...The play, The Laramie Project by Moises Kaufman, uses long, uninterrupted monologues to show a character's full views about the murder of Matthew Shepard, and homosexuality in general. Juxtaposition is often used within a monologue to show the discrepancies that some people in the town feel about the Matthew Shepard incident. An example would be, “Moment: One of Ours.” In the previous moment, Harry Woods, and Matt Galloway give emotional interviews about all the support people had shown for Matt at the homecoming parade. However, this is all juxtaposed by Sherry Johnson’s monologue in the next moment, where she goes on to say, “A lot of it is my feeling that the media is portraying Matthew Shepard as a saint, and making kim a martyr. And I don’t think he was.” She then misinterprets facts about Matthew to justify her feelings about him. “It’s scary. You know about his character and spreading AIDS and a few other things, you know, being the kind of person that he was. He was, he was just...
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...getting good grades. I on the other hand I need to have a hard copy of the material and look over it many times just to thouroughly know the material. David Foster also talks about “Blind Certainty” as I mentioned before. The so call “self centeredness” is how the world may seem like it revolves around you because you’re looking at it out of your own perspective. I know I feel like that sometimes. It’s not that I think about myself all the time or anything but I just feel like things get in MY way. Like Foster’s example of how people on the highway might be in YOUR way, yet you might be in theirs. I’ve been in that same position many times, not thinking of the other person. Maybe they have a baby or a handicap individual in the car and their driving safe. Perhaps there’s a sign on a car that says “baby on board”. The person in that car may think it may make the other driver...
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...A BLACK WOMAN’S JOURNEY: FOR COLORED GIRLS Created in 1975, For Colored Girls Who Have Considered Suicide/ When the Rainbow is Enuf, focuses on the struggles of black women not only from that era, but issues still pertaining to black women 35 years later. Shange’s powerful choreopoem is comprised of seven women trying to "sing a black girl's song…. Sing a song of life, she's been dead so long"(Shange 18), creating a voice for every woman. None of these women possess a name, only a color, to show that they represent all women of color. Shange includes themes of love, abandonment, sexuality, abortion, and domestic violence to emphasize what women in her community were and still are subjugated to. Through dance, poetry, and music these women slowly but surely find their true identity. Ntozake uses her work as a tool to empower all “colored girls” by creating these seven strong women that form a bond when they are able to find their identity as black women, and essentially in their journey make it to the end of their rainbows without committing suicide. When looking into Shange’s life there’s no question that situations, which she had observed day-to-day or experienced herself, were imposed on her writings. Born as Paulette Williams she was raised in a middle class family, which was not a childhood common for blacks. Her family moved to St. Louis and she attended a non-segregated school where she had to endure blatant racism at the mere age of eight years old. She rebelled...
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...“Knowing what a person has done, and knowing who a person is, are two different things”. How does Hannah Kent’s Burial Rites provide insight into the experience of Agnes? * * * * * * * * In Burial Rites, Hannah Kent explores the idea that behind even the most heinous of actions, there can be ambiguity; that stories are shaped by self interest, biases and ideologies of the day, which can challenge preconceived beliefs of guilt. Using excerpts from archival material, juxtaposed with a story told through multiple narrators, including first person monologues of the protagonist, Kent allows us to appreciate Agnes not just as an evil scheming murderess, but as someone with a complex history and vulnerabilities, offering a deeper understanding of her experience. The use of material from historical archives to preface the chapters of Burial Rites, creates a powerful authenticity to the story that provides a factual skeleton of Agnes, as well as insights into the way she was treated by the authorities. Kent is able to use ‘truths’, such as her literacy, intelligence and poverty, established by the Ministerial Records and inventory of her possessions, to flesh out the persona of Agnes and explore their implications in terms of her experience. They also reveal the deep love and attachment that Agnes had for Natan and her continuing grief over his loss, through her poetry in response to Poet Rosa, with lines like “do not scratch my bleeding wounds” and “my soul is filled...
