Free Essay

The Panathenaia

In:

Submitted By mazzamoo1
Words 977
Pages 4
The Panathenaia was the most important festival celebrated in ancient Athens. It was the state festival honoring the city's patron diety, Athena. The Panathenaia, literally meaning "the Rites of all Athenians", was celebrated annually. Every four years, though, it was celebrated on a much greater scale. This was called the "Greater Panathenaia." It took place from the 23rd to the 30th of the Hekatombaion, the first month of the Athenian calendar year, approximately our month of July. The main day of the festival was the 28th, for this was thought to be Athena's birthday. The festival attracted people from far and wide. It provided them with occasions for honouring the Gods with sacrifices and gifts, as well as being a time of relaxation, feasting, games, and prizes. * A schedule of events can be diagramed as follows:
DAY ONE: MUSICAL AND RHAPSODIC CONTESTS
Adult Kitharodes: singing and accompanying oneself on the kithara (seven-stringed instrument)
Adult Aulodes: singing to the flute
Adult and Boy Kitharist: kithara playing
Adult and Boy Auletes: solo flute playing
DAY TWO: ATHLETIC CONTESTS FOR BOYS AND YOUTHS
DAY THREE: ATHLETIC CONTESTS FOR MEN
The Panathenaic athletic contests had over 20 events, with three age classes, and team and individual competitions. The following briefly describes each event:
Footrace: The footraces were held on the straight track of the Athenian Agora. Each race had ten competitors and was distinguished by distance:
Stadion: 200 yards
Diaulos: 2 lengths
Dolichos: 20 or 24 lengths
The Pentathalon consisted of five events:
The Jump: took place in a large sand pit using jumping weights called halteres to improve distance in the jump.
Dromos: a long footrace
Discus Throw: a throw for distance. Amphoras show the competitor's stances throughout the motion.
Javelin Throw: a thong was placed on the javelin and wrapped around the fingers to facilitate a longer throw.
Wrestling: the object was to win three falls out of five. A fall is a pin of the shoulders, stretching an opponent prone, or tying an opponent in a confining hold.
Wrestling: This is similar to the Pentathalon event but is an individual 'heavy event', as are boxing and the pankration.
Boxing: This was a very brutal sport. Athletes wore leather thongs to inflict pain. The fight continued until one boxer was knocked out or admitted defeat by raising his index finger.
Pankration: A combination of wrestling, boxing, and kicking. There were few rules. Gouging and biting were still prohibited.
Hoplite Race: A race in amour, where contestants had to wear a helmet, shield, and greaves.
DAY FOUR: EQUESTRIAN CONTESTS
Horse racing was proof of wealth and status all throughout Greece. There were various forms of the sport:
Apobates: a chariot-dismounting race with military overtones. It is not clear whether the rider dismounted and ran on foot to the finish or if he merely mounted and dismounted while in motion.
Horse Race: youthful nude jockeys raced on their horses for a length of three laps.
Chariot Race: the tethrippon (four horse chariot race) was the most dangerous, expensive, and prestigious equestrian event. Charioteers were clothed, mature men. The synoris was a similar race in which the clothed driver had two horses and the wheels were actually cart wheels.
Special Equestrian Events: special events only for warriors: horse race, two horse chariot race, two horse chariot procession, and javelin throw on horseback.
DAY FIVE: TRIBAL CONTESTS
These contests were limited to citizens of Athens and derived from ancient traditions.
Pyrrhic Dance: dances in amor where moves often mimicked evasion of blows and missiles.
Euandria: a male beauty contest that incorporated beauty, size, strength, and manhood.
DAY SIX: RACE AND PANNYCHIS, PROCESSION AND SACRIFICE
Torch Race: a relay race in which the winning team had to cover the 2500-meter distance first and also keep its torch lit.
There was also a colorful procession that began at the Pompeion and went through the city to the goddess Athena's shrine on the Acropolis. It was there at the cult statue of Athena that a richly woven robe, called the peplos, was presented to her. There was also a sacrifice of 100 cows on her altar, which was set aflame in the evening by the winner of the torch race.
These sacrifices were then followed by an all-night celebration, called the pannychis.
DAY SEVEN: APOBATES, BOAT RACES
Apobates: an armed warrior who jumps from a moving chariot.
Boat Race: a rowing contest of crews. Little is known about the races
DAY EIGHT: AWARDING OF PRIZES, FEASTING, AND CELEBRATION
Prizes were awarded to the winners as well as the runners up. There was a great feast from the sacrifice at Athena's altar, followed by a grand celebration.
The tradition of awarding prizes at the Panathenaia began in 566. The earliest prize was the pre-canonical Burgon amphora.
It depicts many aspects of Athena: the sacred oil, her status as goddess of crafts, her warlike appearance as a protrectress, etc.
Prizes of sacred oil in beautifully inscribed and decorated amphoras were often used. These amphoras were communication masterpieces that later became regarded as civic, self-declaratory prizes of symbolic and material value.
The olive oil in the amphoras came from sacred trees and was thus a gift directly from Athena. Apart from being symbolic, it also carried material value. For example, 120 vases of oil is equivalent to about $68,000.
Crowns and fillets were also prizes in Athens. However, they were never recorded in official prize lists because they were only temporary symbolic decorations.
Apart from these, there were many other prizes given at the Panathenaia. Gold crowns worth several hundred drachmas were often presented for first place. For those competitors who did not achieve first place, there were often monetary awards of a few hundred drachmas.
Many special equestrian events had prizes of money, along with bulls, oxen, and free meals.

