Distribution of world population and location of mega-cities In 1800 only 3 percent of the worlds total population lived in cities, this figure now stands at 47 percent an increase of 44 percent over 200 years. In 1950, there were 83 cities with populations exceeding one million; New York was recognised as becoming the world’s first megacity. By the year 2007 83 millionaire cities had risen to 468. If this trend continues however the worlds urban population will double every 38 years. This is
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Alistair Hall Discuss the causes of urbanisation around the world Urbanisation is the growth of in the proportion of a country’s population that lives in urban as opposed to the rural area. We can see how urbanisation is increasing globally by the switch over of the majority of the global population living in rural areas to urban areas in 2007, and how the percentage of the global population living in urban areas is now 53% as well as their being 28 megacities around the world as of 2015. The
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Foundation III Professor Bauman Essay #2 Metropolis ----The Shift From Mechanical Technology To Electrical Technology Arguably the most influential Science Fiction film of all time, Fritz Lang's “Metropolis” (1926) is one of those remarkable works that provides the audience with both visual enjoyments from its high aesthetic standard and spiritual value from the hidden significances. As one of the most widely known films of the silent era, “Metropolis” engages people to think, particularly how
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describe a desert they would most likely paint a picture of a desolate field of sand dunes filled with life less, dried up, crinkled shrubs. If you ask me to describe a desert I would paint an entirely different picture. My desert is a lively active metropolis full of active people in the middle of one of the largest urban heat islands. With over two-hundred days of clear, bright, warm sunshine and an array of activities to explore, it is easy to immerse yourself in the lively ambiance. The near perfect
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When distribution of power in a society is too unevenly distributed, or when one group abuses their power too greatly to the detriment of others, then the oppressed often find a way to rebel or even initiate revolution. In Metropolis and Nineteen Eighty-Four we see depictions of dystopian societies that provoke rebellion or revolution, though as each text was produced during or shortly after significantly different periods of conflict and upheaval, we ultimately see two different attitudes presented
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opolLondon – A Metropolis Module 1: Dilys Rose: Street of the Three Terraces (1993) Module 2: David Cameron: We are all in this together, August 15 2011 Tottenham Riots, London | 6th August 2011 | Sky News: http://www.youtube.com/watch?v=rnfdrUnFe8c England riots: 'The whites have become black' says David Starkey http://www.bbc.co.uk/news/uk-14513517 Definition of chavs: http://en.wikipedia.org/wiki/Chav Getting to the roots of the UK riots: http://www.cbc.ca/news/world/story/2011/08/09/f-uk-riots-faq
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curiosity and eagerness. A host of science fiction films depict the unborn world, which always have skyscrapers, great technology, and consist of abundant robots in the forthcoming life. Once we talk about science fiction films we can’t help mentioning Metropolis and Blade Runner. Made over 50 years apart from each other, both films address the problems that people living in the present foresaw in the future and the other of which is concerned with machines’ effect on human beings. Both films are quite visually
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horror. When French filmmaker Georges Méliès made Le voyage dans la lune (A Trip To The Moon) in 1902 it was considered to be the first science fiction film ever created. The next tremendously influential and landmark film came from Fritz Lang’s Metropolis in 1927, an impressive and visually stunning motion picture full of German Expressionism. Born from the pages of novels and pulp magazines, intrepid filmmakers and screenwriters of the 1930s and 1940s would venture into the
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Pentagram in Metropolis The Pentagram is a five pointed star that is symmetrical with one point on the top and two points at the bottom. It is a symbol that has been used in many eras, cultures and religions. Groups such as by ancient Israelites, Christians, Magicians, Pagans and Wiccans have used this symbol. An inverted pentagram has two points on top and one point at the bottom. This symbol is used by groups such as Satanist and some rock bands in the Black Metal scene. In the film Metropolis, the director
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Simmel, G, (1964) "The metropolis and mental life" from Wolff, Kurt H, The sociology of Georg Simmel pp.409-424, New York, Macmillan © THE DEEPEST PROBLEMS OF modern life derive from the claim of the individual to preserve the autonomy and individuality of his existence in the face of overwhelming social forces, of historical heritage, of external culture, and of the technique of life. The fight with nature which primitive man has to wage for his bodily existence attains in this modern form its
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