...dying while he was quite young. He also recalls growing up in extreme poverty. He can't recall the name of the babysitter his mother hired, but he does recall how much he adored her and thought of her as his mother. Gladwell stated, "He could not retrieve the name of the women who raised him because everything from those years was so painful that it had been pushed to the furthest recesses of his mind.'' Gladwell 126)Then, Gladwell delves into his secondary source of World War II and how some people were afraid of the bombing while others weren't. Gladwell describes a Canadian psychiatrist by the name of MacCurdy who figured out why some people were fearful, and others weren't. According to MacCurdy's founding, "traumatic experiences can have two completely different effects on people: the same event can leave one group better off while it is profoundly damaging to another." Gladwell, 134. Gladwell then goes back to Jay Freireich to explain how the trauma he experienced as a child prevented him from remembering his early memories. Gladwell uses numerous motivational testimonials from interviews he conducted, compares them to secondary sources, and uses David and Goliath to bolster his arguments throughout the chapter. Gladwell backs up his argument with a fantastic mix of references and quotations. In order to demonstrate that the underdog may indeed win in social situations, Gladwell employs Logos throughout the chapter by using many rhetorical tactics. Throughout the Chapters, Gladwell...
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...Some definitions of literary devices, techniques and style from searching via http://www.ferretsoft.com/ LITERARY DEVICES http://mrbraiman.home.att.net/lit.htm Literary devices refers to any specific aspect of literature, or a particular work, which we can recognize, identify, interpret and/or analyze. Both literary elements and literary techniques can rightly be called literary devices. Literary elements refers to aspects or characteristics of a whole text. They are not “used,” per se, by authors; we derive what they are from reading the text. Most literary elements can be derived from any and all texts; for example, every story has a theme, every story has a setting, every story has a conflict, every story is written from a particular point-of-view, etc. In order to be discussed legitimately, literary elements must be specifically identified for that text. Literary techniques refers to any specific, deliberate constructions of language which an author uses to convey meaning. An author’s use of a literary technique usually occurs with a single word or phrase, or a particular group of words or phrases, at one single point in a text. Unlike literary elements, literary techniques are not necessarily present in every text. Literary terms refers to the words themselves with which we identify and describe literary elements and techniques. They are not found in literature and they are not “used” by authors. Allegory:...
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...questions, analyzing prose passages, and composing your essays. allegory – The device of using character and/or story elements symbolically to represent an abstraction in addition to the literal meaning. In some allegories, for example, an author may intend the characters to personify an abstraction like hope or freedom. The allegorical meaning usually deals with moral truth or a generalization about human existence. alliteration – The repetition of sounds, especially initial consonant sounds in two or more neighboring words (as in “she sells sea shells”). Although the term is not frequently in the multiple choice section, you can look for alliteration in any essay passage. The repetition can reinforce meaning, unify ideas, supply a musical sound, and/or echo the sense of the passage. allusion – A direct or indirect reference to something which is presumably commonly known, such as an event, book, myth, place, or work of art. Allusions can be historical, literary, religious, topical, or mythical. There are many more possibilities, and a work may simultaneously use multiple layers of allusion. ambiguity – The multiple meanings, either intentional or unintentional, of a word, phrase, sentence, or passage. analogy – A similarity or comparison between two different things or the relationship between them. An analogy can explain something unfamiliar by associating it with or pointing out its similarity to something more familiar. Analogies can also make writing more vivid, imaginative...
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...Figures of Speech Metaphor: A figure of speech that constructs an analogy between two things or ideas; the analogy is conveyed by the use of a metaphorical word in place of some other word. For example: "Her eyes were glistening jewels". Colonel Kurtz: "Are you an assassin?" Captain Willard: "I'm a soldier." Colonel Kurtz: "You're neither. You're an errand boy...sent by grocery clerks...to collect a bill." (From Apolcalypse Now) Trying to get banks to lend in this economic climate is impossible. It’s pushing a string Clichés are usually dead metaphors: ▪ ▪ ▪ ▪ ▪ ▪ Love is blind. It takes two to tango. Misery loves company. If it ain't broke, don't fix it. Too little, too late. Tip of the iceberg But clichés can be used as the basis for a witty jujitsu by taking the form and substituting other words: • • • • • Work is the curse of the drinking classes. You can bring a whore to culture (original: horticulture), but you can’t make her think. Bankruptcy is a fate worse than debt. One must have a heart of stone to read the death of little Nell without laughing. The leisure of the theory class. Or as Heinrich suggests, by taking them literally when they are used by others: Opponent: The early bird catches the worm You: It can have it. Opponent: Let’s not pour the baby out with the bath water. You: No, let just pull the plug. Chiasmus: [kahy-az-muh s] A reversal in the order of words in two otherwise parallel phrases, as in “He went to the country, to the town went she.” •...