Similar Documents

Premium Essay

Ancient Greece and Rome

...Ancient Rome and Greece Rome had many rulers. Julius Caesar is one of the more famous dictators. After he emerged victorious from a brutal civil war, he declared himself dictator for life. The consuls did not take too generously to this and a group of them showed their distaste by murdering Caesar. After another decade and a half of civil war Caesar's grandnephew Augustus was the victor in the brutal civil war. He claimed he restored the republic. He now controlled all of Rome--- including the empire. He became the first emperor of Rome. Roman religion is deeply rooted in an ancient belief in spirits. They believed that spirits guided peoples lives. over time, the spirits became gods and goddesses over the Romans. Every one had special powers. The chief god of the Romans was Jupiter, he controlled the sky, daylight, and weather. They also had temples for their gods, at altars in courtyards, sheep were sacrificed and gifts were left to please the god. Often people had shrines in their homes that they prayed to every morning and left food at in order to please the gods and ask for their protection. The Roman civilization was very cultured. People were always explored the world, searching for ways to explain its secrects. Artists took note of the world they saw in paintings, mosaics, and sculpltures. Books, poems, and plays came from writers. Historians wrote about Rome’s origins, emperors, wars, and even everyday life. The Romans perfected the art of cameo-making, a cameo...

Words: 931 - Pages: 4

Free Essay

Ancient Greece

...Ancient Greek Religion Final “What is Ancient Greek religion?” Main focus on the element of festivals, sanctuaries, and cults and how these all incorporate their own unique aspects when defining Ancient Greek religion. The Greek religious system depended not on a single deity, but on many. It did not depend on a sacred text and was served by both female and male priests. Greek gods did not assert rules for human conduct. The Ancient Greeks imagined human shapes and personalities for the immortal deities and then honored them in rituals that both comforted individuals and supported existing social systems. Religion in Ancient Greece was about community. While an individual does not have to believe the same thing as the community, they do have to participate equally in the religious actions. Belief was not the important thing. But if you don’t participate with the community, that will anger everyone and it offends the gods and endangers the community. It is treason to not participate. Greek religion is about action, not belief. It’s about give and take. The practice of religion cannot be separated from social and political life. Many concepts of Greek religion could be seen to benefit more than just the religious aspects. * Sanctuaries * Two most necessary features (directly related to ritual): * A place of sacrifice * A boundary line marking the space within which sacred rituals could be performed * Most sanctuaries were...

