...Meghan Lazor GLS 310 Essay 3 Favela Rising Favela Rising was an inspirational film about how even at the most hopeless of times, anything can be possible. One man had the courage to take a horrible tragedy and use it to rebuild a violent community into a cultural and more positive place to live. Through blind faith and endless optimism, this man fought through every obstacle in his path against the drug run streets of Brazil’s slums. He stood as a symbol of peace even in the face of death. The filmmaker risked his life to provide an edge of your seat colorful look into the dangerous streets of Rio Di Janero’s slums or “Favela’s, through the eyes of its people. The Favela’s are broken up into sections according to each drug lord’s domain. Here, the law is just as corrupt as the criminals who govern the streets. The citizens are confined to their own section living life fearing not when, but how they will die. The children aspire to be outlaws because they have nothing else to look forward to. The filmmaker paid special attention to the citizen’s of the Favela’s. These people were the narrator’s of the story. Many times when they spoke everything else would be blacked out. The camera would zoom into their faces so close that all you could see would be their mouths. This technique isolated the emotions and words of each speaker. As each person told a piece of the story, the filmmaker would show clips of video to follow along. Since the area is so dangerous the filmmaker...
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...The Jewish Thaddeus Russell, author of A Renegade History of The United States continues to explain how mainstream Americans disown the new wave of Jewish immigrants who were met with isolation of their race from society, stereotyping them to a deliberate standard, and having government laws in place to restrict their growth as a race.Jewish immigrants were considered to be low-class Americans as a result they had to fight there way to whiteness. Jewish school children of this time were asked to not identify themselves as Americans and therefore were categorized by nigerences, having the features and mannerisms of a negro. Thaddeus Russell states “In Philadelphia, public schools require students to fill out questionnaires on their racial makeup and...
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...conditions in the Indian marketplace. - And the role of ‘globalization’ policies across the marketing mix variables, but particularly in the case of promotional strategies. Answers to Questions: Q1. The political environment in India has proven to be critical to company performance for both PepsiCo and Coca-Cola India. What specific aspects of the political environment have played key roles? Could these effects have been anticipated prior to market entry? If not, could developments in the political arena have been handled better by each company? A1. The political environment of India has had a very significant impact in the way foreign businesses operate in the country. Both companies benefited from the opening up of the market in the early 1990’s and the relaxation of prior restrictive trade policies and rules foreign direct investment. The cap on the equity stake has been gradually lowered over the years, giving greater flexibility to foreign companies in terms of operation and profitability. The ouster of...
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...never deny that they were great writers, their words did not resonate with me. After reading 50 or so pages of ?Pride and Prejudice,? I found myself wondering what all the hype was about. I was left cold by an endless round of country balls, dinner parties and arch dialogue that always sounded self-conscious and somewhat artificial. To illustrate: Elizabeth Bennett, the major character who is based on Jane Austen herself, is in one of her frequent 'cutting' exercises with Fitzwilliam D?Arcy--reminiscent of an old Katherine Hepburn and Spencer Tracy movie. Like Hepburn and Tracy, these two spend most of their time hating each other until they finally discover that they really are in love. (I myself had a different take on the matter. In my experience, people generally start off in love and then discover that they really hate each other, especially after being married for a few years--excluding me of course.) Austen writes: "I am perfectly convinced by it that Mr. Darcy has no defect. He owns it himself without disguise." "No"' -- said Darcy, "I have made no such pretension. I have faults enough, but they are not, I hope, of understanding. My temper I dare not vouch for. -- It is I believe too little...
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...famous psychologists from psychology’s history? The Early History: Philosophers and Scientists Match each of the philosophers and scientists with their descriptions AND write in the approximate year of their contribution. ______ Aristotle (______) 320 b.c. A. British philosopher, empiricist ______ Darwin (______) 360 b.c. B. Greek philosopher, nativist ______ Descartes (______) 1600 C. British biologist ______ Helmholz (______) 1700 D. German physiologist ______ Locke (______) 1830 E. French philosopher, nativist, and dualist ______ Plato (______) 1860 F. Greek philosopher, empiricist Pioneers of Psychology Match each of the pioneers of psychology with their descriptions AND write in the approximate year of their main contribution. ______ Calkins (______) 1879 A. Studied memory ______ Ebbinghaus (______) 1882 B. First psychotherapy ______ Freud (______) 1885 C. First lab in USA ______ Hall (______) 1888 D. Used introspection ______ James (______) 1890 E. First comprehensive textbook ______ Titchener (______) 1895 F. First psychology laboratory ______ Wundt (______) 1900 G. First woman president of APA Twentieth Century Psychology Match each of the key contributors with their descriptions AND write in the approximate year of their main contribution. ______ Chomsky (______) 1905 A. Studied learning in cats ______ Maslow (______) 1910 B. First woman...