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...The Death of the Ball Turret gunner In the poem, The Death of the Ball Turret Gunner, Jerrell uses time, irony and symbolism to depict the life and death of the ball turret gunner. In the drab and desolate background of world war II the gunner is hunched upside down in the belly of a bomber aircraft flying bombing missions over Germany. He is fighting off bullets and flak, constantly staring death in the face. The life expectancy of the turret gunner is short. The stench of the previous occupant still Lingers. Jerrell scribes from the first person a monologue of this ill fated gunner. We hear the gunner speak to us from the grave. The brevity of the poem is short. The life of the gunner is short. Most strikingly, the poem whisks us in time from birth to death. Perhaps the gunner is experiencing the death flash. His whole life flashes before him in an instant and we are reading his thoughts. The irony, symbols and choice of words Jerrell uses set the tone of the poem and leaves the reader with mixed emotions. In horrific times of armed conflict everything is turned inside out. What we think of as normal is abnormal. Our values are inverted. Life becomes cheap. Jerrell’s choice of metaphors and words has a traumatic impact on the reader. In a clever twist, Jerrell uses time to shorten time from decades to seconds. First, he advances time as if he knew nothing in life matters but ...
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...In Shakespeare's Hamlet, the main character, Hamlet, is used to drive the plot in many different ways. He makes Hamlet think, or thinks he knows, a key aspect in the plot. Hamlet’s character traits mixed in with the story creates a plot that has transcended through generations. Shakespeare has many different techniques that express Hamlet’s character traits. Shakespeare is able to express Hamlet’s traits in his actions, his words, his thought, which are expressed in monologues and soliloquies, and what other people say about him. The Lion King, a movie based off of Hamlet, also uses these techniques to express the character traits of Simba, a character based off of Hamlet. Shakespeare uses these techniques to express Hamlet’s Character...
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...Discuss the extent to which Macbeth and Shylock are victims and villains The protagonists of each play, Macbeth and Shylock, both fall victim and succumb to villainous natures, however a difference is apparent between the two in representing these traits. Macbeth more so displays villainous behaviours, whereas Shylock is subjected to ordeals which victimise him. That is not to say that Macbeth does not become victimised, and that Shylock does not contain the capability to carry out acts of a villainous essence, such as going against his faith for power, and losing sense of morality and rationality. Different factors such as race and prejudice are integral to the contextual themes of The Merchant of Venice as anti-Semitic views towards Jews are upheld by the Christians in Venice, placing Shylock in a position of submission and awakening his inner villain, which is the ultimate point of differentiation between the two in terms of being either a villain or a victim. Early in Macbeth it becomes apparent that the witches have corrupted Macbeth, thus falling victim to the supernatural. This causes him to conjure questions, "Why do I yield to that suggestion?", which catalyses a rising action. The word 'suggestion' connotes the idea is being fed to him via a supernatural force, and that it is uncontrollable as he 'yields' to it. "My thought, whose murder is fantastical, shakes my state", emphasises how much Macbeth is against the idea of murder, shining light on how these thoughts...
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...Communication Communication in Business The Merriam Webster's dictionary defines communication as the following: “a process by which information is exchanged between individuals through a common system of symbols, signs, or behavior .” Communication is verbal and non-verbal. It is an essential skill which humans and animals do to coexist with one another. For most people communication is necessary for survival. A mother of a newborn child needs to know how to communicate with her baby so that the baby can live. The mother will encode the different cries of her baby to determine the infant's needs. This is one of the most primal needs for human beings. As a child gets older and are now in their teen years, they need to know how to communicate with their parents, teachers, and peers. Parents tend to have one way of communicating with their children and that involves yelling, screaming, and ruling by force. Teenagers tend to communicate better with their own friends because their friends are the most important people in their lives at this point. While a parent will scream and yell at their teen to do something, the teenager is deaf to the sound of their parents. The parent can communicate with the teen by understanding what's important to the teen, and then address what's important the parent themselves. People's need for communication varies. As a Customer Service Representative, I speak on the phone all day to customers...
