...children and their children had their own children, one of which is Pandaguan. Pandaguan got married to his cousin Lubluban. They had a son named, Anoranor. Panduguan: Son, come and join me. I’ll teach you fishing. You know what son; I’m very fond of fishing. (Magpapause at ipapakita yung fishing net at magfflash sa ppt na ito yung unang invention ng fishing net) Anoranor: Yes dad! I want to learn that also. I’ll come with you. Pandaguan: Drop the net in the water son. (Anoranor will drop the net then Pandaguan will hold it) Pandaguan: Look son, I’ve got a shark! (Then he brought it to the shore. After few minutes the shark died. Pandaguan cried and wept loudly) Captan: Why are you weeping? (Pandaguan pointed the shark still continue weeping) Captan: Why did you kill it? (Captan struck Pandaguan with thunderbolt) Captan: You will stay in the infernal region for 30 days! Maracoyrun: Lubluban, can you be my girl? Pandaguan died and now is my time to show my love to you. (Lubluban let him and they lived together) (Magfflash sa ppt na ito yung first case ng adultery) (Captan took pity and returned Pandaguan back) (When Pandaguan returned to his home, he didn’t see his wife) Pandaguan: Son, invite all our friends and we’ll make a feast because Captan brought me back again. Anoranor: Yes dad, I will. I missed you dad. (Pig will be emphasized sa mga pagkain na ifflash sa ppt tapos sasabihin na ito yung first case ng theft) (After celebration) ...
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...potentials to make an amazing piece that’ll be loved, hated, and talked about for years to come. There is a certain genre that has come into higher and higher power, that’s almost as well renowned as romance or adventure would be the horror genre. In horror there are so many amazing authors, capable of causing the reader to feel such intense emotions through just their writing. But unlike romance or adventure, these emotions are more so fear, anxiety, or paranoia. They write books or poems that leave people checking their closets, plugging in a nightlight, and hiding underneath their blankets to go to sleep at night. Some of the most amazing authors include H.P. Lovecraft, Stephen King, Edgar Allen Poe, Dean Koontz, and Peter Straub. All of them having different writing styles and stories, yet their pieces all yield the same results. Just like all the other genres, horror can also be broken down into different subgenres. This includes types like psychological horror, which leaves the reader questioning everyone’s sanity, even their own. There’s gothic, involving a mixture of psychological terror in romantic settings, including mysteries, ghosts, castles, decay, madness, hereditary curses, and death. Also on this list of subgenres is supernatural, the main cause of people seeing things out of the corner of their eye when there’s nothing there. All of these subgenres can branch off into more specific story types. Looking at the supernatural, there are things like ghosts, aliens,...
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...He creates a sense of trust in his audience and helps prevent assumptions from being made. Bernat is creating a strong backup for what the criterion of death is and why it is the only plausible proposal for brain death advocates. When looking at the assumptions that back up Bernat’s argument, one will find that assumption two is very important. It states that death is fundamentally a biological phenomenon, and not fundamentally a social contrivance. This is important and shows that it can be talked about thoroughly. When it comes to the actual scientific definition of death, Bernat comes extremely close. Critical functions means more than just functions of a body, but also means a balance of certain reactions. When looking at Bernat’s definition of death and how scientists would define death, one would find how it is so close to being the exact same. Another important assumption clarified earlier that backs up his argument is number seven. Death is irreversible. This is important because in the cardiopulmonary criterion of death, it can be said that it is sometimes reversible; therefore, the person who died may still be alive (134). Following this, the higher-brain criterion of death states that people are alive if one considers that they may be in a persistent state of...
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...“truth”, so mesmerized by its light they also become obliterated of what else may wait beyond that one “truth”. Firstly, this two sided manipulative truth is evident when the dead rise from their cemeteries and start to expose what they actually are like compared to what others portray them as. This event is encrypted when one of the dead rise and write “here reposes Jacques Olivant, who died at the age of fifty-one. He hastened his fathers death by unkindness, as he wished to inherit his fortune, he tortured his wife, tormented his children, deceived his neighbors, robbed everyone he could, and died wretched”(Maupassant 152). This horrifying truth of the dead coming back from the afterlife to prove a point of how the perspectives of there loved ones is incorrect compared to how the dead truly are from the inside, referring to there motives, thoughts, and aspirations they had while they were living. This relates back to how people blind themselves and simply fail to look beyond the horizon just because they know the real “truth” is going to be so much more harsh then their made-up softened version of the “truth”. This event depicts how this dead man did so many heinous deeds that not only deceitful for those around him but, at the end deep down in his heart didn’t let him rest in peace even after death. Going back to the message of the...
