...line breaks. Figure out which technique is being used: simile, metaphor, hyperbole, or personification. In the boxes, explain how you figured out your answer. It is possible that more than one technique is being used. If you can, explain each. 1. Like burnt-out torches by a sick man's bed Which technique is being used? __________________________________________________________________________________ Simile, Metaphor, Personification, or Hyperbole How do you figure? (write a sentence explaining your answer) 2. Drip—hiss—drip—hiss fall the raindrops / on the oaken log which burns, and steams, and smokes the ceiling beams. / Drip—hiss—the rain never stops. Which technique is being used? __________________________________________________________________________________ Simile, Metaphor, Personification, or Hyperbole How do you figure? (write a sentence explaining your answer) 3. When the stars threw down their spears, / And water'd heaven with their tears, Which technique is being used? __________________________________________________________________________________ Simile, Metaphor, Personification, or Hyperbole How do you figure? (write a sentence explaining your answer) 4. The moon was a ghostly galleon tossed upon cloudy seas, The road was a ribbon of moonlight over the purple moor, Which technique is being used? __________________________________________________________________________________ Simile, Metaphor, Personification, or Hyperbole How do you figure? (write a...
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...without that certain someone, their life will cease to exist. In W. H. Auden’s poem “Funeral Blues,” a woman loses her lover and cannot even imagine how she is going to get on with her life; she puts her deceased companion on a God-like pedestal; and she loves him so much that she believes that he is her whole world. In “Funeral Blues,” Auden makes the bitter attitude of the speaker toward the subject of death apparent to the readers through the use of symbols, imagery, and metaphor. In the first verse, the speaker states “stop all the clocks, cut off the telephone…” (Auden Line 1). The clock being stopped may signify the fact the man who died has run out of time, or possibly to ask those who knew him to stop what they are doing and grieve. With the idea of the telephone being cut off, she wants to show the deceased the respect he deserves by honoring him with a moment of silence. In the second verse the speaker states, “let aeroplanes circle moaning overhead” (Auden 5). She uses this metaphor to reveal the pointlessness of her life. What is the point of planes flying in circles? They do not get anywhere flying in a circle. She is comparing the pointlessness of flying in circles to her life without her partner. The persona in the poem talks about her deceased partner as if he is on a God-like pedestal. The reader realizes just how important the deceased is to the speaker when reading the phrase “…He...
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...A metaphor, as defined in our glossary, is a figure of speech in which an implied comparison is made between two unlike things that actually have something important in common. The word metaphoritself is a metaphor, coming from a Greek word meaning to "transfer" or "carry across." Metaphors "carry" meaning from one word, image, or idea to another. When Dr. Gregory House (in the TV series House, M.D.) says, "I'm a night owl, Wilson's an early bird. We're different species," he's speaking metaphorically. When Dr. Cuddy replies, "Then move him into his own cage," she's extendingHouse's bird metaphor--which he caps off with the remark, "Who'll clean the droppings from mine?" Calling a person a "night owl" or an "early bird" is an example of a common (or conventional) metaphor--one that most native speakers will readily understand. Let's look at some of the different ways a single conventional metaphor can be used. Conventional Metaphors Some metaphors are so common that we may not even notice that they are metaphors. Take the familiar metaphor of life as a journey, for example. We find it in advertising slogans: * "Life is a journey, travel it well." (United Airlines) * "Life is a journey. Enjoy the Ride." (Nissan) Alliteration The repetition of an initial consonant sound, as in "a peck of pickledpeppers." Adjective: alliterative. As J.R.R. Tolkien observed, alliteration "depends not on letters but on sounds." Thus the phrase know-nothing is alliterative, butclimate...
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...imagery, and metaphors make it is clear that the speaker wants others to feel the same grief, pain and hopelessness he feels. The tone of the first two stanzas is direct and forceful combined with sound and visual imagery the poem starts off pretty strong demanding the world to be silenced “Stop all the clocks, cut off the telephone, prevent the dogs from barking.” He also demanded that the pianos be silenced and the drums muffled. It almost feels like he wants everyone to pay attention and show more respect to what he is going through, everyone needs to feel his pain. The telephone being cut off represents the loss of communication with his beloved. Visual imagery takes over throughout the second stanza starting with planes writing a message in the sky the reads “He Is Dead” leading to the imagery of doves wearing bows and traffic police wearing “black cotton gloves” eludes to the idea that someone very important just died and the public needs to acknowledge it. The third stanza the tone changes from demanding to reflective in the first line “He was my North, my South, my East and West” expressing how important the deceased was to his life when he was alive. The speaker ends the third stanza with “I thought that love would last forever: I was wrong”, the fact that Auden used a colon after forever dramatically brings the attention to the idea that when we die, loves dies. The tone of the last stanza becomes forceful, irrational and a bit cynical. He wants the stars to stop shining...
