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Graffiti In Australia

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Graffiti, a word that always have misconception in the society. Graffiti artworks are usually misunderstood by authority and it is regarded as an illegal activity for many years. The authority – especially government – play a special role on how graffiti is viewed by society. In the article “Art Crimes: The Governance of Hip Hop Graffiti” by Kara-Jane Lombard, which is published in 2013 in the Journal For Cultural Research, explores on various aspect of graffiti associating with the governance of neoliberalism. The government perspective towards defining graffiti as an artwork is yet to accomplish. Lombard concentrates on the governments three alternative approaches to deal with graffiti in relation to crime, crime control and, citizenship. …show more content…
She have an active interest in youth culture and issues. She also done many research and academic writing on youth culture, governmentality theory, creative industries, neo-liberalism and media policy. One of her publication that she has research on are “Men against the Wall: Graffiti(ed) Masculinities,” “From Subway to product labels: the commercial incorporation of hip hop graffiti,” and ““To us writers, the difference are obvious”: The adaptation of hip hop graffiti to Australian context.” All of these publication involve mostly on the concept and idea in this article, which also imply that she have done tremendous research and knowledge on graffiti and street arts. Also, her language and style of writing, which involve academic tone and vocabulary usage can already validate that she is credible for the article and the subjects of graffiti. She also included multiple viewpoints on the specific topics such as the strategies to overcome graffiti in cities and urban areas which include traditional ways (zero tolerance for graffiti) and alternative ways (graffiti as graffiti prevention). Her elaborations and strong sources from various reliable source on both viewpoints demonstrate she establish her credibility through that …show more content…
The emotional appeal of concern, vexed and cynical can be felt in her writing. At the beginning of her article, she uses words like “problematized,” “offensive activity,” “public menace”, and “terrorist act” implies how authorities viewed the art of graffiti back in 1970’s. This words somewhat evokes negative emotion on graffiti or even the authority itself. As a reader that reads the article in the 21st century, we may perceived not the graffiti, but the authorities by negative emotion and perception. In the middle section, the emotional appeal is quite stronger that the other paragraph as her writing seem a little bit provocative and dissatisfied towards the government as she express her discontented on their action and strategies towards graffiti artists – writers. Her words usage such as “petty crime,” “physical violence,” “no recognition on artistic merits,’ and “arrested despite having permission,” reinforce another feeling which is the concept of sympathy and frustrated. The words emphasize on how sad and pathetic graffiti artists can be in the eyes of an authority and government as well furious on how governments resisted towards the appeals of graffiti – which now considered an artwork. Overall, the emotional appeal is suitable in the article as it is neither too strong nor too

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