...Recognition and Reversal: Othello Step One: The greatest recognition in Othello occurs in Act V, Scene II, lines 87-91. Othello kills Desdemona. Then Cassio and Emilia appear and reveal Iago's evil plot and Desdemona’s innocence. Othello then realizes that he was wrong and that his trusted friend Iago has played him for a fool. Recognition again occurs in Act V.II. when Emilia hears Othello mentions the handkerchief, after he has killed Desdemona: "With that recognizance and pledge of love / Which I first gave her. I saw it in his hand; / It was a handkerchief, an antique token / My father gave my mother." (Othello, V.II. 221-224) Once Othello says this, Emilia knows that Iago is the person who set up Desdemona and Othello isn't the one to blame. Emilia keeps repeating the words, “My husband?” (Othello, V. II. 145, 152, 156) as she makes an incomprehensibly swift journey from knowing absolutely that Iago, her dear husband, is honest and totally trustworthy, to realizing that in fact he is a quintessential villain. The most powerful and heart-rending of these moments comes near the end of Othello, when Emilia, Desdemona’s friend and ally, realizes that her beloved husband Iago is the cause of all the misery and misfortune that is killing them all. Furthermore, she realizes that she has played an unintentional part in the tragedy by following Iago’s request to steal Desdemona’s handkerchief. It has all been a plot by Iago to destroy Othello and this is finally revealed to everyone...
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...someone a tragic hero? A tragic hero is someone who makes judgement error that inevitably lead to their own destruction. A hero’s downfall comes from specific traits that cause their destruction. Between the two major characters Antigone and Othello, Othello exemplifies a tragic hero the most from the following reasons error of judgment, reversal of fortune and recognition of change in fate. The tragic hero trait that Othello displays is recognition of reversal was brought by his own actions. The general of the Venetian army, Othello married to wife Desdemona was friends with a trustable man named Iago. Othello made the decision to make Cassio his lieutenant instead of Iago....
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...burden of present reality. Williams Shakespeare’s famous tragedy, Othello, the Moor of Venice is a tale of a man who eventually falls from society because of a tragic flaw that exists within the Moors’ innate nature. The main character Othello is often viewed as a tragic hero and is often compared to Aristotle’s concept of what a tragic...
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...manipulation is key in how Othello reveals his destined monstrosity. In the beginning of the story Othello is excessively proud of his color/race, this is evident as when Iago throws dirt on Desdemona’s name Othello clearly enhances his belief that “she had eyes, and chose me”(Shakespeare, 3.3.192). He is confident and secure in his love and believes it overpowers the color of his skin as well as proud of his race. As Iago finally gets under Othello’s skin we begin to see the violent and color-aware Othello that had not appeared before. The dark side of Othello has supplanted the fair Othello as he replies to Iago’s trickery with “Her name…begrimed and black as my own face.”(3.3.389-91). One can see that Othello recognizes himself as an air to darkness and that he is of an evil nature. As before he took pride in his skin color, however, now he is referring to his skin as an example...
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...Hello and welcome to another episode of Othello Exposed, where we delve beneath the words and into the mind of Shakespeare to see the meaning behind his plays. As discussed in our recent episode The making of show, back in 1604 when Othello was first performed there were many racial ideologies towards black Africans–although they were not yet regarded as slaves, ‘the black race was considered inferior’ (shakespearetheater.org). Shakespeare was inspired and constantly looked to challenge his audience to reconsider cultural norms. Therefore, he wrote Othello, a play about a usurper whose hunger and craving for power eventually caused the downfall of the kingdom. This usurper, possibly the most fascinating character in the play, is known as Iago:...
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...character or force against which another character struggles. Creon is Antigone's antagonist in Sophocles' play Antigone; Teiresias is the antagonist of Oedipus in Sophocles' Oedipus the King. Assonance The repetition of similar vowel sounds in a sentence or a line of poetry or prose, as in "I rose and told him of my woe." Whitman's "When I Heard the Learn'd Astronomer" contains assonantal "I's" in the following lines: "How soon unaccountable I became tired and sick, / Till rising and gliding out I wander'd off by myself." Character An imaginary person that inhabits a literary work. Literary characters may be major or minor, static (unchanging) or dynamic (capable of change). In Shakespeare's Othello, Desdemona is a major character, but one who is static, like the minor character Bianca. Othello is a major character who is dynamic, exhibiting an ability to change. Characterization The means by which writers present and reveal character. Although techniques of characterization are complex, writers typically reveal characters through their speech, dress, manner, and actions. Readers come to understand the character Miss Emily in Faulkner's story "A Rose for Emily" through what she...
