...Urban Modernity in NY (1908) and Ash Can artists General: The thrills of technology, such as coney island, city of wonders, also had the nitty gritty, more poverty and realistic side of the city with the ash can artists • Song Slide: nickelodeon o Diversity, adults children white black o Let the audience feel as a presence w/in performance o Act of watching was also entertainment • Coney Island at Night- film frame o Electricity changing what nighttime meant in urban setting • Before it was to be avoided and now it is not. Led to growth of nightlife • Footlight flirtation o Vaudeville established itself from burlesque/cheap entertainment • Create a form of entertainment that could be viewed by all, no vulgarity • Movies: five cents o Films mixed with live acts, broadened nighttime environment (attended by unescorted women, creating unsupervised encounters b/w men and women) • Started consumer culture- break down Victorian gender • Mixed audience represented experience of urban life (black/white, men/women) Exciting, instability, city new visual experience • Lone Tenement (George Bellows) o Wanted to facec the ugly in city as well as beautiful o Worked against Whistler (avoided aesheticism) • Rawness of city, depicted vaudeville (which is like mixture of acts such as burlesque, comedians, music, etc) o Liked to show economic conditions of urban poor • Ash Can painting style: thick and messy, meant to look like it was applied slap-dash...
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...Art from the past can depict and influence culture in a variety of ways, and can still be seen in our own culture today. At times, we might often wonder how a tradition or ritual had originally started, but never actually retrieve many answers. Fortunately, art from centuries ago could help us trace the clues to how things began. The things that we see and use nowadays could have easily be connected to the past as a sacred relic or a powerful symbol. Though we may not know it, we could very well be using some of the same customs that many have used in the past, but in our own modern way. Regardless of when it was made or where it was originated, art can take on different forms, but still hold some of the same meaning it had had from many years...
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...My visit to the American Museum of Ceramic Art was a new and exciting experience. The museum seemed quite small at sight but after going through the exhibitions on display such as: Jim Romberg and Patrick Crabb, Jeff Blandford: Life Behind the Wheel, RE-MADE: Contemporary Approaches to Factory Ceramics, and Mettlach: Medieval to Modern, I was fascinated at all the various ceramic pieces and convinced that I would enjoy the museum. Every artist featured in the museum had a different style of their own art which was shone through the colors, textures, and form of every original piece. The first ceramic piece that caught my attention was titled “Florence Ceramics, Elizabeth on Settle.” The piece was a gift of Doug Foland, author of The Florence...
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...ART 1010 Three Examples of Native American Art Art is defined differently by each person, and I tend to lean towards a personal definition as well. It is a play on the words of Supreme Court Justice Potter Stewart when he was referring to obscenity. “I know it when I see it.” This allows me to recognize what I consider art, and it also gives me the ability to decide what types of art speak to me. Native American art has always been close to my heart because of my personal ancestry, and I hope to pique the reader’s interest in some of the fine examples of this art that are readily accessible today (1964). Native North American tribes, in large part were nomadic and struggled for their everyday existence. Most native art is considered craft work because they were meant to be utilized as practical tools. Some examples include, woven blankets and rugs, pottery, and baskets. Other pieces of their art fall within a few other categories, and include jewelry, beadwork, and headdresses. The architecture of these tribes may not be considered artistic by some standards, but I feel that there is a certain rustic beauty to it. Each of the pieces I will discuss fall easily within these categories. Design is an important element to any piece of art, and it is especially important for craft pieces that are intended for use. The design must meet certain standards to be useful. For example, a blanket needs to not only keep a person warm, but it must be somewhat light and...
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...BALTIMOR, MD. - Like many of the other museums in Baltimore, the American Visionary Art Museum has a lot for art lovers this Fall. Located in Federal Hill neighborhood, the art museum continues to present outsider art in the most conducive setting. Although many of the works on display are by self-taught artists, they are nonetheless unique. From new installations to permanent collections, there is so much to see this Fall at the American Visionary Art Museum. Yummm! The History, Fantasy, and Future of Food, Oct 8, 2016-Sept 3, 2017 Twenty-one years after it was formed, the American Visionary Art Museum has become one of the major art museums in Maryland. Its preference for presenting outsider art has made it one of the unique places to visit...
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...Marketing American Western Art in China Lewis Clark State College Business 482-7501 Introduction Specializing in American Western and wildlife art, the idea of penetrating the Chinese art market is very intriguing, and it has been on the mind of art dealers of all genres for years. The first section of this paper will analyze China and the business experience including GDP, etiquette, negotiating, business attire, and banquet dinners. The next section will discuss China's market structure and direct foreign investors. Third, discusses China's demographics followed by advertising regulations. Finally, the Chinese art market will be introduced and in section two, a marketing strategy will be proposed to enter China's art market, create demand for American Western and wildlife art, and discuss strategic partnerships and co-branding opportunities. China And The Business Experience For centuries, China stood as a leading civilization, outpacing the rest of the world in the arts and sciences, but in the 19th and early 20th centuries, the country was beset by civil unrest, major famines, military defeats, and foreign occupation. After World War II, the communists under MAO Zedong established an autocratic socialist system that, while ensuring China's sovereignty, imposed strict controls over everyday life and cost the lives of tens of millions of people. After 1978, MAO's successor DENG Xiaoping and other leaders focused on market-oriented economic development...