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...notified the families once the plan started to fail, or if he’d been more stubborn with Juliet requiring her to leave the tomb their lives might’ve been saved. This is why Friar Lawrence’s judgment or lack thereof caused the tragedy at the end, and why the tragedy was a result of free will. Friar Lawrence’s decision of free will to marry Romeo and Juliet was the one of the reasons behind the tragedy at the end. On the wedding day both Romeo and Juliet are at Friar Lawrence’s cells and The Friar says “Come, come with me and we will make short work, / For, by you leaves, you shall not stay alone / till holy church incorporate two into one.” (2.6.35-38) If The Friar hadn’t married these two young lovers this would have stopped the chain of events that lead to their death. The...
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...Dealing With a Dead Situation John 11:1-4 & 17-27 Saints for the next few minitues I want to talk to you about the situations that are in your life. In order to deal with the situations that we are going to have to face in this world, we must learn how to deal with some situations in your life and allow them to die. We all go and are going through things that seems to hard for us to bear. There are many things that we have been praying for and we wonder Lord are you listening to me? Some of us been praying the same prayer so long that we feel like maybe this is one He just isn’t going to answer. I stop by to let you know that He hears every prayer and it is how you are dealing with the situation that is affecting the answer. Don’t you realize that He told us that we have the power to speak things into exsistance. Take not that on the 3 P’s. P= I have taught you in my word how to first Pray P= I have given you the Power to speak over your situation P= Then after you have pray and authorized your power to speak, then you have to learn to leave it alone and Praise for the result. Some of us don’t want our situations to die. We get all the attention as long as we are going through. If the Lord make a way for my bills to be paid, I can’t hit up the mission department no more. If he heal me, then the mothers want come over and cook and clean for me no more You don’t want your situation to die because that is the only way your lazy self have learned how to survive...
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...from Conflict In Futility and Come on, Come back, we see the damaging and horrific results of past wars and future wars. Futility clearly illustrates how war affects the living, how it makes them contemplate life, how it makes you question everything, particularly existence. In Come on, Come back, we see how war devastates the mind, how it leaves people longing for peace and salvation, even if they can’t remember what it is they have done or seen. To begin, Owen uses the structure of Futility to convey a single event and the subsequent thoughts it evokes. He uses the simple sonnet form to find the essence of what a death brings to him – the feeling of utter pointlessness. Even though it is much more brief than Come on, Come back, he emphasises the feelings of emptiness that death can bring. He uses half-rhyme to create a disjointed, unnatural feel that makes the poem feel strange and creates a strange disjointed harmony. It doesn’t quite sound right. This is superbly appropriate for the subject itself. Even though the dead soldier looks as if he is just sleeping, he isn’t. It isn’t quite right. He also builds on the series of questions he asks in the poem to build up to the most profound of all: “Oh what made fatuous sunbeams toil to break earth’s sleep at all?” Here we see how he cannot understand why the universe bothered to raise anything, to build a civilisation, when it is all for nothing. We destroy each other. Although Come on, Come back is a narrative poem, it still...
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...this is to bring the story to life more than it could live through the happening-truth. 'I want you to feel what I felt. I want you to know why story-truth is truer sometimes than happening-truth' (O'Brien, 183). O'Brien believes that, when accompanied by vivid details which essentially make the reader view the scene as a dream, story-truths can carry greater emotional truths than ever possible to be achieved through actual, happening-truths. With this, he shows, contrary to belief, how story-truths are often truer than happening-truths, and demonstrates this through the addition of often graphic details. Happening-truth encompasses actual events that take place. However true these stories may be, they are often times viewed as unreal simply because they have no details to back them up. The entire shit field scene that was put into this book, for example, was turned from a happening-truth into a story-truth because the original version was not believable. The reader can see this through O'Brien describing the letters that he received from Norman Bowker. Norman writes to Tim, telling him that he should write about the event. 'What you should do, Tim, is write a story... You were there --- you can tell it' (O'Brien, 151). Norman does this because he can't come to terms with writing it himself. It takes Tim a while to be able to write the story because he is afraid of re-living it. He knows that by telling the story, it will bring the event back to life. When he is finally able...
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...The Education of Steavens A funeral is an interesting event. People are mourning, but they are doing it for their own reasons. They are not really doing it for the person that is dead because that person is gone and knows nothing of it. They are really feeling sorry for themselves or have some other agenda, such as getting attention or gaining something for themselves. Their gain may be just feeling good about themselves at the expense of the decedent’s reputation or memory. In the story, “The Sculptor’s Funeral” by Willa Cather, Steavens accompanies the body of his teacher and successful sculptor, Harvey Merrick, back to Merrick’s dirty, little, Kansas hometown, for burial. He is met with a town and people who repulse him. He discovers...
