...Authors use settings to influence the tone of a story by bringing in new characters or switching locations. The descriptive details that authors uses helps the reader set the tone for the story. In “The Lottery” and “The Yellow Wallpaper” both authors use very descriptive details not only to help the reader visualize the setting, but to help the reader make a connection with the author and the characters. “The Lottery" and "The Yellow Wallpaper" the settings for each story is similar in many ways. The author describes the setting of “The Lottery” in a small village, it was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green. (Jackson 290). The reader can clearly see the village on this perfect day, they can feel the heat of the sun, smell the grass even the flowers as they bloom. Jackson says that the children gathered first they tended to gather together quietly before they broke into play, soon the men gather, surveying their own children and talking, then the woman wearing faded house dresses and sweaters, came shortly after (Jackson 290-291). The tone she uses is calm, everything was normal nothing was out of place everyone was acting as if it was just another day. “The Yellow Wallpaper” the setting is in a colonial mansion set back from the road with a beautiful garden with hedges, and walls with gates that lock (Gilman 227). The narrator describes the setting to the reader as a peaceful...
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...Alex Moraga Professor Dreiling English 102 21, June 2014 Opinion Essay Charlotte Perkins Gilman’s “ The Yellow Wallpaper” A Woman’s Journey from Subservience to Freedom Are male and female minds created equal? Charlotte Perkins Gilman shows us the ideals towards women, held by society in the late 1800’s. Her story, “The Yellow Wallpaper”, written in the first person point of view, takes us on a journey through the mind of the narrator. The narrator secretly writes in a diary and as we read through her diary entries, we are able to see that during this time in history, women were seen as weak, meek and humble. They were expected to be subservient to men and unequal to their male counterparts in all aspects. Men are seen as being superior to women and godlike. As we read the diary we are looking into her mind, we see how she thinks and how she is expected to think. We meet her as a subservient woman who obeys and believes in her husband. By the end of the journey she has freed herself mentally and shows us that men can be weak. “The Yellow Wallpaper”, is a story of a woman’s mental journey to freedom. From the very beginning of the story the narrator gives us insight into her mind. In today’s times we would view her ability to wonder and question as creative. During these times, her inquisitive mind was seen as an illness. The narrator and her husband are off to a summer getaway. The summer getaway was really a “cure” prescribed...
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...Tyian Thomas English 110 3-27-15 1500 words The use of Theme and Literary Elements Literary devices are specific techniques and methods that authors use to convey an idea they are trying to tell the reader.When an author is writing,, they often try to give the reader certain ideas that would help them to understand the tale indirectly without giving away the idea or moral of the story. For example, the theme of isolation and loneliness. The theme of isolation is a very popular idea in many works of literature like Bartleby the Scrivener by Herman Melville, The Yellow Wallpaper by Charlotte Perkins Gilman, A Rose for Emily by William Faulkner, and even Acquainted with the night by Robert Frost. These four works of literature all carry the theme of loneliness and isolation, whether it is Bartleby refusing to interact with anyone and shutting himself away from the rest of the world, Emily who seemed to isolate herself from the rest of her village after her father’s death, the narrator of The Yellow Wallpaper having to spend all her time in the a room she hates because of her disease, or the narrator of Acquainted with the Night strolling through the nightly city all by herself in solitude. All of these stories contain the very popular theme of loneliness and isolation,which are shown using various literary devices of each author’s choosing. Throughout the whole story of A Rose for Emily, the setting seemed to be very eerie and unnatural; the author gave the...
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...Society, Oppression, Insanity, and the Women that Endure It. Throughout history there are countless examples of men who feel obligated to protect women. In fact, it has become such a standard of interaction between men and women that it has often led to a patriarchal society in which men are superior to women. The men, despite their genuine intentions, are often unaware of the negative effects that their dominating influences have on the women they love. Women in these societies often experience alienation, isolation, low self-esteem, and even insanity. The protagonists in Charlotte Perkins Gilman’s “The Yellow Wallpaper” and William Faulkner’s “A Rose for Emily” both portray the subordinate position of women in late nineteenth-century society. “A Rose for Emily” is an unsettling tale of an aging spinster, Miss Emily, who clings to the past and lives in a world of her own making. Miss Emily is a mysterious character who was once a hopeful young woman from an affluent family but is transformed into a reclusive, eccentric old woman through the acts of her controlling father. Her community views her as having “a sort of hereditary obligation upon the town” (Faulkner 30); and she is a monument to the past in a small, modernizing southern town in the late nineteenth century. Throughout her life, her father routinely dismisses all of her potential suitors until the day of his death. Alone and betrayed, Emily is unable to accept his passing; and it is several days until the body...