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...Othello “The Moor” vs. “Honest” Iago Characters within a story are meant to have their own tale, just as the characters in one’s lives have their own stories of how they came to be. William Shakespeare, the modern father of the Drama, understood this concept all too well when developing his complex, yet relatable characters. In his master works Othello, each character has their socially impacting story line with their own effect on the overall plotline that help shape the complex Venetian society in which the play is set. With their friendship at the root of evil deeds, Othello and Iago help define the writing in the play: love for one self before that of a friend. With Othello’s honest friendship, and Iago’s piercing betrayal, they help mold the storyline told in this Venetian world. With his triumph on the battlefield, Othello is sought after by Dukes and Senator, and well admired and respected within the Venetian community. He is considered an outsider from his peers, and the community based on his African descent. All the success came at the price of Othello spending his childhood under slavery, then joining the military at a young age in order to gain his presence within society. Shakespeare exemplifies this quality by showing a separation from the other characters, and usually referring to Othello in racial slurs such as “the Moor”, and references to his exotic body such as “the thick-lips” and “black.” All these strategies amplify the feeling throughout the play that...
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...The role of women in Shakespearean plays In order to proceed in exploring the women’s role in Shakespearean plays, one should consider first the social context to which they belong, i.e. the Elizabethan society, as well as the theme and the plot in which they appear. Despite the power of Elisabeth I, women during this time had very little authority, autonomy, or recognition. Women gained their status based on the position of either their father or their husband. Even more restricting than economic rights were the social and political rights of women. They were expected to be silent observers, submissive to their husbands. Women who attempted to assert their views were seen as a threat to social order. This is significant in that the maintenance of social order was an extremely important aspect of Elizabethan society. Shakespeare is highly sensitive to his target audience in every step of the writing process. He actively plays upon the beliefs and fears of the Elizabethans. With characters such as Goneril and Cleopatra, Shakespeare demonstrates the devastating effects of female rebellion against social order. Shakespeare invokes sympathy in the audience by creating characters of extreme feminine virtue such as Cordelia, Miranda. However, Shakespeare often creates ambiguous emotions in the audience by introducing an element of intelligence and boldness in the case of Isabella and Desdemona. Despite the relative insignificance of women in Elisabethan social order, Shakespeare...
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...ALLEGOR AND IRONY IN 'OTHELLO' Y ANTOINETT B. DAUBER E Othello is Shakespeare's Spenserian tragedy, in which the theme of slandere d chastity becomes a vehicle for exploring the problems of an allegorica l art . Allegory is the mode of selfconscious faith, and Spenser's corpus may be rea d as a portrai t of the artis t as allegorist , wrestling first with the burdens of selfconsciousness and then with the burdens of faith.l In Othello, Shakespeare compresses and objectifies this struggle. Unlike Spenser, he is not committed to the maintenance of allegory, and so he freely dramatizes the interna l weaknesses and external onslaughts that lead to its destruction. What I am calling the 'Spenserian ' quality begins with the chivalric elements in the tragedy. Truly, Othello is a kind of Savage Knight, Desdemona, the absolutely, almost miraculously, worthy lady, and Iago, something of a manipulator like Archimago.2 But more particularl y I would call attention to a specific engagement with Spenserian rhetoric . Consider Cassio' s words of welcome to the disembarking Desdemona: Tempests themselves, high seas, and howling winds, The gutter'd rocks and congregated sands, Traitors ensteep'd to enclog the guiltless keel, As having sense of beauty, do omit Their mortal natures, letting go safely by The divine Desdemona. (2.1.68-73)3 He sets her in the line of Spenser's heavenly allegories . As a parallel , we may recal l Una , slandere d by the arch-magician , abandone d by 123 her...
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...Who was William Shakespeare? Shakespeare is William Shakespeare, one of the English-speaking world's greatest playwrights and poets, who possessed a great knowledge of human nature and transformed the English theatre. Yet many facts of his life remain a mystery. Some have been acquired from painstaking looks at the records of the time, so that this summary is based on generally agreed facts. It has been said that we only know three things about Shakespeare: that he was born, married and died. He was baptised on April 26, 1564; we do not know his birth date, but many scholars believe it was April 23, 1564. His father was John Shakespeare (who was a glover and leather merchant) and his mother Mary Arden (who was a landed local heiress). John had a remarkable run of success as a merchant, alderman, and high bailiff of Stratford, during William's early childhood. His fortunes declined, however, in the late 1570s. William lived for most of his early life in Stratford-upon-Avon. We do not know exactly when he went to London but he is said to have arrived in 1592. There is great conjecture about Shakespeare's childhood years, especially regarding his education. It is surmised by scholars that Shakespeare attended the free grammar school in Stratford, which at the time had a reputation to rival that of Eton. While there are no records extant to prove this claim, Shakespeare's knowledge of Latin and Classical Greek would tend to support this theory. In addition, Shakespeare's...