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...grief about what happened,” She was sobbing over her words, “ Actually I'm still wearing our friendship bracelet she gave me. I still can't believe that she's gone.” she added. “ Calm down Miss, we would just like to ask you if you know anything that can be related to what happened and why it happened?” The Police asked. Sisa was still sobbing over words and said, “ I really don't know what happened Sir, I just heard that she was dead and could hardly believe it. The police knew that they wouldn't be getting any information from Sisa so they said that they left, leaving Sisa to reveal her true self. She was laughing crazily all by herself, telling herself, “ I am such a good actress, I should've pursued my dream to become a movie actress,” she was giggling at her thoughts and kept on murmuring to herself as she approached a framed picture of Sasa and her, “Poor, poor Sasa, you should've knew from the start that I was the right girl for Salbakuta but you were stubborn and selfish, now look what happened, you're totally out of the picture.” Sisa continued chuckling to herself as she tore the picture in half, burning the part with Sasa on it. Later on in the evening it was raining, the lights were dead and everything was silent. Sisa was in the bathroom sitting in her throne when the doorbell rang, she was confused, her house didn't even have a doorbell. She chuckled at the thought that it was some sort of cliché event where Sasa's soul would eventually get...
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...they’re coming for her. Trying to find a way to the safe house on the other end of the maze, she comes to a stop looking at a wall with the words dead-end written in blood she turned around and ran the other way. Noticing a gleam of light, she knew it could be was her safe house; trying to run faster, the footsteps seemed closer and closer to her. Looking back to see if they were near her, not paying attention she ran into a strong body, feeling hazy from the force of her running. When she came to, a boy was standing in front of her; he was from one of the other schools and was wearing a blue shirt. Reaching for her knife knowing to survive she would have to kill him, but it was too late, gun shot fired...
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...Tara Mahamad Ms. Leggo HSB4U-1 March.23rd.2015 Social Norms portrayed in The Walking Dead In The Walking Dead's post-apocalyptic world, there is no true form of government, no law enforcement, money has absolutely no value whatsoever, there are no emergency respondents, and there is no clearly defined social structure. This is a world where someone may be your neighbor on one occasion, and the next day they may have been turned into a walker, putting you into a predicament where you must make the decision as to whether or not you will be eaten by the “walking dead”, or you will slay them. People literally abandon their cars on the highways and run for shelter. While survivors hide away in basements and closets, trying to keep silent in attempt to not draw attention to themselves, with a fear that a group of hungry walkers may be near by. Individuals have no frame of reference for how to deal with these types of scenarios, there is no past precedent in history to follow here. To us, this may seem completely abnormal, but to the characters in The Walking Dead, this is a norm. The definition of a norm, is an expectation of how people will behave. It takes the form of a rule that is socially placed by society rather than formally enforced by some sort of government. Norms are societal beliefs regarding how members should behave in any given context. Sociologists describe norms as informal understandings that govern a particular society’s behavior. Although norms are not...
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...in not creating another creature because he so thoroughly messed up the first creature he created, because it is not right to resurrect those who are already dead, and because, simply put, the world needs no more monsters. Right after Frankenstein’s creation comes to life, Frankenstein flees...
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...| d. | getting a promotion at work | ____ 2. Which of the following events happened first in “Contents of the Dead Man's Pocket”? a. | Tom thought about what the police would find in his pockets. | b. | Tom dropped coins from his pockets to the street below. | c. | Tom watched his wife get ready to go out alone. | d. | Tom smashed his fist through the window. | ____ 3. Which of the following events causes Tom to go out on the ledge? a. | Tom does research on store displays. | b. | Clare goes to the movies alone. | c. | Tom's paper flies out the window. | d. | Tom puts on his coat. | ____ 4. Which event in “Contents of the Dead Man's Pocket” causes Tom to panic? a. | His wife goes to the movies. | b. | He sees the street below him. | c. | He thinks about the contents of his pockets. | d. | He sees a man reading a newspaper across the street. | ____ 5. Which of the following is a moment of high suspense in the story? a. | Clare leaves. | b. | Tom looks down and panics. | c. | Tom stares through the window into his living room. | d. | Tom sees the yellow paper fly out the window a second time. | ____ 6. Why doesn't Tom simply wait for his wife to come home and help him? a. | He thinks she probably would not notice him out on the ledge. | b. | She will become very angry if she comes home and finds him on the ledge. | c. | She had left early to see the...
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...The two kept on going, past more dead bodies, deeper into the asylum, bad mistake. They came up upon a very tall figure, around ten feet in height, his massive arms broke tore through what seemed to be his shirt which had “BOB” written on it on red ink. Bob, the mutant, grabbed the two, one with each hand, and hurdled them over a large, steel barrier into what seemed to be the lobby of the asylum. Both of them smashed into a light, flickering above the lobby, and fell to the floor, unconscious. While they were unconscious, Bob jumped over the steel barrier and down into the lobby, onto what seemed to be hundreds of dead bodies. Unable to find Conor or Cameron, Bob started to get more and more enraged, smashing dead bodies, walls, and basically everything in range, until he hit the power box. “BAM,” all the lights shut off, and the power box was now spewing electrical volts everywhere, and even onto a now frightened Bob, who ran away, into the...
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