...Nathaniel Hawthorne in ‘The Minister’s Black Veil’ uses the symbolic black veil to symbolize one hiding private sins. Hawthorne wrote ‘The Minister’s Black Veil’. He convinces me through his extraordinary writing to agree with the fact that the black veil is a good symbol. To continue, Hawthorne represented well by making a label clear, showing rather than hiding, and proving an element to the “black veil”. What does a label even mean? First, everything has a label. In ‘The Minister’s Black Veil’, the veil represented a label of screening a certain circumstance of one's life out. For instance, Mr. Hooper, in this short story, is a regular man. For example, his characteristics are still similar to other men who do not wear the veil. The sight at first may be weird to put together, but to Mr. Hooper the veil is a piece of him. For example, it's like an apple, apples usually don't have spots; just like how people usually don’t wear veils but some feel they...
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...“The Minister’s Black Veil" is about Mr. Hooper the minister in a town and starts to wear a mysterious black veil over his head, but his people are left to be questioned. At first, his people think of the veil as a prop for his sermon. His people then start assuming he wears the black veil because of the sins he may have committed, and he's embarrassed to prove to the world what he has done. There are different thoughts in his people, such as the minister being an awful person. "Elizabeth, I will," said he, "so far as my vow may suffer me. Know, then, this veil is a type and a symbol, and I am bound to wear it ever, both in light and darkness, in solitude and before the gaze of multitudes, and as with strangers, so with my familiar friends." (10)...
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...In The Minister’s Black Veil, Reverend Hooper shows up to church on Sunday morning with a black veil and the sermon he gives is on secret sin. He refuses to tell anyone the reason he's wearing it, and the townsfolk begin to think less of his character because of it. As the story develops, symbolism is represented through the sermon, the black veil, and the people in the community to create meaning in the story. First, the sermon Reverend Hooper gives with his black veil on his about secret sin. Throughout the sermon he is giving the congregation, he is secretly telling them the meaning of the veil: The subject had reference to secret sin, and those sad mysteries which we hide from our nearest and dearest, and would fain conceal from our own...
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...Nathaniel Hawthorne’s “The Minister’s Black Veil” is centered on a man who wears a black veil. The man in this reading is a minister who has committed some vulgar sin(s), which is where the black veil becomes relevant to his life. Hawthorne has decided to write about sin, but his stories often give a different perspective on sin, and “The Minister’s Black Veil” is no different. Rev. Hooper, who is the minister, is the character that defines the world, which means that members of society as a whole shield themselves in order to present themselves as being perfect. However, perfection is unfortunately something one cannot achieve. Therefore, the veil symbolizes every man’s desire to hide his sins and be seen as perfect. Upon reading “The Minister’s Black Veil”, one can conclude that Hawthorne wants to demonstrate how individuals would rather hide their indiscretions than own up to them, and that is demonstrated through the character, Mr. Hooper. Nathaniel Hawthorne is an author who uniquely invites the reader into his stories through the use of symbolism, which draws the attention of the reader and allows one to become almost interactive with his readings. Mr. Hooper, who is a minister, is not allowed to commit any sin in his world, which means that even thinking sinful...
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... First, the story of “Young Goodman Brown” is a story that is a symbolic representation of religious faith in our world. Therefore, in the story, Goodman Brown is a symbol of the everyday man or even mankind as a whole. He portrays the struggle that humans have in seeking faith and belief in a God or higher power that we as people sometimes try to strive to serve or obey. He is just a simple human being with both the capability for either good and evil depending on his choices throughout the book. Faith, on the other hand, is a representation of serenity or peace we have when we are holding true to those beliefs and not allowing the evil or doubt in our life to sway our belief in God. Faith is not based on what our eyes see or that we can confirm it is simply a belief that we have chosen to believe as true regardless of any evidence to the contrary. There are other examples of symbols used in this story. One of the other symbols is the pink ribbons used through the entire story. They can be seen as the human struggles that we have with faith. Sometimes we have faith, sometimes we struggle to believe, and sometimes we can no longer believe in it anymore and these pink ribbons are used to show that struggle within the story. The last symbolic example I will use is that of the Old man who travels with Goodman Brown to the forest. He can be seen as a representation of the devil. The devil is known to be able to appear as...