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...Daisy’s and Gatsby’s relationship, followed by a detailed description of their exploration of Gatsby’s house. It is in Chapter 5 when Gatsby shows his true self, as these emotions are revealed to the reader as the chapter progresses, with Gatsby becoming more confident around Daisy. When Nick agrees to invite Daisy for tea, we see another side to Gatsby when he offers Nick a job, which ‘might pick up a nice bit of money’. This use of voice emphasises the fact that Gatsby’s ‘side line’ business is not likely to be respectable. This glimpse into the gangster side of Gatsby foreshadows Tom’s investigation into Gatsby’s ‘drug-stores’, which is revealed to be bootlegging. Later on Nick describes Gatsby as ‘pale as death’. This violent metaphor foreshadows Gatsby’s death at the end of the novel. Gatsby was ‘glaring tragically’ into Nick’s eyes, which is the first description in the novel that suggests Gatsby is no longer in control. Up until now, Gatsby’s performance is close to perfect, so the sudden vulnerability of the hero is surprising to the reader, and stresses just how strong his feelings are towards Daisy, who is waiting inside Nick’s house. Fitzgerald uses pathetic fallacy as rain appears when Gatsby and Daisy meet for the first time, ominously foreshadowing their relationship and Gatsby's fate. When Daisy finally meets Gatsby, Fitzgerald creates an awkward tension between the two. Fitzgerald uses silences such as ‘for half a minute there wasn’t a sound’ and ‘a pause’...
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...Psychoanalysis In order to understand the true meaning of some stories we must understand the what psychoanalysis is. Psychoanalysis was thought up by a man know as Sigmund Freud also know as the Founding Father of Psychoanalysis. Being a major cocaine addict, his theories were often ridiculed and were thought to be perceived as hallucinations as a result of the cocaine use. Freud’s theories however sparked an all new era of Psychology. Although Freud’s theories seemed very radical, when put into life situations they actually make perfect sense. Psychoanalytic Literary Criticism refers to literary criticism or literary theory which, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud. Psychoanalytic literary criticism is a very common method of analyzing stories such as The White Heron by Sarah Orne Jewett, Young Goodman Brown by Nathaniel Hawthorne and The Masque of the Red Death by Edgar Allen Poe. Sylvia, a shy girl, who is rather naive and innocent. For most of her life has been sheltered from the atrocities of life. Being shielded from the outside world she hasn’t come to the conclusion that people can be bad. However this changes when a handsome and mysterious stranger wanders in her area. At first she intimidated by the man but is very eager to assist the man and wants to make a good impression. When finding the heron true changes begin to form in Sylvia. In sparing the heron she is more confident in her decision...
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...throwing a fancy dress ball. Cinderella’s sisters-of-step were very excited to be invited to the palace. They began to plan the expensive clothes they would use to alter and enslave their natural body images to emulate an unrealistic standard of feminine beauty. (it was especially unrealistic in their case, as they were differently visage enough to stop a clock.) Her mother-of-step also planned to go to the ball, so Cinderella was working harder than a dog (an appropriate if unfortunately speciesest metaphor). When the day of the ball arrived, Cinderella helped her mother- and sisters-of-step into their ball gowns. A formidable task: It was like trying to force ten pounds of processed nonhuman animal carcasses into a five-pound skin. Next came immense cosmetic augmentation, which it would be best not to describe at all. As evening fell, her mother- and sisters-of-step left Cinderella at home to finish her housework. Cinderella was sad, but she contented herself with her Holly Near records. Suddenly there was a flash of light, and in front of Cinderella stood a man dressed in loose-fitting, all-cotton clothes and wearing a wide-brimmed hat. At first Cinderella thought he was a Southern Lawyer or a bandleader, but he soon put her straight. “Hello, Cinderella, I am you fairy godperson, or individual deity proxy, if...
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...seen as living and living is seen as death. In a world where snow falls gray, the ocean isn't blue, birds don't soar, trees slowly plummet and humanity has lost all meaning, in his novel The Road, Cormac McCarthy portrays a colorless and lifeless earth while teaching a boy the purpose of life and faith. The greens have turned grey, the blues have turned black, the sun cannot be seen, warmth cannot be felt. “The clocks stopped at 1:17pm. A long shear of light and a series of low concussions.” is McCarthy’s only...