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...In “The Yellow wall Paper” by Charlotte Gilman, “Young Goodman Brown” By Nathaniel Hawthorne, and “A Cask of Amontillado” by Edgar Poe insanity is the most prevalent theme. Each story takes place in a prison like environment and each protagonist is suffering from a form of insanity. The story “The Yellow Wallpaper” by Charlotte Perkins Gilman takes place in the late 19th century , which anchors it in a very specific historical moment in terms of women and their perceived abilities. The narrator and her husband John are renting a beautiful, isolated estate for the summer. The narrator says the house is “The most beautiful place! It is quite alone, standing well back from the road, quite three miles from the village. It makes me think of the English places that you read about. For there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people” (Gilman pg.552). It’s a fancy house but more saliently, it stands back away from the road and contains many "locks" and "separate little houses." Overall, this is a very isolating place. It’s separate from the road and therefore could be considered separated from society; the house itself is described as a place that binds and restricts. Within the house the narrator is primarily confined to a “big, airy room….with windows that look all ways” (Gilman, 552). This room is a converted nursery with the grimy yellow wallpaper still on the wall. In keeping with the theme of isolation and restrictions...
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...of Them All? Has darkness ever covered everything in your room before? How difficult was it to find the path to the door with just a sliver of light coming from underneath the door? Being completely engulfed by darkness can have a negative effect on some individuals after a period of time. As a result of this darkness, the feeling of helplessness begins to be released from one’s body in the shape of a noose as it slowly smothers its prey. Charlotte Perkins Gilman, author of “The Yellow Wallpaper,” is known for her feminist approach in her writings. In the story, husband and physician, John, questions the nameless narrator’s mental state, for he takes her to an isolated house and has prescribed his wife to several months of “the rest cure”. Being kept away from society with only her thoughts and the room she lays in day after day, the narrator slowly begins to question herself and tries to discover her identity within the wallpaper. Gilman uses setting, symbolism, and irony in “The Yellow Wallpaper” to illustrate that the lack of autonomy can negatively affect a person’s mental instability. Because the story takes place in a feminist era, Gilman shows how the husband has complete dominance within the setting of the story. In the beginning, the narrator, whose name is never stated, is brought to a house on the countryside by her husband, John, who happens to be her physician as well. The narrator expresses in her journal, “[The house] is quite alone, standing well back from...
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...Victims of Their Will: The Impact of Controlling Characters Control is an inevitable aspect of our everyday life. People regularly decide to exert their will over another, and the dramatic impact such actions can have makes them a fertile topic for inclusion in our works of fiction. When one encounters a character acting to control another character, one must consider the motivation for the manipulation, the effect on the character being manipulated, and the overall outcome for the story in which the manipulation takes place. To follow is a discussion of three stories in which controlling action by one or more characters has a significant impact on the objects of those actions and on the overall story being told. Grace Paley’s “Samuel” describes events surrounding four youths behaving recklessly between cars of an urban train. Several passengers on the train see this behavior as needlessly dangerous, and two take it upon themselves to try and exert control over the situation and stop the boys’ antics. A concerned woman threatens to call the authorities if the boys don’t get inside the train, and an angry man pulls the emergency brakes to put a stop to their hijinks. Ultimately, the decision to pull the brake provides the danger that makes reckless behavior fatal, and one of the boys, Samuel, falls to his death. In this case, the impulse to thrust control over a situation is precisely what turns danger to disaster. The motivations of the man and the woman who intervene appear...
