...Miranda Coker Mrs. Ashley Coker English IV Honors 9 January 2015 The Corruption of the Medieval Catholic Church in The Canterbury Tales In the Fourteenth Century, the Catholic Church took over Ireland, England, and almost all of Europe. Through a number of Crusades, which spanned about two hundred years, the church acquired a great amount of wealth. As a result of this tremendous accumulation of wealth, as well as an over emphasis on lavish places of worship, cathedrals were built in all of the larger cities. However, the communities of the middle and lower class in society suffered from poverty, resulting in sickness and death (“Greed and Corruption in The Canterbury Tales” 1). Why sit back, turn a deaf ear, and watch the people suffer and die while spending a fortune on places of worship? This is most likely the reason why Geoffrey Chaucer portrays some characters in The Canterbury Tales, such as the Pardoner, Friar, and Monk, as being greedy and often hypocritical. The Pardoner is a perfect example of this corruption. His work in the church is to hear the confessions of wrong-doers and pardon them of their sins. As he travels, he confesses to using a particular tale to manipulate his audiences. The Pardoner explains that he pushes guilt into the people by telling them that greed is the root of all evil, in order to coax them into giving him offerings. These offerings go directly into his greedy hands. Hardly a man of God, he demonstrates or reveals his self-centered...
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...Christian societies throughout history as dishonest members misinterpret and misuse the word of God. This is especially true in fifteenth century England. In the Canterbury Tales, Geoffrey Chaucer uses estates satire, ridiculing not only the Clergymen but all three social classes in order to highlight the flaws of society. He uses specifically uses “The Pardoner’s Tale” to highlight the deep-seated corruption of the Church during this particular time. The social commentary is focused around a Pardoner, authorized to grant forgiveness of sins, or indulgences, as a hyperbolic example of the flaws in the Church. Chaucer exposes increasing corruption, issues with clergymen, and the normality of deception...
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...Zachary Scott Bryant Professor Engleking Humanities Cluster September 9th 2015 Themes in Canterbury Tales When dissecting the Canterbury tales for themes you can find about 30 thousand different ones to try to draw stories from your own life. However, in my opinion the three biggest themes that resonate with me are the ideas of Relationships, Companions, and Corruption. Let us begin with the easiest one, relationships. There are several relationships discussed within the Canterbury tales. The most important one is by far the Wife of Bath’s tale of the knight. I see much of the male youth of today in him he is a real smartass and at times is outright rude he is a piss poor example of what a Knight is in general but through his own development in the story he builds his redeeming qualities and ultimately succumbs to his wife’s will and better judgement. I have been in the Knights shoes, stuck between what you want in life and what is truly the right thing to do. Many times my wife’s better judgement has saved me from some unnecessary hardship. Whether it be my impulsive buying habits or my quick to anger personality, I think many men could do well to learn from the knight how to place themselves in the hands of their better halves. From the romantic side of things it is a very short step into the world of corruption. A lot of corruption comes out of romance or love. The knight at the heart of himself is corrupt he is at his deepest level no knight at all. However in my...
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...MINISTRY OF EDUCATION, SCIENCE, YOUTH AND SPORT OF UKRAINE IVAN FRANKO NATIONAL UNIVERSITY OF LVIV THE FACULTY OF FOREIGN LANGUAGES LINGUISTIC MEANS OF POTRAYING MAIN CHARACTERS IN “THE CANTERBURY TALES” BY GEOFFREY CHAUCER COURSE PAPER PRESENTED BY LILIA YAREMA a fourth year student of the English department SUPERVISED BY SPODARYK O. V. an assistant professor of the English department LVIV 2012 TABLE OF CONTENTS INTRODUCTION…………………………………………………………… 3-4 CHAPTER I. THEORETICAL ISSUES IN LINGUISTIC ANALYSIS…… 5-16 1.1 Linguistic analysis……………………………………………… 5-8 1.2 Discourse and Text analyses….…………….………………….. 9-11 1.3 Stylistic analysis ………………………………………………… 12-16 CHAPTER II. LINGUISTIC ANALYSIS OF CHAUCER’S CHARACTERS 17-28 2.1 “The Wife of Bath’s Tale” ……………………………………… 18-22 2.2 “The Pardoner’s Tale” ………………………………………….. 23-28 CONCLUSION………………………………………………………………. 29-30 REFERENCES...… ………………………………………………………….. 31-32 INTRODUCTION The theme of the course paper is “Linguistic means of portraying main characters in “The Canterbury tales” by Geoffrey Chaucer”. This paper intends to make an analysis of the language in the collection of stories “The Canterbury Tales”, written by Geoffrey Chaucer at the end of 14th century. We will analyze the language used to describe characters. It was based on the idea that every choice made by the author of a sentence is meaningful. Therefore, once we understand the choices...