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... English 101- Tuesday/ Thursday 26 July 2015 Behind The Black Veil According to Merriam Webster Dictionary, a veil is worn to cover or hide something else. In this case, Parson Hooper wears a veil to cover his “secret sin.” Being a minister, he is exposed to many sinful situations that are difficult to avoid and he covers his self- conflict with a black veil. Throughout this eye- opening parable, “The Minister’s Black Veil,” by Nathaniel Hawthorne, there are both, positive and negative effects of Mr. Hooper’s black veil. Hawthorn reveals whether or not Mr. Hooper’s black veil is worth wearing by the time he dies at the end of the story. The first time Mr. Hooper wears his black veil, people immediately feel frightened and wonder why their minister “has gone mad” (Hawthorne 9). Mr. Hooper does not mean to scare everyone, he is simply covering his face from the world, in which he says, “If I hide my face for sorrow, there is cause enough and if I cover it for secret sin, what mortal might not do the same?” (Hawthorne 35). Everyone speaks only of bad things about him, “I would not be alone with him for the world. I wonder he is not afraid to alone with himself” (Hawthorne 16). Even his fiancé questions their relationship. No one wants a husband whose face is always covered by a depressing veil. He refuses to remove it and explain to her why he is wearing this veil. Mr. Hooper loves Elizabeth dearly and does not want her to leave him, “Have patience with me, Elizabeth...
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...Life through Symbolism Nathaniel Hawthorne was an American writer who is very well known for his use of symbolism. In many of Hawthorne’s short stories, he uses symbolism to express the conflicts he faced within his life. Some of these short stories include “Young Goodman Brown,” “Minister’s Black Veil,” “The Birthmark,” and “Rappaccini’s Daughter.” Within his work, Hawthorne tells great tales where each character faces a different issue in which they must make a decision such as one’s that Hawthorne had to make. Some decisions Hawthorne made in his very own life were his families’ beliefs of Puritanism and if he should follow their beliefs, conflicts with learning about his father and grandfather, marrying his wife, and how he remained isolated, a recluse, away from the world. In “Young Goodman Brown,” Hawthorne uses symbolism to tell the story of a young man who goes on a journey from his innocent world into an evil world. In the beginning of the story the reader is introduced to two characters, Young Goodman Brown and his wife, Faith. Hawthorne uses their names as the first piece of symbolism, Young Goodman Brown means a young man, who is good natured, and his last name “Brown” also means he is dull and just blends in the background. Morgan 2 Brown is married to Faith, whose name is also symbolic. Faith’s name is used as not only Goodman Brown’s wife, but it is also used as his faith. This is shown when he says, “My love and my Faith,” (Young Goodman Brown, 58), using...
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...His first two books gained much attention, but his book Moby Dick, did not (Marion). The society during that time was not mentally ready for a masterpiece like Moby Dick. He is also credited for Billy Budd, White Jacker, Typee, Omoo, Pierre, and The Confidence-Man. These two authors found a magnificent way to connect different people, which was through their writing. They produced books that have been handed down from generation to generation. These books or short stories have been read by many people of different social classes, ethnicities, occupations, and societies. Nathaniel Hawthorne produced many different short stories that had deep meanings to them like; The Gentle Boy, The Gray Champion, The May-Pole of Merry Mount, The Minister’s Black Veil, The Birthmark, The Artist of the Beautiful, The Haunted Mind, Wakefield, Ethan Brand, and The Man of Adamant. Herman Melville also produced a magnificent story with vivid details, which was entitled Moby Dick. Even though these authors produced excellent stories, they still incorporated their views on science and art. While looking up the terms science and art, I found numerous definitions. Science, in the broadest sense, refers to any system of knowledge which attempts to model objective reality. In a more restricted sense, science refers to a system of acquiring knowledge based on the scientific method, as well...
