...June 2011 John Cage John Cage was an American composer born in Los Angeles on September 5, 1912. As a child he took piano lessons and then studied composition with American composer Adolph Weiss. Cage studied for a short time at Pamona College, and later at UCLA with classical composer Arthur Schoenberg. There he realized that the music he wanted to make was different from the music of his time. Cage dropped out of college in his second year and head to Europe, during the early 1930s; he lives there for just eighteen months. According to the (Biography Base) it stated that it was there in Europe that he wrote his first pieces of music, but upon hearing them he didn't like them, and he left them behind on his return to America. Upon returning to the U.S., he studied in New York with Henry Cowell, finally traveling back to the West Coast in 1934 to study under Arnold Schoenburg. He began writing in his own musical system, often using techniques similar to those of Schoenberg. In 1937 he moved to Seattle and took a job accompanying a dance company. Cage parents didn’t attend college his father earned a living being an inventor. Cage credits his father, being an inventor, and that influent is way in which he wrote music. “Cage described his mother as a woman with "a sense of society" who was "never happy." And as someone who “never enjoyed having a good time” (Nicholls 9). John Cage was a great classical composer he was articulate and original in what he does. Cage would make...
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...What was life in prison like? I’m sure it is something you would never like to find out first hand. The yuma territorial prison was no joke, it housed over 3000 prisoners over 33 years. The yuma territorial prison made the community grow by giving people work by that more people started to move to yuma. Also as when it help like a high school more students move to have a education.Prison Rules were pretty easy in prison Gambling, Weapons, and Fighting were not allowed in prison. But any prisoners who broke these rules were punished by wearing the ball and chain. But the biggest punished was getting sent to the Dark Cell it was a room of 15 feet by 15 feet with an iron cage on top. Every prisoner must shower once a week. Must be in bed at the...
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...GENERAL STUDIES SYLLABUS FALL SEMESTER 2015 ------------------------------------------------- COURSE NAME | MUS 1101 - Music Appreciation | CLASS MEETINGS | North Metro Campus (NMC): 20867: M – W: 12:00 – 1:15, Rm: 109. 20868: M – W: 1:30 – 2:45, Rm: 109. Marietta Campus (MC): 20945: T – TH: 3:00 – 4:15, Rm: B160. 20836: T – TH: 10:30 – 11:45, Rm: B160. | CAMPUS/ROOM | Room 231 – Mountain View Campus, Mornings. | CREDIT HOURS | 3 | PREREQUISITE | ENG 1101 with C or better. | INSTRUCTOR | Pedro R. Rivadeneira Ph.D. | FACULTY EMAIL | privadeneira@ChattahoocheeTech.edu | OFFICE HOURS | Online Mondays, Wednesdays and Fridays or any other time that works for you. | TEXTBOOK and other resources you will need. | Text Book: The Enjoyment of Music, 12th ed. Shorter Version, 2011, Kristine Forney, Andrew Dell’antonio and Joseph Machlis with the Online Study Space which includes Video and iMusic Examples and also the e-book. New York: Norton & Company. The e-book is recommended, it has everything you’ll need; text, visual and listening examples all in one place which you can stream and it is cheaper than the paper copy of the book. For instructions as to how to access or purchase the online materials you are going to be needing for this course go to the “Lessons” tab in Angel, then...
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...from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or noncommercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town 1 MA in Linguistics Minor Dissertation PLAIGIARISM DECLARATION 1. I know that plagiarism is wrong. Plagiarism is to use another’s work and pretend that it is one’s own. 2. Each significant contribution to and quotation in this minor dissertation from the work(s) of other people, has been acknowledged through citation and referenced. 3. I have used the Harvard convention for in-text citation and referencing. 4. This minor dissertation is my own work and has not been submitted for the award of any degree, in whole or in part. 5. I have not allowed, and will not allow, anyone to copy my work with the intention of passing it off as his or her own work. Name: ………………………………. Student number: ……………………………...
