...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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...Sophocles ties up his famous play, Oedipus Rex, with a powerful line, “Consider his last day and let none presume on his good fortune until he find life, at his death, a memory without pain.” (Sophocles 262). By using Oedipus’ tragic life story, Sophocles implores the audience to never forget how Oedipus fulfilled Teiresias’ abhorrent prophecy. Sophocles wanted to teach three major lessons through the final line. One of the messages that Sophocles tried to communicate through his work was that all actions have consequences. Oedipus laments how his actions resulted in a cascade of sins, “Where three roads met: you, drinking my father’s blood, my own blood, spilled by my own hand: can you remember the unspeakable things I did there, and the...
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...fate, plagues, and healing. He was considered the most Greek god of all gods. In Oedipus Rex, Sophocles uses the Greek god Apollo to show his influences on human life in how he controls fate, how plagues can change people actions, and healing in their lives all in a mythological view. Sophocles uses Oedipus as an example for being born into tragedy was his fate. Before Oedipus was born he was prophesied to kill his father and to marry his mother. Fate is an unpredictable circumstance as Jocasta says, “Why should anyone in this...
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...Instructor Course Institution Date Oedipus Oedipus is the protagonist of the play “Oedipus the King ”. Before the play commences, Oedipus is given the kingship of Thebes. He is acknowledged for been intelligent and possessing the capacity to solve puzzles. Most of his subjects at this scene appear to be optimistic in the future of the king (Griffith 95). His intelligence was influential in saving Thebes city. Consequently, he was made the king of Thebes after resolving the riddles from the supernatural being called Sphinx that had captured that city (Sophocles and Gilbert 56). The name of Oedipus means swollen root that generally offers some important information about his personal characters. Additionally, as a baby, Oedipus was drugged from Laius’s house to the mountains and left with his two legs tied together. He was later rescued by shepherds, took him to the house of the king. In the King’s house, he grew into powerful boy (Chase 54). When Oedipus commenced his journey to Thebes he came across his father but killed him unknowingly. He later proceeded to engage in marriage with Jocasta his biological mother without knowing. This paper will describe Oedipus and reveal how he interacts with the other characters in the play. Additionally, it will reflect the speeches and actions of Oedipus while analyzing how he changes throughout the play. Moreover, the paper will offer conclusion based on these discussion. Interactions with characters Oedipus is the main character in this...
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...Sophocles in Oedipus Rex (represented in Thomas R. Arp and Greg Johnson, Perrine’s Literature: Structure, Sound, and Sense, 8th ed. [Fort Worth: Harcourt, 2002] 1310) not only uses quite a bit of irony. From the beginning one is faced with the tragedy in the story, the murder of King Laios. Soon we learn that his murderer is in Thebes, and until the murderer is driven out of the town, the terrible plagues will continue haunting Thebes. After hearing the story, Oedipus resolves to solve the mystery himself and says that the murderer will be exiled even if it is a member of his own family. At this point, the reader is faced with irony, which he will better understand later in the story when he finds out that not only was the murderer in Oedipus’s family, but the murderer was indeed Oedipus. Not only does Sophocles use irony, but he also gives the reader the desire to better understand his seeing and blindness elements that are used throughout his drama. Oedipus Rex is filled with many surprises and some upsets but plenty of drama, irony, and entertainment. As one reads, he feels many different emotions, such as confusion, sadness, and then simply anger. Although one may not agree that blinding himself was the best idea, Oedipus’s reasoning behind his action is not quite as complicated if looked at from a simpler point of view. At the end of the story when Oedipus goes into his wife’s bedroom, he finds her hanging from a noose. Oedipus immediately begins to sob and runs to embrace...
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...which can lead to his/her downfall. The downfall could be anything from mental disturbance to even death. The concept of a tragic hero can definitely be seen in Sophocles’ Oedipus Rex and Shakespeare’s King Lear. Even though there are differences in both the writing, they also have some similarities. In Sophocles’ Oedipus Rex, the title character was the king of Thebes, and his city was infected with a poisonous plague. To discover the source of the plague and to get rid of it, the Oracle of Delphi was called. It turned out to be that the only way to get rid of plague would be to banish the killer of the former ruler of Thebes, Laius, from the city-state. Oedipus was Laius’s and Jocasta’s son, which was given to shepherd and was order to kill Oedipus, because it was found out that he would kill his father and sleep with his mother. He was very shocked after hearing this because he did not believe that he would ever do something like that. Jocasta then mention how Laius was killed on the three-way intersection. Oedipus found this incident very familiar because it was he who killed Laius along with other men at such intersection. Later on in the play it was found that Oedipus was brought to Thebes as an orphan by a shepherd and that his father was Laius. And because Jocasta was wife of Laius, she is also the mother of Oedipus. So what Tiresias...