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...28. Flight of the Prince 29. The Phoenix Lament 30. The White Tomb Chapter 1: The Other Minister It was nearing midnight and the Prime Minister was sitting alone in his office, reading a long memo that was slipping through his brain without leaving the slightest trace of meaning behind. He was waiting for a call from the President of a far distant country, and between wondering when the wretched man would telephone, and trying to suppress unpleasant memories of what had been a very long, tiring, and difficult week, there was not much space in his head for anything else. The more he attempted to focus on the print on the page before him, the more clearly the Prime Minister could see the gloating face of one of his political opponents. This particular opponent had appeared on the news that very day, not only to enumerate all the terrible things that had happened in the last week (as though anyone needed reminding) but also to explain why each and every one of them was the government's fault. The Prime Minister's pulse quickened at the very thought of these accusations, for they were neither fair nor true. How on earth was his government supposed to have stopped that bridge collapsing? It was outrageous for anybody to suggest that they were not spending enough on bridges. The bridge...
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...Juliet Byington. Vol. 95. Detroit: Gale Group, 2001. p375-387. From Literature Resource Center. Document Type: Critical essay Full Text: COPYRIGHT 2001 Gale Group, COPYRIGHT 2007 Gale, Cengage Learning [In the following essay, Levy examines Faith as a character, an allegorical figure, and a symbol.] Few of Hawthorne's tales have elicited a wider range of interpretations than “Young Goodman Brown.” The critics have been victimized by the notorious ambiguity of a tale composed of a mixture of allegory and the psychological analysis of consciousness. Many of them find the key to its meaning in a neurotic predisposition to evil; one goes so far as to compare Goodman Brown to Henry James's governess in The Turn of the Screw [Darrel Abel, in “Black Glove and Pink Ribbon: Hawthorne's Metonymic Symbols,” in NEQ 42, 1969]. The psychological aspect is undeniably important, since we cannot be certain whether “Young Goodman Brown” is a dream-allegory that takes place in the mind and imagination of the protagonist, an allegory with fixed referents in the external world, or a combination of these that eludes our ordinary understanding of the genre itself. The story is all three: a dream vision, a conventional allegory, and finally an inquiry into the problem of faith that undermines the assumptions upon which the allegory is based. Whether we think of the central episode of the witches' Sabbath as a dream or an hallucination, or as a nightmarish “real” experience, it must be placed in relationship...
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...The White Tiger Summary The entire novel is narrated through letters by Balram Halwai to the Premier of China, who will soon be visiting India. Balram is an Indian man from an impoverished background, born in the village of Laxmangarh. Early on, he describes his basic story: he transcended his humble beginnings to become a successful entrepreneur in Bangalore, largely through the murder Mr. Ashok, who had been his employer. Balram also makes clear that because of the murder, it is likely that his own family has been massacred in retribution. In Laxmangarh, Balram was raised in a large, poor family from the Halwai caste, a caste that indicates sweet-makers. The village is dominated and oppressed by the “Four Animals,” four landlords known as the Wild Boar, the Stork, the Buffalo, and the Raven. Balram's father is a struggling rickshaw driver, and his mother died when he is young. The alpha figure of his family was his pushy grandmother, Kusum. Balram was initially referred to simply as “Munna,” meaning “boy," since his family had not bothered to name him. He did not have another name until his schoolteacher dubbed him Balram. The boy proved himself intelligent and talented, and was praised one day as a rare “White Tiger” by a visiting school inspector. Unfortunately, Balram was removed from school after only a few years, to work in a tea shop with his brother, Kishan. There, he furthered his education by eavesdropping on the conversations of shop customers. Balram feels that...
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...NORTH AMERICAN FICTION BRIEF INTRODUCTION: Before starting our study of American Fiction we must understand what American Literature is in itself and which pieces of writing we can include within this label. It is believed that when a piece is written in North America, more precisely in the USA, it would automatically be given this epithet. But it should be taken into account that this idea is quite broad and doesn’t reflect the real essence of the term. However, there is also another definition that gathers this essence: American Literature is the one that represents the Americanism, the singularity of the USA philosophy and culture. This way, instead of focusing on who the author is, it is focused on the content of the writing. In that which concerns Fiction, the following documents are the ones considered as narrative: Speeches Letters Short Stories Essays Political Documents Sermons Novels Diaries 1 FIRST LITERARY EXPRESSIONS The first documents in which the idea of Americanism is very present are the Sermons. They respond to the strict Protestantism settled in the New Continent after the arrival of the Pilgrim Fathers and Puritans in the Mayflower (1620) and the Arabella (1630). They established a theocratic community whose main and only point of reference was the Bible. That is why the idea of the ‘city upon a hill’ is still very present in American mentality. As we all know...
