named the Hellenic |Greek messenger to the gods |founder of the Academy in |literary form that is the |tragedian who wrote Oedipus | | |Republic |Hermes |Athens |crowning glory of Athenian Age|the King and Antigone - | | |Greece | |Plato |- drama |Sophocles | |2 |Greek god of wine and revelry
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Early Greek Drama Typically all humans enjoy a good laugh. After all, “Laughter improves the function of blood vessels and increases blood flow, which can help protect you against a heart attack and other cardiovascular problems” (Smith). The attention of a human being is automatically grasped when it comes to dramatic and comedic situations. It is almost like the human brain has an on and off switched that is flipped on when drama is involved; or when something is funny. “Ancient greeks from the
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Both stories are set in Greek mythology with similarities of drama and family dysfunction. They share the similarity of anger and revenge. These stories both praise and worship the Gods. The Gods give them guidance, provide answers and cause some of their turmoil. In Oedipus; the king has curiosity which in the end leads him to exile for his actions. Many times, he asks other for answers. What is the source of the city’s plague and of his fate. Although those that know the truth do not want to reveal
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Accidential de Massacre Greek Drama Scene 1: [Note: all rebels who are sitting down on this scene will stand up if they have a part which they will say something] Mohammed: If it wasn’t for the government stealing our precious oil, we would be rich! We should find a way to regain what is ours! Rebel1: I have heard that the daughter of the president will be traveling in Davao, I propose we should kidnapped her and make her ransom, so they couldn’t help themselves but to give our riches back
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Modern Performance and Adaptation of Greek Tragedy Helene P. Foley Barnard College, Columbia University “Leave it to a playwright who has been dead for 2,400 years to jolt Broadway out of its dramatic doldrums” begins a recent New York Times review (December 4, 1998) of a British Electra by Sophocles starring Zoe Wanamaker and Claire Bloom. This fall the Times has repeatedly remarked on the “deluge” of Greek tragedy in the 1998-99 theater season: the National Theater of Greece’s Medea, Joanne Akalaitis’
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Drama 2 - Semester 1 Study Guide and Review FORMAT OF TEST Section 1: Fundamentals & Acting (50 points) 20 questions (30 points) 3 short response (20 points) Section 2: Tragedy & Comedy (50 points) 20 questions (30 points) 3 short response (20 points) Section 3: Shakespeare (50 points) 20 questions (30 points) 3 short response (20 points) Section 4: Performance (50 points) Students will perform a monologue separately for Mr. Finley and be scored via the rubric
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Elianne El-Amyouni Dr. Sabah Ghandour English 244 Comedy and Tragedy in Drama “All tragedies are finished by a death. All comedies are ended by a marriage,” (Byron, N.D.). To some degree, Byron is somewhat correct. Of course, there are dramatic texts considered under the category of “tragedy” that do involve death while there are also those that do not. In Lorca’s The House of Bernarda Alba, the play tragically ends with the death of one of the main character’s daughters. On the other hand,
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an escape. While theatre was originally used as a form of worship to the Greek god Dionysus, the art of theatre has greatly evolved over the years and is now mainly used as a source of entertainment. There is not much history pertaining to the origin of theatre. Most research comes from wall paintings and hieroglyphics. One of the first dramas was performed in Egypt and is said to be the beginning of theatre. This drama was the Abydos passion play, involving the story of Osiris (Robinson, 2002)
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AP English Literature and Composition 2012 Summer Reading Assignment I. DRAMA Oedipus Rex by Sophocles We are not requiring any particular edition of the play; however, we would highly recommend a version which includes supplemental materials/explanations of Greek drama and Greek mythology. Purchase, read, and annotate the play prior to the first day of class. It would be wise to focus your annotation on instances of dramatic irony, images of vision and blindness, and tension between
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THEATRE HISTORY INSTRUCTOR: THAR 281 Fall 2013 Exam #1 Review What is Theatre/ The Origins of Theatre: 1. Define “theatron” the seeking place 2. List the specific areas of theatre: Performer, spectator, text, visual elements, spectators 3. What are the three types of playing spaces discussed in class? a. Proscenium b. Arena c. Thrust 4. What are the three areas of design discussed in class? What are the purposes of each? 5. What are the two most ESSENTIAL elements of theatre?
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