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...of any of a variety of techniques to give an auxiliary meaning, idea, or feeling. Sometimes a word diverges from its normal meaning, or a phrase has a specialized meaning not based on the literal meaning of the words in it. Examples are metaphor, simile, or personification. Stylistic devices often provide emphasis, freshness of expression, or clarity. A simile is a figure of speech comparing two unlike things, often introduced with the word "like" or "as". It takes the form of: * X is (not) like Y * X is (not) as Y * X is (not) similar to Y Examples of simile: * He fights like a lion. * He swims as fast as a fish. * He slithers like a snake. * "My dad was a mechanic by trade when he was in the Army, When he got the tools out, he was like a surgeon." What is a metaphor? Unlike simile, metaphor (from the Greek language: meaning "transfer") is language that directly compares seemingly unrelated subjects. It is a figure of speech that compares two or more things not using like or as. In the simplest case, this takes the form: X - is - Y Examples of metaphor: All the world's a stage, And all the men and women merely players; They have their exits and their entrances; (William Shakespeare, As You Like It, 2/7) Example: “Henry was a lion on the battlefield”. This sentence suggests that Henry fought so valiantly and bravely that he embodied all the personality traits we attribute to the ferocious animal. This sentence implies immediately that...
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...As the two of these poetic candidates have chosen to run for the presidential spot for the greatest country in the world, America. Jesse and Mario both make some well-presented points towards the people of the minority race. Who imposed a better change? Who would enter the minds of Americans so they could set their future? The first candidate, a Baptist minister by the name of Jesse Jackson provided the audience with the thought provoking statement of “We want somebody who will challenge corporate America to higher until it contracts”(Jackson). Jackson proposes that America wants someone in office who is not only going to take the side of those of the wealthy. But a president who will step up for the lower and middle class and stop those whose pockets are overflowing with the...
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...otherwise their relationship, all through their marriage, seem a bit superficial, with superficial love, for Tara´s sake at least. The love and the devotion in the relationship seem a bit one-sided, it seems like it is Tom that keeps the relationship going and he has probably been keeping it going all through the twenty-six years they have known each other. It is not definite at all, because the story is narrated from Tom´s point of view and we do not really hear much about Tara and how she sees things. We do not know if that is because the writer just do not tell us about her or if it is because there are nothing to tell, because Tara is asleep all of the time and therefore have nothing to say or contribute with. The short story shows many examples of Tom and Tara´s differences. In many ways they...
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...MODULE 1: INTRODUCTION This module provides an overview on the subject of art appreciation for those entirely new to the subject. This is a complex topic to deal with and it is impossible to have a truly comprehensive discussion on the topic in such a brief essay. The student is advised to consult more advanced texts to gain further understanding of how to appreciate art more fully. HUMANITIES: What is it? • The term Humanities comes from the Latin word, “humanitas” • It generally refers to art, literature, music, architecture, dance and the theatre—in which human subjectivity is emphasized and individual expressiveness is dramatized. HOW IMPORTANT IS HUMANITIES • The fields of knowledge and study falling under humanities are dedicated to the pursuit of discovering and understanding the nature of man. • The humanities deal with man as a being of purpose, of values, loves, hates, ideas and sometimes as seer or prophet with divine inspiration. • The humanities aim at educating. THE ARTS: What is it? • The word “art” usually refers to the so-called “fine arts” (e.g. pictorial, plastic, and building)– and to the so-called “minor arts” (everyday, useful, applied, and decorative arts) • The word “art” is derived from arti, which denotes craftsmanship, skill, mastery of form, inventiveness. • Art serves as a technical and creative record of human needs and achievements. The word 'art' is often used in our daily lives. However, when...
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...can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjpw20 Download by: [Indiana University Libraries] Date: 24 February 2016, At: 16:43 Journal of Postcolonial Writing Vol. 46, No. 1, February 2010, 65–75 “He does not understand our customs”: Narrating orality and empire in Chinua Achebe’s Things Fall Apart Jarica Linn Watts* University of Utah, Salt Lake City, USA Downloaded by [Indiana University Libraries] at 16:43 24 February 2016 jarica.watts@utah.edu Jarica 0 100000February 46 2010 &Article OriginalofFrancis 1744-9855 (print)/1744-9863 JournalandPostcolonial 10.1080/17449850903478189(online) RJPW_A_448194.sgm TaylorLinnWatts 2010 Writing Francis This article delineates different strains of Achebe’s narrative technique in Things Fall Apart, arguing that earlier critics have failed to account fully for two fundamental principles in Achebe’s narrative: the myriad phrases that are repeated throughout the first part of the work; and the formative shift, the poetic volta, that takes place between parts one and two of the novel. Drawing on Achebe’s assertion that “anyone seeking an...
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...the 1980s, there are subtle differences in the portrayal of, attempted reasoning behind and methods used to enforce this passivity, highlighted through analysis of language, structure and context. The writers symbolically use setting to explore links between different aspects of female passivity. Tennyson links public and private spaces and their promotion of female passivity to illustrate societal as well as psychological and domestic examples of passivity. In Mariana, the “rusted” and “crusted” atmosphere of decay is representative of Mariana’s psychological deterioration and the stagnant “blacken’d waters” and “moated grange” act as an obstruction to her integration with the outside patriarchal world. This reflects the wider Victorian attitude regarding the home as “the centre of virtue and the proper life for women” and brings to light the impact that passivity in the greater context of society has on the role she plays in her private relationship. This idea of external influences is echoed much less figuratively in ‘The Handmaid’s Tale’ where “decreased birth rates” stimulated a change in the functioning of the governmental system and the politically organised passivity of women, creating a dystopian vision of patriarchy. A change in societal structure resulting in female passivity is also present in ‘Othello’. Desdemona’s transition from an assertive female who “challenge[s] that [she] may profess...