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...far, my dear; I was watching you,” (583). While he is doing so unknowingly, he nonetheless is diminishing Edna’s experience in the same way that John diminishes much of what his wife says in The Yellow Wallpaper. It also demonstrates the fundamental disconnection between them, while Léonce doesn’t seem to notice. It is suggested in both stories that being in control of one’s own environment plays an important role in this quest for independence. However, this is something that marriage Victorian society will not offer women as demonstrated with John and Léonce’s attempts to remain in control over it. From the beginning of The Yellow Wallpaper, the narrator is unhappy with the room John has chosen for her to stay in. The room, ironically once a nursery, contains barred windows and a nailed down bed. But it is the hideous yellow wallpaper that she is the most unhappy with, first referring to it as “One of those sprawling flamboyant patterns committing every artistic sin” (793). Even though she expresses her unhappiness with the room and asks to switch rooms, “John would not hear of it” (793), making her feel silly for “giving way to such fancies” (794). Not allowing her to choose her own room/environment is another way that John exerts his...
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...gender-divide to explore the themes of entrapment and escape in literature. Since the 19th century, the broader sense of literature as a ‘totality of written or printed works’, and the foundational means of communicating information or ideas, has given way to a range of more exclusive and specific definitions. The rapid growth of adult literacy, combined with economic, social and political developments have vastly increased the sheer spectrum and quantity of subject matter and forms which fall under this umbrella term, forcing the need for greater categorisation in order to make ‘literature’ more accessible to the general reader. The resulting categories which attempt to standardise this process may take many forms, including observation of the structure or literary genre of the text (for example, categorising the text as a novel, poem, report or article) or perhaps the particular literary period or movement, which will link all associated texts with underlying principles or stylistic traits, such as the Romantic era or Post-Colonial literature. However, due to a long-standing patriarchal tradition dominating the history of literature- a literary practice challenged and corrected by the rise of the Feminist movement, particularly following the introduction of universal suffrage in 1928- the gender of the author has also become a means by which works may be categorised and interpreted, forcing the modern-day critic to analyse the works of each sex in isolation from one another. Political...
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...1 The Evolution of Music in Film and its Psychological Impact on Audiences By Stuart Fischoff, Ph.D. “I feel that music on the screen can seek out and intensify the inner thoughts of the characters. It can invest a scene with terror, grandeur, gaiety, or misery. It can propel narrative swiftly forward, or slow it down. It often lifts mere dialogue into the realm of poetry. Finally, it is the communicating link between the screen and the audience, reaching out and enveloping all into one single experience.” Film composer Bernard Herrmann. Why Is There Music in Film? The general feeling about film is that it is singularly a visual experience. It is not. While we certainly experience film through our eyes, we just as surely experience it through our ears. Especially today, particularly with modern home and theater sound systems offering multi-channel sound and high fidelity. Films are generally fantasies. And fantasies by definition defy logic and reality. They conspire with the imagination. Music works upon the unconscious mind. Consequently, music works well with film because it is an ally of illusion. Music plays upon our emotions. It is generally a non-intellectual communication. The listener does not need to know what the music means, only how it makes him feel. Listeners, then, find the musical experience in film one that is less knowing and more feeling. The onscreen action, of course, provides clues and cues as to how the accompanying music does...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...Vance Packard With an Introduction by Mark Crispin Miller PUBLISHING Brooklyn, New York Copyright © 1957, 1980 by Vance Packard Originally published by Pocket Books, a division of Simon & Schuster, Inc. Introduction Copyright 2007© by Mark Crispin Miller All rights reserved. Printed in Canada Reissue Edition 10 9 8 7 6 5 4 3 2 No part of this book may be used or reproduced in any manner without written permission of the publisher. Please direct inquiries to: Ig Publishing 178 Clinton Avenue Brooklyn, NY 11205 www.igpub.com Library of Congress Cataloging-in-Publication Data Packard, Vance Oakley, 1914The hidden persuaders / Vance Packard ; [new] introduction by Mark Crispin Miller. p. cm. Originally published in 1957 by McKay and reissued in 1980 by Pocket Books with a new afterword. ISBN-13: 978-0-9788431-0-6 ISBN-10: 0-9788431-0-X 1. Advertising--Psychological aspects. 2. Consumers--Psychology. 3. Advertising, Political. 4. Propaganda. 5. Control (Psychology) I. Title. HF5822.P3 2007 659.101'9--dc22 2007027043 To Virginia CONTENTS Introduction by Mark Crispin Miller 1. The Depth Approach PERSUADING US AS CONSUMERS Z. The Trouble With People 3. So Ad Men become Depth Men 4. ....And The Hooks Are Lowered 5. Self-Images for Everybody 6. RX for Our Secret Distresses 1. Marketing Eight Hidden Needs 8. The Built-In Sexual Overtone 9. Back to the Breast, and Beyond 10. Babes In Consumerland 11. Class and Caste in the Salesroom 12. Selling Symbols...
