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Wealth In The Great Gatsby

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In F. Scott Fitzgerald’s novel, The Great Gatsby, wealth is seen as the most important thing and without it one is not important. Wealth is shown in many extravagant ways and many in the novel are shown as either the new rich or old rich. Money is considered happiness to most in the novel but to some even all the money in the world is not enough to gain true happiness. Although Gatsby’s parties were seen as fun and extravagant, they were a facade, because all the money in the world couldn’t buy his happiness. Jay Gatsby’s parties are extremely fanciful and flashy and attract many people young and old. The parties are depicted as fabulous and extraordinary when Nick states:
There was music from my neighbor’s house through the summer nights. …show more content…
This quote signifies that Gatsby understands that money is not all he wants but can’t achieve what he truly wants. Before he met Daisy all Gatsby wanted was to become successful and rich, but after meeting Daisy his goals changed and he had a new idea for himself, one that wasn’t all about becoming rich but loving Daisy. Since he lost Daisy he lost what he truly wanted and went right back into wanting to become rich and wealthy but is still unhappy because he is unsure what he wants. Fitzgerald uses words like confused and disordered to describe Gatsby’s state of mind because he is unsure what he wants more, Daisy or wealth. Gatsby is developing into a character who doesn’t just seek wealth but now desires something more like love but loses his way in search of it. Gatsby believes that Daisy is rightfully his and that he deserves he and will have her no matter what. Adam Meehan proves this in his article, “Repetition, Race, and Desire in The Great Gatsby,” when he writes:
Gatsby’s desired object (Daisy) is merely one manifestation in a deeper signifying chain and, as Mellard explains, ‘since the object in never attainable, both Gatsby and Dexter approach it (as do most subjects) from the side, for, in the beginning, they focus not on the woman as such, but on the accouterments of wealth with which they associate the woman and in which they display their right to her, the one who symbolizes their fantasies’ (Meehan

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