...Auteur is primarily the French word for ‘auteur’. In film criticism, an auteur is a director whose individual style and skills influences his film so much as to be considered one of the authors of the film. Films of an auteur reflect the director’s own personality, personal creative vision and has their own style which is unique from others. According to the auteur theory, all of an auteur’s films have similar styles, themes or characters. Therefore, Audiences can distinguish an auteur’s film from films of other directors. Zhang Yimou, perhaps the most critically acclaimed film director to emerge from mainland China is famous for his rich use of colour and visual modelling. Zhang is the representative of the fifth generation of Chinese filmmakers, he is also a film...
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...Auteur Theory: Translated from the French, auteur simply means "author". There have been varied perceptions regarding this theory, its importance and effectiveness. Auteur theory is essentially “a method of evaluating films based on the director’s involvement and input”. The concept of ‘Auteur’ was first introduced by François Truffaut in 1954 in A Certain Tendency in French Cinema.(1) In this work he claimed that film is a great medium for expressing the personal ideas of the director. He suggested that this meant that the director should therefore be regarded as an auteur. According to him, there are three forms in which a director may be regarded as an Auteur. He agreed with André Basin’s idea that the film must be the direct expression of the director’s vision. The second aspect was that the director must be skilled with the camera. He believed the director is to camera as the writer is to pen. Lastly he believed for a director to be considered as an Auteur, he must leave behind a distinctive signature (based on Alexander Astruc’s idea), visually or as an idea in the film. (2) Years later, this concept was reintroduced by Andrew Sarris in 1962, in a publication titled “Notes on Auteur theory” (3). Accordingly, for a director to be considered as an auteur, the director must be well versed with the technical aspects of the film. The director must have a distinct style or a signature that distinguishes his films from the others. The movies must have a theme, an inner meaning...
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...the term “auteur” has been questioned by some commentators as failing to acknowledge the complexity of the filmmaking process. With reference to one of the directors studied so far on the module, discuss the degree to which analysing his films through an auteurist perspective can help or hinder understanding. You should take into account the ways in which your chosen director uses the resources of cinema as a medium as well as the question of personal vision. Film director Pedro Almodóvar was symbol of Spain’s newfound freedom in the post-Franco democracy and has since developed into the dominant figure of contemporary Spanish cinema. Paul Smith (2000: 5) describes him as “the one true auteur to emerge in the 1980’s”, while many commentators see him as a “consummate and undisputed auteur” (Jordan and Allinson, 2005: 77). However, attempting to conclusively define Almodóvar as an “auteur” is challenging as the concept has been consistently defined and redefined since its inception. Vernon and Morris (1995: 13) state, “Models of auteurism at work today bear scant resemblance to the term’s original meaning”. Through an auteurist perspective, we must consider how both Almodóvar and his films conform to aspects of both the original ‘theory’, such as personal vision and ‘signatures’, and subsequent developments of the concept focusing on areas of collaboration and commercialisation. Our conclusions can then be used to determine whether Almodóvar’s status, as an auteur or not, helps...
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...The Cinematic Auteur Steven Spielberg Auteur Theory says that a director's film reflects the director's personal creative vision, as if they were the primary "auteur" (the French word for "author"). In spite of the production of the film as part of an industrial process, the auteur's creative voice is distinct enough to shine through all kinds of studio interference and through the collective process.” Steven Spielberg is now recognized as one of Hollywood’s leading auteurs; a filmmaker who expresses his identity over a body of films. Steven Spielberg, for instance, lends his touch to films he's associated with, whether it's as director OR producer, as with The Goonies Importance of auteur theory in film analysis and interpretation. Auteur theory is the process in which to critique films. “The theory gives enormous, almost total responsibility for a film’s success or failure (artistically, not at the box office) to the director” (Goodykoontz & Jacobs, 2011). According to film critic Andrew Sarris there are three rules to determine if a Director is an Auteurist. (1) Technical competence which refers to how well a movie is made; (2) Distinguishable Personality which refers to movies must have identifiable style and viewpoint; (3) Interior Meaning which refers to that the body of work should express coherent world stance. The features of being an auteur include; 1 having a recognizable style, 2 repeatedly returning to the same subject mater, 3 habitually address...
