Free Essay

Comparing the Theme of Madness in “the Tell-Tale Heart” and “the Black Cat”

In:

Submitted By qwert777
Words 1527
Pages 7
Comparing the Theme of Madness in “The Tell-Tale Heart” and “The Black Cat”

This Essay is going to compare theme of madness presented to reader in two short stories ‘The Tell-Tale Heart’ and ‘The Black Cat’ both by Edgar Allan Poe.

One might argue that the theme of madness is presented quite differently in both short stories if compared to each other. ‘The Tell-Tale Heart’ presents us a true madman; the main character kills the old man because of the look of the old mans eye. This is highlighted by the piece, which was extracted from the story itself “I loved the old man. He had never wrong me. He had never given me insult. For his gold I had no desire. I think it was his eye! Yes it was this” Furthermore it is clearly shown that the madman liked the old man and he didn’t want old mans money. Madman committed the most atrocious of crimes because of the old mans appearance. However the main character doesn’t think he is mad and strongly believes that the old mans eye was pure evil, and this is highlighted by the quotes from “The Tell-Tale Heart”. “You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded --with what caution --with what foresight --with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him”. The main character almost tries to compensate the murder by saying that he was nice to the old man before he killed him. Moreover, the main character still refused to believe in his madness “Ha! Would a madman been so wise as this”. The main character truly and faithfully believes that he is too clever, too cautious, too driven with his ideas to be mad and yet he still admits that he murdered the old man for the look of the old mans eye. “For it was not the old man who vexed me, but his evil eye”. On-going, the main character tries to persuade the reader that he wasn’t mad and was perhaps a cautious and adept man, he believe so because he thinks that the madmen cannot be so thoughtful and wise as he was when he was hiding the old mans body “If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs. Then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye --not even his --could have detected any thing wrong”. One might argue that perhaps the main character is definitely failing to convince the readers of not being mad. The mad man says that he is too cautious and clever to be mad, but then he describes things that only madman would have guts to do. In the eyes of a reader the main character in ‘The Tell-Tale Heart’ as mad as a human being can get!

Moving on, The Theme of madness in the short story the ‘ The Black Cat’ is presented differently compared to‘ The Tell-Tale Heart’.
The ‘Black Cat’ Tells us about a man going mad because of his issues, possibly some paranormal activities and the things that have tortured him, terrified him, and possibly completely destroyed him psychologically since the beginning of the story. First of all this essay is going to tell you about the main characters drinking issues. Since the beginning of the story we learn from narrator/the main character that he was a married guy and an acute animal admirer. Him and his wife had “bird, gold-fish, a fine dog, rabbits, a small monkey, and a cat”. Narrator said that he began to abuse his wife and their animals after his drinking problem go out of control and one might argue that Pluto, the black cat suffered much “One night, returning home, much intoxicated, from one of my haunts about town, I fancied that the cat avoided my presence. I seized him; when, in his fright at my violence, he inflicted a slight wound upon my hand with his teeth. The fury of a demon instantly possessed me. I knew myself no longer. My original soul seemed, at once, to take its flight from my body; and a more than fiendish malevolence, gin-nurtured, thrilled every fiber of my frame. I took from my waistcoat-pocket a pen-knife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket!” When the narrator wakes up in the morning remembering the crime that he was guilty of, he again resorted to alcohol to take his sorrows away “the crime of which I had been guilty; but it was, at best, a feeble and equivocal feeling, and the soul remained untouched. I again plunged into excess, and soon drowned in wine all memory of the deed.” Indeed the man mistreated Pluto greatly but it doesn’t get better when later on in the story the man kills the cat “One morning, in cool blood, I slipped a noose about its neck and hung it to the limb of a tree; --hung it with the tears streaming from my eyes, and with the bitterest remorse at my heart; --hung it because I knew that it had loved me, and because I felt it had given me no reason of offense”. The narrator trail to madness became more visible since this point in the story. The same day the narrator has committed the crime his house went up in flames “On the night of the day on which this cruel deed was done, I was aroused from sleep by the cry of fire”. Presumably all his other animals were burned in the house, which perhaps pushed the main character even closer to madness. Also as the narrator says that he lost everything he liked/loved with the house “ My entire wealth was swallowed up”. Soon the author meets the second cat alike Pluto, missing an eye but strangely enough has an image of ‘gallows’ on his chest, reader isn’t sure weather this is a real cat or a ghost haunting the man for his deeds, but Narrator took the cat with him to his wife. Narrator’s wife really likes the cat, but yet again narrator grows angry at the cat. “My aversion to this cat, however, its partiality for myself seemed to increase”. Narrator then for the second time decided to kill the cat after much thinking “Uplifting an axe, and forgetting, in my wrath, the childish dread which had hit her to stayed my hand, I aimed a blow at the animal which, of course, would have proved instantly fatal had it descended as I wished. But this blow was arrested by the hand of my wife. Goaded, by the interference, into a rage more than demonical, I withdrew my arm from her grasp and buried the axe in her brain”. Evidently narrator now killed a human being more than that his wife with or without him meaning to do that. One might argue that perhaps this was the last straw and after this narrator became a madman “This hideous murder accomplished, I set myself forthwith, and with entire deliberation, to the task of concealing the body”. Narrator decided to hide the body in the cellar wall “I determined to wall it up in the cellar --as the monks of the middle ages are recorded to have walled up their victims”
It is possible to argue that the man evidently turned into a madman, he tortured Pluto and killed him. Afterwards he tried to kill the second cat and ended up killing his wife he then walled her to cover-up the crime scene. Also the events, which happened with the man, have probably impacted his psychological health! Ironically enough everything began with such a minor thing compared to the following events, the drinking problem.

