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...July 17, 2016 In the article "Mother Tongue" by Amy Tan she writes about both hers and her mother's experience with language. Tan admits she is "not a scholar or English or literature" (Tan 2006) but expresses her thoughts and supplies empirical evidence about how both she and others judged her mother's intelligence by how she spoke English. Tan introduces us to the concept of "Englishes", i.e. the English used in her household; the English she was taught in school; the English she writes in. Tan writes about the possibility that students, particularly Asian Americans, may be steered away from careers in Literature or creative writing because of the "broken or limited"(Tan, 2006) English used in their homes. I continue to feel that Tan's main goal of the article is to get us to think about the ways we view people who speak "limited or broken" English. As a continuation of the author's goal she writes about how really listening to her own talk as she spoke to various groups about her writing life and her book "The Joy Luck Club” caused her to realize the "whole talk sounded wrong." What she was hearing and learning, perhaps for the first time, was that she was not using one of the "Englishes" that she "did not use at home with my mother." I did identify some new key points and these are how Tan writes about how she thinks "about the power of language--the way it can evoke an emotion, a visual image, a complex idea, or a simple truth." One way the reading supports this...
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...into detail about their aspects of what language is meant to them, and discusses it in detail throughout their stories. James Baldwin in his essay discusses a main and questionable factor of a type of English called “Black English” and it actually being a language. While, Amy Tans story is mainly about different types of English languages that she had to pursue her entire life whether it be broken, simple, or watered down English. Each author speaks of different perceptions on English, which should not be judged or ridiculed in any way. James Baldwin in his essay, “If Black English isn't a Language, Then Tell Me What Is?," he starts off by stating that Language isn't the main issue in his essay, it is just apart from what has truly evolved in international societies. He refers to the Americans as not recognizing that Black English is a Language, because it is a different kind of language and isn't necessarily acceptable to them. According to Baldwin Black English is a language, because slaves used it in order to communicate in a submerged society in which they lived. Language he states comes from "brutal necessity" which is true if it weren't for slavery then more than likely there wouldn't Galley 2 be any reason to question Black English. In his second paragraph he mentions how different cities that speak a...
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...J Polym Res (2012) 19:16 DOI 10.1007/s10965-012-0016-1 ORIGINAL PAPER Influence of matrices chemical nature on the dynamic mechanical and dielectric properties of rubber composites comprising conductive carbon black Omar A. Al-Hartomy & Ahmed A. Al-Ghamdi & Falleh Al-Solamy & Nikolay Dishovsky & Mihail Mihaylov & Milcho Ivanov & Farid El-Tantawy Received: 14 February 2012 / Accepted: 22 October 2012 # Springer Science+Business Media Dordrecht 2012 Abstract The study presents the effect that elastomeric matrices different in their chemical nature (a non-polar and crystallizing natural rubber and a polar and non-crystallizing acrylonitrile-butadiene rubber) have upon the dynamic mechanical and dielectric properties of the composites comprising different amounts of conductive carbon black. Dynamic mechanical thermal analysis (DMTA) and Dielectric thermal analysis (DETA) are the techniques used for studying the structure-properties relationships of the composites. The experimental results show that the matrices studied and their specific properties have a great impact O. A. Al-Hartomy : A. A. Al-Ghamdi Department of Physics, Faculty of Science, King Abdulaziz University, Jeddah 21589, Saudi Arabia O. A. Al-Hartomy Department of Physics, Faculty of Science, University of Tabuk, Tabuk 71491, Saudi Arabia F. Al-Solamy Department of Mathematics, Faculty of Science, University of Tabuk, Tabuk 71491, Saudi Arabia F. Al-Solamy Department of Physics, Faculty of Science, King......
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...language could be dangerous, even fatal” (650). Baldwin explains that there is a time and place that certain language should be speaking because language has fatal consequences. I agree with Baldwin, there is a time and place for everything. I also agree that language can be dangerous, even fatal. In James Baldwin’s essay, “If Black English Isn’t a Language, Then Tell Me, What Is?” Baldwin confronts the topic of “Black Language.” Baldwin states, “Language incontestably, reveals the speaker” (Baldwin, 648). The language one speaks can say a lot about a person. People may speak the same language, but it is always going to be different based off where the speaker comes from, what type of person the speaker is, what the speaker does as their career, and what the speaker has experienced in their life. Baldwin states that his argument has “nothing to do with language itself but with the role of language” (648). Language is key to communication; it allows people to exude their perspective on things. In Amy Tan’s essay, “Mother Tongue,” Tan emphasizes that we speak different languages unconsciously and that we are categorized by the way we speak. I agree with Tan, we speak different languages without being aware at times and this...
