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Fantasy Literature and Fantastic Language

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The fantasy literature of Cinderella was introduced by many cultures and every culture seems to have its own version. Cinderella stories date back as early as 850 A. D. with the first written version of Chinese tale yeh-shen (Cinderella: A cross-cultural story by Patricia w. Kite) Even though Cinderella is a fantasy story it shows many meaning to the character that portrays Cinderella. In many cultures there are stories of Cinderella where every girl dreams of having a Prince charming.
The story of Cinderella is a fairy tale that is told and read to children of very young ages (ALA American
Library Association) Research shows that many versions have been found first in Europe and the story tale origins appear to date back to a Chinese story from the ninth century. (ALA American Library
Association)
The book Chinese Cinderella by Adeline Yen Mah is a story portrayed by a very young girl who mother died giving birth to her. Cinderella lived with her family who thought she was bad luck to them, therefore she was discriminated against and treated very bad. In the Chinese culture many Chinese people prefer sons then daughters. In many cultures children look for the love of their parents. The book emphasizes that quote “how you should do your best in the face of hopelessness; to have faith in the end your spirit will prevail; to transcend your abuse and transform it into a source of courage, creativity and compassion.” (by Adeline Yeh Man)

In the African culture they interpret Cinderella differently for example Cinderella was written differently and the name was changed to Rhodopis a Greek slave girl living in Egygt and was teased by the servants about her coloring and she loses her rosy-gold slipper and Pharoah Amasis finds the girls slipper and searches for her and then marries her. It is detailed if life in ancient Egypt and the Egyptian style illustrations (Climo, Shirley, the Egyptian Cinderella. Illustrations by Ruth Heller.) 1989. 32p. Harper
Collins.

In another version from West African Folk tale (Illustration by Evie Safarewiez 1994 32p) Cinderella was the mistreated stepdaughter named Chinye by her wicked stepmother and ugly step sisters that only taught about themselves and slaved Cinderella (Chinye) to do everything for them.

The story of Cinderella was also told by the Native Americans for example in the book by Martin, Rafe.
“The Rough-face girl Illustrated by David Shannon. 1992. 32p. It is about a young Indian girl who wishes to marry the invisible being who becomes her prince charming.

In another American cultures such as the Mexican Tradition (by Jewell Reinhart Coburn Illustrated by
Connie Mclennan. 2000) Cinderella is call Domitila’s and she is portrays as a cook which she learned how to cook by her mother when she was alive instead of a fairy godmother in today’s version her mother spirit and the legacy was what she depended on. Then she meets a rich young man which she later marries. The images of the diverse culture affect familial and cultural values in the stories and version of
Cinderella because it shows how different cultures see and interprets the values of a young girl as she is mistreated and awaits for that prince charming. If all turns well there is a happy ending or a tragedy ending. Different cultures interpret Cinderella in different versions because it illustrates characters have changed. The story of Cinderella has become and remains the best known children of literature in history. There are seven other tales published in the story of Cinderella.

There is a poem that reminds me of the story of a stepdaughter with the wicked stepmother and evil step sisters by Flickorna, Som Foro Till Kungen Gard (The girls who went to the Kings Palace) Three sisters dare to go as servants to the king’s palace . Eldest meets cow with pail on its horns asking to be milked; sheep with scissors on its horns, asking to be shorn; old man with knife in his hand, asking to be loved. She refushes each, lest she soil her hands. Gets work at palace. Second sister meets the same and declines to help. Heroine milks cows and drinks milk; shears sheep and takes wool; louses old man who gives her a silk dress, silver dress, gold dress, a gold carriae, gold shoes and gold horse. Menial heroine (at palace)-magic dresses-meeting place chrch) (threefold flight) lost she-shoe marriage test – happy marriage.
This poem illustrates how the magic of succeeding in life and no matter what comes into the way challenge is the key to success.

References

ALA (American Library Association)

Chinese tale Adeline Yeh-Shen

Climo, Shirley, the Egypian Cinderella. Illustrations by Ruth Heller. 1989. 32p

David Shannon 1992 32p

Evie Safarewiez 1994 32p

Flickorna, Som Foro Till Kungen Gard (Poem The girls who went to the Kings Palace)

Jewell Reinhart Coburn Illustrated by Connie Mc Lennan. 2000 (Mexican tradition)

Patricia W. Kite (Cinderella; A cross- cultural story)

The rough-face girl by Martin Rafe

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