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...this time included a strong role of the gods. In Oedipus Rex, Sophocles develops his characters through his use of the allusion of the greek gods and mythology. Sophocles uses specific gods, oracles, and mythological characters to help influence the characters in this play One god in particular, Apollo, who was god of truth and prophecy, had one of the greatest influences in...
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...Pig-headedness IV. Downfall V. Conclusion Dramatic Research Paper “Oedipus Rex” by Sophocles “Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the thought, the spectacle, the diction, and the music. He believed that “[t]he plot, then, is the first principle, and, as it were, the soul of a tragedy; character holds the second place” (Aristotle 1999). The character (tragic hero) being the second most important element of the tragedy, he must be of nobility, he is not infallible and his downfall is due to an error in judgment, and is capable of making his own choices and, most important, accepting the consequences for those choices. “Oedipus Rex” is not only a classic example of Aristotle’s definition of a tragic plot; Oedipus (the protagonist) has all the characteristics of a tragic hero. Oedipus is the son of a king and eventually becomes a King; his character is also that of...
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...Sophocles' Oedipus is a perfect fit to Aristotle's Ideal Tragic Hero. Oedipus follows all of the rules, with a hamartia, an anagnorisis, and a peripeteia. The audience is introduced to the hamartia, or tragic flaw, of Oedipus early in the play. Oedipus believes he can dodge the oracle given to him at Delphi that he will kill his father and marry his mother. By leaving the city of Corinth and heading to Thebes, Oedipus thinks that he can outsmart the will that the gods have for him. However, the audience knows that one cannot run away from an oracle. The oracle will come true no matter what is done. Therefore, the hamartia of Oedipus is his belief that he can evade his oracle. Oedipus' anagnorisis, recognition, later comes when he is told that it was he who killed the former King Lauis and that he is, in fact, now married to his own mother. The city of Thebes had been searching for King Lauis' murderer in order to drive him out of Thebes to save the city from the plague. With this anagnorisis Oedipus is finally led to his peripeteia, or downfall. First of all, Oedipus is put to shame in front of his entire city because of his incestuous act of marrying his mother. But, more importantly, he realizes that he had not successfully avoided the oracle. In order to try to save himself he blinds himself. If he is not able to see the truth with his own eyes, he should not be able to enjoy the gift of sight. http://personal.monm.edu/ysample/aristotle.htm Oedipus follows ten of the points...
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...A summary of Civilization: Greek Era What really is education? It is not literacy, nor information. Education is a logical attempt towards human learning. There are two types of leaners, passive learners and purposely engaged learners. Purposeful engagement is said to equal successful learning; so instead of spending time getting interested, find what is interesting. Making connections is what creates learning. Everything we learn may not be interesting, but it is important to make connections to something that is. Find meaning in what is taught and interpret the idea, thinking deeply and meaningful about ideas helps discover new learning and interest. Intellect performance shows what we know what we are trying to portray. During the highest peak of the Greek era the society valued body and mind intellect; creating some of the most famous philosophers known to time. Main Ideas and Values of Ancient Greek Civilization Ancient Greek civilization has contributed too many parts of today's society. The teachings and doings of Ancient Greeks have contributed important lessons that many societies still use to base their own laws and ethics on. The Ancient Greeks realized values of loyalty, glory, intelligence and hospitality were important to incorporate into everyday life. Ancient Greek civilization valued dualism, truth and “good society”. Helping your fellow man was an important aspect of ancient Greek society. They offered food, shelter and protection to travelers without...
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...An Introduction to Oedipus Rex by Sophocles. Greek and Roman plays, and even Indeed ancient Indian plays (a common Indo-European Tradition), usually had a pivotal character that “held the play together”. Also there would be a Chorus that would come into play when the tragedy would begin unfolding. The Greco-Roman variants were almost always tragedies. Be it Homer’s Iliad or Odessey. The hero after long travails always seemed to return to nothing and would come to grief. Achilles, Priam, Agamemnon, Oedipus, all came to grief. In the Greco-Roman tradition, it seems to be a common practice by the Bards and playwrights, to depict their heroes as strong and upright men who fell prey to either their fates or to the whims and fancies of jealous gods (the plight Medusa & Cassandra). It appears the Greeks and the Romans looked to tragic plays as a sort of vent for their pent up emotions. Not surprisingly, the Indian answers to Homer’s works are also tragedies in keeping with the ancient Indo-European custom. Both the Ramayana and the Mahabharata are tragedies on an epic scale, where great wars are fought over matters of honor and virtue, and great armies decimated and cities sacked, and where great heroes come to naught. Sophocles takes us back to the times when Kings made their decisions based on oracles, and made propitiatory sacrifices. Sometimes even of their near and dear ones, as the sacrifice of a child, made by the Greeks at the outset of the Trojan war, for favorable winds...