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...Chaucer’s Canterbury Tales Image you lived in a world where living in the middle class made you a well respected citizen, well this is the world imagined in Chaucer's Canterbury Tales. This was a world re-imagined taking the norm of knight and nobility being top class, and turning it around. This promoted peasant and middle class to rise up make something for themselves. The idea that a person in the middle class could afford to go on a pilgrimage like the one described in The Canterbury Tales. Some topics focused on are in the Canterbury Tales were; why is the rise of middle class so evident in Chaurcer’s tales, and what did the rising of the middle class look and consist of? How is the rise of the middle class evident in this tale, and where is the middle class in the tale from, and why is the rise of the middle class such a surprise and so significant. Many characteristics make up the medieval time period present in Chaucer’s tale, and what is the significance of this...
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...Throughout the Canterbury Tales, Chaucer has various characters tell their tales about one of the seven deadly sins. The seven deadly sins are wrath, greed, sloth, pride, lust, envy, and gluttony. The Pardoner's Tale displayed wrath. The sin of wrath is manifest in the individual who spurns love, but instead takes the side fury. Three men kill each other for gold, "two murderers receive their due so did the treacherous young poisoner". When the three rioters come across bags full of gold coins they send one of the rioters out to go fetch for some wine and bread. While he is gone the other two rioters come up with a plan to get rid of their other friend by killing him so that they receive more wealth. When they go and kill the friend their...
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...In The Canterbury Tales, Geoffrey Chaucer shows us a vivid glimpse into the medieval society. Through his work we have been able to determine how people of each social class and profession have been stereotyped. These stereotypes could possibly have been true for many individuals, giving us more of an insight to these olden times. In the beginning of the novel, Chaucer gives a descriptive prologue to each of the twenty-nine characters. Through these descriptions we are shown who is admired by the author and who is disliked. Though this is done very discreetly, it is still very prevalent. These prologues describe each and every character in extreme detail. Chaucer goes on to describe their character and appearance as well as what each does for a living and their social class. While describing the characters he admires, he paints them as being very good looking and having noble personalities. On the other hand, the ones he hates the most are shown in a very negative light on both appearance and personality alike. The reason he dislikes the people he does is due to their social standing....
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...TITLE · The Canterbury Tales AUTHOR · Geoffrey Chaucer TYPE OF WORK · Poetry (two tales are in prose: the Tale of Melibee and the Parson’s Tale) GENRES · Narrative collection of poems; character portraits; parody; estates satire; romance; fabliau LANGUAGE · Middle English TIME AND PLACE WRITTEN · Around 1386–1395, England DATE OF FIRST PUBLICATION · Sometime in the early fifteenth century PUBLISHER · Originally circulated in hand-copied manuscripts NARRATOR · The primary narrator is an anonymous, naïve member of the pilgrimage, who is not described. The other pilgrims narrate most of the tales. POINT OF VIEW · In the General Prologue, the narrator speaks in the first person, describing each of the pilgrims as they appeared to him. Though narrated by different pilgrims, each of the tales is told from an omniscient third-person point of view, providing the reader with the thoughts as well as actions of the characters. TONE · The Canterbury Tales incorporates an impressive range of attitudes toward life and literature. The tales are by turns satirical, elevated, pious, earthy, bawdy, and comical. The reader should not accept the naïve narrator’s point of view as Chaucer’s. TENSE · Past SETTING (TIME) · The late fourteenth century, after 1381 SETTING (PLACE) · The Tabard Inn; the road to Canterbury PROTAGONISTS · Each individual tale has protagonists, but Chaucer’s plan is to make none of his storytellers superior to others; it is an equal company. In the Knight’s Tale, the...
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...“Judith,” and the biggest hero who is included in almost all poems and pieces of Old English literature, Christ. Many of these works express much religious faith having to do with Christianity. The Anglo-Saxon people also had a very strict class system. Going along with the faith they believed in the Great Chain of Being, which said that when God made the entire world each creature was put in their position. God made a monarchy and put the members of that high status position there for a reason and did the same for a person who was a slave, God made them that and put them in that position in society. The people on the top of the chain are supposed to help the others on the lower end of the chain, not oppress them. Alfred was a good example of this because he was one of the good monarchs who helped the lower end of the chain and stopped a free for all civil war. He knew how to read and write which many did not, especially kings because they had people to do that for them, but he used this gift to become a promoter of learning to people. There are...
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...The intention behind Chaucer’s ‘character portraits’ within The Canterbury Tales is a widely debated topic with ideas ranging from Hulbert’s opinion that they are reflections of real people and therefore of humankind as a whole at the time to Jill Mann’s idea that Chaucer was satirising the estates rather than any one individual. Whilst many of the pilgrims introduced are thought to be hyperbolic allegories for specific classes used to satirise the estate system present at the time others argue that he instead chose to use irony to highlight the hypocrisy of the time. The credulous tone present when he accepts the pilgrims’ versions of themselves that they put forward rather than the self that they actually are proves Chaucer to be a less...