In conclusion, this essay will tell you about the differences and similarities of madness in both stories. Madman in ‘The Tell-Tale heart’ was clearly mad because he killed an old man because of his appearance. The main character in the ‘Black Cat’ became mad because of the events that happened to him (eg. Killing of his wife, Loosing nearly everything after his house burned down, torcher of the animal and two attempts to carry out the murder of the cat). However there is a similarity between the main character from the ‘Black cat’ and the main character from the ’Tell-Tale Heart’, They have both murdered a human being because of their madness.
This essay has clearly compared the madness within two short stories ‘The Tell-Tale Heart’ and the ‘Black Cat” by Edgar Allan-Poe.

Similar Documents

Free Essay

Money

...1) What is at stake in this decision for Carol and for Davis Press? Why? There is a lot at stake in this decision for Carol and Davis Press. Let’s take a look at what would happen if the book “Meccan Madness” were to be published. Referring to the past and what had happen to Rushdie when his book “The Satanic Verse” was released, it was mayhem. Death threats were issued, Rushdie was wanted dead for several years, and innocent people were killed and much more were injured. If Carol decides to publish Taajwar’s book, there is a possibility history could repeat itself, which includes Davis Press making high profits by selling the book, but also losing millions of dollars that went towards the security of employees. If Carol decided not to publish the book, it is obvious they will lose on the chance of making high profits. However, all the employees will remain safe and not have to fear what will happen to them if “Meccan Madness” is published. 2) Who are the stakeholders here? To whom (or what) does Davis owe her allegiance? The stakeholders in this case are the employees of Davis Press. The employees play a major role in this case because of the amount of work they do for the company. Another stakeholder in this case is the government because in the event problems occur between countries. This sort of situation happen when Rushdie’s book was published where there was issues between Britain and Iran. Carol owes her loyalty to the employees for the amount of...

Words: 482 - Pages: 2

Free Essay

A Tale of Two Cities

...A Tale of Two Cities Charles Dickens This eBook is designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com A Tale of Two Cities Book the First—Recalled to Life 2 of 670 eBook brought to you by A Tale of Two Cities Create, view, and edit PDF. Download the free trial version. I The Period It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only. There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever. It was the year of Our Lord one thousand seven hundred and seventy-five. Spiritual revelations were conceded to England at that favoured period, as at this. 3 of 670 A Tale of Two Cities ...