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...and the stagnant “blacken’d waters” and “moated grange” act as an obstruction to her integration with the outside patriarchal world. This reflects the wider Victorian attitude regarding the home as “the centre of virtue and the proper life for women” and brings to light the impact that passivity in the greater context of society has on the role she plays in her private relationship. This idea of external influences is echoed much less figuratively in ‘The Handmaid’s Tale’ where “decreased birth rates” stimulated a change in the functioning of the governmental system and the politically organised passivity of women, creating a dystopian vision of patriarchy. A change in societal structure resulting in female passivity is also present in ‘Othello’. Desdemona’s transition from an assertive female who “challenge[s] that [she] may profess...
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...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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...William Shakespeare: Love and Tragedy The Elizabethan era (1500-1600) was a great age fro poets, artists, and writers to become illustrious around the country and be fortunate enough to entertain Queen Elizabeth. A man from a family of farmers and glove makers didn’t know that his entertain plays for Elizabeth I would one day become a masterpiece in English literature. It was in the 1500 when the Renaissance was in its initiation. The entire world was going through this moment where the rebirth of cultural ideas such as the study of literature and ancient values brought interest to the people living in this era. William Shakespeare became one of the most respected playwrights for his famous plays such as Romeo and Juliet and Macbeth among other respected and famous works. (www.britannica.com/ebc/article-9376718, www.britannica.com/shakespeare) Born the 23rd of April 1564 in Stratford-upon-Avon, England, Shakespeare has captivated reader’s hearts by his romantic, humerous, and historic plays. During the 1500s, the Renaissance was a massive curiosity for everyone. Renaissance era was a period where everyone was interested in the affairs of the Greek and Roman cultures and when William Shakespeare was born. Being the middle brother of the Shakespeare’s, William son of John Shakespeare and Mary Arden was interested in writing since he was a child. Baptized in the Holy Trinity Church, William was raised in a family of seven children in the town of...
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...Review of Biography: William Shakespeare - A Biography by A.L.Rowse: A.L.Rowse is one of the famous English historians and writers of 20th century. He was a renowned writer of Elizabethan era. He wrote several biographies on English historians and literal figures, the most notable one is his controversial Biography on William Shakespeare and his complete works. In the biography, as a scholar and a historian Rowse followed strict historical method. He mentioned all the historical happenings of that particular time and era to analyze and review the works of Shakespeare. It is presented in chronological, thematic structural method based on the social customs, laws including major political events of that time , which adds to the foundation of biography. Shakespeare and his works have fascinated millions for centuries, people have read his books, interpreted and reinterpreted which will continue for centuries and without Rowse’s biography on Shakespeare the research will be incomplete. The author’s main purpose is to understand the works of Shakespeare and the external influences in shaping the work be it social, historical and political even mentioned contemporary gossips which might possibly influenced Shakespeare to write the work. Despite the accuracy and the subjectivity of the work. It has flawed assumptions and debatable conclusions. The fairness of the author is questionable as there is lack documents of evidence which can state the facts...
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...Sophocles' Oedipus is a perfect fit to Aristotle's Ideal Tragic Hero. Oedipus follows all of the rules, with a hamartia, an anagnorisis, and a peripeteia. The audience is introduced to the hamartia, or tragic flaw, of Oedipus early in the play. Oedipus believes he can dodge the oracle given to him at Delphi that he will kill his father and marry his mother. By leaving the city of Corinth and heading to Thebes, Oedipus thinks that he can outsmart the will that the gods have for him. However, the audience knows that one cannot run away from an oracle. The oracle will come true no matter what is done. Therefore, the hamartia of Oedipus is his belief that he can evade his oracle. Oedipus' anagnorisis, recognition, later comes when he is told that it was he who killed the former King Lauis and that he is, in fact, now married to his own mother. The city of Thebes had been searching for King Lauis' murderer in order to drive him out of Thebes to save the city from the plague. With this anagnorisis Oedipus is finally led to his peripeteia, or downfall. First of all, Oedipus is put to shame in front of his entire city because of his incestuous act of marrying his mother. But, more importantly, he realizes that he had not successfully avoided the oracle. In order to try to save himself he blinds himself. If he is not able to see the truth with his own eyes, he should not be able to enjoy the gift of sight. http://personal.monm.edu/ysample/aristotle.htm Oedipus follows ten of the points...
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