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Characterization of Orlando de Boys

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Eberhard Karls Universität TübingenEnglisches Seminar
WS 2013/14
Dr. phil. Angelika ZirkerAnglistik/Amerikanistik

Drama Essay: As You Like It
Characterization:Orlando de Boys

Julia LaugMatrikel-Nr: 3824050 julia.laug@web.de For my drama essay, I decided to analyse on of the main characters, Orlando de Boys. Orlando is the youngest son of Sir Rowland de Boys and after his father's death, his elder brother Oliver was meant to care for Orlando's education, but he refuses this and treats Orlando like he was part of the staff. Therfore, Orlando is very angry at his brother, but even though he is not an educated gentleman he still sees himself this way. I picked this character because I think Orlando is a very interesting person and it is fascinating to see the two sides of his character – on the one hand, he seems to be a very self-confident and strong young man, but then again he acts very awkward and naive when he is falling in love with Rosalind. In the following text I will briefly analyse those two features of his character.

Orlando's first appearance in „As You Like It“ is also the beginning of the play and we get a first impression of his first part of characteristics. He is incensed about his elder brother's treatment because Oliver refuses him the education and the lifestyle that he deserves. Orlando is aware of the fact that he is from noble blood and he insists on this actuality. We also realize that Orlando is very loyal to his deceased father and that he is proud to be his father's son and he stresses this emphatically certain time during the play e.g., after the wrestling match with Charles. But another interesting aspect the first scene shows are that, although Orlando always gets put down by his brother Oliver, e.g., Oliver calls him villain and treats Orlando like he was part of the staff, and Orlando is really angry about him and the conflict among the two escalates quickly to a physical struggle, he seems to be loyal towards his family anyway because in the end he lets Oliver go. I am no villain. I am the youngest son of Sir Rowland the Boys; he was my father, and he is thrice a villain that says such father begot villains. Wert thou not my brother I would not take this hand from thy throat till this other hand had pulled out thy tongue for saying so. [Shakespeare, As You Like It, 1.1.53-58]

Basically, Orlando stands for the ideal of manly virtues in Shakespearean age, disregarding his lack of education; he is a young handsome man, he is brave, strong, self-confident and displays a honourable behaviour. He proves his strength and braveness by the victory against Charles the wrestler, which even gets more emphasized through the fact that Charles seems to be like an unbearable opponent for Orlando. This makes Orlando even more likable for the audience and during the course of the play, Orlando showes his qualities a certain times. Even his hated brother must acknowledge the goodness of Orlando's character, even though he does this only towards himself:

Yet he's gentle, never schooled and yet learned, full of noble device, of all sorts enchantingly beloved, and indeed so much in the heart of the world, and especially of my own people, who best know him, that I am altogether misprized. [Shakespeare, As You Like It, 1.1.155-160]

Orlando is a typical protagonist and he often gets the opportunity to prove his heroical character. One special situation is his relationship and loyalty to his old friend and servant Adam. When the two are in the Forest of Arden and Adam is too weak to walk farther, Orlando is very caring and worried about him and immediately leaves to find something to eat for Adam. When he meets Duke Senior and his attendants he refuses to eat something before Adam did. This altruistic behaviour encourages his role as audience's favourite and beloved hero. This features of Orlando's character mostly come from his intention to fill his father's shoes and to prove the world his gentlemen's qualities he owns by nature, even though he never received the adequate treatment during his lifetime. This qualities also includes his extreme loyalty towards his family, especially to his father, which I mentioned before. Orlando is not only very proud of his father, it also turns out that he is a very honourable and forgivable person. When Oliver chases him in the Forest of Arden and runs the risk of getting killed by a lioness, Orlando is in a moral dilemma whether he should let his brother die or save him. In the end he decides to forget his personal feelings and saves Oliver. This situation changes the whole relationship between the two brothers and again it turns the attention to Orlando's advantages.

That was the one side of Orlando's character, which is a very positive and almost ideal accumulation of features and he seems to be an almost perfect man. But Orlando has got one atony in his essence which appears when a special person enters his life. In this part of my essay I will talk about Orlando's love to Rosalind. Although he seems to be a very strong, self-confident young man, he acts like a lovesick fool when it comes to Rosalind. This behaviour appears straight on their first meeting after the wrestling match and it is a very funny contrast. In one minute, Orlando is the acclaimed victor, who wrestled down this literally „man's man“ but then he meets Rosalind and is unable to speak a single word, he is literally „overthrown“ by love. Even though Orlando is unacquainted in romantic things he still is the typical, what Shakespeare would call it, „loveshak'd“ hero; when he escapes to the Forest of Arden he appends poems on the trees, craves Rosalind's name into the bark of trees and continually dreaming of her, he lies under the trees „stretch'd along like a wounded knight.“ [Shakespeare, As You Like It, 3.2.446]. And his love for Rosalind is true – when he meets Ganymede/Rosalind and talks with „him“ about his feelings and Rosalind/Ganymede decides to test his love and tells him, she could cure him from his love-sickness, he refuses that although he is uncertain if he would see Rosalind again. In his infatuation Orlando is also very naive, but this naiveté shows the authenticity of his love – he does not look through Rosalind's disguise and accept Ganymede's offer to come around „his“ hut and woo him, like he was actually Rosalind and during their conversations and their acting as a couple, Rosalind realizes how much Orlando is in love with her.

Concluding to this to aspects of Orlando's character, he is a typical Shakespeare protagonist, although he is not a gentleman by education but by heart. Orlando holds all the features, an ideal man of this century should have – he is a brave, strong young man, handsome and self-confident, but also very romantic and overthrown by love when he meets the woman of his life.

Works cited page;

Dusinberre, Juliet. The Arden Shakespeare - As You like It. London: Bloomsbury, 2006.

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