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...Religion was one of the aspects of the Renaissance that changed drastically over a few centuries. Before the Renaissance, during the Middle Ages, the Catholic Church was dominant in most states of Europe. The Pope was the singular most influential and feared bodies in politics. At this time, the church would be the center of all community life, especially because the clergymen were often the only people in a town who were literate. Before the Renaissance, the church was the undisputed dominant force of order. As the Renaissance started to blossom, the church was still the center of life and a refuge from the horrors of war and plague. However, by this time various factors had begun to act against the church's influence. As the Renaissance was re-awakening, it was also a rebirth of thought. So various people began taking up their own views and opinions of the world and began questioning the church and the Pope. The major facts that were weakening the church's influence included the Rise of Humanism, the invention of the Printing Press, the awareness of corruption in the church, and the work of individual Reformers. Humanism The rediscovery of Humanism in probably the most influential force that powered the Renaissance. The basic concept of Humanism is the belief that all human concept of Humanism is the belief that all human beings have a capacity to reason. Humanism shows a reverend respect for the beauty of the human body and power of an individual's mind. It saw...
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...THE BIBLE’S INFLUENCE ON ENGLISH-AMERICAN LITERATURE by Zhang Lanlan June, 2007 Xiaogan University Abstract As the sutra of the Christianity, the Bible has a great influence on both English and American literature and offers an eternal theme of their literary creation .English and American writers use stories of the Bible by three main methods. First, they quote person's names or stories of the Bible as the characters' names or plots of the creations from the Bible directly. Sometimes they make some changes on the original stories. Sometimes they quote stories directly from the Bible as the writing materials. Second, they make use of symbolic meaning of the Bible by some technical such as simile, metaphor and symbolism, so that the stories could exert a great influence on contrasting with the new products. Third, they merge the plots of the Bible to give connotative efforts to the readers. Exploring the methods helps us know the western culture and consciousness, have a good appreciation and study for the English-American literature. key words: English-American literature ; the Bible; methods 《圣经》在英美文学作品中的影响 摘要 作为基督教的经典，《圣经》对英美文化影响深远，为英美文化创作提供了永恒的母题。英美作家化用《圣经》故事的主要方法有：直接引用《圣经》中的人名作为作品的人物名称，或直接引用《圣经》故事或对原型故事进行变形或处理，作为创作素材；通过比喻，隐喻或象征等手法，把《圣经》故事的寓意融汇到作品情节中或人物性格里，使这些故事发挥有力的陪衬作用；使作品中的人物，故事和情节与《圣经》故事大体对应，让《圣经》能穿越时空的限制，从而发挥隐含的参照作用。 探讨英美作家化用《圣经》的方法，有助于我们了解英美文化的思想意识，更好的学习，欣赏乃至研究英美文学作品。 关键词：英美文学；《圣经》；方式 ...
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...Ben Jonson (1572–1637). The Alchemist. The Harvard Classics. 1909–14. | | | | |Introductory Note | | | | | |BEN JONSON was born of poor parents at Westminster in 1573. Through the influence of Camden, the antiquary, he got a good | 1| |education at Westminster School; but he does not seem to have gone to a University, though later both Oxford and Cambridge gave | | |him degrees. In his youth he practised for a time his stepfather’s trade of bricklaying, and he served as a soldier in Flanders. | | | It was probably about 1595 that he began to write for the stage, and within a few years he was recognized as a distinguished | 2| |playwright. His comedy of “Every Man in His Humour” was not only a great immediate success, but founded a school of satirical | | |drama in England. “Sejanus” and “Catiline” were less popular, but are impressive pictures of Roman life, less interesting but more| | |accurate than the Roman plays of Shakespeare. ...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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...BRITISH SHORT FICTION IN THE EARLY NINETEENTH CENTURY This page intentionally left blank British Short Fiction in the Early Nineteenth Century The Rise of the Tale TIM KILLICK Cardiff University, UK © Tim Killick 2008 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tim Killick has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Gower House Croft Road Aldershot Hampshire GU11 3HR England Ashgate Publishing Company Suite 420 101 Cherry Street Burlington, VT 05401-4405 USA www.ashgate.com British Library Cataloguing in Publication Data Killick, Tim British short fiction in the early nineteenth century : the rise of the tale 1. Short stories, English – History and criticism 2. English fiction – 19th century – History and criticism 3. Short story 4. Literary form – History – 19th century I. Title 823’.0109 Library of Congress Cataloging-in-Publication Data Killick, Tim. British short fiction in the early nineteenth century : the rise of the tale / by Tim Killick. p. cm. Includes bibliographical references and index. ISBN 978-0-7546-6413-0 (alk. paper) 1. Short stories, English—History and criticism. 2. English fiction—19th...
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