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...The Turning Point of Love Barbara Lawson AUNENG125 Instructor Sarah Lahue January 20, 2014 Turning Point of Love Even though in a short story and poems there different components that that make up the short story and poems, in the poem of “Do Not Go Gentle into that Good Night” by Dylan Thomas and the short story “A Father’s Short Story” by Andre Dubus, these two are about the love that one have for the other. “Do Not Go into That Good Night” this poem is about a son’s love for his father not to go, stay and fight, a man who didn’t have much but 30 horses and stables, who worked so hard to have a name for himself, but he hasn’t accomplished them yet. Dylan who was having trouble with his sight at the age of 44 he was blind. “A Father’s Story” This short story is about a father who wanted to protect his daughter from a crime that she committed that he covered up and keep a secret. Even though there are twists in these two scenes there is ethics that plays a part in them; in the time of need and despair when it comes down to family some are not concern about what the consequences of their decisions are; some of their choices may not be the right ones; some will go to different lengths to protect those they love. First, in the time of need and despair because, when it comes to family some aren’t concern about the consequences of their actions all they know is that they are protecting the one that they love. In “Do Not...
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...7 AGES’ OF MAN All the world’s a stage, And all the man and women merely players ; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse’s arms; And then the whining schoolboy, with his satchel And shinning morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honor, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon’s mouth. And then, the justice, In fair round belly with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern instances; And so he play his part. The sixth age shifts Into the lean and slippered pantaloons, With spectacles on nose and pouch on side; His youthful hose, well saved, a world to wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything INTRODUCTION As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio, 1623. The play's...
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...mother is the narrator in the story and she is telling us about the events that have taken place in Emily’s life as she is ironing her daughter’s dress. The monologue started because someone (possibly a teacher at Emily’s school) called and wants to discuss her daughter and this has caused the mother to recall Emily’s life and why she has become the person she is. The mother is imaging what the conversation would look like if she were to go talk to this person about Emily. The conflict in the story is the mother questioning herself on how Emily was raised and the difficult decisions she had to make concerning care. She had to decide to work or stay home with Emily, and then when she did work she had to find someone to take care of her daughter which proved just as difficult and these child care providers had a definite impact on Emily’s personality and who she has become today. These decisions that the mother had to make were not the normal decisions for a new mother in these times. The story takes place during the time of the great depression era and that is generally a time that mothers stayed home and took care of their children, but due to the unforeseen circumstance that Emily’s father left because he “could no longer endure sharing want with us” the mother was on her own having to juggle work and child care for her new baby daughter. Who’s fault is it that Emily’s life was so difficult was the mother making the wrong choices as a new mom all alone after only eight months...
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...George Murchison has. The dynamic between Walter and George is shown in their first appearance together in the play. Walter and Beneatha are re-enacting a life of African culture in their living room, while Walter is acting as a African warrior while Beneatha is one of the tribes women. The two are shown having harmless fun, but their game has real meaning. Beneatha has cut her hair back to its natural African style and Walter finally seems truly happy, almost as if he would love to go back to Africa and live his fantasy. When George walks in, he shows absolute contempt for African culture, stating, “In one second we will hear all about the great Ashanti empires; the great Songhai civilizations… and the whole monologue will end with the word heritage. Let's face it baby, your heritage is nothing but a bunch of raggedy spirituals and some grass huts!”(49). George’s self hate causes his contempt for other black people. He has given up on African culture and his own identity in order to succeed in the white man's world of college and preppy shoes. Walter hates this about George yet is envious that he has money. He strives to be rich and become a respected man of the house like his father, but doesn't know if he would give up his pride in his cultural identity just to become wealthy. Walter’s struggle with his pride continues when the Younger family finally receives the ten-thousand dollar check earned by Walter Sr.. Mama buys a house with the money and gives the remaining six-thousand...