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...of the Hollywood Studio System 195 The Studio System’s Golden Age 205 The Transformation of the Studio System 209 The Economics of the Movie Business 215 Popular Movies and Democracy In every generation, a film is made that changes the movie industry. In 1941, that film was Orson Welles’s Citizen Kane. Welles produced, directed, wrote, and starred in the movie at age twenty-five, playing a newspaper magnate from a young man to old age. While the movie was not a commercial success initially (powerful newspaper publisher William Randolph Hearst, whose life was the inspiration for the movie, tried to suppress it), it was critically praised for its acting, story, and directing. Citizen Kane’s dramatic camera angles, striking film noir–style lighting, nonlinear storytelling, montages, and long deep-focus shots were considered technically innovative for the era. Over time, Citizen Kane became revered as a masterpiece, and in 1997 the American Film Institute named it the Greatest American Movie of All Time. “Citizen Kane is more than a great movie; it is a gathering of all the lessons of the emerging era of sound,” film critic Roger Ebert wrote.1 CHAPTER 6 ○ MOVIES 185 (c) Bedford/St. Martin's bedfordstmartins.com 1-457-62096-0 / 978-1-457-62096-6 MOVIES A generation later, the space epic Star Wars (1977) changed the culture of the movie industry. Star Wars, produced, written, and directed by George Lucas, departed from the personal filmmaking of the early 1970s and spawned...
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...Sympathy in Relation to Frankenstein In Mary Shelley’s novel Frankenstein, the monster becomes easy to sympathize with, as he becomes a symbol of abandonment and has a lack of knowledge of the world. Although Frankenstein was born a “monster”, he was still new to the world just like any other newborn baby. He had a lack of understanding of what it meant to speak, how to use his legs, what body language was, and how to understand people. Most babies are taught from the very beginning how to learn all of those concepts, although it may take some time, they are still supported and encouraged every day. Frankenstein never received this love and attention. He was neglected from the start, which led him to a life of anger, criminality, and loneliness. “The list of problems that stem from neglect reads like the index of the DSM: poor impulse control, social withdrawal, problems with coping and regulating emotions, low self-esteem, pathological behaviors such as tics, tantrums, stealing and self-punishment, poor intellectual functioning and low academic achievement.” (APA, Kirsten Weir) Neglect at birth leads to copious amounts of problems as stated above. Frankenstein was taught time after time that he was repulsive and unlovable, teaching him the feeling anger. The article written by Kirsten Weir proceeds to explain the damaging effects of being left alone at birth. In the article a few doctors are quoted. The doctor’s had first hand experience and visited children in an orphanage...
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...8-year-old Mary Daisy Dinkle (Bethany Whitmore) is a lonely little girl living in Mount Waverley, Melbourne, Australia. Her relatively poor family cannot afford to buy her toys or nice clothing, and she is teased by children at her school due to an unfortunate birthmark on her forehead. Her father is distant and her alcoholic, kleptomaniac mother provides no support. The closest thing she has to a friend is the man for whom Mary collects mail, Len Hislop, a World War II veteran who lost his legs as a prisoner of war and has developed agoraphobia. One day, she decides to write a letter to someone living in New York City: by pure chance she chooses Max Jerry Horowitz (Philip Seymour Hoffman) from a telephone directory. Max turns out to be a morbidly obese 44-year-old whose various mental problems (including anxiety attacks and overeating) have left him unable to form close bonds with other people. Max decides to write back to Mary, and the two become friends. Over time, Mary's increasingly sensitive questions about the adult world give Max progressively worse anxiety attacks, and he is ultimately institutionalized. During his time there, Max is diagnosed with depression and Asperger syndrome. Now aware of why he has difficulty relating to other people, Max finds a new lease on life and resumes his correspondence with Mary. The two remain friends for the next two decades, keeping one another updated on various events in their lives. Mary (Toni Colette), inspired by her friendship with...
