...Bibliographic Essay on African American History Introduction In the essay “On the Evolution of Scholarship in Afro- American History” the eminent historian John Hope Franklin declared “Every generation has the opportunity to write its own history, and indeed it is obliged to do so.”1 The social and political revolutions of 1960s have made fulfilling such a responsibility less daunting than ever. Invaluable references, including Darlene Clark Hine, ed. Black Women in America: An Historical Encyclopedia 2nd ed. (New York: Oxford University Press, 2004); Evelyn Brooks Higgingbotham, ed., Harvard Guide to African American History (Cambridge: Harvard University Press, 2001); Arvarh E. Strickland and Robert E. Weems, Jr., eds., The African American Experience: An Historiographical and Bibliographical Guide (Westport: Greenwood Press, 2001); and Randall M. Miller and John David Smith, eds., Dictionary of Afro- American Slavery (Westport: Greenwood Press, 1988), provide informative narratives along with expansive bibliographies. General texts covering major historical events with attention to chronology include John Hope Franklin and Alfred A. Moss, Jr., From Slavery to Freedom: A History of African Americans (Boston: McGraw Hill, 2000), considered a classic; along with Joe William Trotter, Jr., The African American 1  Experience (Boston: Houghton Mifflin, 2001); and, Darlene Clark Hine, William C. Hine, and Stanley Harrold, The...
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...movement became known as “The New Negro Movement’’ and later as the Harlem Renaissance. More than a literary movement and more than a social revolt against racism, the Harlem Renaissance exalted the unique culture of African- Americans and redefined African-Americans were encouraged to celebrate their heritage and to become “The New Negro,” a term coined in 1925 by sociologist and critic Alain LeRoy Locke. One of the factors contributing to the rise of the Harlem Renaissance was the great migration of African-Americans to northern cities (such as New York City, Chicago, and Washington, D.C.) between 1919 and 1926. In his influential book The New Negro (1925), Locke described the northward migration of blacks as "something like a spiritual emancipation." One of the factors contributing to the rise of the Harlem Renaissance was the great migration of African-Americans to northern cities (such as New York City, Chicago, and Washington, D.C.) between 1919 and 1926. In his influential book The New Negro (1925), Locke described the northward migration of blacks as "something like a spiritual emancipation." In the 1920's African-Americans seemed to have passed through some rite of passage. As if for the first time, we began, in significant numbers, to be self-assertive and racially conscious. A popular, at the time, term describing such people was "The New Negro" expressed movement from the world of Booker T. Washington to that of W.E.B. duBois and Marcus Garvey. More than anything...
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...Business 3172-001 Essay Questions Alena Rodriguez u0702179 Wilson and Loewen have both talked to us about racial hostility and who they think are responsible for the racial discrimination described in their books. Wilson believes that it was the middle and lower class whites who are at fault because they had the most direct competition with the blacks, but more the lower class whites. The motives of the whites were that the blacks were coming in and taking the jobs that they had. The whites would refuse to do a job because the pay was bad, so then the blacks would come in and they were willing to do the job even if they didn’t get paid a lot. “After a brief postwar depression, the economy greatly expanded and northern industries were booming. Immigration laws kept the flow of eastern and southern European immigrants to a mere trickle, thereby forcing the industrialists to tap the industrial reserve of Negroes for unskilled labor” (Wilson 68). In The Mississippi Chinese the Chinese had hostility with the upper class whites. The big problem for the upper class whites was that they felt like if they let one minority into their group, the other minorities would want the same thing and would start making a scene. They think of themselves as exclusive and special and they don’t want anyone else to get the idea that they can be too. “The upper class is more exclusive and more defensive about its position and considers endogamy essential to its continued dominance. Furthermore...
