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Stimulating Creativity

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In mijn ervaring als beginnend kunstdocent merkte ik al snel dat tekenen een talent is dat vaak word gezien door leerlingen als iets dat moeilijk is. Iets dat je wel of niet kan. Tekenen voor mij persoonlijk is hetzelfde als schrijven een techniek dat je kan leren, een vaardigheid dat je door veel doen eigen kan maken. Bij het gebruik van bepaalde woorden distancieer je jezelf van anderen. Creativiteit is te vinden in het gebruik van het materiaal niet de techniek. Iedereen die een taal machtig is kan schrijven, sommigen onder ons gaan alleen makkelijker om met het gebruik van woorden om zich beter uit te beelden.

Tekenen is communiceren met beelden. Een combinatie van kijken en vertellen. Het vertalen van wat je ziet en wilt tonen. Vaak gaat het gepaard met een bepaald streven om een kwalitatief esthetisch doelstelling te behalen. De representatie van het beeld word vaak als heel belangrijk gezien. Het moet immers een mooi plaatje worden.

De norm van schoonheid behalen bij het creeeren zit creatief werken vaak tegen. In mijn onderzoek ben ik gaan zoeken naar deze drempel. Waarom streven we naar een opgelegd esthetisch visueel beeld als het gaat om creeren? en heeft de omgeving (of groepsdynamica) daar invloed op?

Mijn onderzoek heeft geleid naar verschillende theoriën. Ten eerste heb ik gekeken naar hoe het individu zijn grenzen vaststeld. Daarna ging ik verder hoe het individu wordt beïnvloed door zijn naaste omgeving. Abraham Maslow en Albert Bandura zijn mijn uitgangspunten waarvan ik hieronder hun theorien samenvat en nadien toepas op mijn eigen bevindingen.

A. Maslow
In zijn geschriften bundel “Ontplooiing - Wijdere perspectieven voor de ontwikkeling van de mens.” beschrijft Abraham Maslow hoe creativiteit belemmert word door emotionele toestand.
Door te focussen op feitelijke gegevens die we van kinds af aan leren beperken we ons in improvisatie en het gebruik van creatieve oplossingen. Men heeft de neiging om alles om ons heen te verzamelen en netjes te ordenen. We geven er een plek aan zodat we een veilige plek creeeren, een duidelijk onderkomen waarin we altijd terug kunnen gaan. In sommige gevallen word er extremer gehandeld dan andere. Maslow gaat zelfs zo ver deze vorm als dwangneuroses te bestempelen. Het doet mij denken aan een situatie in een van mijn stage lessen.
Ik had een opdracht uitgeschreven waarin de bedoeling was een techniek eigen te maken door middel van wat voorbeelden en het uitproberen. Na de opdracht uitgelegd te hebben kwam één leerling herhaalderlijk naar me toe met de vraag of het goed was. Bij elke lijn die hij had gezet moest hij een goedkeuring van mij krijgen. Prima natuurlijk dat hij bezig was maar ik had met hem te doen dat hij het plezier van maken niet kon inzien. Een gebrek aan zekerheid wat betreft eigen kunnen was duidelijk te zien, en kon de vrijheid van expressie niet behalen. Zijn veilige situatie was niet aanwezig en belemmerde hem in zo’n grote mate dat hij geen poging ondernam om zelf te experimenteren.

Een ander soort belemmering word besproken in het boek Self-efficacy - the excercise of control van A. Bandura. Zelfeffectiviteit is een indicator of we bekwaam genoeg zijn om taken uit te voeren. Het is een belangrijke factor in het menselijke kunnen. Vaardigheden kunnen meer of minder goed worden uitgevoerd door invloed van verschillende factoren.
Een voorbeeld zou het beginnen van een nieuwe onderneming zijn. Ook al is de ondernemer capabel genoeg om zijn taken uit te voeren, hij weet niet wat de norm of uitkomst zal zijn. Door deze onzekere toekomst zal de ondernemer op basis van zijn vergelijkbare kennis zijn taken verrichten.

Externe factoren hebben duidelijk invloed op de manier waarop wij gemotiveerd worden. Deze factoren kunnen ook het uitgangspunt zijn van streven naar motivatie. Dit schets A. Maslow in zijn boek A Theory of Human Motivation. Hij stelt een hiërarchische ordening voor van behoeften om zo tot betere leef- en leeromgevingen te komen. Een schema waarin de stappen naar zelfontplooiing (waarin creativiteit mogelijk is) duidelijk uiteen wordt gezet.

Conclusie
Motivatie is een belangrijk gegeven in creatief werken. Een persoon zal niet snel aan creatieve oplossingen denken als de

Ze moeten weten wat er is - een duidelijk overzicht wat zijn/haar doelstelling.
Ze moeten weten wat er speelt - een duidelijk overzicht om zo goed in te kunnen schatten wat voor hun haalbaar is. en de situatie moet voldoen aan hun behoeftes.

Alleen dan zou de motivatie voldoende gegenereerd kunnen worden om creatief te kunnen werken. Ze zullen buiten zichzelf kunnen treden en de minder voor de hand liggende norm na streven

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