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...1. In music, the early twentieth century was a time of revolt and change 2. The most famous riot in music history occurred in Paris in 1913 at the first performance of Igor Stravinsky's The Rite of Spring. 3. Composers in the twentieth century drew inspiration from folk and popular music from all cultures, the music of Asia and Africa, and European art music from the Middle Ages through the nineteenth century. 4. Twentieth-century composers incorporated elements of folk and popular music within their personal styles because they were attracted to the unconventional rhythms, sounds and melodic patterns 5. A great twentieth-century composer who was also a leading scholar of the folk music of his native land was Béla Bartók. 6. Which of the following composers was not stimulated by the folklore of his native land? Anton Webern 7. In twentieth-century music string players are sometimes called on to use the wood instead of the hair on their bows, percussion instruments have become very prominent and numerous, & dissonance has been emancipated 8. Among the unusual playing techniques that are widely used during the twentieth century is the glissando, a rapid slide up or down a scale. 9. In modern music instruments are played at the very top or bottom of their ranges; uncommon playing techniques have become normal; noiselike and percussive sounds are often used 10. A piano is often used in twentieth-century orchestral music to add a percussive edge 11. The combination of two...
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...In sociology, the iron cage is a term coined by Max Weber for the increased rationalization inherent in social life, particularly in Western capitalist societies. The "iron cage" thus traps individuals in systems based purely on teleological efficiency, rational calculation and control. Weber also described the bureaucratization of social order as "the polar night of icy darkness".[1] The original German term is stahlhartes Gehäuse; this was translated into "iron cage", an expression made familiar to English language speakers by Talcott Parsons in his 1930 translation of Weber's The Protestant Ethic and the Spirit of Capitalism.[2] This translation has recently been questioned by certain sociologists and interpreted instead as the "shell as hard as steel".[2][3] Weber wrote: “ | In Baxter’s view the care for external goods should only lie on the shoulders of the 'saint like a light cloak, which can be thrown aside at any moment.' But fate decreed that the cloak should become an iron cage."[4] | ” | Weber became concerned with social actions and the subjective meaning that humans attach to their actions and interaction within specific social contexts. He also believed in idealism, which is the belief that we only know things because of the meanings that we apply to them. This led to his interest in power and authority in terms of bureaucracy and rationalization. Rationalization and bureaucracy[edit] Weber states, “the course of development involves… the bringing in of calculation...
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...Journal of International Business Studies (2012) 43, 84–106 & 2012 Academy of International Business All rights reserved 0047-2506 www.jibs.net Multinationals and corporate social responsibility in host countries: Does distance matter? Joanna Tochman Campbell1, Lorraine Eden1 and Stewart R Miller2 1 Department of Management, Mays Business School, Texas A&M University, College Station, USA; 2Department of Management, College of Business, University of Texas at San Antonio, USA Correspondence: JT Campbell, Department of Management, Mays Business School, Texas A&M University, 420 Wehner Building, 4221 TAMU, College Station, TX 77843-4221, USA. Tel: þ 1 979 845 4851; Fax: þ 1 979 845 9641 Abstract Prior studies have found that foreign affiliates of multinational enterprises (MNEs) suffer from liability of foreignness (LOF). Foreign affiliates may be able to improve their social legitimacy and overcome LOF by demonstrating social commitment to host-country constituents through corporate social responsibility (CSR). If LOF is positively related to the distance between the home and host countries, and CSR activities confer social legitimacy benefits on foreign affiliates, we should expect CSR activities and distance to be positively related. However, we argue that, despite this potential motivation, foreign affiliates from more distant home countries are in fact less likely to engage in host-country CSR. Our argument focuses on the ways in which distance affects the MNE’s...
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...to satisfy most visitors. The animal care attracts far more complaints than the variety. Much ridiculed by non-Egyptians, the exhibits of Rottweilers, Dobermans, German shepherds, and other dog breeds are of interest, albeit apparently declining, in a society where keeping pet dogs is still rare, cold climate breeds are seldom seen, and most dogs are rat-catchers and scavengers. People, many of them elderly, who might never keep a dog from fear of landlord hostility or social ostracism come to feed and pet the zoo dogs. Most of the Giza Zoo is a gathering place for teenagers, but the quiet corner housing the dogs, ducks, and geese is something of a senior center. The Giza Zoo is among the more enduring works of Khedive Ismail, who at age 33 in 1863 inherited the governance of Egypt as senior representative of the Turkish-based Ottoman Empire. Khedive Ismail in 1869 opened the Suez Canal, 10 years after a French corporation began digging it, and in 1875 turned the canal over to the British government, who held it until 1956. Eventually alienating both France and Britain, Khedive Ismail was removed from office by the Ottomans in 1879. He went on to seek Egyptian independence from the Ottomans, fought the slave trade in Sudan, and opened the Giza Zoo on March 1, 1891, as his last major action in public life. He died four years later. Eiffel bridge Khedive Ismail copied...
