Florence

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    What Kind of Hierarchies Do We Encounter in the Study of Art from 1400-1600?

    What kind of hierarchies do we encounter in the study of art from 1400-1600? Ideas of the Renaissance The hierarchical phenomenon operating between the years 1400-1600 shaped and organised Renaissance society, heavily defining codes of conduct and correct communal correlations. What’s more, it was a comprehensive and widespread concept that manifested from various angles in Italian Renaissance art. Hierarchical influence can be encountered when considering the contention between several

    Words: 2545 - Pages: 11

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    What Caused The Renaissance To Ignite?

    Class and Professor, There were many factors that came together in 14th century Italy that caused the Renaissance to ignite. One major factor was the Medici family, which controlled Florence throughout much of the Renaissance, and played a large part in the patronage of the arts and the political development of the city (Sayre, 2011). Another factor was the wide spread belief in humanism, and Neoplatonism. One other factor could be that is was the end of the Middle Ages which rejected the ideas of

    Words: 261 - Pages: 2

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    The French Revolution

    subject in the art of Florence. Since the statue was of a hero, it was used to symbolize the defense of civil liberties that were embodied in the republic of Florence, which was a city-state that was constantly threatened by surrounded more powerful states and the Medici family. The eyes on David’s face were believed to be positioned in a manner that he is overlooking to looking towards Rome, with a warning glare. The statue was moved to the Galleria dell'Accademia, Florence, in 1873, and later replaced

    Words: 1320 - Pages: 6

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    John Singer Sargent Research Paper

    John Singer Sargent was born on January 12, 1856, in Florence, Italy. At a young age, Sargent displayed his artistic talents and during his late teens, he enrolled at the Academia delle Belle Arti (A&E Networks Television). Sargent continued his studies in Paris, the “art capital of Europe,” where he was mentored by Carolus-Duran. Sargent’s mentor had an immense impact on him as he learned to adapt Carolus-Duran’s methods and techniques for painting. Instead of making detailed sketches prior to painting

    Words: 307 - Pages: 2

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    Becoming A Patron During The Renaissance

    Throughout the 15th century many people took on the role of a patron throughout the many city-states. The church no longer carried the sole role in providing a way for artists to make a living and showcase their talents. As time passed many people developed a love for art and sought after it to express their wealth, power, and affection. This affection started what is referred to as the Renaissance period. Becoming a patron allowed someone to showcase their social status; it suggested to everyone

    Words: 304 - Pages: 2

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    Filippo Brunelleschi: A Case Study

    The fathers of Florence wanted their Cathedral to be finished with the dome they desired. That way they could finally shun the gothic influence they felt (Tom Mueller February 2014). Along came one Filippo Brunelleschi to solve their problems. He was the man with a plan, one which he held close for fear of being ripped off by others. To build a dome 180 feet off the ground was something few could comprehend. The first challenge that was faced was that of lifting such heavy loads

    Words: 276 - Pages: 2

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    Leonardo Da Vinci - the Man Who Wanted to Know Everything

    Leonardo da Vinci - The Man Who Wanted To Know Everything Leonardo da Vinci was one of the greatest genius’s that’s ever lived, also known as the first modern mind. He was a painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. Leonardo has often been described as the archetype of the Renaissance man, a man of "unquenchable curiosity" and "feverishly inventive imagination". He is widely considered to be one of the

    Words: 1408 - Pages: 6

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    Sforza Art Patrons

    The name Sforza comes from Sforzae which means to exert or force. The Sforza rose from a lineage of peasants. They used their positions as war leaders to become rulers of Milan. The Sforza family was considerably similar to the Medici family of Florence, Italy. Many members of the family held important positions within the church and political arenas. One of the Sforza’s most well known commissions would be the Last Supper by Leonardo DaVinci. This piece was commissioned by Duke Ludovico

    Words: 325 - Pages: 2

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    Renaissance Art

    What Were the Characteristics of the Renaissance? In very simple terms, the Italian Renaissance re-established Western art according to the principles of classical Greek art, especially Greek sculpture and painting, which provided much of the basis for the Grand Tour, and which remained unchallenged until Pablo Picasso and Cubism. From the early 14th century, in their search for a new set of artistic values and a response to the courtly International Gothic style, Italian artists and thinkers became

    Words: 1465 - Pages: 6

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    Leonardo Da Vinci

    Leonardo was born on April 15, 1452, "at the third hour of the night" in the Tuscan hill town of Vinci, in the lower valley of the Arno River in the territory of Florence. He was the illegitimate son of Messer Piero Fruosino di Antonio da Vinci, a Florentine notary, and Caterina, a peasant who may have been a slave from the Middle East. Leonardo had no surname in the modern sense, "da Vinci" simply meaning "of Vinci": his full birth name was "Leonardo di ser Piero da Vinci", meaning "Leonardo, son

    Words: 316 - Pages: 2

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