Words: 617 - Pages: 3

Premium Essay

Ancient Greek Architecture Research Paper

...funding came from 150 to 200 different cities that were under Athenian rule. It was considered "protection" money from them while they were in control. This was a Doric peripteral temple, which means that it consist of a rectangular floor plan with a series of low steps on every side. It also had a colonnade of Doric columns around the periphery of the entire structure. Each entrance had six Doric style columns in front of them. The base of the Parthenon was 23,028 feet squared, which is the length of half a football field. The temple had a 525 foot frieze wrapped around the top of the exterior wall of the buildings inner chamber. The frieze on this particular temple has been interpreted as being related to the quadrennial Great Panathenaia which they called the "Festival of all the Athenians" (see figure 2). Others interpreted it as being an imperial propaganda and also as an expression of Athens' democracy. It is considered by many to be the pinnacle of the Doric order. The columns had slight swelling and recession which was called entasis. It was one of the few optical illusions of the temple. Many also believe that some of the sculptures are some of the high points in all of Greek art. The sculptures were held in the larger of the two rooms the Parthenon had to offer. This room was named the naos. The sculptor of the cult statue was Pheidias. The smaller room was used as a treasury. This one was named the opisthodomos. The Parthenon was built to replace two...

Words: 1344 - Pages: 6

Free Essay

Al-Mina

...T.C. Ege Üniversitesi Edebiyat Fakültesi Arkeoloji Bölümü Klasik Arkeoloji Anabilim Dalı Al-Mina Ders: Kolonizasyon ve Ticaret Öğr. Üyesi: Arş.Grv. Mehmet GÜRBÜZER Şahin MENTEŞE 07070008321 Kemal Özgür TALAY Gökmen Elmalı 07090000759 İzmir, 2014 İsmi Arapça’da liman anlamına gelen al-Mina, 1936-37 yıllarında L. Wooley tarafından yapılan kazılarda ele geçen seramik buluntularına göre 8. ila 4. yüzyıl arasında Doğu Akdeniz uygarlıkları ile köprü görevi gören bir ticaret ve liman kentidir. Bir Yunan Emporion’u olduğu konusu tartışmaya açıktır. Yapılan kazılar ve yüzey araştırmalarında al-Mina’da Kıta Yunanistan, Lefkandi, Rhodos, Kykladlar ve Kıbrıs’tan ithal edilen seramikler, Attika etkili seramikler, Korinth seramiği, Fenike seramikleri ve Kuzey Suriye demir çağı seramikleri ele geçmiştir. Bunlara ek olarak adı geçen merkezlerin taklidi veya bazı görüşlere göre öncüsü olan yerel üretim günlük kullanım ve ticaret malları da bulunmuştur. Ele geçen eserlerin büyük bir kısmı British Musesum’da, Londra Arkeoloji Enstitüsü’nde, Cambridge ve Oxford Üniversiteleri koleksiyonlarında ve Hatay Arkeoloji Müzesi’nde bulunmaktadır, henüz yayınlanmamış eser sayısı oldukça fazladır. Bu çalışmada al-Mina buluntuları ve diğer merkezlerdeki buluntular arasındaki benzerlikler, farklılıklar yardımıyla kültürel etkileşimi, al-Mina’da ele geçen ithal seramikler ile de ticari bağlantıyı değerlendirmeye...

Words: 886 - Pages: 4

Free Essay

I'M Just Here

...Division of Fine Arts, Speech and Commercial Music Northwest College ARTS 1303 – Art History I CRN 42838 – Spring 2015 SPBR Campus - Room 602 / 8:00-9:30am / T,R Credit:3 / 3 hour lecture course / 48 hours per semester Course length : 16 weeks/ Type of Instruction Traditional (Face-to-Face) Instructor: David Swaim Instructor Contact Information: Email: david.swaim@hccs.edu Phone: (713) 718-5674 Due to changes in the state core curriculum this syllabus is subject to change!!!! Office location and hours SPBR room AD4 hours: 7:15-8:00 am and as per class discussion Please feel free to contact me concerning any problems that you are experiencing in this course. You do not need to wait until you have difficulties or have received a poor grade before asking for my assistance. Your performance in my class is very important to me. I am available to hear your concerns and just to discuss course topics. Feel free to come by my office anytime during these hours. Course Description This course is a global investigation of the styles and methods of artistic production covering Prehistoric through Gothic periods. Media studied include: drawing, painting, sculpture, architecture, printmaking, textiles, ceramics, and metal arts. Using this framework, universal themes are studied within their historical, political, economic, theological, sociological, and ethnic contexts. Prerequisites Must be placed into college-level reading and college-level writing Academic...

Words: 5954 - Pages: 24