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...Beijing Opera (Youtube Project) This project is centered on Beijing Opera also referred to as Peking Opera or as the Chinese call it Jingju. It’s a form of the traditional Chinese theater that combines dance, mime, acrobatics, music, and vocal performance. Beijing Opera developed in the late eighteenth century and became fully recognized throughout China by the mid-19th century. The form was extremely popular in the Qing Dynasty court and has become one of the cultural treasures of China. Major performances are based in Beijing, Southern Shanghai, Northern Tianjin, and Taiwan. It has also spread to other countries such as the United States and Japan. Political influences have long played a part in the arts of China (World Music, 187). The Taiwanese took on the Opera and made it into their own. Naming it Guoju, which means national, or the in other words the National Opera. This reflects disputes over the true seat of Chinese government. After the Chinese Civil War ended, Beijing opera became the focal point of ethnic identity for the Mainland and Communist party. When the Communist Party of China came to power in the Mainland, the newly formed government moved to bring art into line with Communist ideology. Their goal was to make art and literature a component of the revolution. Dramatic works without Communist themes were considered subversive, and were ultimately banned during the Cultural Revolution (1966-1976). Before Beijing opera evolved it was considered a......
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...GRATITUDES WHEN I’M GONE ROLL UP (Cameron Thomaz, Eric Dan; PGH Sound/WB Music Corp., ASCAP/ID Labs Productions/Rostrum Music, ASCAP.) Produced by E. Dan and Big Jerm Recorded by E Dan and Big Jerm at ID Labs, Pittsburgh, PA Mixed by Phil Tan at Ninja Club Studios, Atlanta, GA Additional/Assistant Engineering by Damien Lewis (Cameron Thomaz, James Scheffer, Todd Shaw, Danny Morris; PGH Sound/WB Music Corp., ASCAP/EMI Blackwood Music, Inc. o/b/o itself and Jimipub Music, BMI/Todd Anthony Shaw Publishing Designee, BMI/ Hypnotic Beats, published by Rebel Made LLC, adm. by Kobalt Music Services America Inc., KMSA.) Produced by Jim Jonsin for Rebel Rock Productions Programming by Jim Jonsin Keyboards by Jim Jonsin Additional keyboards by Danny Morris Recorded by Robert Marks Matt Huber at Circle House Recording Studios, Miami, FL Assisted by Jason Wilkie and Matt Huber Mixed by Robert Marks at Circle House Recording Studios, Miami, FL Assisted by Jason Wilkie and Matt Huber (Cameron Thomaz, M.S. Eriksen, T.E. Hermansen; PGH Sound/WB Music Corp., ASCAP/EMI Music Publishing, ASCAP.) Produced by Stargate for 45th & 3rd Music LLC Recorded by Mikkel S. Eriksen and Miles Walker For 45th & 3rd Music LLC at Roc The Mic Studios, New York, NY Mixed by Phil Tan at Ninja Club Studios, Atlanta, GA Additional/Assistant Engineering by Damien Lewis All instruments by Mikkel S. Eriksen & Tor Erik Hermansen StarGate...
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...there is a broken purple laundry basket that has scantily clad high heels in it, and two more bins along with that, making the closet seem more cluttered. The walls are painted a dull white color, with butterfly wallpaper in the middle, and a boring white trim that seems everlasting as it goes around the room. Below that is a purple wall color that looks like "Barney the purple dinosaur.” There are piles of clothes on the floor, that are as tall as the Rocky Mountains out west of the United States. The pictures on the wall are dull and need color. Faith, Love, Laugh are in tan letters that don't match the walls at all. There is a Bret Michael’s poster hanging that looks like a five year old made it, but in truth an adult made it. There is a big black dusty television and a chair with the wood frame falling apart, in the corner of the room. By the window there is a tan wooden desk that isn't steady, and a big black computer chair. The chair squeaks so loud that the room below can hear it. When the cocker spaniels from downstairs begins barking, it puts a thorn in the ear of anyone staying in this room....
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...‘How has studying the concept of Belonging expanded your understanding of yourself, and of your world?’ In the world today, there is a certain restless nature and desire that lives deep within the human heart. Eternal and overwhelming, this inner struggle is one that fuels our innate need to identify with a group. For any individual, a perception of acceptance and understanding is a fundamental element of the human sense of self. Throughout this journey of finding acceptance, our personal identity becomes intertwined, and a newly found sense of belonging is created. By developing relations and connections with people, places, groups and communities, we create a “source of love and belonging that makes living in a chaotic world easier.” Global societies in the modern world are filled with various beliefs regarding personal identity as well as belonging. It is these beliefs that influence the way we observe, interpret and behave throughout our daily lives. Because of this, and the various other cultures that form our communities, perceptions regarding acceptance and understanding of numerous individuals may clash. As a result of this, feelings of belonging, or not, are developed. Through exploration of this notion and related texts, we able to comprehend acceptance in both contemporary and past generations, and how it has developed throughout history. Charles Dickens’ nineteenth century novel ‘Great Expectations’, Anne Paton’s 1998 letter ‘Why I’m Fleeing South Africa’......