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...How far can Alfred Hithcock’s unique styles and themes classify him as the ‘perfect auteur’? Alfred Hitchcock is frequently acknowledged as an ultimate example of an auteur from the themes and techniques displayed by his films. The film master is a father of mystery, suspense, and nerve shaking scenes as well as other themes like sexuality, roles of women and voyeurism. His work is highly stamped by thematic and stylistic devices and their consistency, personal aesthetic vision, inveterate themes and a defined view of the real world which attracts his audience. In his structure and content of the screenplay he is able to create moods which are sustained and shifted manipulate audience desires and fears; apply economy and wit and many other characteristics that make him a special auteur to be dealt on. Amazingly he is able to transcend the artistic challenges of studios and make highly personalized films that bear the stamp of his art personality rather than just sitting as a director. Hitchcock can be defined as an auteur through his films which is marked by his mastery of cinema techniques which is very unique and an exception from other film makers which is displayed in his use of camera viewpoints, elaborate editing and soundtrack to build some thematic instances such as suspense. Example of...
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...Hitchcock had been described as one of the first 'auteurs' through the stylistic techniques recurring throughout his work, creating a sort of synergy in the films he has produced which today, have been recognised as 'Hitchcockian'. An auteur is usually someone who can be recognised by their films due to a certain kind of theme they take and employ throughout their work. Key elements of the 'Hitchcockian" genre appearing in Rear window include voyeurism, suspense, female roles, and use of theatrical elements. What makes these techniques "Hitchcockian" is that he uses them most consistently throughout his films. Examples of the techniques employed in rear window can also be clearly seen in his other films, for example vertigo can be made comparable to rear window. Psycho and rope also embed "Hitchcockian" themes into them. To enable us to understand what is "Hitchcockian" about rear window and the elements employed, we must consider comparisons to the other works of Hitchcock. Rear window has been described as one of Hitchcock's "Rear window is arguably one of Hitchcock's most "theatrical films"" a common Hitchcockian aspect presenting itself in Rear window is the use of theatrical as well as cinematic qualities. Rear window uses only one main setting, that being the view of neighbours houses through Jeff's back window, which has...
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...An auteur is defined by google as a filmmaker whose personal influence and artistic control over a movie are so great that the filmmaker is regarded as the author of the movie. All great auteurs have their own signature style that they use in the making of their fil. Whether it’s the action that happens on screen, major underlying themes, or how they do work off-screen that the audience will never see. Unless of course they have a wife who makes a documentary about the making of a movie, focused on the director. This was the case for director, Francis Ford Coppola and one of his great films- Apocalypse Now. He is an auteur if there ever was one. How he does his work is different than anyone else and it has worked for him. Having award winning...
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...La scène de la douche dans Psychose d’Alfred Hitchcock La scène de la douche que je présente aujourd’hui est extraite du film « Psychose » ou « Psycho » en version originale et est considérée comme l’une des plus célèbres séquences du cinéma. Ce film, réalisé par Alfred Hitchcock en 1960, est certainement le film d’horreur qui a le plus influencé l’histoire du cinéma. En effet, le dénouement était aussi inattendu qu’effrayant. Alfred Hitchcock était un réalisateur anglais qui s’est installé aux Etats-Unis en 1940. Il fut le seul à croire en l’adaptation au cinéma du livre de Robert Bloch et pour cela il prit des risques : il choisit des acteurs inconnus à l’époque (Janet Leigh et Anthony Perkins), il tourna en noir et blanc (alors que le premier film en couleur datait de 1922), avec un petit budget, il fit disparaitre l’héroïne dès le premier tiers du film, mais surtout il osa tourner un film violent avec un meurtre sanglant. Le film, qui dure 1h49, commence sur une scène entre deux amants dans une chambre. La femme, Marion est en sous-vêtements, ce qui présentait encore un risque à l’époque car les règles de censure étaient très strictes. Marion n’est pas heureuse, elle souhaiterait vivre son amour au grand jour, si seulement ils avaient de l’argent… Puis Marion, qui est secrétaire, se voit confier la tâche d’aller déposer une grosse somme d’argent à la banque pour son patron. Elle rentre chez elle, fait ses valises, et quitte la ville en voiture avec l’argent. Après deux...