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...home of the upper class. Nick drives out to East Egg one evening to have dinner with his cousin, Daisy Buchanan, and her husband, Tom, a former classmate of Nick during his time at Yale. Daisy and Tom introduce Nick to Jordan Baker, a beautiful, cynical young woman with whom Nick begins a romantic relationship. Nick also learns a bit about Daisy and Tom’s marriage: Jordan tells him that Tom has a lover, Myrtle Wilson, who lives in the valley of ashes, a gray industrial dumping ground between West Egg and New York City. Not long after this revelation, Nick travels to New York City with Tom and Myrtle. At a random, vulgar party in the apartment that Tom bought because of his affair, Myrtle begins to taunt Tom about Daisy, and Tom responds by breaking her nose. As the summer progresses, Nick eventually gets an invitation to one of Gatsby’s legendary parties. He encounters Jordan Baker at the party, and they meet Gatsby himself, a surprisingly young man who talks with an English accent, has a remarkable smile, and calls everyone “old sport.” Gatsby asks to speak to Jordan alone, and, through Jordan, Nick later learns more about his mysterious neighbor. Gatsby tells Jordan that he met Daisy in Louisville in 1917, where she lived at that time, and that he...
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...ACT ONE The Ordinary World: The hero’s life is established in his ordinary world. This story beat is also known as: * The Known * The Set-Up * The Status Quo * Limited Awareness Call to Adventure: Something changes in the hero’s life to cause him to take action. This story beat is also known as: * TheInciting Incident * The Call to Action * The Catalyst Refusal of the Call: The hero refuses to take action hoping his life with go back to normal. Which it will not. Also known as: * Threshold Guardians * Defining Moment * Separation * Reluctance * New Situation * The Debate * Meeting Mentor Crossing the First Threshold: The hero is pushed to a point of no return where he must answer the call and begin his journey. Also known as: * Energetic Marker 1: End of the Beginning * The Point of No Return * Committing to the Goal * Act One Climax * Plot Point One * Break into Two * Turning Point One * The Threshold * Awakening ACT TWO Tests, Allies, and Enemies: The journey through the special world is full of tests and obstacles that challenge the hero emotionally and/or physically. Also known as: * The Fun and Games * Resistance and Struggle * Rising Action and Obstacles * Belly of the Whale * Push to Breaking Point * The Special World * Road of Trials Mid-Point: The energy of the story shifts dramatically. New information is discovered (for positive or negative)...
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...‘GUNDA’ AND ‘LOHA’ A STUDY OF CULT FILM CULTURES KSHITIJ PIPALESHWAR A dissertation submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Media and Cultural Studies School of Media and Cultural Studies Tata Institute of Social Sciences Mumbai 2013 i DECLARATION I, Kshitij Pipaleshwar, hereby declare that this dissertation entitled ‘ ‘Gunda’ and ‘Loha’ : A Study of Cult Film Cultures’ is the outcome of my own study undertaken under the guidance of Assistant Professor K.V.Nagesh Babu, Centre for Critical Media Praxis, School of Media and Cultural Studies, Tata Institute of Social Sciences, Mumbai. It has not previously formed the basis for the award of any degree, diploma, or certificate of this Institute or of any other institute or university. I have duly acknowledged all the sources used by me in the preparation of this dissertation. 3rd March 2013 Kshitij Pipaleshwar ii CERTIFICATE This is to certify that the dissertation entitled ‘‘Gunda’ and ‘Loha’ : A Study of Cult Film Cultures’ is the record of the original work done by Kshitij Pipaleshwar under my guidance and supervision. The results of the research presented in this dissertation/thesis have not previously formed the basis for the award of any degree, diploma, or certificate of this Institute or any other institute or university. 4th March 2013 K.V.Nagesh Babu Assistant Professor Centre for Critical Media Praxis School of Media...