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...Year 10 Revision Timelines: The Roaring Twenties Women Before First World War * Women could not vote. * Middle/upper class women did not work but had the role of mothers and housewives. Working class women had low paid jobs such as factory work and cleaning. * Women usually wore full length dresses, wore no make up and had their hair tied back in buns. * Divorce was very rare and so was sex before marriage. * Women did not smoke or drink in public. * They had to go out with a chaperone (a family member) when they met their boyfriend. How did the First World War change the lives of women? * During the war, women began to work in areas like heavy industry. They proved they could work as well as men. By 1929, there were 10 million women workers; a rise of 24% since 1920. * Working gave women independence and they began smoking and drinking in public. * Women were given the vote in August 1920 but few were chosen to be actual politicians. * Production of consumer goods such as vacuum cleaners and washing machines meant women had more time for leisure activities. * Flappers emerged in the 1920’s = women from middle and upper class families from the Northern States. They cut their hair in short bobs, wore make up, short skirts and bright clothes. They also smoked and drank in public, went to speakeasies, danced the Charleston with men and listened to Jazz and drove cars and motorbikes. * BUT many groups, particularly...
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...THE CAUSES OF AMERICAN BUSINESS CYCLES: AN ESSAY IN ECONOMIC HISTORIOGRAPHY Peter Temin* This paper surveys American business cycles over the past century. Its task is to identify the causes of these cycles; other papers in this collection address the nature of policy responses to these causes. This paper can be seen as a test to discriminate between two views of the American economy. The first is expressed in a characteristically vivid statement by Dornbusch, who proclaimed recently: “None of the U.S. expansions of the past 40 years died in bed of old age; every one was murdered by the Federal Reserve” (Dornbusch 1997). This stark view can be contrasted with its opposite in the recent literature: “[N]one of the popular candidates for observable shocks robustly accounts for the bulk of business-cycle fluctuations in output” (Cochrane 1994, p. 358). I expand the time period to consider the past century, but it is easy to distinguish the past 40 years, that is, the period since World War II. A survey of business cycle causes over an entire century runs into several problems, of which three seem noteworthy. First, it is not at all clear what “cause” means in this context. Second, the Great Depression was such a large cycle that it cannot be seen as just another data point. Third, the survey relies on the existing literature on business cycles, which is why I have entitled it an essay in economic historiography. The paper proceeds by discussing each of these problems in turn, then...
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...all that he/she will need to treat clients. Contents Introduction Carl Rogers. Background and Influences Theoretical Constructs Strengths and Weaknesses Conclusion Notes References Introduction In this essay I will be discussing the viability of Person-Centred Therapy as an exclusive method of treatment for clients. Without an appreciation of this approach it would be difficult to judge the merits of the claim as laid out in the main essay title. Therefore I will begin with an introduction to Carl Rogers, his background and influences. In this essay I will explore the main theoretical constructs. Following on from this I will look at the advantages of this approach and consider its success in treating psychological disorders. Although Carl Rogers inspired many, he was not without his Critics. Therefore I will include the difficulties and doubts expressed by other Practitioners in order to get an opposing viewpoint. I will end with my evaluation of the claim itself and the reasons why I have arrived at my conclusions. Carl Rogers Background and Influences Carl Rogers was born in Illinois, Chicago, in 1902. His parents were middle-class, respectable and hard-working. His Father was a Civil Engineer and his Mother a stay-at-home housewife. Carl was the fourth child in a family of six children. Rogers’ early days were heavily influenced by his Mother’s strict adherence...
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...thought of the 1950s nurtured new ideas and cultures including the Civil Rights Movement and the fast spread of rock and roll. One such cultural revival occurred after the end of World War II during a time of change, prosperity and restoration. The “Puritan dicta” outlined by Baldwin represents the American ideology before the Second World War. As the first settlers of this nation, the Puritans set the mold for many common American ideologies. In the Puritan view white represented good and black represented evil, including Africans and their culture. After the war, Baldwin states that the former puritanical views of whites will be challenged. Musicians such as Elvis Presley were the first to issue this challenge to white society. Early rockers like Elvis would pave the way for social commentary in music that would add much fire to the Civil Rights Movement. To fully understand the explosion of popularity of Black music in the years following World War II, one must understand the social conditions in which Blacks and Whites lived in the South. An article entitled “Not Just the Same Old Show on my Radio” delves into the very issues behind racism. The article names three aspects necessary for social segregation to exist a stigmatism of the oppressed group; signs of “labeled interaction” between groups, and a hierarchy of discrimination. (Kloosterman, Quispel...
