Ridley Scott’s Alien provides us with one of the most basic and primal super-objectives: the preservation life. Our protagonist, Ellen Ripley, faces impossible odds as a seemingly invincible alien predator wreaks havoc on the crew of the Nostromo, taking them out one by one until she is the last man (or in this case, woman) standing. In most every horror, or as Blake Snyder would call it, “Monster in the House” film, the super-objective is to preserve life. Some, however, are more successful than
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LACAN AND CONTEMPORARY FILM EDITED BY TODD McGOWAN and SHEILA KUNKLE OTHER Other Press New York Copyright © 2004 Todd McGowan and Sheila Kunkle Production Editor: Robert D. Hack This book was set in 11 pt. Berkeley by Alpha Graphics, Pittsfield, N.H. 10 9 8 7 6 5 4 3 2 1 Allrightsreserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without
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