 1807 to 1808....
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...A Rose for Emily Summary How It All Goes Down You might want to look at our discussion of the novel's setting before you enter here, or at least know it's there to help if you get tangled up in this story's crazy chronology. Also keep in mind that the narrator of this story represents several generations of men and women from the town. The story begins at the huge funeral for Miss Emily Grierson. Nobody has been to her house in ten years, except for her servant. Her house is old, but was once the best house around. The town had a special relationship with Miss Emily ever since it decided to stop billing her for taxes in 1894. But, the "newer generation" wasn't happy with this arrangement, and so they paid a visit to Miss Emily and tried to get her to pay the debt. She refused to acknowledge that the old arrangement might not work any more, and flatly refused to pay. Thirty years before, the tax collecting townspeople had a strange encounter with Miss Emily about a bad smell at her place. This was about two years after her father died, and a short time after her lover disappeared from her life. Anyhow, the stink got stronger and complaints were made, but the authorities didn't want to confront Emily about the problem. So, they sprinkled lime around the house and the smell was eventually gone. Everybody felt sorry for Emily when her father died. He left her with the house, but no money. When he died, Emily refused to admit it for three whole days. The town didn't think...
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...I have heard many people in my life state that high school is the place where you learn who you truly are, but in reality when I think about who I really am my mind goes blank. High school doesn’t shape you into who you are but the experiences and test that life puts us through do. Ralph Emerson discusses that to be self-reliant you have to a nonconformist and to trust yourself. When I think about the term self-reliance I would have never thought it would have meant to not be conformed to what you have but to always rely on yourself only. I don’t mean that in a selfish way, what I mean is to always believe in yourself and what you believe is right. If I think about myself back when I was in high school, I wouldn’t see myself being a self-reliant...
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...Chapter 1 Practice Test 1) What justification can you give to rewrite 5x+6=7x-3 into 6=2x-3? 2) Solve = −5 for x. 3) 6x+9 > 15 and 8-2x > 4 4) Write an equation that would help answer the question. Be careful to define any variables used. AMC Bowling offers shoes for $5.60 and charges $2.40 per game bowled. Rip Van Winkle Bowling only charges $1.80 per game but $7.50 for shoes. How many games would you have to play for the bill to be the same no matter which alley you went too? 5) AMC Bowling offers shoes for $5.60 and charges $2.40 per game bowled. Rip Van Winkle Bowling only charges $1.80 per game but $7.50 for shoes. How many games would you have to play for the bill to be the same no matter which alley you went too? (solve to the nearest hundredth, assuming you can pay for games in increments of a hundredth ) 6) Give an example of an equation that will end in an identity (all real numbers). 7) If -5.6x + 40 = y represents the height (y) in feet as function of time (x) of a balloon as it descends. What does the -5.6 in the equation mean in the context of the situation? 8) If -5.6x + 40 = y represents the height (y) in feet as function of time (x) of a balloon as it descends. What does the 40 in the equation mean in the context of the situation? 9) If -5.6x + 40 = y represents the height (y) in feet as function of time (x) of a balloon as it descends. What restriction do we have to place on the domain and why? 10) On Thursday in social studies you earned...
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...religious allegory in the story. The names Goodman and Faith are used and the characters are then soon faced with terrifying evil. I think that Goodman Brown and his wife, Faith’s names symbolize that they are good, religious people and that Goodman is making up everyone being evil in his head. I found an essay by Alexa Carlson that described the symbolism in light vs. dark, forest vs. town, nature vs. human, and fantasy vs. reality. In her paper, Essay #1: Young Goodman Brown, she states that “…fantasy vs. reality are employed to reinforce the idea that good and evil have been set up as strict categories into which no one, not even the religious figures of the community, fit neatly.” As she later writes, if Hawthorne was apprehensive about “what he considers right and wrong in terms of human behavior, I think he would have spend more time building up his tragic end.” “Young Goodman Brown” was a pretty sad story because he was happy with all the locals and his faith until the trip came into Goodman Brown’s life. Goodman is pure going into the forest, but in a sense comes out of the forest somewhat evil. He comes back thinking he is better than everyone else and ends up isolating himself to lead...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...Visiting the Soviet Union in 1932 was a disillusioning experience for Arthur Koestler. He was disenchanted by what the revolution had led to, but told what he called the “necessary lie”, continuing to support Stalin’s Soviet Union until it signed a peace treaty with the Nazi’s in 1939. With many of his old comrade’s put on show trials and executed under the Stalinist Regime, the now ex-communist Koestler wanted to explain where and why the revolution went wrong. Furthermore, he searched for an explanation as to why so many of these old-line Bolsheviks, who had been essential to the party during the revolution, were publicly confessing to crimes against the party that would lead to their execution. In 1940 Koestler wrote the novel Darkness at Noon, which addresses these issues through the inner ethical conflictions of the main character Rubashov. A decorated member of the old guard, Rubashov is among the last of a dying breed and spends the novel in a prison through a series of three trials ultimately leading to his execution. Throughout the novel, Rubashov is confronted with an inner confliction that begins to develop emotional and heartfelt tendencies questioning the ethical validity of the very logic and ideology that he has sworn by in his past forty years of service to the party. This “silent partner” or “grammatical fiction”, as Rubashov describes it, progresses through the duration of the three trials until finally gaining dominance over the old “logical Rubashov” in...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...Outline Introduction: Where there is design, there is a designer. Thesis: G-d created the world in six days as described in the Book of Genesis, chapter one. Argument (point) #1: Apollo Argument (point) #2: The Cranium and the Brain Argument (point) #3: Hibernation: The bear Argument (point) #4: The painted turtle. The deer, the squirrel and the woodpecker: Conclusion: All societies since the creation of the world comprehend that acumen and intellect originate from a superior Intelligence. As described in Genesis chapter one, G-d created the world in six days. Does God Exist? Where there is design, there is a designer. Those who choose to disbelieve must twist their logic into pretzels in order to accommodate the misinformation they feed themselves. They expend endless energy positing the truth of their assertions to the rest of the world. In a sense, lack of faith is easier because it absolves the denier of any obligation, appreciation or indebtedness to The Creator. G-d created the world in six days as described in the Book of Genesis, chapter one. Frank observation by rational persons of any of the smallest quantifiable aspects of this ordered world will lead to the conclusion that there is a Creator. They can choose to examine a leaf, a gnat or a blood cell. “All roads lead home”. They must each draw the same conclusion. I have chosen examples from the human body and from nature that are but tiny illustrations of the glory, the profound intelligence...
