Premium Essay

What Does Fyodor Dostoevsky Portray The Meaning Of Family?

Submitted By
Words 791
Pages 4
Fyodor Dosteovsky, Russian novelist, short story writer, and author of Crime and punishment portrays the meaning of family in various ways throughout the novel. Sonya, Marmeladov, Dounia, and Pulcheria show four very different feelings towards family. Sonya being one to sacrifice her own body in order to help her family. Marmeladov on the other hand fully aware of his actions, yet still bringing down his family one drink at a time. Dounia full of forgiveness and doesn't seem to let things get to her. Pulcheria on the other hand is willing to sacrifice her daughter to save her son. Each of these characters whether tied together or not, show very strong feelings towards their family, some negatively while others positively. From reading the novel you can put together that Dostoevsky wrote about these four very different perspectives on what it means to be a family from his own life experiences.

People often sacrifice things of higher value to them in order to save their families. Sonya sacrifices her own body in prostitution in sake of her own family. …show more content…
Dounia shows a variety of emotions towards her family. Dounia and Sonia are alike in the way that they are both self-sacrificing towards their family. Her relationship with her brother is based on mutual love and respect, however he treats her she treats him the same way. No matter how angry she becomes at Raskolnikov she remains confident and favoritism never seems to affect the relationship she has with her brother. Although her mom may love her brother more than her, she never stops caring for her brother and doesn't let her mother ruin their relationship. When her fiancé Luzhin insults her family she takes no hesitation in ending her engagement because no matter what she has been though in her life with her family, she puts family before anything. she believes anyone who insults her family is no good to spend the rest of her life

Similar Documents

Premium Essay

Literary Theory

...Literary Theory and Schools of Criticism Introduction A very basic way of thinking about literary theory is that these ideas act as different lenses critics use to view and talk about art, literature, and even culture. These different lenses allow critics to consider works of art based on certain assumptions within that school of theory. The different lenses also allow critics to focus on particular aspects of a work they consider important. For example, if a critic is working with certain Marxist theories, s/he might focus on how the characters in a story interact based on their economic situation. If a critic is working with post-colonial theories, s/he might consider the same story but look at how characters from colonial powers (Britain, France, and even America) treat characters from, say, Africa or the Caribbean. Hopefully, after reading through and working with the resources in this area of the OWL, literary theory will become a little easier to understand and use. Disclaimer Please note that the schools of literary criticism and their explanations included here are by no means the only ways of distinguishing these separate areas of theory. Indeed, many critics use tools from two or more schools in their work. Some would define differently or greatly expand the (very) general statements given here. Our explanations are meant only as starting places for your own investigation into literary theory. We encourage you to use the list of scholars and works provided for each...

Words: 11786 - Pages: 48

Premium Essay

Reading a Novel in 1950-2000

...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...

Words: 123617 - Pages: 495