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...TYPE OF WORK: * Masterly work of Andrew Marvell * Lyrical poem * Love poem * Seducing poem * Carpedium poem * Metaphysical poem * Startling comparisons or contrasts of a metaphysical (spiritual, transcendent, abstract) quality to a concrete (physical, tangible, sensible) object. * Mockery or satirizing of idealized romantic poetry and divines of love through crude or shocking imagery * Gross exaggeration * Expression of personal, private feelings * Presentation of a logical argument, or syllogism THE TITLE: “To His Coy Mistress” * Mistress - A young woman who has an affair with a married man - A person in- charge (manager, caretaker, courtesan) - A patron or a female sweetheart in 1650’s - The female equivalent of master * Coy -Pretending to be shy or reserved -Olden days referred it to the feeling of shyness - “To coy” (v) means to stroke - The lady is no easy catch * His - Third-person possessive pronoun -Refers to the young man The tying of both the words ‘mistress’ and ‘coy’ brings about the beauty of the poem which talks about complicated relationship and complicated communication between the speaker and his mistress. It’s a plea to a young lady by his lover. THE PERSONA (The Young Man): * First-person point of view * Presentation as the plea of another man (fictional) who is the persona of the poet * The young man is impatient, desperately...
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...In the poem, Household Gods, Philip Hobsbaum comments on the universal nature of emotions, not just fostering in animate objects but also in inanimate objects. Hobsbaum perhaps calls the household objects as household gods to highlight the non-interfering nature of God. Just like God, the objects too couldn’t express their thoughts and emotions to the couple directly, which gives the reader some sort of understanding of the nature and power of these objects. Through the use of visual imagery, Hobsbaum highlights the different emotions the household objects experience due to the break of a couple inhabiting in the house. Hobsbaum captivates the readers’ attention through anthropomorphisms. Hobsbaum binds the poem together by highlighting the emotions and perspectives of nine household objects with one common theme – their despair due to the breakup and their desperation to be used again. The poem begins with a statement about the ‘breaking lives’ of the couple. The use of personal pronouns creates a petulant tone, almost as if a child is confessing to something, “I saw them. I was there.” This childish confession perhaps hints that the object is a new introduction to the house and hasn’t spent much time with the couple. This is also evident in the structure of the first stanza wherein, most of it is the description of the couple – the boy with “his shaken bulk” and the girl with “her clam pose” and suddenly amidst the vivid description the emotion of the object is depicted...
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...appear is really gold as the buds break open. The willows and maples have this temporary gold hue. In only a few days, the leaves mature to green. Figurative Language Figurative language uses "figures of speech" - a way of saying something other than the literal meaning of the words. For example, "All the world's a stage" Frost often referred to them simply as "figures." Frost said, "Every poem I write is figurative in two senses. It will have figures in it, of course; but it's also a figure in itself - a figure for something, and it's made so that you can get more than one figure out of it." Cook Voices p235 Metaphor A figure of speech in which a comparison is made between two things essentially unalike. To Frost, metaphor is really what poetry is all about. He is notably a poet of metaphors more than anything else. This is so important, we should hear directly from the poet. Frost said," Poetry begins in trivial metaphors, pretty metaphors, 'grace metaphors,' and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, 'Why don't you say what you mean?' We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections - whether from diffidence or from some other instinct". ... Excerpt from an essay entitled "Education by Poetry" by Robert Frost. Examples: The Silken Tent. A woman is admired for her strength and beauty, like a silken...
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...Whom The Bell Tolls” from a metaphysical poet John Donne. He was the one that concerned the metaphor of the bell that it was signaling that someone has gone from this life which mean that it was signaling the death of human life. In the famous lines at the beginning of the “For Whom The Bell Tolls” paragraph: “ No man is an lland, intire of itself; every man is a piece of the Continent, a part of the main; if a Clod be washed away by the Sea, Europe is the less, as well as a promontory were, as well as if a manor of thy friend’s or of thine own were: any man’s death diminishes me, because I am involved in menkind, and therefore never send to know for whom the bell tolls; it tolls for thee.” Donne was trying to tell that everything has it end, that if something affects one it can affect them all because everyone like him is involved in menkind, and he realized that when he got ill. It is exactly how it happens with a tree, it starts from the seed, the stem, then comes the flowers that later produces fruits, and in the end one day it is fading. That is how it happens with humans beans, they get born, they grow up, produce and in the end they die just like the trees are fading. We live in fear every day in this world because we know that one day the clock will stop for us just like our heartbeats will stop beating anymore, and then I believe that all the fear we had felt will disappear forever. But it is also apparent that in this paragraph...