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...the “Organized competitive activity between participants that requires some combination of skill and physical prowess.”1 Though, something more complex and unusual also comes with activity of this nature, and this is the ability to forget the destitution and difficulty of everyday life and the capability to be on a level playing field with many people that believe the same way, no matter what socio-economic class they represent. One sport in particular has transcended all other games, has continually been a psychological shelter from pain and hardships of life, and also a cultural rocket breaking through the social barriers in the American society. That sport is simply the most beloved American game of all, baseball. The purpose of this essay is to critically explore a myriad of aspects of life that have been changed due to sports, all the while concentrating on baseball as the main focal point. Further, this work will continually pose the question of how it is conceivable that a single and simple sport could greatly impact a country the way baseball has the United States. At the time of the first foreign inhabitants of North America, life was more difficult than someone of the twenty-first century could have imagined. The hardships were endured by every colonist nearly twenty-four hours a day, with little to relieve their minds of the complexities of early American life. Nonetheless, there was at least one aspect of life that offered them the ability to escape the perennial...
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...The Progressive Era marked a time of new reforms throughout our nation and these changes have shaped the country we live in today. This era was the nation’s response to the Industrial Revolution. It affected all Americans and transformed the role of government in American society. Most racial issues and women's rights, were ignored during the progressive era, but the groundwork was laid for future reforms in those areas. Many events occurred during the time of the Progressive Era and Great Depression that made a big contribution to today’s society. One of the first turning points of this era was the founding of the Anti-Saloon League. It was a non-partisan political pressure group established in 1893 with Protestant churches as its primary support in rural areas and the South. In the words of leader Ernest Cherrington, it was "the united church militant engaged in the overthrow of the liquor traffic.” The League also used churches more directly to achieve its objectives. For example, it arranged for pastors in over 2,000 churches in Illinois to discuss a pending temperance measure and urge congregations to ask their representatives to support it. The Anti-Saloon stressed its religious character and since it acted as an agent of the churches and therefore was working for God, anything it did was seen as moral and justified because it was working to bring about the Lord's will. This became the first modern, single-issuing lobbying group in the America and opened the doors for...
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...* 1. The passage above is notable chiefly for c. a literary conceit 2. In The Federalist, No, X, James Madison proposed that the dangers of factions be controlled by a a. republican form of government * 3. Sky Woman, Wolverine, and Turtle are all important figures in which of the following types of literature ? * d. Native American oral tales * 4. In line 1, “offspring” most probably refers to the author’s * b. book of poem * * 5. “My rambling brat” (line 11) is an example of * d. personification * * * 6. Place the name of teach of the Colonial era figures beside the British colony with which he is most closely associated. A. John Smith- The Virginia Colony B. John Winthrop- The Massachusetts Bay Colony * C. Roger Williams- The Colony Of Rhode Island * * * 7. The passage above is an example of a. Puritanism * * 8. Thomas Pain’s Common Sense had a direct influence on which of the following Revolutionary era works? * c. Jefferson’s Declaration of Independence * 9. The passage above is from * a. William Bradford’s The History of Plimouth Plantation 10. All of the following are writers of the Colonial era EXCEPT b. Margaret Fuller 11. The passage would best be described as an example of d. Sentimentalism 12. The first paragraph of the passage provides an example of which of the following figures of speech ? c. Apostrophe 13...
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...Jazz was viewed similarly to how rock or heavy metal music may be viewed today: rebellious. Whether one was rich or poor, jazz was something that could be enjoyed by all. Jazz is what brought 20’s African American culture to the white middle class. Through the melodies, jazz was able to bring many diverse groups together as a whole. In the end that's what music is all about. Going along with F. Scott fitzgerald's major theme of the Jazz Age, The Great Gatsby can be a great representation of this time period. Unlike the great depression, hardly anybody had to worry about money until the end of this time period. Fitzgerald phrased it as "leaped to a spectacular death in October 1929." Before this though, prodigality was a part of everyone's lifestyle. Having popped up at the right time, jazz fit in with the fast paced lifestyle that had everyone spending and partying.(The Great Gatsby explains how the great Gatsby reflects the jazz...