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...The White Tiger A Novel Aravind Adiga Free Press New York London Toronto Sydney FREE PRESS A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 This book is a work of fiction. Names, characters, places, and incidents either are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental. Copyright © 2008 by Aravind Adiga All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Free Press Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020 FREE PRESS and colophon are trademarks of Simon & Schuster, Inc. Library of Congress Cataloging-in-Publication Data Adiga, Aravind. The white tiger: a novel / Aravind Adiga. p. cm. 1. Chauffeurs—India—Bangalore—Fiction. 2. Poor—India— Bangalore—Fiction. 3. Ambition—Fiction. 4. Business people— India—Bangalore—Fiction. 5. Bangalore (India)—Fiction. I. Title. PR9619.4.A35W47 2008 2007045527 823'.92—dc22 ISBN-13: 978-1-4165-6273-3 ISBN-10: 1-4165-6273-7 Visit us on the World Wide Web: http://www.SimonSays.com The First Night For the Desk of: His Excellency Wen Jiabao The Premier's Office Beijing Capital of the Freedom-loving Nation of China From the Desk of: "The White Tiger" A Thinking Man And an Entrepreneur Living in the world's center of Technology and Outsourcing Electronics City Phase 1 (just off Hosur...
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...Between Hawthorne's earlier and his later productions there is no solution of literary continuity, but only increased growth and grasp. Rappaccini's Daughter, Young Goodman Brown, Peter Goldthwaite's Treasure, and The Artist of the Beautiful, on the one side, are the promise which is fulfilled in The Scarlet Letter and the House of The Seven Gables, on the other; though we should hardly have understood the promise had not the fulfillment explained it. The shorter pieces have a lyrical quality, but the longer romances express more than a mere combination of lyrics; they have a rich, multifarious life of their own. The material is so wrought as to become incidental to something loftier and greater, for which our previous analysis of the contents of the egg had not prepared us. The Scarlet Letter was the first, and the tendency of criticism is to pronounce it the most impressive, also, of these ampler productions. It has the charm of unconsciousness; the author did not realize while he worked, that this "most prolix among tales" was alive with the miraculous vitality of genius. It combines the strength and substance of an oak with the subtle organization of a rose, and is great, not of malice aforethought, but inevitably. It goes to the root of the matter, and reaches some unconventional conclusions, which, however, would scarce be apprehended by one reader in twenty. For the external or literal significance of the story, though in strict correspondence with the spirit, conceals...
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...1 EFFI BRIEST Theodor Fontane 1895 TRANSLATED AND ABRIDGED BY WILLIAM A. COOPER, A.M. Associate Professor of German, Leland Stanford Jr. University CHAPTER I 2 CHAPTER I In front of the old manor house occupied by the von Briest family since the days of Elector George William, the bright sunshine was pouring down upon the village road, at the quiet hour of noon. The wing of the mansion looking toward the garden and park cast its broad shadow over a white and green checkered tile walk and extended out over a large round bed, with a sundial in its centre and a border of Indian shot and rhubarb. Some twenty paces further, and parallel to the wing of the house, there ran a churchyard wall, entirely covered with a small-leaved ivy, except at the place where an opening had been made for a little white iron gate. Behind this arose the shingled tower of Hohen-Cremmen, whose weather vane glistened in the sunshine, having only recently been regilded. The front of the house, the wing, and the churchyard wall formed, so to speak, a horseshoe, inclosing a small ornamental garden, at the open side of which was seen a pond, with a small footbridge and a tied-up boat. Close by was a swing, with its crossboard hanging from two ropes at either end, and its frame posts beginning to lean to one side. Between the pond and the circular bed stood a clump of giant plane trees, half hiding the swing. The terrace in front of the manor house, with its tubbed aloe plants and a few garden chairs...
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