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...cysteine of the neighbouring keratin molecule. The more disulphide bonds there are in a strand of hair, the straighter it is. Ammonium thioglycolate: the perm salt Ammonium thioglycolate (HSCH2CO2NH4) is a compound that can break disulphide bonds. This is because it contains a thiol group (-SH). The thiol group replaces one of the sulphur atoms in the disulphide bond, like this: Keratin-S-S-keratin + 2HS-CH2CO2NH4 --> -HO2CH2CS-SCH2CO2H + 2NH3 + 2HS-keratin When the disulphide bond is broken, the keratin bundles come apart, and hair is weakened. Ammonium thioglycolate is therefore used widely in beauty parlours when customers want their hair re-styled. However, if you use too much of it, or if the reaction is left for too long, you could end up going bald. So do not, ever, try it at home! If you have watched the film Legally Blonde, you'll have seen Reese Witherspoon (acting as a law student) win her first case by her knowledge of the chemistry of perms! 1 How to get your hair re-styled If you'd like your hair curled, it's called a perm. If you like it straightened, that's rebonding. In both cases, the steps are very similar. First, the beautician will wash your hair thoroughly to clean it. Then she applies perm salt (ammonium thioglycolate solution) to it...
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...Dear Alice, For the last year or so, I haven't been able to cry anymore. And when I do, absolutely no tears come out. My eyes just water up, but there are no tears. Is this normal? Should I be worried? —Confused Dear Confused, Crying as an emotional response (rather than to clear out debris and moisten the eyes) is a uniquely human phenomenon. Some evolutionary biologists think this function developed as a distress call of sorts. Human beings can "fake" all other emotions, but crying is more likely to be reflective of genuine emotion. Tears often stimulate a nurturing response in others, which, for a creature as socially interdependent as people are, can be a key to survival. Tears are also necessary for the lubrication and nourishment of our eyes, and they protect our eyes from infection. So what's going on when someone can't cry? There are a few possible explanations. You mentioned that your eyes water up, but there are no tears. It’s possible that your tears are evaporating too fast. Environmental conditions like smoke, wind, and dry climates can make tears evaporate more quickly than normal. When a person isn’t producing enough tears or has poor quality tears, he or she may be suffering from dry eye syndrome. This condition, known as keratoconjunctivitis sicca, can be the result of many factors. Experiencing dry eyes is actually a natural part of the aging process and most people over 65 show signs of dry eye syndrome at some point. Women are more likely to develop dry...
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...Introduction to Multimedia Systems This Page Intentionally Left Blank Introduction to Multimedia Systems Editors Gaurav Bhatnagar Shikha Mehta Sugata Mitra Centre for Research in Cognitive Systems (CRCS) NIITUd. New Delhi, India ACADEMIC PRESS A Harcourt Science and Technology Company San Diego San Francisco New York Boston London Sydney Tokyo Cover art: © 2001 John Foxx Images This book is printed on acid-free paper, w Copyright © 2002 by ACADEMIC PRESS All Rights Reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Requests for permission to make copies of any part of the work should be mailed to: Permissions Department, Harcourt Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777 Explicit permission from Academic Press is not required to reproduce a maximum of two figures or tables from an Academic Press chapter in another scientific or research publication provided that the material has not been credited to another source and that full credit to the Academic Press chapter is given. Academic Press A division of Harcourt, Inc. 525 B Street, Suite 1900, San Diego, Cahfomia 92101-4495, USA http://www.academicpress.com Academic Press Harcourt Place, 32 Jamestown Road, London NWl 7BY, UK http ://www. academicpress...
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...Michael Pertschuk, known as Mike to his friends and foes, has an ability to win over the toughest advocates, their critics, those who are self-righteous and those who are cynical. Liberal legislators and conservative ones respected Mike's policy entrepreneurship, his craftsman's drafting abilities and the speed with which he can frame an issue so that it resonates with most people who want to solve a public problem. What gives Mike a powerful legacy is that he has stood up to those interests that choose to exploit people and get teenagers hooked to the dangerous tobacco addiction. The record substantiates that the tobacco industry has no redeeming qualities made certain by the incontrovertible fact that there is no such thing as a good cigarette. Mike was an early David in this fight. His sling shots fired precisely. Just as David did, Mike built an army strategically deployed around the country with an array of weapons and tools that bested the industry time and time again. The army developed it owns leaders, learned from advanced countries such as Canada and Australia and inspired advocates around the world to overcome the killer tobacco and its corporate executives, and their hired guns—lawyers, lobbyists and their spin meisters. The public interest world that Mike is part of, as a former Senate staff member, Chairman and Member of the Federal Trade Commission (FTC), and as one of the creators of the Advocacy Institute is a Pragmatist with high standards...
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