Words: 144268 - Pages: 578

Premium Essay

Hello

...andphilosophy.com and WILLIAM IRWIN is a professor of philosophy at King’s College in Wilkes-Barre, Pennsylvania. He originated the philosophy and popular culture genre of books as coeditor of the bestselling The Simpsons and Philosophy and has overseen recent titles, including Batman and Philosophy, House and Philosophy, and Watchmen and Philosophy. curiouser RICHARD BRIAN DAVIS is an associate professor of philosophy at Tyndale University College and the coeditor of 24 and Philosophy. R I C H A R D B R I A N D AV I S AND PHILOSOPHY Alice’s Adventures in Wonderland has fascinated children and adults alike for generations. Why does Lewis Carroll introduce us to such oddities as a blue caterpillar who smokes a hookah, a cat whose grin remains after its head has faded away, and a White Queen who lives backward and remembers forward? Is it all just nonsense? Was Carroll under the influence? This book probes the deeper underlying meaning in the Alice books and reveals a world rich with philosophical life lessons. Tapping into some of the greatest philosophical minds that ever lived— Aristotle, Hume, Hobbes, and Nietzsche—Alice in Wonderland and Philosophy explores life’s ultimate questions through the eyes of perhaps the most endearing heroine in all of literature. B Y WONDERLA ND R E D I T E D WILLIAM IRWIN IN Can Humpty Dumpty make words mean whatever he says they mean? Alice Should the Cheshire Cat’s grin make us reconsider ...

Words: 70265 - Pages: 282

Free Essay

The Outline of English Literature

...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...

Words: 82733 - Pages: 331

Free Essay

Alchemist

...Ben Jonson (1572–1637).  The Alchemist. The Harvard Classics.  1909–14. | | |  | |Introductory Note | |  | |  | |BEN JONSON was born of poor parents at Westminster in 1573. Through the influence of Camden, the antiquary, he got a good |  1| |education at Westminster School; but he does not seem to have gone to a University, though later both Oxford and Cambridge gave | | |him degrees. In his youth he practised for a time his stepfather’s trade of bricklaying, and he served as a soldier in Flanders. | | |  It was probably about 1595 that he began to write for the stage, and within a few years he was recognized as a distinguished |  2| |playwright. His comedy of “Every Man in His Humour” was not only a great immediate success, but founded a school of satirical | | |drama in England. “Sejanus” and “Catiline” were less popular, but are impressive pictures of Roman life, less interesting but more| | |accurate than the Roman plays of Shakespeare. ...

Words: 30021 - Pages: 121

Premium Essay

Prose Fiction

...SECOND DRAFT Contents Preamble Chapter 1 1.1 1.2 1.3 1.4 1.5 Background Rationale Aims Interface with the Junior Secondary Curriculum Principles of Curriculum Design Chapter 2 2.1 2.2 2.3 2.4 2.5 1 Introduction Literature in English Curriculum Framework Strands and Learning Targets Learning Objectives Generic Skills Values and Attitudes Broad Learning Outcomes Chapter 3 5 7 9 10 11 11 13 Curriculum Planning 3.1 Planning a Balanced and Flexible Curriculum 3.2 Central Curriculum and School-based Curriculum Development 3.2.1 Integrating Classroom Learning and Independent Learning 3.2.2 Maximizing Learning Opportunities 3.2.3 Cross-curricular Planning 3.2.4 Building a Learning Community through Flexible Class Organization 3.3 Collaboration within the English Language Education KLA and Cross KLA Links 3.4 Time Allocation 3.5 Progression of Studies 3.6 Managing the Curriculum – Role of Curriculum Leaders Chapter 4 1 2 2 3 3 13 14 14 15 15 16 16 17 17 18 21 Learning and Teaching 4.1 Approaches to Learning and Teaching 4.1.1 Introductory Comments 4.1.2 Prose Fiction 4.1.3 Poetry i 21 21 23 32 SECOND DRAFT 4.1.4 Drama 4.1.5 Films 4.1.6 Literary Appreciation 4.1.7 Schools of Literary Criticism 4.2 Catering for Learner Diversity 4.3 Meaningful Homework 4.4 Role of Learners Chapter 5 41 45 52 69 71 72 73 74 Assessment 5.1 Guiding Principles 5.2 Internal Assessment 5.2.1 Formative Assessment 5.2.2 Summative Assessment 5.3 Public Assessment 5.3.1 Standards-referenced...

Words: 41988 - Pages: 168

Premium Essay

Reading a Novel in 1950-2000

...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...