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... Extract 4 (Sophocles, Oedipus the King) In Greek Tragedy the medium, as in all forms of poetry is language, to convey a story through an imitation of an action, or as Aristotle defines in S.H. Butcher’s translation of Poetics “Tragedy is a mimesis of a praxis.” (Jones, 2000). This translates to an imitation/ representation of an action. Oedipus the King is structured into five episodes with a prologue to begin, each scene is introduced by the Chorus (the citizens of Thebes) who depict the state of affairs within Thebes. The city is plagued, as a Priest describes to Oedipus “look around you, see with your own eyes- our ship pitches wildly, cannot lift her head from the depths, the red waves of death… Thebes is dying. A blight on the fresh crops and rich pastures, cattle sicken and die, and the women die in labor, children stillborn, and the plague, the fiery god of fever hurls down on the city.” (L 28 – 34) This shows us that Thebes is being punished, and Oedipus, as the King of Thebes is begged by his subjects to put an end to the curse. This shows a good use of dramatic irony, as in fact it was Oedipus who is responsible for the actions of the gods. Oedipus has two conflicts going on within him, the first is that he does not want to kill who he believes is his father, “the man who reared me” (L 916) and the second is he does not want to lay with his mother. These conflicts have followed Oedipus and his father Laius throughout the play...
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...instruments as well as victims of the divisive lightning.” In the play Oedipus Rex by Sophocles, the suffering brought upon others in contributed by Oedipus Rex, the tragic hero. When Oedipus was born, his father, King Laius of Thebes, ordered death upon him because Tiresias, a blind prophet, informed King Laius and Queen Jocasta that one day their son will kill Laius and marry Jocasta. Laius, shocked from what he had heard, he ordered a shepherd to take the infant to Citheron, a mountain, and kill him. The shepherd was filled with guilt and, therefore, he left him on top of Citheron. Later, Oedipus was found by shepherds and was adopted by King Polybus of Corinth, but Oedipus did not know that he was adopted. When Oedipus...
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...Pity for Oedipus Rex. In Sophocles’ King Oedipus play, a series of misfortunate events led by fate and the word of the gods takes its course. Although many look down upon Oedipus for his prideful attitude and short temper, he is not to be blamed for the calamities that take place. He shows nothing but sheer determination throughout the entire play and acts almost always on good intentions. Oedipus elicits pity as his intentions were pure in his pursuit to save the people of Thebes, proving that accidental infractions will always overpower intentional good deeds. Determination, which is typically a positive human trait, ends up being Oedipus’ hamartia, his most tragic flaw. In an attempt to uncover his origin of birth, Oedipus receives a distressing prophecy: “he was destined one day to kill his father and become his own mother’s husband.” (Sophocles, The Theban Legend 23). He is determined to avoid this horrible fate so he decides to flee from Corinth and do whatever is necessary to keep him and his family safe. “But by chance he came to hear, again by the mouth of Apollo’s ministers, the terrible prediction concerning him…He fled from Corinth, resolved never again to set eyes on his supposed father and mother as long as they lived.” (Sophocles, 24). As the play progresses, Oedipus continues to show utter determination throughout his quest, not once, but twice. He solves the riddle of the Sphinx upon arrival at Thebes which is what merits him with kingship in the beginning of...
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...Free will in Oedipus Rex In terms of their fate, characters in Oedipus Rex by Sophocles have very little control over their lives and can do little to prevent major events in the story to influence the fulfilment of prophecies. The play itself follows the king of Thebes, Oedipus, who realizes in his quest to save the city that he has fulfilled a prophecy that he would kill his father and marry his mother, a fate he had been trying to escape his whole life. One important theme in this story is the theme of free will, or in this case the absence of it. The significance of free will in Oedipus Rex is that Oedipus does not truly have the ability to exercise free will or to change his fate, but throughout the story he still tries to escape...
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