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...The roosters were crowing before darkness had faded in the riverside Dayak hamlet of Kunsali Patamuan in Kapuas Hulu district, West Kalimantan. Through the cracks of the timber walls in the 122 metre wide long-house, the faint sound of shuffling feet on squeaky floors penetrated to the compartments, as people went back and forth to the kitchens at the back of each living quarter. Not long afterwards, the clattering of tin kettles and stirring of teaspoons could be heard right, left and centre. The long-house was awakening. The village of Malapi is one of the home villages of the Tamans, a sub group of the Iban Dayak. There are about 6000 Tamans in all, their community spread through about a dozen villages in Kapuas Hulu. The village of Malapi is one of them, and consists of a string of four hamlets, one of which is Kunsali Patamuan, and six long-houses. Each long-house lodges between 20 and 40 family units. All are close to the river which runs through the village. Our particular long-house was only recently relocated here as the ever-moving Kapuas river bed had turned its erosive powers right up to the front of the old long-house. The old site had to be abandoned. An increasing rate of riverbank erosion is one of the environmental problems facing this community as a result of upstream logging, both legal and illegal. Every family living in the old long-house builds their own compartment or bilik, and it might take ten years or more before all are completed. The wood used in...
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...Outline The overall objective of this research paper is to identify and address those aspects of alcoholism, which contribute to it as a medical disease. True, alcoholism has many ramifications for society as well as the economy, but the focus of this paper shall be, for the most part, on the medical aspects. In the way of background, alcoholism refers to the drinking of alcoholic beverages to such a degree that major aspects of the individual’s life -such as work, school, family relationships or personal SAFETY AND HEALTH, above all, are seriously and repeatedly interfered with. Alcoholism is considered a disease, meaning that it follows a characteristic course with known physical, psychological, and social systems. The alcoholic continues to consume alcohol despite the destructive consequences. Alcoholism is serious, progressive, and irreversible. If not treated, it can be fatal. It is generally thought that once the disease has developed, the alcoholic will not drink normally again. An alcoholic who abstains from drinking, however, can regain control over the aspects of life with which ALCOHOL interfered. The alcoholic is then said to be “recovering” not “cured” of the disease. It is important to note that the particular symptoms and pattern of DRINKING PROBLEMS may vary with the individual. ALCOHOLISM is, therefore, a very complex disorder, and it is this very complexity which has led some recent researchers to question the accuracy of the disease concept of alcoholism...
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...Peer-Reviewed Journal Tracking and Analyzing Disease Trends pages 557–740 EDITOR-IN-CHIEF D. Peter Drotman Associate Editors Paul Arguin, Atlanta, Georgia, USA Charles Ben Beard, Ft. Collins, Colorado, USA Ermias Belay, Atlanta, Georgia, USA David Bell, Atlanta, Georgia, USA Sharon Bloom, Atlanta, GA, USA Mary Brandt, Atlanta, Georgia, USA Corrie Brown, Athens, Georgia, USA Charles H. Calisher, Ft. Collins, Colorado, USA Michel Drancourt, Marseille, France Paul V. Effler, Perth, Australia David Freedman, Birmingham, Alabama, USA Peter Gerner-Smidt, Atlanta, Georgia, USA Stephen Hadler, Atlanta, Georgia, USA Nina Marano, Nairobi, Kenya Martin I. Meltzer, Atlanta, Georgia, USA David Morens, Bethesda, Maryland, USA J. Glenn Morris, Gainesville, Florida, USA Patrice Nordmann, Fribourg, Switzerland Didier Raoult, Marseille, France Pierre Rollin, Atlanta, Georgia, USA Ronald M. Rosenberg, Fort Collins, Colorado, USA Frank Sorvillo, Los Angeles, California, USA David Walker, Galveston, Texas, USA Senior Associate Editor, Emeritus Brian W.J. Mahy, Bury St. Edmunds, Suffolk, UK Managing Editor Byron Breedlove, Atlanta, Georgia, USA Copy Editors Claudia Chesley, Laurie Dietrich, Karen Foster, Thomas Gryczan, Jean Michaels Jones, Shannon O’Connor, P. Lynne Stockton Production William Hale, Barbara Segal, Reginald Tucker Editorial Assistant Jared Friedberg Communications/Social Media Sarah Logan Gregory Founding Editor Joseph E. McDade, Rome, Georgia, USA Emerging Infectious Diseases...