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...known as the "New Negro Movement", named after the 1925 anthology by Alain Locke. Though it was centered in the Harlem neighborhood of New York City, many French-speaking black writers from African and Caribbean colonies who lived in Paris were also influenced by the Harlem Renaissance.[1][2][3][4] The Harlem Renaissance is unofficially recognized to have spanned from about 1919 until the early or mid-1930s. Many of its ideas lived on much longer. The zenith of this "flowering of Negro literature", as James Weldon Johnson preferred to call the Harlem Renaissance, was placed between 1924 (the year that Opportunity: A Journal of Negro Life hosted a party for black writers where many white publishers were in attendance) and 1929 (the year of the stock market crash and the beginning of the Great Depression). Contents [hide] 1 Background to Harlem 2 Development of African-American community in Harlem 2.1 An explosion of culture in Harlem 3 Music 4 Characteristics and themes 5 Influence of the Harlem Renaissance 5.1 A new black Identity 5.2 Criticism of the movement 6 Notable figures and their works 6.1 Novels 6.2 Short story collections 6.3 Drama 6.4 Poetry 6.5 Leading intellectuals 6.6 Visual artists 6.7 Popular entertainment 6.8 Musicians and composers 7 See also 8 References 9 External links 10 Bibliography Background to Harlem [edit] Until the end of the Civil War, the majority of African Americans had been enslaved and lived in the South...
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...was a reaction to the emergence of a consumer movement that was feminist, anti-racist, and pro-labor. That movement was predominantly female and wielded more influence over federal policy than scholars have recognized. Focusing on the League of Women Shoppers, the Consumers' National Federation, and the fate of their members who obtained positions in such government agencies as the Office of Price Administration, this article argues that conservative anticommunists' gendered animosity to the consumer movement was critical to the pre-history of the federal employee loyalty program created in 1947, and that civil servants with ties to consumer groups were prominent among that program's casualties. In May 1939, a front-page story in the Chicago Tribune warned that a "Communist-front" group called the League of Women Shoppers (LWS) was conducting an "ingenious campaign" to intimidate employers into supporting the National Labor Relations Act by threatening to boycott non-compliant companies. Many wives of officials prominent in Franklin Roosevelt's New Deal administration were LWS...
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...SURREALISM Appreciation of Art/Craft/Design 2011 Introduction Everybody has concept about Surrealism. But not everybody knows, how and why it has got art movement, when an artist is part of a movement like Surrealism, I ask a question for myself "Did Surrealism enter to our century?", if yes - "How?". In this essay I’ll discuss about social, economic and political influences of the time when movement born, what influenced this movement and what subsequent influence did this movement have on others? Also I discussion about of one artist who made major contribution to Surrealism - Salvador Dali (1904 - 1989) and try discuss about his artwork "Metamorphosis of Narcissus". Social, economic and political influences of time "Surrealism, was officially born in 1924 in Paris and had virtually become a global phenomenon by the time of it demise in the later 1940s" (Hopkins, 2004, p.15). It was difficult time for all world. Two wars: World War I (1914–1918) and World War II (1939–1945), Europe, as well as the United States, Canada, Australia, and Japan, would experience the effects of the Great Depression. "The early 20th century was a period of tumultuous change. The First World War and the Russian Revolution profoundly altered people’s understanding of their worlds. The discoveries of Freud and Einstein, and the technological innovations of the Machine Age, radically transformed human awareness" (Hopkins, 2004, p.20). Art movement - Surrealism There is an opinion...
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...eHow.com http://www.ehow.com/how_5888119_compare-blues-country-music.htInstructions 1. * 1 Learn the history behind blues and country music. They are both forms of American folk music influenced by earlier styles brought overseas. Blues music grew out of field hollers and chants sung by African slaves. Irish and Scottish balladeers borrowed the guitar and banjo of blues and thus created "country". According to Reebee Garofalo in "Rockin' Out: Popular Music in the USA", "Terms like country and blues are only used to separate the same kind of music made by blacks and whites ... designations like race and hillbilly intentionally separated artists along racial lines and conveyed the impression that their music came from mutually exclusive sources." Country is an offshoot of blues. They are essentially the same thing. In the PBS special, "Rhythm, Country and Blues," country is referred to as "white man's blues." * 2 Listen to the instrumentation in country and blues songs. They share many of the same instruments. These include guitar, bass, piano and drums, among others. Traditional country music differed from blues in that it utilized instruments such as the pedal steel guitar and fiddle. Modern country doesn't necessarily include these instruments, sounding closer to rock music, an offshoot of blues. *...
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