The popular 1961 film, West Side Story, follows the adventure and triumph in New York City, of two star-crossed lovers, born into opposing dichotomies. Although the movie may seem like nothing more than a musical about two feuding gangs in the 1950s, this story dates back to the sixteenth century, during the Dark Ages. It is perhaps even more ancient, developed by Ancient Greeks. The exact tale did not originate that far into the past, but its basic plot of a literary tragedy was invented long ago
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Myth." The Cambridge Companion to Greek Mythology. Ed. Roger D. Woodard. Cambridge University Press, 2008. Cambridge Collections Online. Cambridge University Press. 23 February 2012 DOI:10.1017/CCOL9780521845205.005 Wiles, David. "Aristotle’s Poetics and ancient dramatic theory." The Cambridge Companion to Greek and Roman Theatre. Eds. Marianne McDonald and J. Michael Walton. Cambridge University Press, 2007. Cambridge Collections Online. Cambridge University Press. 23 February 2012 DOI:10.1017/CCOL9780521834568
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Antigone Essay The Tragic Hero in Antigone According to the dictionary, a tragic hero is a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy. In the story "Antigone," by Sophocles, Antigone has all the necessary traits to be qualified as the tragic character of the story. She is an honorable and important person, she has a fearless attitude, and she ends up facing a downfall because of her deeds
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Hamlet is considered to be one of Shakespeare’s greatest plays. Many know that Hamlet is about revenge, but Hamlet is also a tragedy. Arthur Miller in “Tragedy and the Common Man” concludes that the tragic hero does not have to be the king or a noble, but can be anyone as simple as the common man. Whereas Aristotle believed that they tragic hero is someone “Great”, usually someone in high power or regard. In Arthur Miller’s essay he states that the “common man is as apt a subject for tragedy in its
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‘With particular reference to Act one, scene III, discuss how Othello’s tragic and heroic status are established in the first act of the play.’ To be a tragic hero, a character must be someone who is initially well respected and someone who holds a high esteem within society. They must have high moral worth and tend to be highly ambitious, it is a single mistake or character flaw which brings them to ruin and they lose all that they possess. The character must always contribute to their own disaster
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The movie of Antoinette and François is a tragedy and has many elements of one. These elements are the fact that the main character is brought to a disastrous end just after the figure out their tragic flaw, it is a big event that affects many people, and that has drama. François Archambault is the major main character in this story. He is what you may say the perfect son, but he has a major flaw. He sees something he wants, he has to get it no matter the cost. François is brought to a tragic
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The first stage of Aristotle’s definition is the pre-eminence stage. This is where the Tragic Hero is either of noble birth or maintains a high position in society. Lear is shown as the King of Britain at the beginning of the play, therefore we are introduced to a character with pre-eminence and that is shown upon Lear’s entry into the play where he declares “We shall express our darker purpose. Give me the map there”. The use of the pronoun “we” is reference to the royal “we”, this instantly shows
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Persuasive/Argument Assignment: For this assignment you will need to choose from one of the prompts below and then complete one of the activities described below… PROMPTS: 1. Select a “secondary” character (Banquo, Macduff, Malcolm) and analyze the way in which he or she serves as a foil to a central character and thus help to expand your understanding by contrast. (A foil is a character who enhances another through contrast). You could also theoretically use Lady Macbeth as a secondary character
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Types of Drama Tragedy- a play written in a serious, sometimes impressive or elevated style, in which things go wrong and cannot be set right except at great cost or sacrifice. Aristotle said that tragedy should purge our emotions by evoking pity and fear (or compassion and awe) in us, the spectators. The tragic pattern: 1. a theme of fatal passion (excluding love) as a primary motive 2. an outstanding personality as center of conflict (classical tragedy demanded a “noble” character)
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According to Miller why do some not consider tragedy a relevant genre for the modern age? According to Miller there are very few tragedies written in the modern age, this is because of the rareness of heroes among us. Miller believes that the ‘Modern man has had the blood drawn out of his organs of belief by the scepticism of science’. What Miller is meaning by this is that today the society is reserved and is unwilling to take risks resulting in very few tragedies being written. Miller concludes
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