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...DEFINITION -Installation art sits right on that curious border between architecture, art and interior design – part physical experiment, part personal expression and part designed space. These works of installation artists show the untapped potential of spatial experience not often seen in more purely functional (or purely artistic) works of design. -Installation art describes an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called Land art; however, the boundaries between these terms overlap. - Type of modern art in which the artist uses, as part of the composition, the specific setting (such as walls, floor, lights, and fittings) along with various materials. Typically the chosen materials more or less fill the space, and the viewer is often able to move around or otherwise interact with the work, so that they become part of that work in that specific moment in time. BRIEF AND HISTORY Installation art can be either temporary or permanent. Installation artworks have been constructed in exhibition spaces such as museums and galleries, as well as public and private spaces. The genre incorporates a broad range of everyday and natural materials, which are often chosen for their "evocative" qualities, as well as new media such as video, sound, performance, immersive virtual reality and the internet. Many...
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...Politics and social commentary- Music and politics and Social Commentary can be finely interlinked together and has been seen throughout history from the civil rights movement to feminism and can be used to share or inform about any topic to a wide range of people. Political music is used to represent a group of peoples beliefs or how people feel about what is currently happenning and even to inform people. This helps to unite people against or for a cause which links in with protest music.The most commonly known types of political music are anti-establishment, protest, anti-war for example Bob Dylan's song "Master's of War" where he expresses his opinion about the cold war, this is a perfect example of how political music spreads its message with lyrics that speak frankly about society and through imagery for example "Come you masters of war / that build all the guns ... I just want you to know / I can see through your masks.". Another common type of political music often forgotten about are national anthems which are pro-estblishment. The messages in political music however don't transcend time as they speak usually speak about current events in a specific place that are happenning at the time of creation, so you must have an understanding of the historical context so the music can't necessarily connect with all people. In America pre-Vietnam war the most common political or social music discussed unions and the labour movement, Pete Seeger a famous political songwriter...
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...Classical conditioning shapes many of society's common, everyday tasks. Whether we know it or not, many actions we do numerous times a day are a direct result of classical conditioning. To better understand why we act the way we do in society, classical conditioning must be defined and described. Classical conditioning is defined as: a process by which a previously neutral stimulus acquires the capacity to elicit a response through association with a stimulus that already elicits a similar or related response. Discovered by Ivan Pavlov, classical conditioning is a form of learning. Pavlov revealed this trait when experimenting with dog's amounts of saliva in response to meat. He started noticing that after many repetitions, the dogs were salivating before the meat was even introduced. Pavlov concluded that some other stimulus that was repetitively associated with the meat was triggering the salivation. This simple concept describes how many actions are carried out in society today. Many times classical conditioning is not something that is purposefully done, but rather an incidental outcome. Conditioning may take a variable amount of time to occur. For example, humans are not born associating red with stop. As we grow, and ride in cars, we begin to consciously or subconsciously figure out that when a stoplight is red-you stop. Stop signs are red, stoplights are red, and brake lights are red. All of these things symbolize stopping. Yes, when you turn sixteen and you get your...
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...Journal for Critical Animal Studies, Volume 10, Issue 2, 2012 (ISSN1948-352X) Beyond Dehumanization: A Post-Humanist Critique of Solitary Confinement Lisa Guenther Abstract What does it mean to be treated like a nonhuman animal? In this paper, I analyze the discourse of “dehumanization” in Madrid v Gomez, a 1995 Eighth Amendment case concerning the treatment of prisoners at California’s Pelican Bay Supermax Penitentiary. I argue that the language of dehumanization fails to describe the harm of solitary confinement because it remains complicit with a hierarchical opposition between human and nonhuman animal that rebounds against prisoners, especially those who have been racialized and/or sexualized as less than human. Humanist discourse neglects the sense in which both human and nonhuman animals are affective, corporeal beings who rely upon the support of others for their own capacity to orient themselves within a mutually-perceived world. Drawing on the testimony of inmates in solitary confinement, and situating this testimony in relation to the political and scientific history of US incarceration practices, I develop a post-humanist critique of solitary confinement. Keywords: Solitary confinement, sensory deprivation, intercorporeal Malebranche would not have beaten a stone as he beat his dog, saying that the dog didn’t suffer. Merleau-Ponty, Nature, 166 Certain carceral practices are often condemned – both by prisoners and by their legal or political advocates –...
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