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...played, flags are unfurled, and uniformed players charge up and down the field like an army in the throes of often violent conflict. The teams’ huddles divide the game into small planning sessions for the next play. In the United States, the National Football League (NFL) oversees the sport and, like any successful business, wants to score in new markets. The NFL first tackled Europe in 1991, with plans to establish American football there. After years of failed attempts, NFL Europe emerged as six teams, five of which were based in Germany (such as the Berlin Thunder, the Cologne Centurions, and the Hamburg Sea Devils). Earlier teams established in Spain had failed. Why did American football triumph in Germany but fail in Spain? An excellent metaphor for Spanish culture is the bullfight, an ancient pursuit. In tradition-bound Spain, bullfights are often held in 2,000year-old Roman amphitheaters. Rather than a competitive sport, bullfighting is a ritual and an art. It is the demonstration of style and courage by the matador, the hero who fights the bulls. If the matador has per- formed well, he receives a standing ovation...
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...THINKING ARABIC TRANSLATION _______________________________ A Course in Translation Method: Arabic to English Supplement James Dickins Contents: Supplement Introduction 1 1 Preliminaries to translation as a process 3 1.3.1 3 Annotation: gist, exegesis and rephrasing Practical 1.3 Gist translation: ﳑﺎ ﻫﻮ ﺟﺪﻳﺮ ﺑﺎﻟﺬﻛﺮ 8 2 Preliminaries to translation as a product 9 2.1.1 2.1.5 2.2.2.1 2.2.2.2 Interlinear translation From interlinear to free translation Translation by omission Translation by addition 9 10 11 11 Practical 2.3 Literal vs. free translation: ﻣﻌﻠﻘﺔ ﻟﺒﻴﺪ 11 3 Cultural transposition 14 3.1 3.3 14 14 Basic principles Calque Practical 3.2 (extension) Cultural transposition: وﻟﻴﺲ ﻫﻨﺎك إﺧﺼﺎﺋﻲ Practical 3.3 Cultural transposition: وﻗﺎدﺗﻪ ﺧﻄﻮاﺗﻪ 15 15 4 Compensation 17 4.1 4.2 17 17 Basic principles Categories of compensation Practical 4.1 Compensation: ﻗﺪ ﳝﺮ وﻗﺖ ﻃﻮﻳﻞ 18 ii Contents: Supplement 5 Denotative meaning and translation issues 19 5.1 5.1.2 5.1.3 5.1.4 5.2 5.2.2 19 20 20 22 23 23 Denotative meaning Hyperonymy-hyponymy Particularizing translation and generalizing translation Partially overlapping translation Semantic repetition in Arabic List restructuring Practical 5.3 Semantic repetition, parallelism and list restructuring: إن اﻟﺮﺳﻮل اﻟﻜﺮﱘ 26 6 Connotative meaning and translation issues ...
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...Shakespeare and Marvell present a vast array of thoughts and feelings regarding love. Shakespeare makes his true thoughts and feelings apparent through a declaration in ‘Sonnet 116’ by stating how love cannot be shaken by adversary or changed by time. However, in Marvell’s ‘To his Coy Mistress’ the speaker is more impatient, presenting a sense of carnal desire to fulfil his sexual desires rather than true love. Where Shakespeare is influenced by the concept of romantic love in the Elizabethan era and follows traditional sonnet formats to create passion, Marvell creates a satirical tone to comment on romantic love through the conventions of a metaphysical poem. Despite this difference, time is personified in both poems to represent an enemy of all lovers. Shakespeare is inspired by his era and is more sincere and passionate in his portrayal and belief of true and constant love in ‘Sonnet 116’, whereas in Marvell’s ‘To his Coy Mistress’, the speaker is driven by passion and desire to fulfil lust, that could potentially turn into love. Marvell’s representation may be harsh, but it is more considerate of a harsher reality. Through structure, Shakespeare defines his true feelings of love – by telling the reader what love is, and what it isn’t. It presents the extreme ideal of romantic love and insists that this is the only love that can be ‘true’, otherwise ‘no man ever loved’. The division of his argument is presented through conventional Sonnet quatrains. In the first quatrain,...
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