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Architecture Timeline

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Architectural Timeline

1828-1830 |Schinkel, Altes Museum, Berlin |The massive corners of the one and the mullioned wings of the other, the influence of Durand are most clearly revealed in the museum. |Neo-classicism

Schinkel’s Mature Style |1910 |Loos, Steiner House, Vienna |Loos arched a metal roof down to the ceiling of the ground floor at the front of the house. It was thus possible to develop the garden front on three storeys. The rear façade is smooth and symmetrical like the front. |Modern | |1860-1868 |Labrouste, Bibliotheque National, Paris |Labrouste’s design consists of a perimeter wall of books enclosing a rectilinear space and supporting an iron framed barrel vaulted roof. |Structural Rationalism |1914 |werkbund theater
Henry van de Velde
Cologne, Germany |Reinforced concrete theatre, creating mass wall and reinforced concrete frame construction, rendered over so as to form a homogenous and plastic expression. |Art Nouveau, Modern | |1829 | |Built in Palais Royal in 1829 was the earliest arcade to have a glass barrel vault. The prefabricated cast-iron systems guaranteed a certain speed of assembly and also transporting the building in parts. |Technology |1911 |Walter Gropius, Alfeld an der Leine, Germany

|Steel, brick masonry, glass. With Adolf Meyer. An influential rejection of ornament in the cause of functionalism. |Early Modern | |1851 |Paxton, Crystal Palace, London |The crystal palace was not so much a particular form as it was a building process made manifest as a total system. |Mass-production
Technology
Industrial Revolution |1922 |Gropius and A. Meyer. Project for the Chicago Tribune building. | Walter Gropius was part of the International Style of design, which recognized that walls were no longer significant for structural reasons. Instead they are merely a climate barrier, |Bauhaus School | |1889 |Dutert and Contamin, Galerie Des Machines |Contamin’s shed not only exhibited machines but it itself was an exhibiting machine which would move on tracks and operate as a viewing platform. |Technology
Industrial Production
Industrial Revolution |1925-1926 |Gropius, Bauhaus, Dessau Germany. |The pinwheel configuration when viewed from the air represents in form the propellers of the airplanes manufactured in the Dessau area. It consists of three connected wings or bridges |Bauhaus School | |1887-1889 |
Adler and Sullivan, Auditorium Building, Chicago |A structure whose overall contribution to Chicago was to be as much technological as conceptual. |Chicago School

Process of rebuilding Chicago after the fire in 1871 |1924 |Rietveld, Schroder House, Utrecht. |Windows could be opened up completely. Upper floor could be transformed from one single space into a series of smaller ones. Moveable walls, the house retained its neoplastic hypothesis. |Early Modern | |1909 |Guadi, Sagrada Familia Church |Gaudi used Catalan or Roussillon vault. The vault became the key feature of his style which is seen in the Sagrada Familia and also its then shell structure. |Structural Rationalism |1928-
1931 |Le Corbusier
Poissy, France |"International Style", which hovers above a grass plane on thin concrete pilotti, with strip windows, and a flat roof with a deck area, ramp, and a few contained touches of curvaceous walls. |International Style | |1892 |Horta, Hotel Tassel, Brussels |Steel column, with the shape of plant, is transformed into beams of organic figure relating to the banisters, beam of lamp and other elements.
The substantial column and other elements metamorphose into graphic patterns on the ceiling, walls and floor and finally fade into flat reflection |Structural Rationalism

Art Nouveau style |1927-1929 |Brinkman and Van Der Vlugt, Van Nele Factory, Rotterdam. |The cladding is one of the best examples of a fully developed curtain-wall system, while the treatment of the massing of blocks, relationships of solids to voids, and disposition of elements, is masterly. |Modern | |1897-1903 |
Berlage, Exchange, Amsterdam |Berlage's stock exchange building opened in 1903, however, the stock traders soon moved to another building at the same square. The Beurs van Berlage is now used for exhibitions and is open to the public. |Structural Rationalism

Load Bearing |1930 |Duiker, Open Air School, Amsterdam |Large glass openings |Modern | |1904-1906 |Wright, Unity Temple, Oak Park |The exterior of his Unity Temple was unlike any other church anywhere. Some disappointed worshippers compared it to a prison gatehouse, an ice factory, and a Mayan handball court. But the interior was something else again. | |1927-30 |Johannes Brinkman, Van Nelle Factory, Rotterdam, Netherlands[pic] |This famous modern building, dating from 1929, is one of the most important of all 20th century industrial buildings, and one of the most elegant... The cladding is one of the best examples of a fully developed curtain-wall system, while the treatment of the massing of blocks, relationships of solids to voids, and disposition of elements, is masterly. |modern | |1904 |
Wright, Larkin Building, Buffalo, Glazed central space. |Total Work of Art | |1928-1930 |Ludwig Mies van der Rohe Subscribers - login to skip ads Location Barcelona, Spain |An Icon of the Modern movement. free plan exemplar. Rebuilt in 1959 to the original design. |modern | |1896-1909 |
Mackintosh, Glasgow School Of Art, Glasgow |The Perforated metal dome suspended between four pylons and set above planar masses. | |1946 to 1950 |Ludwig Mies van der Rohe Farnsworth House |The Farnsworth house is Mies's summary statement of those spatial and architectural concerns he first realized in the Barcelona Pavilion, and which he further developed in the Tugendhat house.... However, contained in what is a pure expression of its age is another vision, that of a transparent house in a verdant landscape |International Style | |1898 |
Olbrich, Secession Building, Vienna |The Perforated metal dome suspended between four pylons and set above planar masses. |Vienna Secession |1954 to 1958 |Seagram Building
Ludwig Mies van der Rohe New York, New York |he inescapable drama of the Seagram Building in a city already dramatic with crowded skyscrapers lies in its unbroken height of bronze and dark glass juxtaposed to a granite-paved plaza below. The siting of the building on Park Avenue, an indulgence in open space unprecedented in midtown Manhattan real estate, has given that building an aura of special domain. |International style | |

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