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Analysis Of Dostoyevsky's Works

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2.1 Dostoyevsky's Works, 1859-1863
The first of Dostoyevsky's works to excite critical attention following his years of prison and exile was Notes from the House of the Dead (1860), an account of his experience in prison, told in the form of a collection of biographical and psychological sketches of his fellow inmates. The book was especially welcomed by liberal critics because of its sympathetic approach to the subject and its realistic portrayal of the sufferings of the convicts. In 1861, Dostoyevsky published his first long novel, The Insulted and the Injured, also to critical acclaim. It is the story of a young student of middle-class origins, a person of sensibility and talent, whose life is ruined by the ill will of a cynical aristocrat. The novel features a complicated plot with many separate lines and many characters. This book inspired the leftist critic N. A. Dobroliubov to epitomize Dostoyevsky's leading quality as his "pain for man, his impassioned defense of the moral and human worth of downtrodden people."
In 1863 Dostoyevsky promptly disillusioned his supporters in the liberal camp with his next work, "Winter Notes on Summer Impressions," an essay concerning his tour of Europe. In this essay, he attacked the west European dream of the triumph of reason. He resisted the idea …show more content…
Nothing seems further from Dostoyevsky than either the Idealistic aesthetics or the strict ethics of Immanuel Kant, who is the direct object of the narrator's contempt in Dostoyevsky's Zapiski is podpol'ia (Notes from the Underground) Dostoyevsky and Kant seem strange bedfellows, because Dostoyevsky's supreme man of resentment, who admits of chance as a motive for action, and acts out of "spite" rather than adherence to a rigid moral imperative, appears to be the antithesis of the follower of Kant's Groundwork of the Metaphysics of

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