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...American Art before and after World War II Marty Rieth ARTS/125 June 27, 2016 Sarah Baer American Art before and after World War II The objective for the following paper is to discuss issues concerning American art before and after World War II. The discussion will include an examination of the artwork of three artists. Two artists will have worked during the Great Depression and one artist will have been an Abstract Expressionist. In discussing the artists’ work, a description of each work and its style will be included. An examination into the Great Depression and the purpose of artwork created during that time, whether they were tools for social reform, and other types of messaging that were present in the works will be discussed. Post-World War II Abstract Expressionism and how it differed from art work of the 1930’s will be discussed. Finally, an explanation into the style of the chosen Abstract Expressionists work and why they were interested in the style will be discussed (Was there a meaning to their work?). Artist Examinations Two artist that come to mind when speaking of The Great Depression are Maynard Dixon and Grant Wood. The artist Maynard Dixon showed his artistic abilities during The Great Depression by creating images in a style dubbed social realism. One of Dixon’s famous paintings was called Springtime on Bear Mountain. The illustration is of a plot of land from the mountainous western countryside. In the front is flat land where a...
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...Meah Maddox 10/28/2013 After an Imaginary Slumber:.. Response Afro-American Art MWF 10:00-10:50 AM I found this article to be very eye opening and informative, I’ve always known that Africa has been known as many things in ways to insult and degrade my ancestors. According to Webster’s Dictionary the word slumber means to be in a torpid, slothful, or negligent state. To be thought of by our human counterparts as such lazy and inhibited people almost saying that our means to exist is not needed or wanted. For the connotation that because my ancestors were a dark skinned people that we somehow represent evil, darkness, and the devil, don’t get me wrong I can see how one would get that kind of interpretation when the devil fell from glory, but what does that have to do with anything pertaining to how my ancestors tried to live their lives. It turns my stomach every time I read or find out new information about how my ancestors were treated during the slave trade time. I mean Africa was rich in so many natural resources and for it to just taken control of by its unnatural inhabitants is a violation of a humans rights whoever said that because certain people have a lighter shade of skin tone that they control the world. A way that I tie this back into my life in the modern times is that I feel like a lot of the African American Society are slumbering. Especially the young people of my generation, I feel like we have become very lazy and content with the way things have turned...
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...American Art Project Part One: Baptism of Pocahontas Artist: John Gadsby Chapman John Gadsby Chapman created a masterpiece that showed the Baptism of Pocahontas which was commissioned in 1837 and officially hung in 1840. This is a significant piece of art that gives a glimpse of what it might have looked or felt like for the American Indians at that time. American Indians entering into the Christian faith symbolizes the change that America was rapidly going through, but also the “take-over” by American Settlers. This was the period of time when American settlers and American Indians had strained relations and by this time they were being forced off of their land. I believe this was another way for the Americans to show their strong beliefs in Christianity; and furthermore strengthening their support among the Indians by using a popular Native face in the painting. I believe that a wide range of emotions were presented in this picture; from confusion, to anger, happiness, and maybe some who just felt indifferent or intrigued by it all. Gadsby also did a very good job at showing a softer side to Pocahontas and portraying her in a more feminine way, contrary to how she had been portrayed many times before as a heroic icon. Declaration of Independence Artist: John Trumbull The Declaration of Independence as shown in this painting is a phenomenal piece of art work that was commissioned in 1817 and hung in 1818. This painting depicts the seriousness of the matter by portraying...
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...Nina Wohl Columbia University Graduate School of Arts and Sciences AHIS W4855 African American Artists in the 20th and 21st Centuries Spring 2012 Research Paper – African American Art & the Great Depression The Great Depression was the worst economic downturn of the twentieth century. The federal government took unprecedented action to provide relief, recovery and reform. No group was harder hit by the Great Depression than African Americans. The New Deal was slow to deal with the unique situation faced by African Americans. The struggles of the Great Depression laid the foundation for the civil rights movement of the 1950s and 1960s. Art would play an important role in influencing the future. Despite its limitations, the New Deal, through the Works Progress Administration’s (WPA) Federal Arts Program (FAP), was responsible for reshaping the cultural agenda and “marked a significant turning point in the production of black culture.”1 The artists of the Great Depression built upon the work done during the Harlem Renaissance. New Deal art extended and affirmed art that translated “politics into cultural terms.”2 The FAP looked for a “new sense of authentic American culture – one that championed national values and traditions by celebrating regional and racial diversity.”3 As a result, many artists worked to place African Americans in the historical narrative of the United States while combating long held stereotypes. None were less important than Aaron Douglas...