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...Film Analysis: Rear Window by Alfred Hitchcock The scene in the film Rear Window was about the community and the protagonist named L.B. Jefferies. The scene started with the window. Then came the cat walking in the alley. From that moment, the audience can see the whole set of the neighborhood early in the morning and L.B. Jefferies sleeping when he was sweaty. Next, the viewer can see the old fashioned thermometer, the composer shaving his beard, the couple sleeping outside their balcony, the dancing woman in a pink undergarment, the dog’s leash tied to the lamppost, and the woman with a pet bird. Then back to the L.B. Jefferies. At that moment, the viewer can see him taking a nap in his pajamas, in a wheelchair, his leg in a cast with his name on it, his broken camera, his black and white pictures, and a magazine of a woman. Overall, Alfred Hitchcock filmed this scene to deliver the audience the idea of what the neighborhood looks like, who are the people in the neighborhood, and what they do in their everyday life. Not only about the neighborhood but also the protagonist. He also wants to show what kind of a person L.B. Jefferies is and why is the protagonist of the story. In general, Alfred Hitchcock delivered his beautiful art of mise-en-scene and cinematography to convey this scene. In terms of mise-en-scene, the most noticeable elements observed in the scene were the production design and acting. For the production design, the 1950’s feel of the movie was effective...
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...Introduction This essay seeks to analyse the use of mise-en-scene in one of the early scenes in the film American Beauty, directed by Sam Mendes. Mise-en-scene, a French term translated as "putting into the scene", refers to properties of a cinematic image that exists independently of camera position, camera movement, and editing. The story centres on Lester, played by Kevin Spacey, a father who is experiencing a mid-life crisis. Despite employing a traditional Hollywood plot structure that focuses on a problem and a protagonist’s quest in resolving the issue, the film is special. The problem in the film is special as it is Lester’s entire state of life – his unhappiness and dissatisfaction of the way things are in his life. The film’s theme centres on the definition of happiness, more specifically in the context of the American Dream. The characters of the American Beauty seem to have confused material well-being with happiness. The plot is pushed by the main protagonist, Lester, in trying to find meaning and happiness in his life that was before dictated by the American expectation. We will be looking at the second scene of the film, which begins when Lester enters Brad’s office to discuss his performance at work. Brad is the company efficiency expert who was recently hired. The scene will be discussed separately based on two different locations. The essay will examine the use of settings, costume and make up, staging, lighting and lastly the use of space and time for each...
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...j'ai choisi de parler d'un film que j'ai regardé dans le class il y deux semaines. La film était appelle ‘Au Revoir les enfants’ et il a lieu aux en France au cours de la guerre. Il s'agit d'une école pour les garçons qui est se cache peuple juif, comme jean bonnet et son frère. Finalement, la peuple juif sont trouvé et et fait prisonnier par les Allemands. Je pense que il y a deux personnages principaux qui sont tous les deux comme important comme l'un l'autre. Une est jean bonnet et la autre est Julien Quentin. Premièrement, julien est a élève dans l’école aussi est son frère qui est appelle Francois, Julien est plus de un besoin de sa mère que Francois mais obtient dans la troubler quand meme. Jean est un nouvel élève à l'école et est aussi une des personnes juives dans la clandestinité. Il est très intelligent en plus il est bon en maths et est étonnant au piano. je crois l'acteur interprete très bien le role de jean bonnet. Selon moi, l'histoire est vraiment émotionnel par consequent c'était trés émouvante, cependant, le film démarre lentement et s'éternise un peu trop long... cela vous rend pressé d'arriver à la fin pour découvrir le sort du personnage jean bonnet. je n'ai pas aimé ce film autant que 'les choristes', autre d’un film j’ai regarde dans le classe, parce que C'était moins passionnant que 'les choristes'. En conclusion, je apprécié le film et je recommend ça si vous aimez l'histoire parce que tu vas trouver ça interessant mais malheureusement je ne veux pas...
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...The Clowns: A Quintessential Fellini Film I Clowns (1970) was a documentary by Federico Fellini that was commissioned by RAI, an Italian television broadcast service, to discover the public’s fascination with the circus. In true Fellini fashion, however, the film is not a true documentary, it blends elements of fantasy, memory and reality together in such a way that it makes it difficult for the audience to decipher whether they are watching a work of pure fiction or the truth of a documentary. It is for this reason that I Clowns has been credited as being one of the first mockumentaries in film history. Fellini created one of his most Felliniesque works and made his artistic style noticeable particularly in I Clowns by focusing on the circus and employing a wide variety of common motifs and stylistic technique. Clowns and circuses have famously been a common, reoccurring subject in many of Fellini’s films. This film is Fellini’s exploration of his personal obsession and it was made in an attempt to discover the public’s changing interest in the circus. Unable or unwilling to merely stick to facts and make a true documentary, Fellini melds fact, fiction and his memories to create something unique and distinct within this movie all together and is considered one of the first mockumentaries. A young boy in Rimini in the opening sequence of the film is intended to be autobiographical of Fellini’s youth and modeled after his own memories. I Clowns could be recognized as Fellini’s...