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...ENGL347: Women Writers: Assessed Essay “Becoming a mother will be the one thing that frees you as a woman. But it will also be the one thing that traps you...” – Anon. Discuss the way in which women writers use the concept of motherhood as a gender-divide to explore the themes of entrapment and escape in literature. Since the 19th century, the broader sense of literature as a ‘totality of written or printed works’, and the foundational means of communicating information or ideas, has given way to a range of more exclusive and specific definitions. The rapid growth of adult literacy, combined with economic, social and political developments have vastly increased the sheer spectrum and quantity of subject matter and forms which fall under this umbrella term, forcing the need for greater categorisation in order to make ‘literature’ more accessible to the general reader. The resulting categories which attempt to standardise this process may take many forms, including observation of the structure or literary genre of the text (for example, categorising the text as a novel, poem, report or article) or perhaps the particular literary period or movement, which will link all associated texts with underlying principles or stylistic traits, such as the Romantic era or Post-Colonial literature. However, due to a long-standing patriarchal tradition dominating the history of literature- a literary practice challenged and corrected by the rise of the Feminist movement, particularly following...
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...Literary Critique of “I Stand Here Ironing” Tillie Olsen’s “I Stand Here Ironing” focuses on a mother who receives a phone call while ironing, about her eldest child Emily. The call comes from a school guidance counselor asking her to make time to see her so they could discuss helping Emily. While listening, the mother partakes in a mental or interior monologue of her first born child’s life, and how being a single teen mother facing poverty shaped her daughter into who she is to today; a stiff, awkward ,and isolated young woman. Although there are various angles in which to analyze this text, the prominent angle is how society, especially in the 1930’s, view of women and motherhood have affected the narrator in her way of raising Emily. A sociological critique of I Stand Here Ironing by Tillie Olsen examines a wide range of social and feminist issues throughout the short story. Theses social ills have left the narrator with a strained psyche and have her questioning her parenting. I “Stand Here Ironing” is a short story in which the reader gets a mental image of the way it was for the narrator to raise her child alone. The narrator was a single mother at the age of nineteen, living during the latter years of the Depression. As a single mother during the depths of the Great Depression it was an especially hard time. The narrator describes the world in which her first child, Emily was born into. “It was the pre-WPA world of the depression” (290). Emily’s mother struggled to...
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...Hemingway’s In Our Time-“Cat in the Rain” 1.) Composition History A.) Notes about his life with Hadley (Hemingway’s first wife) hint at a story ready to be written, but abruptly postponed. B.) Hemingway’s earliest notes for “Cat in the Rain” were sketched in late February 1923 at Rapallo, the setting of the story. C.) After visiting Ezra Pound in Chambry-Sur- Montreux, Hemingway finished four pages of a manuscript, giving up in the process, labeling it as “False start Rapallo story possible Fascito Story.” D.) The manuscript establishes elements found in his finished product, such as the hotel, train trip from Genoa, and gives a nickname to the wife: Kitty. E.) A year later he returned to the story with another manuscript of ten pages and identified it as a “First Draft Original Manuscript/ March 1924/ E.M.H.” F.) This was followed by a nineteen-page titled manuscript with another rejected title, “The Poor Kitty.” G.) Finally, he titled the typescript “Cat in the Rain.” 2.) Publication History A.) It is likely the story was completed in March of 1924. B.) There is no immediate evidence that Hemingway submitted “Cat in the Rain” for publication. C.) The setting, the subject matter, and the partial indebtedness to T.S. Elliot are possible reasons why Hemingway didn’t want “Cat in the Rain” to be published right away. D.) Another possible reason why Hemingway didn’t publish “Cat in the Rain” right away was because he had his eye on “The Boni Liveright Book” first mentioned...
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