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...literature in their teaching of English * The role of stories and storytelling in language teaching * Selecting story books * Pupil responses * Personal and professional development of teachers * Other support materials * Books referred to in this article The role of stories and storytelling in language teaching Once upon a time and not so very long ago in the capital city of France, a teaching centre for little children and not so little children was opened. One little child and then two and then three and then many, many more came along. And so our story unfolds ….. There was a little red hen, a meerkat in trouble, a brown bear, a black elephant and a white elephant, a very hungry caterpillar, Spot the dog, a clever tortoise, a big, roaring, yellow, whiskery lion, a kangaroo from Woolloomooloo and many more. These are just some of the colourful characters from children's literature who have helped children aged 5 - 10 attending holiday classes at the British Council's Young Learners Centre in Paris learn English. These weekly courses take place each afternoon for two hours. The educational value of using stories and the technique of storytelling has always been undisputed throughout the world. Now more and more English as a foreign language (EFL) teachers of young learners are using carefully selected stories from the world of children's literature because they have become more familiar with an acquisition-based methodology and because stories comply to...
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...Early European Theater • The writings of this period were primarily hymns, sermons and similar theologically oriented works. • Latin became a literary medium. • Major preserves of learning are the monasteries. • 8th century Europe returned to greater stability under the Carolingian kings. ➢ Charles Martel – defeated the Moslems at Tours in 732 AD, through his innovative use of armored horsemen as the principal military force, initiating the development of knighthood. ➢ Charlemagne – extended his realm into the Slavic territories and converting non- Christians on the way. Charlemagne was crowned by the Pope and pronounced him as the successor to Constantine. The scenario was the first attempt to establish the Holy Roman Empire. • Charlemagne’s death caused Europe to break into small units isolated from each other and from the world. • Moslem controlled the Mediterranean and the Vikings, still pagans, conquered the northern seas. Early Middle Ages • Life was relatively simple. • Feudalistic patterns were fully established. ➢ Manor (large estate)- headed by a noble man, assumed absolute authority over the peasants who worked his land collectively. ➢ Vassals – supplies the lords a specified number of knights upon demand and the lords in return were bound to protect their vassals. The Theater (500- 900 AD) • The theater revived during the early Middle Ages. • After the Western Roman...
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...A Tale of Two Cities Charles Dickens This eBook is designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com A Tale of Two Cities Book the First—Recalled to Life 2 of 670 eBook brought to you by A Tale of Two Cities Create, view, and edit PDF. Download the free trial version. I The Period It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only. There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever. It was the year of Our Lord one thousand seven hundred and seventy-five. Spiritual revelations were conceded to England at that favoured period, as at this. 3 of 670 A Tale of Two Cities ...
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...content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to The Journal of English and Germanic Philology. http://www.jstor.org This content downloaded from 182.69.107.77 on Mon, 17 Aug 2015 10:45:38 UTC All use subject to JSTOR Terms and Conditions A CONJECTURE ON THE WIFE OF BATH'S PROLOGUE of Bath's the Wife When for the first reading Prologue time, I remember my surprise upon reaching line 193 to find continued for several hundred lines, whereas that the Prologue a tale to follow. With I had expected each reading since, I in adjusting my expecta the same difficulty have experienced found. This repeated experience, tion to what I actually and I suspect it has come to all readers of Chaucer, in finally the matter. The result is a theory cited me to investigate which holds that the first part of the Prologue through line 193 was originally Pro by the present preceded Shipman's a number of lines which were later omitted, and that logue plus to the present the whole served as a Wife's...
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...Let’s go to the Opera! What was the first Opera? “The standard textbook answer is easy. The first opera was Daphne, first performed in 1598 during Carnival at the home of Jacopo Corsi (d.1604) in Florence, music by Corsi and Jacopo Peri (1561-1633), libretto by Ottavio Rinuccini (1562-1621). It is recognized as the first because it was the first of a series of similar pieces which established the form of early 17th century Italian opera, and all subsequent developments were based on that tradition. The score does not survive. There were many precursors of opera, and you can define it to include or exclude any of them. Corsi, Peri, and Rinuccini were members of a group who believed that the dramas of Classical Greek Antiquity were sung rather than spoken. Medieval liturgical dramas started in about the 10th century. Hildegard von Bingen's 12th century Ordo virtutum can be staged, although we don't know whether it was. The same is true of the anonymous Play of Daniel, Play of Herod, and other liturgical plays from the early 13th century. Adam de la Halle's later 13th century Play of Robin & Marion has been called "suitable for staging," but whether it was intended for staging or ever actually staged we don't know. The early 14th century Roman de Fauvel is also considered by some to be suitable for staging, and a performance of the entire thing would be approximately as long as Wagner's entire Ring cycle! More immediate precursors were the 16th century Italian Intermedio, a...
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