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Inequality In The 1960's

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The Internationally recognised film Samson & Delilah by Warwick Thornton’s is the story of two Indigenous teenagers who live in a remote Indigenous community. Thornton himself was born in a small Aboriginal community outside of Alice Springs and has spent most of his life working in and around Alice Springs. It is no surprise then that the movie is set in a small rural Indigenous town on the outskirts of Alice Springs. The movie explores the well know inequality among different groups in Australia such as Indigenous Australians and enables white Australians to engage with Indigenous Australians way of life. Thornton explores this inequality through the characters Samson (Rowan McNamara) & Delilah (Marissa Gibson) by use of a simple narrative, …show more content…
Thornton again show’s his frustration with the Indigenous culture and traditional methods shown in the scene when they return to the village. You expect them to welcome them back to the village and for the community to sympathise with Samson & Delilah instead they are attacked by the village for stealing their car and are told they are not welcome their anymore. This is where Delilah decides to help Samson with his petrol sniffing addiction where they eventually end up on her ‘country’ on a remote abandoned out-station dwelling where Delilah takes care of Samson. She begins to re-establish the normal rhythms of their life, cleaning, cooking, hunting & bathing. In a moment of great intimacy and tenderness, Delilah push’s Samson in the same wheelchair she used for her mother to a water trough where she gentry baths his drugged-wrecked body. Thornton establishes a moment of pure intimacy unexpected for two teenagers, and is a symbol of …show more content…
A clever way to get the audience to associate with Samson and Delilah is the clever use of props. One of the most obvious props is the petrol can and/or bottle we see with Samson throughout the movie. From the very first scene in the movie we see Samson with the can of petrol, we see him sniff the petrol as soon as he wakes up every morning. As the days progress we see that the more his sniffs more awake and lively he becomes, as you can clearly see in the scene where Samson is dancing to his beat-box on his balcony one night clearly completely stoned. This prop is cleverly used and as the movie progresses you become more and more suspicious of how addicted Samson is to petrol sniffing choosing it in some instances over Delilah. This portrays Samson in a negative light, but is an attempt my Thornton to show the realities of the problem. During the conclusion of the movie it is hard not to feel frustrated with Samson’s actions still trying to sniff petrol, but along comes Delilah content with helping

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