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...PENGUIN CELEBRATIONS REGENERATION Pat Barker was born in 1943. Her books include the highly acclaimed Regeneration trilogy, comprising Regeneration (1991), which was made into a film of the same name, The Eye in the Door (1993), which won the Guardian Fiction Prize, and The Ghost Road (1995), which won the Booker Prize, as well as the more recent novels Another World, Border Crossing and Double Vision. She lives in Durham. PAT BARKER _________________ REGENERATION PENGUIN BOOKS PENGUIN CELEBRATIONS For David, and in loving memory of Dr John Hawkings (1922–1987) PENGUIN BOOKS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi – 110017, India Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL...
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...This page intentionally left blank The Study of Language This best-selling textbook provides an engaging and user-friendly introduction to the study of language. Assuming no prior knowledge of the subject, Yule presents information in short, bite-sized sections, introducing the major concepts in language study – from how children learn language to why men and women speak differently, through all the key elements of language. This fourth edition has been revised and updated with twenty new sections, covering new accounts of language origins, the key properties of language, text messaging, kinship terms and more than twenty new word etymologies. To increase student engagement with the text, Yule has also included more than fifty new tasks, including thirty involving data analysis, enabling students to apply what they have learned. The online study guide offers students further resources when working on the tasks, while encouraging lively and proactive learning. This is the most fundamental and easy-to-use introduction to the study of language. George Yule has taught Linguistics at the Universities of Edinburgh, Hawai’i, Louisiana State and Minnesota. He is the author of a number of books, including Discourse Analysis (with Gillian Brown, 1983) and Pragmatics (1996). “A genuinely introductory linguistics text, well suited for undergraduates who have little prior experience thinking descriptively about language. Yule’s crisp and thought-provoking presentation of key issues works...
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...This eBook has been published by: [pic] Publishing Date: 2004 ISBN# 1-59547-129-4 Please see my website for several e-books created for education, research and entertainment. Most eBooks are available in paperback. Specializing in rare, out-of-print books still in demand. Contact: sales@nuvisionpublications.com URL: http://www.nuvisionpublications.com The Age of Innocence By Edith Wharton (1920) Table of Contents Book I Chapter I. 5 Chapter II. 11 Chapter III. 16 Chapter IV. 22 Chapter V. 27 Chapter VI. 35 Chapter VII. 41 Chapter VIII. 47 Chapter IX. 54 Chapter X. 64 Chapter XI. 73 Chapter XII. 80 Chapter XIII. 91 Chapter XIV. 97 Chapter XV. 103 Chapter XVI. 112 Chapter XVII. 120 Chapter XVIII. 129 Book II Chapter XIX. 141 Chapter XX. 150 Chapter XXI. 160 Chapter XXII. 171 Chapter XXIII. 178 Chapter XXIV. 187 Chapter XXV. 192 Chapter XXVI. 200 Chapter XXVII. 210 Chapter XXVIII. 216 Chapter XXIX. 222 Chapter XXX. 229 Chapter XXXI. 238 Chapter XXXII. 249 Chapter XXXIII. 258 Chapter XXXIV. 271 Book I Chapter I. On a January evening of the early seventies, Christine Nilsson was singing in Faust at the Academy of Music in New York. Though there was already talk of the erection, in remote metropolitan distances...
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