...plan to focus on the Greek tragedy Antigone by Sophocles. The last of the three Theban plays written in or before 441 BC. I will focus in on tragic hero’s. A tragic flaw is an error or defect in the tragic hero that leads to his downfall, such as greed, pride, or ambition. This flaw may be a result of bad character, bad judgment, an inherited weakness, or any other defect of character. Examples of a tragic hero are Antigone four main characters Antigone, Ismene, Creon, and Haemon. Using the text as proof each and everyone one of those four characters are written with a tragic flaw that is their undoing. The major literary elements I will be concentrating on are characterization, tone, and theme. These elements are most important in determining and explaining what makes a character a tragic hero. Without characterization I can’t describe what traits make our hero before a tragic one. Tone will also help with reading in between the lines because as we know sometimes our characters say one thing, but mean something else entirely. The overall theme of Antigone is tragedy so without the characters having the tragic flaws the theme would change. Literally elements are crucial in accurately explaining my topic....
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...Who is the tragic hero of Antigone? Aristotle defines a tragic hero as one with a fatal flaw that leads to a reversal of fortune, or peripeteia. This fatal flaw is often Hubris, which is excessive pride. Creon fits all these roles, therefore he should be labelled as the tragic hero of Antigone. Creon also faces anagnorisis, in which the tragic hero realizes the situation they're in and is often followed by regret. Not only that, but Creon's fatal flaw, excessive pride, impacts the story more than Antigone did. As previously stated, Creon's flaw is his excessive pride and arrogance. In the story of Antigone, Creon gives Antigone's brother, Eteocles, a proper burial, but refuses to bury Polynices for betraying their city and leaves him out to rot. Antigone was appalled by this and for the sake of family and love went against Creon's wishes and buried Polynices. Antigone is eventually caught doing so and is sent to Creon. Creon, being arrogant as always, insists on Antigone being killed for her actions....
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...Creon’s Tragic Fall: A Look at Sophocles’ Antigone A tragic hero is defined by Aristotle’s Poetics as the protagonist in the story to whom something happens that elicits pity from the audience. For the most part, a tragic hero is a “virtuous” person whose life changes from being prosperous to being a life full of misfortune (Aristotle, Poetics). In other words, the tragic hero is someone of great social standing who begins the story at a very high point, but suffers their downfall because of a tragic flaw. In Sophocles’ Antigone the central theme of this play is the struggle between Antigone and her uncle Creon. The issue of burying Antigone’s brother Polynices is based on the ancient Greek philosophy of death, where any unburied body condemns its soul to torment. Basically, it was the duty of the family to bury their dead. Yet, this issue extended beyond family loyalty to a decree of piety by the gods. However, in the play, Creon goes against this celestial decree because he sees Polynices as a traitor for warring against him as a member of another army. As a means to set an example about the repercussions of disloyalty, Creon issues an edict to leave him unburied. As a man who starts the drama in as the respected king of Thebes, he gradually loses his family, his objectivity, and his power to his stubbornness and hubris that ultimately results in his downfall. Hence, Creon is a tragic hero in the Sophocles’ Antigone because his unbending pride results in tragic downfall...
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...Tragic heroes are often characters whose flaws cause them to have poor judgement and arrogant responses. Therefore, in “Antigone”, Creon is a prominent example of what a tragic is. He is full of pride, has a stubborn sense of character, and a large amount of power. One reason Crean is seen as a tragic hero is because of all his pride. For example. Creon said,” No woman shall be master while I live.”. However, his proud is what caused him to criminalize Polyneices, even though Creon’s lust for power is the same reason that caused Polyneices and Eteocles to fight. Creon is too prideful to allow a woman to persuade him, or even realize the hypocrisy of certain situations he’s involved in. Throughout the entire story, Creon showed an...
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...The Tragic Hero Creon A tragedy is an imitation of a serious action which will arouse pity and fear in the viewer and a tragic hero is a character that meets their downfall because of a weakness or error in judgment. Greek drama always includes a tragic hero or heroine who has a tragic or fatal flaw. This is meant to create compassion for the character from the audience, but also make the audience fear the character and their decisions. For example, in Sophocles’ Antigone there are two characters who might be considered a tragic hero. Creon is the tragic hero in Antigone because of his arrogance, his willingness to accept his faults, and what his faults teach the audience. Creon’s hubris is what makes him the perfect tragic hero of Antigone....