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...American Citizens: Racism, Discrimination, and Identity The creation of history is an ongoing process we all participate in. According to Kristine Kuramitsu, Internment and Identity in Japanese American Art, “an ethnic community is never a monolithic entity but a group that is, by definition, connected by some set of memories and experiences.” Collective memories have shaped our identity; some people protest others choose to agree with version illustrated and perceived which best defines their relative existence. However, “with this personal identification with a community subgroup comes the threat of isolation” (Kuramitsu). The more an individual begins to recognize their heritage and embrace their origin, Gayatri Spivak, “Acting Bits/Identity Talk”, Critical Inquiry would assert, “history slouches in one’s origins, ready to comfort and kill.” The consequences of history offer to narratives, peace and equality or secondly protest and pain. In America which operates on the principle of Democracy, people and citizens believe in fundamental rights as intuitively recognizable. These provisions are grounded in the Thirteenth and Fourteenth Amendments of the U.S. Constitution. During World War II these rights were quickly destroyed. Internment camp prisoner Henry Sugimoto and War Relocation Authority photographer Dorothea Lange’s; uncensored artwork and photography lifted the veil capturing the plight and destitute existence Japanese Americans citizens endured as a result of...
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...two different cultures, art may be used to bridge gaps as well as solidify separation between the two cultures. Cultures express themselves through the art they produce. In specific, Japan and South America share many similarities and differences in the historical context, symbolism, form, and content of their artworks. The Japanese respected nature, disciplined themselves mentally and religiously, and practiced a specific religion, Shinto, collectively as a country, and their art displays those things. The South Americans were made up of several different subcultural societies, who practiced their own religions and were very rhythmic with the natural and supernatural worlds. The forms of art used by these two cultures shed light...
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...Jessica Fisher December 6, 2014 American Art Project Part 1 Baptism of Pocahontas John Gadsby Chapman Chapman conveys sign of peace between the Indian tribes and the white colonists in this painting. Pocahontas brings peace between the two groups. The feeling that Chapman had captured were feelings were that of acceptance by the colonists because Pocahontas has become one of them by accepting their faith and practices, eventually marrying colonist John Rolfe. The Indian tribe not so much, they want to befriend the colonist just not at the cost of one of their own; not all felt that way as you can tell in the painting. Mr. Chapman received the commission in 1837, and the painting hung or “installed” in 1840. The events in this painting had occurred when America was breaking away from British rule. Then the rift between the English colonist and the Indian tribes that already inhabited the new world. The message of this painting is that no matter the differences that people face they can come together as one and live in harmony. Mr. Chapman is successful in communicating his message through the painting because it makes aware that part of history and what Pocahontas did to bring peace between the two groups. There is a clear connection between the context and content of the piece the two groups coming together to witness the momentous occasion in this young woman’s life. Once bitter enemies, and now friends...
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...Shameeza Subtil Professor Lindo African American Arts May 5, 2010 Exploring African Influence on the West Indian/Caribbean Culture It is rather interesting that in a “progressive” society, our behavior and practices are firmly rooted in our past. It is ever possible to wrest ourselves from the harsh realities of slavery and its ensuing impact upon Caribbean way of life? Probably to do so may mean rewriting history (our-story) or maybe knowledge of where we are coming from is what we need to help us embrace those parts of our history that must be held on to and celebrated and relinquish the undesirable parts: our acceptance of being powerless; our antagonistic propensities. The impact of West Indian slavery on the cultural landscape of the Caribbean cannot be under estimated or taken for granted. In the entire discourse on West Indian slavery, it is often taken for granted that the discussion centers solely on enslaved Africans. However, slavery brought to the region not only African but Europeans (Spaniards, French and British) and consequent to its abolition, there was the advent of the east Indians. We see the impact of their influence in the names of places; the foods we eat; our music and dance; our arts and craft, gender and sexuality. As these and other anecdotal evidences are examined and the academic contributions of others are analysed, Caribbean culture will be clearly defined and its origin established. Slavery and its attending impact upon Caribbean culture have been...
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...The six works of American art that I have chosen all represent women. These paintings show how women were depicted by American artists. Some of the works of art show only women or children, while one of the portraits shows a couple. John Singleton Copley painted Portrait of Mr. and Mrs. Thomas Mifflin (Sarah Morris). This is the only portrait that I have selected that shows both man and woman. I feel that these six works of art show the growth of how women were presented from 1671-1893. The works of art that I have selected are Mrs. Elizabeth Freake and Baby Mary(1671-74), Mr. and Mrs. Thomas Mifflin(1773), The White Girl(1862), Miss Amelia Van Buren(1891), A Virgin(1892-93),and Lady Agnew of Lachnaw(1892-93. I believe that these paintings are similar in many ways, yet different as well. Anonymous, Mrs. Elizabeth Freake and Baby Mary, This painter, although unknown, can be attributed to half-dozen portraits that were painted in Boston. This colonial painter shows their knowledge of traditional British portraiture that is derived from representations of Elizabeth I. As you can see by looking at this painting, this artist gave more attention to the clothing that Mrs. Elizabeth Freake is wearing then to Mrs. Freake’s characteristics. This portrait was done in oil on a 42 ½ X 36 ¾ “ canvas. One way that I feel that this painting is different than the other paintings is that it is a pendant portrait. This was painted to hang next to the portrait of Mr. Freake. These paintings...
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