Words: 123617 - Pages: 495

Premium Essay

Learning Theory

...Beginning theory An introduction to literary and cultural theory Second edition Peter Barry © Peter Barry 1995, 2002 ISBN: 0719062683 Contents Acknowledgements - page x Preface to the second edition - xii Introduction - 1 About this book - 1 Approaching theory - 6 Slop and think: reviewing your study of literature to date - 8 My own 'stock-taking' - 9 1 Theory before 'theory' - liberal humanism - 11 The history of English studies - 11 Stop and think - 11 Ten tenets of liberal humanism - 16 Literary theorising from Aristotle to Leavis some key moments - 21 Liberal humanism in practice - 31 The transition to 'theory' - 32 Some recurrent ideas in critical theory - 34 Selected reading - 36 2 Structuralism - 39 Structuralist chickens and liberal humanist eggs Signs of the fathers - Saussure - 41 Stop and think - 45 The scope of structuralism - 46 What structuralist critics do - 49 Structuralist criticism: examples - 50 Stop and think - 53 Stop and think - 55 39 Stop and think - 57 Selected reading - 60 3 Post-structuralism and deconstruction - 61 Some theoretical differences between structuralism and post-structuralism - 61 Post-structuralism - life on a decentred planet - 65 Stop and think - 68 Structuralism and post-structuralism - some practical differences - 70 What post-structuralist critics do - 73 Deconstruction: an example - 73 Selected reading - 79 4 Postmodernism - 81 What is postmodernism? What was modernism? -...

Words: 98252 - Pages: 394

Premium Essay

Cyrus the Great

...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...

Words: 221284 - Pages: 886

Free Essay

The Astrology

...The New Astrology by SUZANNE WHITE Copyright © 1986 Suzanne White. All rights reserved. 2 Dedication book is dedicated to my mother, Elva Louise McMullen Hoskins, who is gone from this world, but who would have been happy to share this page with my courageous kids, April Daisy White and Autumn Lee White; my brothers, George, Peter and John Hoskins; my niece Pamela Potenza; and my loyal friends Kitti Weissberger, Val Paul Pierotti, Stan Albro, Nathaniel Webster, Jean Valère Pignal, Roselyne Viéllard, Michael Armani, Joseph Stoddart, Couquite Hoffenberg, Jean Louis Besson, Mary Lee Castellani, Paula Alba, Marguerite and Paulette Ratier, Ted and Joan Zimmermann, Scott Weiss, Miekle Blossom, Ina Dellera, Gloria Jones, Marina Vann, Richard and Shiela Lukins, Tony Lees-Johnson, Jane Russell, Jerry and Barbara Littlefield, Michele and Mark Princi, Molly Friedrich, Consuelo and Dick Baehr, Linda Grey, Clarissa and Ed Watson, Francine and John Pascal, Johnny Romero, Lawrence Grant, Irma Kurtz, Gene Dye, Phyllis and Dan Elstein, Richard Klein, Irma Pride Home, Sally Helgesen, Sylvie de la Rochefoucauld, Ann Kennerly, David Barclay, John Laupheimer, Yvon Lebihan, Bernard Aubin, Dédé Laqua, Wolfgang Paul, Maria José Desa, Juliette Boisriveaud, Anne Lavaur, and all the others who so dauntlessly stuck by me when I was at my baldest and most afraid. Thanks, of course, to my loving doctors: James Gaston, Richard Cooper, Yves Decroix, Jean-Claude Durand, Michel Soussaline and...

Words: 231422 - Pages: 926

Free Essay

Suede Discography

...Suede released 29th march 1993 nude records formats: lp/mc/cd (nude1lp/mc/cd) members of the band: Brett Anderson (lyrics, vocals), Bernard Butler (music, guitar, some piano), Mat Osman (Bass), Simon Gilbert (drums) producer and some piano: Ed Buller Shot in grainy fag-ash monochrome, he sits sideon with head back, long hair draped over one half of his face, filter-tip in paw, and a distant, unreadable experience in his eyes. The credit says simply: “Beckenham ‘69” Now 1969 was a strange year for Bowie. He had just been turned down by a fourth record company. His improbable, over-ambitious folk01 so young 02 animal nitrate 03 she's not dead mime trio Feathers was going nowhere. His 04 moving 05 pantomime horse 06 the drowners relationship with self-styled actress Hermione 07 sleeping pills 08 breakdown 09 metal mickey Farthingale was on the skids. And his grandiose10 animal lover 11 the next life sounding Beckenham Arts Lab – the venue where the photo was taken – was in truth just a So Young back room of the Three Tuns boozer in anderson / butler Beckenham high street. It was not a great time to be the future Thin White Duke. she can start to walk out when she wants because we're young, because we're gone But weird karma was afoot. He had written a we'll take the tide's electric mind, oh yeah? oh song called “space oddity”, Neil Armstrong was yeah fourth months away from sketching that crucial inaugural moonwalk. And David Bowie was five we're so young and so gone, let's...