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...“Antigone” is a play about struggle and passion. To fully understand the play, the previous plays needs to be understood. Antigone and her sister, Ismene, are the daughters of Oedipus, from the play “Oedipus Rex”. Eteocles takes control of Thebes and his brother Polynices raises an army to attack the city; both are killed in the battle. This is where the story of Antigone comes into play. Creon, Oedipus’s brother in law and uncle (Oedipus married his mother) is now King of Thebes. He issues a decree for Eteocles to be buried but for Polynices to be left where he was killed and not to be buried. He honors Eteocles for defending the city, but leaves Polynices body lying out for the people to see and the dogs to eat. However, as part of Polynices family, it is Antigone’s duty and obligation to bury her brothers, and she does so against the orders of the King. Under Creon’s decree, this places the death penalty upon the stubborn young girl. Creon becomes increasingly stubborn as well, eventually showing hubris, which means immense disrespect and excessive pride, this being his hamartia. He imprisons her alive in a tomb, not knowing that his son, Haemon, who is in love with her, follows them to the...
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...In the Greek tragedy, Antigone, this is the harsh reality that the titular character has to face. Creon, Antigone’s uncle and the king, buried one of her brothers, Eteocles, and has banned the burial of the other brother, Polyneices, because he believes that Polyneices has betrayed the city of Thebes. Antigone believes that since Creon was the one who banned the burial and not the gods, then she should bury her brother. Antigone is determined to bury Polyneices, which will contravene Creon’s law in the process. Antigone has a myriad of character traits, but the three main ones are stubbornness, determination, and loyalty. In the...
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...the play Antigone, Antigone is a woman who did anything to honor her deceased brother. Even though she knew the severe consequence she would face for refusing Creon's proclamation toward the burial of her brother.The theme of this is that both characters have different views with their situation causing controversy between the two.In the play Antigone,Creon is shown to be a tragic hero through his interactions with Antigone. This develops the theme of the play .By these tragic flaws such as Rude ,Serious, and Unfair. One of Creon's trait that develops the theme of the play is that Creon is ignorant. For example in the play Antigone, Creon said to in line (654)”I...
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...fatal flaw In the play, “Antigone”, by Sophocles, display Creon as a tragic leader who caused his own downfall. Throughout the play Creon the King of Thebes experience a downfall from many fatal flaws. Creon begins his fatal flaw at the beginning of the play when Creon decides to honor Eteocles and not give burial right to Polyneices because Eteocles fought for the state and Polyneices against the state. Creon tragic flaw show itself when he sentence Antigone, doesn’t listen to Tiresias's, chorus leader and ignore his son Haemon. Creon fatal flaw begins when he finds out that Antigone went against the law to bury her brother Polyneices. He sentenced her to death because...
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...In the novel “Antigone,” the author, Sophocles, gives the reader many different ideas when it comes to the tragic hero. Typically when we hear the word hero our minds think of one who has superpowers and protects their citizens, such a Superman and Spiderman. But when it comes to the Aristotle, a tragic hero in the Greek world often refers to the character that belongs to a higher class, but yet is one who has their very own human flaws. After reading the play, many readers believe that the tragic character is in fact Antigone because she is the main character, but that is not the case. The real tragic hero that is being portrayed throughout the story is Creon. Creon posses all of the qualities that a tragic hero must have, such as his authority, high status, actions and many flaws that later on leads him into a vicious cycle. Since the death of Antigone’s parents, Creon has turned into the powerful, wealthy king. Creon holds such an authoritative role throughout the story that it allowed him to fall into the character of a tragic hero. The people were so loyal to Creon and this showed throughout the burial...