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...ENG 225 WEEK 4 DQ THE CINEMATIC AUTEUR THEORY To purchase this visit following link: http://www.activitymode.com/product/eng-225-week-4-dq-the-cinematic-auteur-theory/ Contact us at: SUPPORT@ACTIVITYMODE.COM ENG 225 WEEK 4 DQ THE CINEMATIC AUTEUR THEORY ENG 225 Week 4 DQ The Cinematic Auteur Theory The Cinematic Auteur. Auteur theory in film suggests not only that a director is the primary author of a film, but also that the film must be analyzed within the context of the director’s other films. Directors create certain expectations with their films much in the same way authors create certain expectations with their writing. ENG 225 WEEK 4 DQ THE CINEMATIC AUTEUR THEORY To purchase this visit following link: http://www.activitymode.com/product/eng-225-week-4-dq-the-cinematic-auteur-theory/ Contact us at: SUPPORT@ACTIVITYMODE.COM ENG 225 WEEK 4 DQ THE CINEMATIC AUTEUR THEORY ENG 225 Week 4 DQ The Cinematic Auteur Theory The Cinematic Auteur. Auteur theory in film suggests not only that a director is the primary author of a film, but also that the film must be analyzed within the context of the director’s other films. Directors create certain expectations with their films much in the same way authors create certain expectations with their writing. ENG 225 WEEK 4 DQ THE CINEMATIC AUTEUR THEORY To purchase this visit following link: http://www.activitymode.com/product/eng-225-week-4-dq-the-cinematic-auteur-theory/ Contact us at: SUPPORT@ACTIVITYMODE.COM ...
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...ENG 225 Week 4 DQ The Cinematic Auteur Theory NEW To Buy This material Click below link http://www.uoptutors.com/eng-225-ash/eng-225-week-4-dq-the-cinematic-auteur-theory-new he Cinematic Auteur. Auteur theory in film suggests not only that a director is the primary author of a film, but also that the film must be analyzed within the context of the director’s other films. Directors create certain expectations with their films much in the same way authors create certain expectations with their writing. As you construct your initial post, focus on the importance of auteur theory in film analysis and interpretation. Name a director who you would consider an auteur and explain your reasoning. Discuss the arguments against auteur theory and provide examples to support your points. Examine how the auteur theory influences audiences and critics, using examples from film criticism, film marketing campaigns, and your own personal experience. Include the name of the director you identified in the “Subject” line of your discussion. Your initial post should be at least 200 words in length. Support your claims with examples from the required material(s) and/or other scholarly sources, and properly cite any references. By Day 7, respond to at least two of your classmates who have named a different director than you. In each response, discuss whether or not you agree with your classmate’s assertion that the director being considered is an auteur, and be sure to provide examples...
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...In this essay topic I will be examining the roles of Hitchcock and Kubrick in their films. I will not be only explaining what an auteur is but the origin and why it is so significant to me and to everyone nowadays and why both of these directors are considered auteurs. The roles that both Hitchcock and Kubrick play in this essay are why that is so important for them to be considered auteurs. In my topic I will be arguing that Hitchcock and Kubrick were both Auteurs, but couldn't every director be an auteur isn't the definition of an Auteur a film director who is considered the primary creative force in the picture. Why are Hitchcock and Kubrick so special I am going to argue that they are great auteurs, how I'm going to do this is by viewing two hitchcock movies and two Kubrick movies and compare them to movies I have recently watched in the movie theaters. The two Hitchcock films I'll review watching are vertigo and to catch a thief . I choose these films because vertigo is the very first Alfred Hitchcock movie I watched and it was very interesting to watch such an old movie that was so entertaining. The way Hitchcock used the music and the way he is able to build the suspense and keep the suspense going even when without the music made it very shocking to me. And then in to catch a thief how Hitchcock was able to put an ordinary man in such bizarre events made it fun to watch. Two movies I have chosen for Stanley Kubrick are the shining and 2001 a space Odyssey. I choose...
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