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...James Thurber By Rahul Patel/10 [pic] Rahul Patel Mr. Hurdle Composition 11 May, 2012 James Thurber Part I: “Authors of light pieces have, nobody knows why, a genius for getting into minor difficulties: they walk into the wrong apartments, they drink furniture polish for stomach bitters, they drive their cars into the prize tulip beds of haughty neighbors, they playfully slap gangsters, mistaking them for old school friends” (James Thurber). James Thurber was a cartoonist and an author. He was born on December 8th 1984 to his parents, Charles and Mary Thurber. Thurber’s father was a clerk and a minor politician, while his mother was a practical joker and very strong-minded. For example his mother would tell visiting guests that she was in love the post man and she had to be kept in the attic because of it. She would also tell people that she was a cripple and then she would suddenly stand up and tell everyone she had miraculously healed(James Thurber 1 of 5). James Thurber also had two brothers, William and Robert. When Thurber and William were little, they were playing with a bow and arrow, and William shot James in the eye. This led James to be partially blind and because of this injury he couldn’t participate in any sports or activities, but this injury developed a very creative imagination in Thurber’s mind. A neurologist at the time had a theory that he might have Charles Bonnet Syndrome, which is a condition that...
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...Literal Vampirism: Nasty old man, attractive but evil, violates a young woman, leaves his mark, takes her innocence b. Sexual implications—a trait of 19th century literature to address sex indirectly c. Symbolic Vampirism: selfishness, exploitation, refusal to respect the autonomy of other people, using people to get what we want, placing our desires, particularly ugly ones, above the needs of another. 4. If It’s Square, It’s a Sonnet 5. Now, Where Have I Seen Her Before? a. There is no such thing as a wholly original work of literature—stories grow out of other stories, poems out of other poems. b. There is only one story—of humanity and human nature, endlessly repeated c. “Intertexuality”—recognizing the connections between one story and another deepens our appreciation and experience, brings multiple layers of meaning to the text, which we may not be conscious of. The more consciously aware we are, the more alive the text becomes to us. d. If you don’t recognize the correspondences, it’s ok. If a story is no good, being based on Hamlet won’t save it. 6. When in Doubt, It’s from Shakespeare… a. Writers use what is common in a culture as a kind of shorthand. Shakespeare is pervasive, so he is frequently echoed. b. See plays as a pattern, either in...
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...------------------------------------------------- Ishmael Question 1 In the novel, Ishmael, the phrase that the gorilla uses to represent society’s creation of a reality for an individual and a group is Mother Culture Question 2 at the end of the novel, the narrator expresses the idea that what he wants from Ishmael is a program Question 3 Daniel Quinn wrote the novel “Ishmael” in the twentieth century Question 4 According to Ishmael, if the takers accumulate knowledge about what works well for things, the leavers accumulate knowledge about what works well for people Question 5 The premise being acted out by Leaver cultures, according to the novel, Ishmael, is humanity belongs to the world Question 6 In the novel, Ishmael, the gorilla says there are two stories being enacted by humans at the present time: the takers and the leavers Question 7 Based on the text of the novel Ishmael, complete the following analogy. The Takers are to the Leavers as Cain is to Abel Question 9 In the novel, Ishmael, the dialogue eventually deals with a biblical story. Which biblical story is a key part of the novel? Garden of Eden Question 10 There are two trees in the biblical story of the garden of Eden, as recounted by Ishmael. One tree is the tree of the knowledge of good and evil. The other tree is the tree of Life Question 11 According to the novel, Ishmael, if the Takers know the one right way to live, Leavers know the way that they prefer to live Question 12 ...
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...Chinese Diaspora “at home” Ping Lin Abstract This paper uses data gathered from research project partially sponsored by Oriel College in Oxford and Academia Sinica in Taiwan to explore the adaptation of Mainlander Taiwanese in China. They moved from China to Taiwan in 1949 and back “home” with their descendents in 1990s. By examine the life of seventeen respondents in Dongguan/Shanghai in 2004-2005, we argue that they were in sense of double marginality despite the diversity of the sample. Whilst foreigners regarded China as a new territory to explore more economic benefits, these returnees were more likely to regarded China as a place with sense of belonging, not sense of colonising. However, they found that the real China was different from what they expected before return. They felt being excluded from Taiwan, but they also felt unwilling to participate in China due to this home disillusion. Further discussion on the adaptation of other type Taiwanese in China will be displayed in separated papers. Keyword: return migration, Taiwan, China! 1. Introduction Whilst most migration research focuses on why people move from poorer countries to richer countries and how they overcome the widely cultural gap in migration, there is little research stressing on migration either on the opposite direction or between countries with cultural proximity. The phenomenon of Taiwanese people in China1 provides us a good chance to fill in this gap. It is Ping Lin is Assistant Professor of Political...
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