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...be of noble/high stature 2 - Hubris (tragic flaw) - pride blinds them 3 - Downfall 4 - Enlightenment (near the end of the play) 5 - Their death Someone of high position; in this time period, that meant royalty. He is 'universal,' meaning that everyone everywhere can relate to the kinds of problems or sufferings or emotions that the hero experiences. He has a 'tragic flaw' - this could be a personality trait (like greed, lust, ambition, jealousy, etc.), OR an error in judgement (a bad decision). This 'tragic flaw' leads to his downfall - usually ruins his career, reputation, power, etc. He is enlightened at the end of the story, meaning he realizes where he went wrong, he is humble, and he accepts the consequences . A tragic hero is a character in a work of fiction (often the protagonist) who commits an action or makes a mistake which eventually leads to his or her defeat. The idea of the tragic hero was created in ancient Greek tragedy and defined by Aristotle (and others). Usually, this includes the realization of the error (anagnorisis), which results in catharsis or epiphany. Aristotelian tragic hero Characteristics Aristotle once said that "A man doesn't become a hero until he can see the root of his own downfall." An Aristotelian tragic hero must have four characteristics: Nobility (of a noble birth) or wisdom (by virtue of birth). Hamartia (translated as flaw, mistake, or error, not an Elizabethan tragic flaw). A reversal of fortune(peripetia) brought...
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...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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...possess is their desire for power. Whether it’s power by wealth, power in a position at work, or even power in a relationship, humans strive to always be on top. Everyone wants it in one form or another, and they will sometimes resort to drastic measures to get it. In Antigone, power both corrupts and blinds some of the characters. The clearest example of power is by far King Creon of Thebes, who is arrogant, insensitive, and just plain cruel to the individuals around him. Another example of power, which is more of a struggle for power, is Antigone, the main character in the play. She is a young girl who rises up alone against the state power. In Sophocles great tragedy, Antigone, power is an eminent theme that fatally affects the lives of both Antigone and Creon, each with their own struggle to defy power. During the course of the play, Creon becomes so engulfed in his own power that he begins to rule with an iron fist. The central concern of the play is Antigone’s fateful struggle against Creon’s cruel edict. Creon holds absolute power in themes, which he abuses throughout the play. Creon made a decree that prohibited anyone from burying Polyneices’ body, and he was proud of it. When the decree was broken by Antigone, Creon felt a threat to his power, and therefore sentenced her to death. Creon’s son, Haimon, tried to persuade his father to take away Antigone’s death sentence, but Creon refused without saying why. Haimon replied to him with "It is not reason never to yield to...
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...In Antigone, the tragic hero, Creon, suffers as a result of his family’s suicides and becomes cognizant of the fact that he has committed moral wrongdoing by executing the title character. The prophet Tiresias foreshadowed this reversal of fortune and had previously criticized Creon for violating divine laws. In Sophocles’ Antigone, Tiresias reveals that the will of the deities is more important than the will of the characters and enables divine intervention through prophecy. First, by predicting Creon’s peripetia at the hands of the gods, Tiresias emphasizes the importance of the role of the pantheon in the play. In lines 1198 and 1199, Tiresias warns Creon that he will suffer divine retribution as a result of his actions, “..the Furies sent by the gods and the god...
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...Sophocles' Oedipus is a perfect fit to Aristotle's Ideal Tragic Hero. Oedipus follows all of the rules, with a hamartia, an anagnorisis, and a peripeteia. The audience is introduced to the hamartia, or tragic flaw, of Oedipus early in the play. Oedipus believes he can dodge the oracle given to him at Delphi that he will kill his father and marry his mother. By leaving the city of Corinth and heading to Thebes, Oedipus thinks that he can outsmart the will that the gods have for him. However, the audience knows that one cannot run away from an oracle. The oracle will come true no matter what is done. Therefore, the hamartia of Oedipus is his belief that he can evade his oracle. Oedipus' anagnorisis, recognition, later comes when he is told that it was he who killed the former King Lauis and that he is, in fact, now married to his own mother. The city of Thebes had been searching for King Lauis' murderer in order to drive him out of Thebes to save the city from the plague. With this anagnorisis Oedipus is finally led to his peripeteia, or downfall. First of all, Oedipus is put to shame in front of his entire city because of his incestuous act of marrying his mother. But, more importantly, he realizes that he had not successfully avoided the oracle. In order to try to save himself he blinds himself. If he is not able to see the truth with his own eyes, he should not be able to enjoy the gift of sight. http://personal.monm.edu/ysample/aristotle.htm Oedipus follows ten of the points...
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