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...Stele of Amenemhat, c.2000 BCE is an 11”x15” piece of painted limestone housed in the Cairo Museum. The background is painted gray. Across the top of the Stele, between two incised horizontal lines, are engraved hieroglyphics inviting food offerings for the deceased. The names of Amenemhat, his wife Iyi, son Antef and daughter Hapy are also etched into the limestone just beneath the line that separates the hieroglyphics from the carving itself. Shown on the left side of the Stele, Amenemhat, Iyi and Antef are seen sitting atop a white padded, black lion-legged bench. Antef sits between his mother and father, facing and embracing his father, while his mother is embracing him. Under the bench is a light tan basket holding a black instrument. At the right of the Stele is Hapy. Her right hand is on her chest while her left arm is at her side. Between Amenemhat, Iyi, Antef and Hapy is a white table zigzagged with black lines that holds enormous food offerings. The creator of the Stele must have wanted to signify the importance of the food offerings...
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...Hamad Alfuways Myself from my closet When Tan glanced the closet she noticed that she has in her own closet several items, such as cashmere sweaters and scarves. In other section there are jackets, black-tie gowns, cocktailparty dresses, business suits, and golfing attire-phalanxes of fashion organized by function, color, and texture. Tan had this interesting observation after attending a benefit luncheon at the home of a venture capitalist. She had experienced a life-changing revelation after stepping into the venture capitalist’s vault-size closet. The interior of the venture capitalist’s closet is luxurious and super organized like the “exhibits at a costume museum” described by Tan. And She made a smug assessment like a psychiatrist that the owner of the vault-size closet is obsessive compulsive sprang to mind and is inflexible to allow any wrinkles in her life. After judging the venture capitalist’s vault-size closet, Tan realized that she could judge her own personality through the picture of her messy closet. For Tan, She could not discard clothes if they were gifts, and the clutter within her closet is found friendship, memories, hard-learned mistakes, future use, and many more excuses. Also she found that as a writer the chaos and confusion could serve her the best. However, Tan’s new housekeeper transformed her closet, and let her see the foibles exposed in her life. She found that she had many useless old clothes and meaningless buys. In reducing the chaos,......
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...(MACE) website, https://WWW.TBS.USMC.MIL/PAGES/MARTIAL_ARTS (c) MCO P1020.34F, Marine Corps Uniform Regulations (d) MCO 1510.122A, Individual Training Standards for the Marine Corps Martial Arts Program (MCMAP) (e) MCO P1080.40A, Marine Corps Total Force System Personnel Reporting Instructions Manual (MCTFSPRIM) (f) MCO P1700.29, Marine Corps Semper Fit Program Manual (g) MCO P1070.12, Marine Corps Individual Records Administration Manual (IRAM) (1) Performance Evaluations and Promotions in the Belt Ranking Achievement System (2) Guidelines for the completion of an Elements of Martial Culture Analysis (3) Guidelines for the completion of a Unit Training Integration Plan (4) Example Request for Promotion to Black Belt Fourth Degree (5) Example Request for Promotion to Black Belt Fifth and Sixth Degree (6) NAVMC 11432 Instructors Course Record Encl: 1. Purpose. This order establishes policies, procedures, and standards for effective management, operation, and maintenance of the Marine Corps Martial Arts Program (MCMAP). 2. Cancellation. MCO 1500.54. 3. Background. MCMAP is an integrated martial art designed for and executed by all Marines throughout their careers. MCMAP is a revolutionary step in the development of martial skills for Marines and replaces all other close combat-related systems preceding its introduction. Previously, close combat programs DISTRIBUTION STATEMENT A: Approved for public release; distribution is unlimited. MCO 1500.54A 16 Dec 02......
