...represented by individuals. The winner helps their district because after they win the government gives them food. In the end love comes to shock the districts and make a huge change. The chapter i choose to use first is,"....More Than Its Gonna Hurt You: Concerning violence." The Hunger Games is all about violence. To win the Hunger Games the chracters must kill each other until only one is left. As author Thomas Foster says in his book How To Read Literature Like A Professor, "Violence is one of the most personal and even intimate acts between human beings, but it can also be cultural and societal in its implications." I see this as saying even though a killing may just seem like a simple killing, it can mean so much more in literature. I beleive that symbolization in this story is, what people will do to survive, including putting all morals behind. Foster also describes how violence is not only a physical act but how it can be a "narrative violence". He describes how narrative violence is the violence an author uses to help him further the plot. He says it is the violence of the author and not the characters. For example when Rue dies, this is used to further show not only the emotion and love Katnis shows, but to also show the violence and aggresion that the other chracters show. But when the boy from district ten dies, no one knows how. All this does is move the story along. No matter the type of violence, it is all not just a killing or a beating, it meens something. ...
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...Based on the steps provided according to Ross, Alice (Alice in Wonderland) does complete a hero’s journey. “It leads to the heroine in the direction of personal growth and control over her surroundings. Alice learns how to manage her size. How to talk back to a queen and, finally how to wear a crown of adulthood” (Ross, 2004). In other words, Alice goes on an adventure that helps her transform into a new person and by the end of the adventure she is rewarded. In Alice in Wonderland, Alice’s ordinary world that is seen in the end of the film is her in her backyard just having a tea party with her sister. Alice’s call to adventure is when she sees the Rabbit and follows him down the Rabbit hole. Alice’s refusal to call was when she started eating the foods not realizing she is not...
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...The texts convey insights regarding the aspects of conflict that can involve struggle within individuals’ minds; develop between individuals or portray a protagonist versus a society. In the novel The Hunger Games by Suzanne Collins (2008), conflict leads the protagonist, Katniss, to make decisions for survival. The contrasted perspective of different districts and the Capitol symbolically refers to a battle between ‘tributes’. The song, Behind the Wall, by Tracy Chapman also focuses on conflict and its effects on a society. The powerful title holds connotations of something hidden hinting the domestic affairs occurring between “a man and his wife”. The Hunger Games explores the loss of justice caused by the abuse of power and conflicts that arise maintaining absolute power. Collins’ use of a futuristic post-apocalyptic setting and a dystopian society creates a conflict between Katniss and the Capitol. The emotive language, "Rue's death has forced me to confront my own fury against the cruelty, the injustice they inflict upon us” emphasises the inequity of bringing 24 people into an arena to fight to death, to remind the country not to rebel and to maintain absolute power. It results in conflicts in society as the people from poorer districts start becoming against The Games. Moreover, the ironic definition of District 12, “where you can starve to death in safety” reinforces the conflict that disenfranchises poor people in the unpleasant layering of Panem. The conflicting characteristic...
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...J.K. Rowling vs. Suzanne Collins The Hunger Games Trilogy by Suzanne Collins and The Harry Potter Series by J. K. Rowling have vied for the attention of young readers, not for a long period of time, but have, in their time, blown other books right out of the water. They are some of the most popular books of the 21st Century. Many people favor one series over the other, however both books have made a huge impact in not only literature, but in popular cultural as well. These authors differ greatly in the tone and style of their books, however, they similarly surround much of their work around the subject of violence and war. Both Rowling and Collins are without a doubt amazing authors. Rowling has magnificent imagery and lengthy descriptions that creates a beautiful reality allowing children to get lost in their fantasies of a magical world full of wonder and possibilities. “Perched atop a high mountain on the other side [of a black lake], its windows sparkling in the starry sky, was a vast castle with many turrets and towers” (Rowling, 276). It provided young and old readers alike with a magical safe haven. Collins has a very different writing style, though quite contrasting to that of Rowling, she creates a masterpiece just as great. Her universe is so much more daunting, although lacking in magic, she creates a world with some parallels to our own, filled with corrupt political society and broken government. The science fiction trilogy takes place in a future...
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...'Hunger Games' Has a Less-Than-Full Plate A strong Jennifer Lawrence can't save a clumsy adaptation; 'Jiro' deliciously delves into sushi perfectionism In life it's usually feast or famine. In "The Hunger Games" it's both a feast of cheesy spectacle and a famine of genuine feeling, except for the powerful—and touchingly vulnerable—presence of Jennifer Lawrence as the 16-year-old heroine, Katniss Everdeen. That's a significant exception, but not a decisive one, since there's only so much this remarkable young star can do in the benumbing, big-budget surroundings. The first book of Suzanne Collins's prodigiously popular trilogy has been brought to the screen with a Jumbotron sensibility, a shaky camera to emphasize the action and a shakier grip on the subject's emotional core. The action, of course, involves kids killing kids. In a dystopian future that bears some resemblance to the here and now—a public besotted by celebrity and drowning in entertainment—a repressive government stages nationally televised games in which 24 teenagers, a boy and a girl from each of 12 districts, are designated Tributes, and must fight one another in the wilds of a computer-controlled artificial environment until there's only one survivor. The concept is hardly an original one. Older audiences with a sense of movie history will recognize more than trace elements of "The Most Dangerous Game," "Spartacus," "Battle Royale," or "The Running Man." But "The Hunger Games" wasn't intended for older...
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...The Hunger Games: Action-film feminism is catching fire Lisa Schwarzbaum Burning up Jennifer Lawrence’s Katniss Everdeen is both strong and vulnerable – a new kind of action heroine who has powered The Hunger Games: Catching fire to a $158m US debut. (Lionsgate) Jennifer Lawrence’s Katniss Everdeen is a new type of female action film icon, and moviegoers should be very excited about that, writes Lisa Schwarzbaum. As Catching Fire ignites on movie screens around the world, this is what we know about the 21st Century heroine called Katniss Everdeen: she is strong but also soft. She is brave but she has doubts. She is a phenomenal fictional creation, yet is real enough that moviegoers can draw inspiration from her values, her resourcefulness, and her very human inner conflicts. And she is played by Jennifer Lawrence, who appears not only to be handling her current duties as Hollywood’s finest model of well-adjusted millennial female stardom but doing so with charm. Everdeen and Lawrence: golden girls both. Personified in Lawrence’s lithe movements and cool, focused gaze, Katniss is a brave, resourceful and independent-minded fighter; but she is also a troubled and vulnerably guilt-ridden human being. Nina Jacobson, the producer of the Hunger Games film franchise, puts it this way: “She is a singular heroine in that the burden of survival weighs on her. She has a ton of survivor’s guilt. And she keeps surviving.” Girl on fire It is strange that behaving like a well-adjusted...
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...Ophelia, in Pan’s Labyrinth, while seemingly powerless in her environment, embarks on a personal quest to return to what she considers her real home, a dream-like kingdom below the ground. Throughout the storyline, she is taken advantage of by various foil characters such as Captain Vidal whose evil nature lies in stark contrast to Ophelia’s inherent innocence and righteousness. In one scene, Ophelia sacrifices her dream of returning to her kingdom for the sake of her baby brother, who would have been killed in the process. In Spirited Away, a frightened, young girl Chihiro is also taken advantage of, but by a deplorable witch by the name of Yubaba. Her quest is to return home to the human world from a fantasy world of spirits and magic. In one scene, Chihiro gave up a lifetime of wealth in order to save the life of her good friend...
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