Words: 11350 - Pages: 46

Premium Essay

Harold Bloom

...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...

Words: 239932 - Pages: 960

Free Essay

Jane Eyre

...University, Electronic Classics Series, Jim Manis, Faculty Editor, Hazleton, PA 18202-1291 is a Portable Document File produced as part of an ongoing student publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Cover Design: Jim Manis Copyright © 2003 - 2012 The Pennsylvania State University is an equal opportunity university. Charlotte Brontë Jane Eyre by Charlotte Brontë PREFA PREFACE A PREFACE TO THE FIRST EDITION of Jane Eyre being unnecessary, I gave none: this second edition demands a few words both of acknowledgment and miscellaneous remark. My thanks are due in three quarters. To the Public, for the indulgent ear it has inclined to a plain tale with few pretensions. To the Press, for the fair field its honest suffrage has opened to an obscure aspirant. To my Publishers, for the aid their tact, their energy, their practical sense and frank liberality have afforded an unknown and unrecommended Author. The Press and the Public are but vague personifications for 3 me, and I must thank them in vague terms; but my Publishers are definite: so are certain generous critics who have encouraged me as only...

Words: 189679 - Pages: 759

Free Essay

Novel

...Salman Rushdie Midnight's Children First published in 1981 Excerpts from the Koran come from the Penguin Classics edition, translated by N. J. Dawood, copyright (c) 1956, 1959,1966,1968,1974. for Zafar Rushdie who, contrary to all expectations, was born in the afternoon Contents Book One The perforated sheet Mercurochrome Hit-the-spittoon Under the carpet A public announcement Many-headed monsters Methwold Tick, tock Book Two The fisherman's pointing finger Snakes and ladders Accident in a washing-chest All-India radio Love in Bombay My tenth birthday At the Pioneer Cafe Alpha and Omega The Kolynos Kid Commander Sabarmati's baton Revelations Movements performed by pepperpots Drainage and the desert Jamila Singer How Saleem achieved purity Book Three The buddha In the Sundarbans Sam and the Tiger The shadow of the Mosque A wedding Midnight Abracadabra Book One The perforated sheet I was born in the city of Bombay ... once upon a time. No, that won't do, there's no getting away from the date: I was born in Doctor Narlikar's Nursing Home on August 15th, 1947. And the time? The time matters, too. Well then: at night. No, it's important to be more ... On the stroke of midnight, as a matter of fact. Clock-hands joined palms in respectful greeting as I came. Oh, spell it out, spell it out: at the precise instant of India's arrival at independence, I tumbled forth into the world. There were gasps. And, outside the...

Words: 217909 - Pages: 872

Free Essay

Longman

...Instructor’s Manual to Accompany The Longman Writer Rhetoric, Reader, Handbook Fifth Edition and The Longman Writer Rhetoric and Reader Fifth Edition Brief Edition Judith Nadell Linda McMeniman Rowan University John Langan Atlantic Cape Community College Prepared by: Eliza A. Comodromos Rutgers, The State University of New Jersey New York San Francisco Boston London Toronto Sydney Tokyo Singapore Madrid Mexico City Munich Paris Cape Town Hong Kong Montreal NOTE REGARDING WEBSITES AND PASSWORDS: If you need a password to access instructor supplements on a Longman book-specific website, please use the following information: Username: Password: awlbook adopt Senior Acquisitions Editor: Joseph Opiela Senior Supplements Editor: Donna Campion Electronic Page Makeup: Big Color Systems, Inc. Instructor’s Manual to accompany The Longman Writer: Rhetoric, Reader, Handbook, 5e and The Longman Writer: Rhetoric and Reader, Brief Edition, 5e, by Nadell/McMeniman/Langan and Comodromos Copyright ©2003 Pearson Education, Inc. All rights reserved. Printed in the United States of America. Instructors may reproduce portions of this book for classroom use only. All other reproductions are strictly prohibited without prior permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews. Please visit our website at: http://www.ablongman.com ISBN: 0-321-13157-6 1 2 3 4 5 6 7 8 9 10 - D O H - 05 04 03 02 CONTENTS ...

Words: 78100 - Pages: 313