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...DESCRIPTION & LEVEL OF DEPOSIT TONE: GOLD BEIGE GOLD GOLD GOLD WARM GOLD COPPER AUBURN/ AUBURN ACCENT TONE: Gold/Mauve TONE: Yellow TONE: Yellow Yellow TONE: Yellow/Orange TONE: Orange TONE: Orange/Red BLACK TO GRAY BACKGROUND COLOR COPPER BROWN TONE: Red/Orange RED BROWN TONE: Red MAHOGANY VIOLET COPPER COPPER TONE: Violet/Red TONE: Orange/Orange RED RED VIOLET VIOLET TONE: Red TONE: Red/Violet TONE: Violet NO BACKGROUND COLOR BROWN TO TAN BACKGROUND COLOR 9 VERY LIGHT BLONDE LIGHT SHADES 8 LIGHT BLONDE 09T 09B 09N 09NB 09GB 09G 09AA 09RB 09V Chrome Sterling Cafe au Lait Irish Creme Butter Cream Vanilla Creme Papaya Blush Platinum Ice 08N 08GG NEW Mojave Gold Dip 08WG 08C 08MV 08V Golden Apricot Cayenne Cedar Iridescent Quartz 7 MEDIUM BLONDE 07NB 07GB 07G 07C 07CB 07MV Chestnut Butterscotch Saffron Curry Spicestone Birch 07V 07CC NEW Crushed Amethyst Urban Fever 5 LIGHT BROWN MEDIUM SHADES 6 DARK BLONDE 06T 06N 06NB 06GB 06G Iron Moroccan Sand Brandy Toffee St. Tropez 06GG NEW Midas Touch 06WG 06AA 06CB 06RB 06R Mango Bonfire Amber Glaze Cherry Cola Rocket Fire 05N 05G 05C 05CB Walnut Caramel Chili Brownstone 05RV 05CC NEW Sangria Electric Shock 4 MEDIUM BROWN 1 BLACK DARK SHADES 3 04WG Maple DARK BROWN 04NB Sun Tea 03N 03NB 03G 03A 03RB 03R 03RV 03V Espresso Mocha Java Cinnamon Terra Cotta Mahogany Roxy......
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...language? How do you deal with the frustrating situation? How is yours similar to or different from Tan’s experience? While reading Tan's essay "Mother Tongue". I found a lot similarity between Tan and her mother as well as myself. what they have experienced is what I am experiencing right now. I started learning English when I was 16. To be honest, I am not a fast learner at language, so I do speak and write in broken English all the time. Living in a country where you don't master the language is difficult. The frustration of not being able the express yourself and the pain of hovering on the fringe of every conversation drives you to self-isolation. Because of language barrier, sometimes, It made me think it is better to be alone by myself than to feel alone in a crowd. Broken English does make me feel ashamed or embarrassing while in a conversation with others who speak fluent English. When Amy Tan recalls growing up, her mother would have Amy speak on the phone, pretending to be her mother, so that people would take her more seriously. Sometimes, she was forced to ask for information or even to complain and yell at people who had been rude to her. As a reader, I can relate to Amy’s story because I also come from Chinese background, I have done the same thing as Tan did and we do go through rough times like she did, and sometimes people like us are not given the respect we should get like fluent English speakers get. One thing I need to point out is......
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...scale helps predict the skins response by giving accurate analysis of skin tones. The scale also classifies their tolerance of sunlight and it can determine how some on will react to facial treatments and how likely the person is get skin cancer. Researching the Fitzpatrick scale on myself I have indicated that my skin is type V. My eye color is brownish black and the natural color of my hair is black, my skin color is light brown and I have few freckles. Also when I am in the sun I never have burned. I tan very easily and with several hours of sun exposure I often burn. My face reacts normal to the sun. When I lasted exposed myself to the sun was more than three months ago. Sometimes I expose the area to be treated to the sun. I found the Fitzpatrick scale very interesting so I did the scale on a friend named Tangela Morrison she works as a barber and is thirty-three years of age her skin is a type111 her eye color is dark brown and the color of her natural hair is dark brown her skin color is light brown and she has no freckles that are unexposed. When in the sunlight she never receives burns. Tangela has a reasonable tan when she turns brown and when exposed to the sun for several hours she sometimes turns brown. Her face acts normal when she in the sun the last time tangela was exposed her body to the sun was more than about three months ago. She never exposes the area to be treated to the...
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...of the group members. I picked the plant that was nearest to me. At first glance, the plant looked dull. Referring to the notes, I have matched the features of the plant to Sendudok (Melastoma malabathricum), which is a native shrub of about three metres tall. Its leaves are not the conventional simple, broad leaves with one primary vein. Instead, the leaves are rough and narrowly elliptic, with three prominent primary veins. The flowers are made up of five purple petals and two types of stamens, yellow and purple, are present. The purple stamens form an outer ring, while the yellow stamens form an inner ring. The fruits are oval and when split; reveal a black pulp with numerous seeds. These fruits do not look appetizing to me, but when eaten, it causes the tongue to turn black. This gives rise to its genus name “Melastoma” (Tan H.T.W. et al, 2003). These fruits are also the food source for frugivores such as Plantain squirrels and pigeons. My views about Sendudok changed as my group proceeded along the forest belt. When we encountered the plant, my TA mentioned...
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